Audience One Light Quotes & Sayings

But what really won me over was his butt. What finally made it impossible for me not to like the man was how right out there on the Adventist basepaths, right in front of eighty or ninety of the kind of pious adult spectators who spent their every Sabbath if not their entire lives trying to forget the existence of things like butts, Beal's buns were trying to light a fire by friction inside his jeans; they were gyrating like a washing machine with its load off balance; they were thrashing against his pants like two big halibut against the bottom of a boat. And the wonderful thing, the amazing thing, was how once his older audience got over the shock of it, they began to look amused at, then fascinated by, and finally downright grateful toward his writhing reminder that yes, buns did exist, and yes, every one of us owned not one but two of the things, and yes, like the God who created them in His Image, they did indeed move in mysterious ways. — David James Duncan

I've peered into every window, making sure Sthenno isn't within, and am about to concede defeat and return to the meeting place when my light flashes over a small reflective surface back at the far end of the hall.
I sigh.
"This is the place in the movie," I whisper, "when the audience yells for the heroine to run. — Tera Lynn Childs

The event that will light the way for immigration in North America is the talking picture. The silent film brings nothing but entertainment - a pie in the face, a fop being dragged by a bear out of a department store - all events governed by fate and timing, not language and argument. The tramp never changes the opinion of the policeman. The truncheon swings, the tramp scuttles through a corner window and disturbs the fat lady's ablutions. These comedies are nightmares. The audience emits horrified laughter as Chaplin, blindfolded, rollerskates near the edge of the unbalconied mezzanine. No one shouts to warn him. He cannot talk or listen. North America is still without language, gestures and work and bloodlines are the only currency. — Michael Ondaatje

And so I played, and they held their breath, as they heard the beauty of the music, so like a human voice, yet so beyond it. I drew the bow across the strings. The first notes of the Bach Sarabande sounded in the room and I felt the sound waves travel through me, through the body and guts of my cello, through the endpin and into the wood of the floorboards and through the feet of the audience and up through their skeletons to their hearts and into their brains and the music reached their brains and their hearts at the same time - for sound travels according to the laws of physics, and I saw the light behind their eyes catch fire and heard them intake breath as they felt the rush of the music take over their bodies, aethereal and corporeal combined. — Tracy Farr

What I have found is, so much of that is like a Chinese finger trap: the more you play to the dark, the more you will get trapped in the dark, and if you just play to the light and focus on the people that don't misunderstand you and focus on the audience that does celebrate you and focus on the people who aren't trying to tear you down, all that other stuff eventually erases itself because it has nothing to feed on. — Amanda Palmer

In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. — Diego Luna

What magicians we are, turning darkness into light, transforming invisible atoms into dazzling theater of the world, pulling objects, (people as well as rabbits) out of secret microscopic closets, turning winter into summer, making a palmful of moments disappear through time's trap door. We learned the methods so long ago that they're unconscious, and we've hypnotized ourselves into believing that we're the audience, so I wonder where we served our apprenticeship. Under what master magicians did we learn to form reality so smoothly that we forgot to tell ourselves the secret? — Jane Roberts

Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out. — Mitzi Gaynor

I think it's very important for me to work on myself while I'm working on a character, and also it's important how I'm giving to and educating an audience. So I tend to go with people who are complex and substantive. — Judith Light

You're afraid of the audience, aren't you?"
"Yes, but it's not stagefright. It's that I'm there as the geek. They like to watch me eat my shit. But it pays the light bill and takes me to the racetrack. I don't have any excuses about why I do it. — Charles Bukowski

Dancers work and live from the inside. They drive themselves constantly producing a glow that lights not only themselves but audience after audience. — Murray Louis

I feel also that the rhythm of a production is made by the lighting. If it feels like it's too long and too slow, it may well be because the light is changing in a way that makes the audience feel that way. Definitely I feel that light and music are very closely related. — Jennifer Tipton

There was not a lot of dialogue. The titles were just to keep you up. It's the visual stimulation that hits the audience. That's the reason for film. Otherwise, we might as well turn the light out and call it radio. — Robert Altman

What does it mean to call for a "democratic" solution if you don't have a conflict-resolution mechanism in mind?
I think it means that you have said the word "democracy," so the audience is supposed to cheer. It's not so much a propositional statement, as the equivalent of the "Applause" light that tells a studio audience when to clap. — Eliezer Yudkowsky

Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy. — Gabrielle Union

As soon as my watch showed 5:00 p.m., I walked in. Gene was at the lectern of the darkened theatre, still talking, apparently oblivious to time, responding to a question about funding. My entrance had allowed a shaft of light into the room, and I realized that the audience's eyes were now on me, as if expecting me to say something.
'Time's up,' I said. 'I have a meeting with Gene. — Graeme Simsion

The light. The light is so bright that all that remains is you and the darkness. You can feel the audience breathing. It's like holding a gun or standing on a precipice and knowing you must jump. It feels slow and fast. It's like dying and being born and fucking and crying. It's like falling in love and being utterly alone with God; you taste your own mouth and feel your own skin and I knew I was alive and I knew who I was and that that wasn't who I'd been up till then. I'd never been so far away but I knew I was home. "I know everything," I thought. — Anonymous

We must recognize the eloquence of our passions and refuse to be taken in. Instead of saying, 'That false friend always did despise me,' say: 'In my present state of agitation, I can't see clearly, I can't judge clearly; I am only a tragic actor who is declaiming for his own ears.' Then you will see the lights in the theater go out for lack of an audience, and the brilliant sets will be nothing more than painted cardboard. — Emile Chartier

European fascism changed comedy in America. Jack Benny explained, 'During World War II, attitudes changed. Hitler's ideology of Aryan supremacy put all ethnic humor in a bad light. When the black man's fight for equal rights and fair play became an issue after the War, I would no longer allow Rochester to say or do anything that an audience would consider degrading.' Benny's attitude toward race relations was enlightened. Starting in 1940 he refused to play any segregated venue. In the 1960s when his agent scheduled a world tour, Benny chastised him for booking a gig in apartheid South Africa and refused to appear. — Kliph Nesteroff

I valued the experience of making the recordings, and I value the performances contained therein, and I value so much of what they can represent. I also think they're a terrific listening experience. Putting them out this way was a way of trying to maintain and nurture the relationship with the audience and also shine a light on the recent past, because we are so apt to be forgetful as human beings that there was such a thing as a recent past. These are some of the reasons for making this record. — Will Oldham

Our shows are packed with laughter and light-hearted songs to lift the listener from their everyday life. We encourage the audience to participate in any way. — Jason Mraz

If ever there was a prime-time trigger for PTSD you couldn't do much better than this, but lucky for Norm, the crowd, America, the forty-million-plus TV viewing audience, Bravos can deal, oh yes! Pupils dilated, pulse and blood pressure through the roof, limbs trembling with stress-reflex cortisol rush, but it's cool, it's good, their shit's down tight, no Vietnam-vet crackups for Bravo squad! You can march these boys straight into sound-and-light show hell and Bravos can deal, but damn, isn't it rude to put them through it. — Ben Fountain

What I depend on is a vigorous audience that can discover sweetness and light, beauty and truth, beyond the ability of the artist, on his own, to create them. — Orson Scott Card

Self-pity, a dominant characteristic of sociopaths, is also the characteristic that differentiates heroic storytelling from psychological rumination. When you talk about your experiences to shed light, you may feel wrenching pain, grief, anger, or shame. Your audience may pity you, but not because you want them to. — Martha Beck

There are so many ways to exit towards the Light, but with my luck, I'd be the one electrocuted by Diwali lights. Or the one who cracks her head falling off a footstool. I'd still be a jester, leaving the audience with a stitch in their sides. — Amruta Patil

I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it. — Rhys Darby

A piece of literature can be many things but first of all it must capture its audience. You need to seduce people, entice them into a world of beauty and horror, light and shadow, of passion, of romance, of mystery. That's the magic of it. Beyond that, of course, you can open a dialogue about the ideas which interest you, but first of all you absolutely must get inside people's minds. — Carlos Ruiz Zafon

My kids are my No. 1 priority. They're the light in my everyday life. The sunshine. The miracle. Those eyes. Those smiles. At the same time, I have an extended, amazing family that is my audience. All these people have been with me for such a long time. I have these two responsibilities. — Thalia

I went to see 'Shine a Light,' and it was the most perfect thing I could have done to watch that man do what he does in front of an audience. It's primarily Mick Jagger, but they're all so confident and relaxed and in love with what they do, and aware of the power of what they do. It's just deeply, deeply attractive. — Ben Daniels

The essence of the evening was captured by a question from the audience. Someone asked: "What would it take to change your worldview?" My answer was simple: Any single piece of evidence. If we found a fossilized animal trying to swim between the layers of rock in the Grand Canyon, if we found a process by which a new huge fraction of a radioactive material's neutrons could become protons in some heretofore fantastically short period of time, if we found a way to create eleven species a day, if there were some way for starlight to get here without going the speed of light, that would force me and every other scientist to look at the world in a new way. However, no such contradictory evidence has ever been found - not any, not ever. — Bill Nye

Here was opportunity to make an audience walk and move, be sociable in a way never dreamed of by the rigors of cinema-watching, in circumstances where many different perspectives could be brought to bear on a series of phenomena associated with the topics under consideration. Yet all the time it was a subjective creation under the auspices of light and sound, dealing with a large slice of cinema's vocabulary. — Peter Greenaway

In the circle of light on the state in the midst of darkness, you have the sensation of being entirely alone ... This is called solitude in public ... During a performance, before an audience of thousands, you can always enclose yourself in this circle, like a snail in its shell ... You can carry it wherever you go. — Konstantin Stanislavski

Suppose every photo of me ever taken was an infinitesimal piece? Every magazine ad, every negative, every frame of motion picture film - another tiny molecule of me, stolen away to feed an audience that is *never* satiated. And when someone is fully consumed - vampirized - they move on, still hungry, to pick their next victim by making him or her a star. That's why they're called consumers. ("Red Light") — David J. Schow

For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will. — Christopher Nolan

Our turn," Joan whispers.
She sparks to life a small sphere of light, maybe the size of a globe, right above the audience's heads. And then she breathes life into it, slowly expanding it, like she's blowing up the world's most brilliant, glimmering balloon.
I whisper beside her, "Incredible." Because despite how dangerous magic can be - how it's been used to hide murders, cover up robberies, send people spiraling into the throes of addiction - there's just no denying that it is. — Lee Kelly

I started to do a study on how not to do stand-up comedy. Yeah, it's lonely work. You die, you die alone. It's you, the light, and the audience. If you win, you win big. If you lose, you lose big time. — Jim Varney

The audience
the book's actual cast
quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material
surprisingly conservative despite its surface immorality
had to be reshaped. — Bret Easton Ellis

The point is that television does not reveal who the best man is. In fact, television makes impossible the determination of who is better than whom, if we mean by 'better' such things as more capable in negotiation, more imaginative in executive skill, more knowledgeable about international affairs, more understanding of the interrelations of economic systems, and so on. The reason has, almost entirely, to do with 'image.' But not because politicians are preoccupied with presenting themselves in the best possible light. After all, who isn't? It is a rare and deeply disturbed person who does not wish to project a favorable image. But television gives image a bad name. For on television the politician does not so much offer the audience an image of himself, as offer himself as an image of the audience. And therein lies one of the most powerful influences of the television commercial on political discourse. — Neil Postman

I'm more interested in pulling out strands of joy from both myself and the audience. I'm not saying the music or songs are "light," just that when they're performed with the correct commitment it's a source of real pleasure, for me anyway. — Michael Gira

The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum. — Andrew Bird

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room. — Tim Crouch

At its best, SF cinema is an allegorical site that invites the audience to safely examine and reflect on long-standing social issues in an unfamiliar setting, providing the possibility of viewing them in a new light. At its worst, the process of allegorical displacement invites audiences to affirm racist ideas, confirm racial fears, and reinforce dubious generalizations about race and the place of African Americans in U.S. society without employing overt racial language or explicit imagery. — Adilifu Nama

Would this make sense to the TV audience? That a thing like a protest expands and draws everything into it. He wants to tell his audience that the reality they are seeing on television is not Reality. Imagine a single drop of water: that's the protest. Now put that drop of water into a bucket: that's the protest movement. Now drop that bucket into Lake Michigan: that's Reality. But old Cronkite knows the danger of television is that people begin seeing the entire world through that single drop of water. How that one drop refracts the light becomes the whole picture. For many people, whatever they see tonight will cement in place everything they think about protest and peace and the sixties. And he feels, pressingly, that it's his job to prevent this closure. — Nathan Hill

There are always a few bored audience members at an opera, especially by the time act four comes along. Those particular eyes would be wandering around the hall, searching for something, anything, interesting to watch. Those eyes would land on the little demon downstage right, unless they were distracted.
Right on cue, a large stage lamp broke free of its clamp in the rigging and swung on its cable into the back canvas. [ ... ]
On his way though the lobby minutes later, Artemis was highly amuse to overhear several audience members gushing over the unorthodox direction of the opera's final scene. The exploding lamp, muse one buff, was doubtless a metaphor for Norma's own falling star. But no, argued a second. The lamp was obviously a modernistic interpretation of the burning stake that Norma was about to face.
Or perhaps, thought Artemis as he pushed through the crowd to find a light Sicilian mist falling on his forehead, the exploding lamp was simply an exploding lamp. — Eoin Colfer