Audience One Quotes & Sayings

I have spoken, and I was understood. It's not like I'm a tragic person who wasn't understood. All those books are in print, all those movies are still out there, the audience gets younger. So I don't have that "I've got to do one thing before I die." I did it. — John Waters

Readers really want to come back to an author; they do not want a one-book wonder. That is all very well, but to be career author, you have to be prepared to write one really good book and then write another really good book and keep feeding your readers. You build your audience over a long time. — Stephanie Laurens

I'm not really interested in the audience's enjoyment,' Cave mumbles once he has changed into clean pants. 'It doesn't bother me one way or another. I just don't give a shit. People feel more and more disappointed with each concert because less and less happens. It's really easy to suck an audience in. Like, I can wiggle my bum and back-flip on my head and they love it. I could make an audience love me until the end of my days. There's just no point in it any more. I wish they'd just ... die. — Antonella Gambotto-Burke

I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you. — Jared Harris

I've been writing about Vermont independence for nearly ten years ... and, more often than not, it was for an audience of one. — Thomas Naylor

Do one thing every day that frightens you," Princess Mia advised her audience. "And never think that you can't make a difference. Even if you're only sixteen, and everyone is telling you that you're just a silly teenage girl - don't let them push you away. Remember one other thing Eleanor Roosevelt said: 'No one can make you feel inferior without your
consent.' You are capable of great things - never let anyone try to tell you that just because you've only been a princess for twelve days, you don't know what you're doing. — Meg Cabot

I was talking to one of the writers about our target audience, and he was insulted that I used that term. But if you're given $60 million to make a film, you'd better know who your target audience is. That's who's going to pay back the bills you run up. — Michael Bay

How are you to get up the sympathies of the audience in a legitimate manner, if there isn't a little man contending against a big one? — Charles Dickens

One must avoid snobbery and misanthropy. But one must also be unafraid to criticise those who reach for the lowest common denominator, and who sometimes succeed in finding it. This criticism would be effortless if there were no "people" waiting for just such an appeal. Any fool can lampoon a king or a bishop or a billionaire. A trifle more grit is required to face down a mob, or even a studio audience that has decided it knows what it wants and is entitled to get it. And the fact that kings and bishops and billionaires often have more say than most in forming appetites and emotions of the crowd is not irrelevant, either. — Christopher Hitchens

Who am I? Laia muttered to her invisible audience, and they knew the answer and told it to her with one voice. She was the little girl with scabby knees, sitting on the doorstep staring down through the dirty golden haze of River Street in the heat of late summer, the six-year-old, the sixteen-year-old, the fierce, cross, dream-ridden girl, untouched, untouchable. She was herself — Ursula K. Le Guin

It's relatively easy to create an ambiguous character. Any conglomeration of likable and unlikeable traits, chosen at random, will result in an ambiguous character. Getting an audience to deeply identify with a character, on the other hand, is one of the hardest things in the world to do. — Matt Bird

Lie to Me' is one of the smartest shows on TV. We have something different, unique and new to say to the audience that they're not going to get from any other show. — Monica Raymund

I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it. — Damon Lindelof

I've seen productions where it feels like the actors are just tired and want to go home. That is one of the challenges doing theater - especially a long production - how to keep it alive for yourself and the audience. — Gillian Anderson

The optimum frequency with which comedians should do a series is every year. I do one every three years. My audience is literally dying off. — Alexei Sayle

We have noted thatthe two creation stories contained no pointers toward male "headship" in the sense that men or husbands are supposed to exercise authority or leadership over women or wives. But the audience of Genesis knew that patriarchy was a reality of life. Genesis here tells them how this came to be. Male authority or domination was not God's design but a consequence of a breakdown in relationship between humanity and God, between humanity and the animal world, and between human beings and one another. From now on, the Bible will assume the reality of patriarchy and of male headship, but it begins by noting that this came about only as a result of those various breakdowns of relationship. — John E. Goldingay

Detroit is drunken idiots. It was no surprise to me. I performed with Kenny Rogers for one year as his opening act, and I got to visit every major American city and notice the audience, and Detroit was one of the worst. — Gallagher

In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true ... Mass propaganda discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow. The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness. — Hannah Arendt

People send me fanmail in the post, and I keep every letter, and I always say I will read every single one. It might take me years and years, but I'll do it. Your audience are what makes you, so you have give as much back as you can. — Zoe Sugg

If you ask me about music and how things should be played, I believe that music-making is the combination of having learned how to do something right, what one feels is right to do in the moment, and the way the audience is listening. — Michala Petri

I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist. — Aasif Mandvi

I was still tough but it wasn't the same. I had to withdraw. I watched people from afar, it was like a stage play. Only they were on stage and I was an audience of one. — Charles Bukowski

We need to call what is happening out of Washington, D.C., what it is: Bureaucratic terrorism: If you want a list of stories, I could go through a bunch of them, and I could highlight a few: One of them was the IRS audit of my good friend Phil Hart, he's sitting in the audience today. That was bureaucratic terrorism. — Matt Shea

Most writers cannot afford focus groups or A/B testing, but they can ask a roommate or colleague or family member to read what they wrote and comment on it. Your reviewers needn't even be a representative sample of your intended audience. Often it's enough that they are not you. This does not mean you should implement every last suggestion they offer. Each commentator has a curse of knowledge of his own, together with hobbyhorses, blind spots, and axes to grind, and the writer cannot pander to all of them. Many academic articles contain bewildering non sequiturs and digressions that the authors stuck in at the insistence of an anonymous reviewer who had the power to reject it from the journal if they didn't comply. Good prose is never written by a committee. A writer should revise in response to a comment when it comes from more than one reader or when it makes sense to the writer herself. — Steven Pinker

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing. — John Hodgman

'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge. — Sam Riley

The one thing that Jessica [Johnson] and Miles[Morales] have in common is that there's a great many people in the audience who were desperate for that kind of material. They didn't say anything, didn't tell anybody. — Brian Michael Bendis

I certainly wouldn't compare the rewards of watching one's children grow and mature with that of money piling up at the box office. Both are pleasant, but to varying degrees. As the old saying goes, you can't take an audience home with you. You can't depend on the loyalty of fans, who, after all is said and done, are just faceless people one seldom sees. And few stars have their fans forever. But a child is forever. That bond and relationship is timeless and doesn't depend on your looks, age or popularity at the moment. — Julie Andrews

Yesterday's fairy tale is today's fact. The magician is only one step ahead of his audience. — Anne Morrow Lindbergh

I've gotta stop thinking I know what other people think, cause most of 'what other people think' is something I'm making up. So I should just let them have their experience, I'll have my experience and not pretend to know, and just get past that. [I think that] is a major obstacle: manifesting that insecurity, that fear. Believing the audience in your head as opposed to what's really going on in the world - not responding to the one I'm making up, which is always going to judge me harder than the real one. — Marc Maron

It doesn't matter if you have the greatest product in the world if no one will buy it. Have an idea of where your customers will come from and how to get to them. Partner with blogs and magazines that target that audience. If you partner with them, hopefully you won't have to spend money on advertising. — Cameron Johnson

I think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people. — Mitchell Hurwitz

We want to be able to let the audience get to know these folks. One of the things about The Avengers, over the last 50 years, is the fun of changing up the gang and bringing in new characters. — Jeph Loeb

Of all the Islamic organizations in America, CAIR has risen to the top as the most visible, most outspoken defender of Muslims in the United States. Masquerading as a civil rights organization, CAIR has had a hidden agenda to Islamize America from the start. Its cofounder and chairman, Omar Ahmad, a Palestinian American, told a Muslim audience in Fremont, California, in 1998: 'Islam isn't in America to be equal to any other faith, but to become dominant. The Koran should be the highest authority in America, and Islam the only accepted religion on Earth.' Ibrahim Hooper, CAIR's national spokesman, is on record stating: 'I wouldn't want to create the impression that I wouldn't like the government of the United States to be Islamic.' Three of CAIR's officials have already been convicted of terror-related crimes. One even worked for Hooper. He's now in prison for conspiring to kill Americans. — Brigitte Gabriel

I would sit up on top of the woodpile playing and singing at the top of my lungs. Sometimes I would take a tobacco stake and stick it in the cracks between the boards on the front porch. A tin can on top of the tobacco stake turned it into a microphone, and the porch became my stage. I used to perform for anybody or anything I could get to watch. The younger kids left in my care would become the unwilling audience for my latest show. A two-year-old's attention span is not very long. So there I would be in the middle of my act, thinking I was really something, and my audience would start crawling away. I was so desperate to perform that on more than one occasion I sang for the chickens and the pigs and ducks. They didn't applaud much, but with the aid of a little corn, they could be counted on to hang around for a while. — Dolly Parton

For everything you give an audience, you always have to take one thing away. They always have to pay for the story. — Christopher McQuarrie

Saint-Just read for the next two hours his report on the plots of the Dantonist faction. He had imagined, when he wrote it, that he had the accused man before him; he had not amended it. If Danton were really before him, this reading would be punctuated by the roars of his supporters from the galleries, by his own self-justificatory roaring; but Saint-Just addressed the air, and there was a silence, which deepened and fed on itself. He read without passion, almost without inflection, his eyes on the papers that he held in his left hand. Occasionally he would raise his right arm, then let it fall limply by his side: this was his only gesture, a staid, mechanical one. Once, towards the end, he raised his young face to his audience and spoke directly to them: "After this," he promised, "there will be only patriots left. — Hilary Mantel

One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real. — Jennifer Yuh Nelson

In a 'wheat and tares' world, how unusually blessed faithful members are to have the precious and constant gift of the Holy Ghost with reminders of what is right and of the covenants we have made. 'For behold, ... the Holy Ghost ... will show unto you all things what ye should do.' (2 Ne. 32:5.) Whatever the decibels of decadence, these need not overwhelm the still, small voice! Some of the best sermons we will ever hear will be thus prompted from the pulpit of memory - to an audience of one! — Neal A. Maxwell

What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things
from close-ups of insects to panoramas of prairies
which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity. — Eric Bentley

It takes two years on the stage for an actor or an actress to learn how to speak correctly and to manage his voice properly, and it takes about ten years to master the subtle art of being able to hold one's audience. — D.W. Griffith

Listen to the speeches, one after another telling the audience what it already knows, evoking applause with necessary cliches, no longer shocking anybody with the shocking facts of the war because you can become so jaded with horror that you develop an emotional callous. — Paul Krassner

You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell. — Orson Scott Card

When you think you can stand no more of the wolf's snuffing under the door and keening softly on cold nights, throw discretion into the laundry bag, put candles on the table, and for your own good if not the pleasure of an admiring audience make one or another of the recipes in this chapter. And buy yourself a bottle of wine, or make a few cocktails, or have a long open-hearted discussion of cheeses with the man on the corner who is an alien but still loyal if bewildered. — Mary Francis Kennedy Fisher

I learned to accept the audience's happiness for me, which is one of the hardest things for me to learn. — Bette Midler

I've broken my nose, I've broken ribs. You name it. In fact, we just got back from South America, and I fell over a monitor speaker on the stage and almost ended up in the front row of the audience. I managed to sprain my wrist on that one but luckily nothing was broken. — Keith Emerson

(on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977) We were really worried about changing over from a three-camera half-hour comedy to a one-camera full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that. — Ed Asner

One day, while he was idly reciting his verses to a captive audience, a scrap of paper, borne by the wind, landed on his lap. On it were written two words: "Layla" and "Majnun." As the crowd watched, Majnun tore the paper in half. The half on which was written "Layla" he crumpled into a ball and threw over his shoulder; the half with his own name he kept for himself.
"What does this mean?" someone asked.
"Do you not realize that one name is better than two?" Majnun replied. "If only you knew the reality of love, you would see that when you scratch a lover, you find his beloved."
"But why throw away Layla's name and not your own?" asked another.
Majnun glowered at the man. "The name is a shell and nothing more. It is what the shell hides that counts. I am the shell and Layla is the pearl; I am the veil and she is the face beneath it."
The crowd, though they knew not the meaning of his words, were amazed by the sweetness of his tongue. — Reza Aslan

The one thing you can do that the audience can't do - all those smart people online in the chat rooms can't do - is deliver a satisfying emotional journey for a human being, for a character. — Frank Spotnitz

One may discover a new side to his most intimate friend when for the first time he hears him speak in public. He will be stranger to him as he is more familiar to the audience. The longest intimacy could not foretell how he would behave then — Henry David Thoreau

I have fallen in love with writing, unknowingly. Instead of thinking whether people will like what I write or not, I decide to write only for one person- myself! I told myself that 'I as an author is going to entertain I as an audience.' And everything changed that day!

When you find your passion, don't succumb to the pressure of succeeding.Follow your passion just for yourself and for the sheer joy of it. You will see amazing things will follow- that's a guarantee. — Vishwas Mudagal

One's concentration as a performer must remain centered on the action of which one is a part. For it is in truth only one's own concentration on the imagined reality of the role that can force the audience's attention to that same place. — Rick Dees

Lovegood had got out The Quibbler again. Meanwhile, at the Hufflepuff table Ernie Macmillan was one of the few still staring at Professor Umbridge, but he was glassy-eyed and Harry was sure he was only pretending to listen in an attempt to live up to the new prefect's badge gleaming on his chest. Professor Umbridge did not seem to notice the restlessness of her audience. Harry had the impression that a full-scale riot could have broken out under her nose and she would have ploughed on with her speech. The teachers, however, were still listening very attentively, and Hermione seemed to be drinking in every word Umbridge spoke, though, judging by her — J.K. Rowling

There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing. — Michael Winterbottom

Those who turn against the Church do so to play to their own private gallery, but when, one day, the applause has died down and the cheering has stopped, they will face a smaller audience, the judgment bar of God. — Neal A. Maxwell

Looking at the Jury and the turbulent audience, he might have thought that the usual order of things was reversed, and that the felons were trying the honest men. The lowest, cruelest, and worst populace of a city, never without its quantity of low, cruel, and bad, were the directing spirits of the scene: noisily commenting, applauding, disapproving, anticipating, and precipitating the result, without a check. Of the men, the greater part were armed in various ways; of the women, some wore knives, some daggers, some ate and drank as they looked on, many knitted. Among these last, was one, with a spare piece of knitting under her arm as she worked. — Charles Dickens

He crashed a dozen Cadillacs in one year and played the Apollo. With racial hatred burning in the headlines, the audience danced in the seats to a white boy from the bottomland, backed by pickers who talked like Ernest Tubb. "James Brown kissed me on my cheek," he says. "Top that. — Rick Bragg

At one time in my infancy I also knew no Latin, and yet by listening I learnt it with no fear or pain at all, from my nurses caressing me, from people laughing over jokes, and from those who played games and were enjoying them. I learnt Latin without the threat of punishment from anyone forcing me to learn it. My own heart constrained me to bring its concepts to birth, which I could not have done unless I had learnt some words, not from formal teaching but by listening to people talking; and they in turn were the audience for my thoughts. This experience sufficiently illuminates the truth that free curiosity has greater power to stimulate learning than rigorous coercion. — Augustine Of Hippo

With a book, you're guaranteed the audience has a certain skill level and that the audience has to make an ongoing effort to consume this product and that the project is being consumed by just one person at a time. I really want to play to that strength because it's one of the few advantages books still have. — Chuck Palahniuk

Okay, stud, just one more question." She formed an L with her thumb and index finger. 'Why are some people in the audience holding the sign for "loser"?'
It was my turn to laugh at her. 'That's not for loser.' I set down my soda, mirrored her gesture with my hand, then straightened our pinkies to form the sign-language letter. 'The L stands for "love". — Jeri Smith-Ready

One of the most popular illustrations we use in Love and Respect Conferences compares women and men to pink and blue. The audience responds immediately when I talk about how she sees through pink sunglasses and hears with pink hearing aids, while he sees through blue sunglasses and hears with blue hearing aids. In other words, women and men are very different. Yet, when blue blends with pink, it becomes purple, God's color - the color of royalty. The way for pink and blue to blend is spelled out in Ephesians 5:33: "[Every husband] must love his wife as he loves himself, and the wife must respect her husband" (NIV). Living out Ephesians 5:33 is the key to blending together as one to reflect the very image of God. — Emerson Eggerichs

When I sing, I believe. I'm honest. If you want to get an audience with you, there's only one way. You have to reach out to them with total honesty and humility. — Frank Sinatra

I think this market space, this modern world we're living in, one of its greatest failures is that it can only seem to describe a collective in terms of consumers or clients. It never sees an audience or a community as part of the process. And that's something I'm quite proud of, even if the music is crap. — Herbert

When an audience comes to one of my concerts, I hope they'll see themselves, somewhere, in one of the songs. — Holly Near

Here's a tip for all you aspiring young comics: Don't beat up the customers. It is very difficult to get laughs from an audience when you've actually drawn blood from one of their number. It kills the mood. — Craig Ferguson

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots. — Alfred Jarry

A cult classic is one that has been fully embraced by an alternative audience, not the popular audience. — Bruce Campbell

The Romans may be known for many things, but humor isn't one of them. As usual, this interpretation relies on a prima facie reading of Jesus as a man with no political ambitions whatsoever. That is nonsense. All criminals sentenced to execution received a titulus so that everyone know the crime for which they were being punished and thus be deterred from taking part in similar activity. That the wording on Jesus's titulus was likely genuine is demonstrated by Joseph A. Fitzmeyer, who notes that "if [the titulus] were invented by Christians, they would have used Christos, for early Christians would scarcely have called their Lord 'King of the Jews'."[..] the notion that a no-name Jewish peasant would have received a personal audience with the Roman governor, Pontius Pilate, who had probably signed a dozen execution orders that day alone, is so outlandish that it cannot be taken seriously. — Reza Aslan

But there is a truth that ought to be made known; I have had the opportunity of seeing it; which is, that notwithstanding appearances, there is not any description of men that despise monarchy so much as courtiers. But they well know, that if it were seen by others, as it is seen by them, the juggle could not be kept up; they are in the condition of men who get their living by a show, and to whom the folly of that show is so familiar that they ridicule it; but were the audience to be made as wise in this respect as themselves, there would be an end to the show and the profits with it. The difference between a republican and a courtier with respect to monarchy, is that the one opposes monarchy, believing it to be something; and the other laughs at it, knowing it to be nothing. — Thomas Paine

There's a tacit agreement between myself and the audience that I will entertain them when they buy their ticket, and I've been the one that has screwed that up. Once in while I indulge myself and try something else, and I keep my fingers crossed that it will come out good and there'll be enough people who will enjoy it, but that doesn't often happen. — Woody Allen

It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience — John Leguizamo

By denying people's sense of visual beauty in painting and sculpture , melody in music , meter and rhyme in poetry , plot and narrative and character in fiction , the elite arts wrote off the vast majority of their audience . They purposely excluded people who approach art in part for pleasure and edification in favour of social one-upmanship and an ever-narrowing, in-crowd elite. — Steven Pinker

It's easy to run to others. It's so hard to stand on one's own record. You can fake virtue for an audience. You can't fake it in your own eyes. Your ego is your strictest judge. They run from it. They spend their lives running. It's easier to donate a few thousand to charity and think oneself noble than to base self-respect on personal standards of personal achievement. It's simple to seek substitutes for competence
such easy substitutes: love, charm, kindness, charity. But there is no substitute for competence. — Ayn Rand

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. — Ryan North

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

This was almost two hours of factual documentary. In our audience ratings, barely no one left the programme. The whole of his life is so fascinating and people kept watching for that reason. — Martin Bashir

Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out ... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore. — Marvin Hamlisch

Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one. — Dan Bern

An idea is only an idea if it causes unease, debate and reflection. By that standard, Thomas Homer-Dixon's concept of an 'ingenuity gap' is truly a new idea. I can think of no other new concept that so fully condenses all of the challenges we face as a human civilization than the 'ingenuity gap'. Homer-Dixon has found a way to unite all of our concerns about economics, war, population growth, complexity, etc. under a single heading. He is one of an elite group of academics who can write for a mass audience. — Robert D. Kaplan

One of the things I love about theater, one of the reasons I'll never give it up, is that it's fifty percent the audience's responsibility. — William Petersen

Foreign news is one of the most expensive kinds of news and, unlike in colonial days, one of the categories with the lowest levels of audience interest. — John Maxwell Hamilton

How are you supposed to know what to read next? This is the question that keeps us up at night, so at Day One our mission is to feed an audience of literature-hungry, time-constrained readers like you with a weekly lineup of talented authors, poets, and artists that we believe you will love. And if we can identify some of the next generation of literary stars, and cultivate an appreciation for transformative poetry and fiction, then frankly we will sleep better at night. — Carmen Johnson

I'm one of those YouTubers who doesn't daily-vlog, so my life may seem very open, but my audience only really sees probably 50%. I keep a lot to myself, and I cherish the things that are for me and the people closest to me. — Tyler Oakley

Writing is one of the loneliest of the arts; unlike the actor we have no immediate audience and must wait many long months, even years on occasion, for the splatter of applause to reach our ears, if indeed we are not damned by total neglect. — Bryan Forbes

The more skillful the performance of false cheer, the more pleasing the effect is upon one's public and on that private audience to whom one owes even more. — Judith Martin

But a book suggests conversation: one person is speaking to another, and audible sound is, or should be, natural to that exchange. So I read aloud with myself as the audience, and gave voice to another's words. — Teju Cole

I don't want people to think about one common thing. Coda is non-discursive, just like choreography for the stage. So each audience member's thoughts about it, or better yet, their feelings, will be different. Moreover, images contain so much information that one can see things that the next person won't notice. As a result, people will surely think about Coda in dissimilar ways. — Martine Epoque

In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [ ... ] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects. — S.I. Hayakawa

My first 'Tonight Show' was just one of those things - I mean this seriously - a cosmic, meant-to-be coming together of circumstance. You walk out there to do your first 'Tonight Show': Is the audience going to be hot? Are you going to be on fire? It's like an athlete: Are you going to have your moves at a peak? — Garry Shandling

It is truly no feat to crack a nut, and therefore no one would think to gather an audience for the purpose of entertaining them with nutcracking. But if he should do so, and if he should succeed in his aim, then it cannot be a matter of mere nutcracking. Or alternatively, it is a matter of nutcracking, but as it turns out we have overlooked the art of nutcracking because we were so proficient at it that it is this new nutcracker who is the first to demonstrate what it actually entails, whereby it could be even more effective if he were less expert in nutcracking than the majority of us. — Franz Kafka

Write for the Audience of One — Jeff Gerke

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me. — David Foster Wallace

Age to me means nothing. I can't get old; I'm working. I was old when I was twenty-one and out of work. As long as you're working, you stay young. When I'm in front of an audience, all that love and vitality sweeps over me and I forget my age. — George Burns

It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting , gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result. — James Berardinelli

When no one knows you, and you're just trying to break into stuff, it's so good because you can write whatever you want and just say it; it's just between you and the audience. There's no process or worrying about anyone else interfering with what you're doing. — Chris Lilley

'Singham' was one-and-a-half stars all over, and it was one of the biggest hits of my career. It gave me so much respect. People think if it's not critically acclaimed, you won't get respect. But that's not true. Even if you get one star, your film will do well if the audience wants to see it. — Rohit Shetty

Ratings to me are a little like the Chinese Government. I don't fully understand what makes a rating go. I don't know what makes the American television audience respond to one person and not t another. There very seldom are great differences between many television personalities. — Tom Brokaw

My aim is to communicate with the last man in the audience. Art minus communication is meaningless. The term 'abhinaya' is not just facial expressions. It means drawing the spectator to an idea. Look at the modern advertisements. It's contemporary abhinaya. But one who creates should know what has to be completely and what has to be suggestively portrayed. That is ethical aesthetics. The Natyasastra says a production must be such that a family should be able to watch it together. — Padma Subrahmanyam

When I give talks like the one I'm going to give at the Changing Advertising Summit, one of the points I often make to the audience is that I'm not one of those speakers who stands in front of the audience and pontificates - everything I talk about I'm actually doing myself. I'm living it. — Cindy Gallop

By the end of the session, I am no one at all. Haymitch started drinking somewhere around witty, and a nasty edge has crept into his voice. I give up, sweetheart. Just answer the questions and try not to let the audience see how openly you despise them. — Suzanne Collins