Atemwende Quotes & Sayings

Because nobody wanted to play bass, I was instantly in a band. — Les Claypool

The sky is always there for me, while my life has been going through many, many changes. When I look up the sky, it gives me a nice feeling, like looking at an old friend. — Yoko Ono

Poetry: that can mean an Atemwende, a breathturn. Who knows, perhaps poetry travels this route - also the route of art - for the sake of such a breathturn? Perhaps it will succeed, as the strange, I mean the abyss and the Medusa's head, the abyss and the automatons, seem to lie in one direction - perhaps it will succeed here to differentiate between strange and strange, perhaps it is exactly here that the Medusa's head shrinks, perhaps it is exactly here that the automatons break down - for this single short moment? Perhaps here, with the I - with the estranged I set free here and in this manner - perhaps here a further Other is set free? Perhaps the poem is itself because of this ... and can now, in this art-less, art-free manner, walk its other routes, thus also the routes of art - time and again? Perhaps. — Paul Celan

Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way - the way of art - for the sake of just such a turn? And since the strange, the abyss and Medusa's head, the abyss and the automaton, all seem to lie in the same direction - is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa's head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free? — Paul Celan

When you die, no one's going to remember what iPhone you had. — Merlin Mann

Still, the novelty of any letter or package was sufficient that no one suggested opening it until the full measure of enjoyment should have been extracted from speculation about its contents. — Diana Gabaldon

I find it very disturbing to be advertised, as I have noticed that it is the advertised authors that stink. I am pretty sure I am going to stink from now on, and it might just as well be in Harpers as anywhere else, I suppose. A writer is like a beanplant-he has his day and then he gets stringy. — E.B. White

Whatever was going on with Rook and Coll officially didn't matter anymore. They'd just have to rot in prison by themselves. He'd join them next time. — Erin Kellison

The third organizing theme focuses on the relationship between the creator and work in a domain. Early in life, the creator generally discovers an area or object of interest that is consuming. At first the creator seeks to master work in that domain in the manner of others working within the culture; increasingly, however, the very relationship to the domain becomes problematic. The individual then, willingly or unwillingly, feels constrained to try inventing a new symbol system-a system of meaning-that is adequate to the chosen problems or themes and that can eventually make sense to others as well. In each chapter I examine in detail the ways in which a creator forges a new system of meaning in a distinctive domain; it turns out that surprising commonalities hold across the domains as well. — Howard Gardner

When I was a kid, I loved all the silent comedians - Buster Keaton, Laurel and Hardy, Chaplin. And I used to imitate them. I'd go to see a Buster Keaton movie and come home and try things out I'd seen. I learned to do pratfalls when I was very young. — Dick Van Dyke