At The Heart Of The Story Quotes & Sayings

What do you know of the Knights?" he asked.

Fin shrugged. "I thought knights were only in children's stories until a few days ago."

Jeannot smiled. "A man could do worse than to live in the stories of a child. There is, perhaps, no better remembrance."

"Until the child grows up and finds out the stories aren't true. You might be knights, but I don't see any shining armor," Fin said.

Jeannot stopped near the gate of the auberge and faced her. "Each time a story is told, the details and accuracies and facts are winnowed away until all that remains is the heart of the tale. If there is truth at the heart of it, a tale may live forever. As a knight, there is no dragon to slay, no maiden to rescue, and no miraculous grail to uncover. A knight seeks the truth beneath these things, seeks the heart. We call this the corso. The path set before us. The race we must run. — A.S. Peterson

A love story can never be about full possession. The happy marriage, the requited love, the desire that never dims
these are lucky eventualites but they aren't love stories. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.
We value love not because it's stronger than death but because it's weaker. Say what you want about love: death will finish it. You will not go on loving in the grave, not in any physical way that will at all resemble love as we know it on earth. The perishable nature of love is what gives love its importance in our lives. If it were endless, if it were on tap, love wouldn't hit us the way it does.
And we certainly wouldn't write about it. — Jeffrey Eugenides

He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman.
This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story. — Christopher Moore

Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy. — Colum McCann

I have always loved him. Every single minute of every single day my heart has belonged to him. I have just run away from the truth. I have covered it in shrouds of friendship and teenage crush. — Aditi Bose

She's lonely and wounded and very vulnerable and it really is a story about people at the heart of it all. — Emmy Rossum

Trust you to come at me with a story like that." The cool dismissal stabbed right into the heart of any sense that they endured this ordeal together, as one. Did the captain have no confidence in Demane's expertise, did all the faith flow only one way? It hurt in the belly and chest to be brushed off so. Demane couldn't have guessed his own expression. — Kai Ashante Wilson

Her heart beat as if it would suffocate her. She had kept her promise bravely. The whole story of her life, from the time of the home-wreck at Combe-Raven to the time when she had destroyed the Secret Trust in her sister's presence, had been all laid before him. Nothing that she had done, nothing even that she had thought, had been concealed from his knowledge. — Wilkie Collins

Aiden had filled a part of my heart that I hadn't known was empty. And for that I'd be forever grateful. Beneath the pain was the reality of the end of whatever it was we'd shared. I missed him, and his absence was profound. He was everywhere, yet he was nowhere at all. — Lilly Wilde

Love'? What do you know about love?"
"It's at the heart of every story," Rollo said with authority. "If humans could avoid falling in love, you would never get yourselves into any trouble. — Jessica Day George

As writers, we must keep throwing problems at our characters. Conflict is the heart of good storytelling. Hiking in nature along a twisting trail can remind us what a good story feels like. It's the opposite of a treadmill - or an interstate highway. — Kate Klise

Mostly I live in this moment, right now, and I'm grateful for it. I know that most of this life lies behind me, but what I Live for is today, and for the tomorrows that remain. My eyes are bombarded by the sights of this beautiful world. Every breath has the rich fragrance of trees and flowers. I'm privileged to be alive to share these wonderful feelings with you. I toast our fallen comrades, all of whom live on in our hearts.

So far, so good. Do I sound like I think I'm going to live forever? you bet your fucking ass. I know better, at least in my mind. But this heart still beats a little faster for all the beauty in the world. I can honestly say that I've lived my time here fully. Perhaps the life story I have recounted in these pages will help you to avoid some of the pitfalls that tripped me up along the way.I hope so. And I hope that you'll live the rest of your time to the fullest. I don't see any other good way to go. — Tony Curtis

There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day ... The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end. — Anthony Minghella

There is a marvelous story of a man who once stood before God, his heart breaking from the pain and injustice in the world. "Dear God." he cried out, "look at all the suffering, the anguish and distress in your world. Why don't you send help?" God responded,"I did send help. I sent you." When we tell our children that story, we must tell them that each one of them was sent to help repair the broken world-and that it is not the task of an instant or of a year, but of a lifetime. — David Wolpe

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

I remember when your name was just another name that rolled without thought off my tongue.
Now, I can't look at your name without an abundance of sentiment attached to each lettter.
Your name, which I played with so carelessly, so easily, has somehow become sacred to my lips.
A name I won't throw around lightheartedly or repeat without deep thought.
And if ever I speak of you, I use the English language to describe who you were to me. You are nameless, because those letters grouped together in that familiar form ... .. carries too much meaning for my capricious heart. — Coco J. Ginger

Literature is, to my mind, the great teaching power of the world, the ultimate creator of all values, and it is this, not only in the sacred books whose power everybody acknowledges, but by every movement of imagination in song or story or drama that height of intensity and sincerity has made literature at all. Literature must take the responsibility of its power, and keep all its freedom: it must be like the spirit and like the wind that blows where it listeth; it must claim its right to pierce through every crevice of human nature, and to descrive the relation of the soul and the heart to the facts of life and of law, and to describe that relation as it is, not as we would have it be ... — W.B.Yeats

I learned by heart the lines of your face. I can draw them blindly on a water canvas.
Your face in the middle of an inflamed argument. Your face in the middle of a mild one-- when you're at fault.
Your face filled with rainbows of laughter. Your face filled with clouds of distress.
Your face, fluttering, when I open you the door. Your face, agonizing, every time I stand waiting, for the elevator.
Your face, eager, when you kiss me. Your face, surprised, when I lead you to bed.
Your face in the middle of pain. Your face on the outskirts of pleasure.
Your face, with a baffled look, when you wake up. Your face falling asleep, with total surrender.
Your face the first night we met. Your face the last night we parted.
I learned by heart the lines of your face. They all led me into hell.
They all led me into heaven. — Malak El Halabi

'Lean on Pete' is the story of a boy and his horse, but it is never heart-warming - it ranges in tone from desperate to merely painful - and, while fascinating, it is never entertaining or redemptive. But if you want an unadorned portrait of American life (at least in some places) at the beginning of the 21st century, this is the book for you. — Jane Smiley

Frazier soaked it all up like a sponge. When they arrived in Manila it was the same story. Ali poured scorn on his opponent. Humiliated him. Joe had the heart of a lion but verbally he was out of his depth when Ali got going. One time, as fight day approached, Ali spotted Frazier on a hotel balcony, grabbed a security guard's gun and fired some rounds at him. Everybody knew it wasn't live ammo but it still startled the hell out of Joe.] Go back in your hole, Gorilla, You gonna scare the people! Come out again and I'm gonna kill ya before time! — Muhammad Ali

But when 9/11 struck, I had a change of heart. I knew the story had to be told because what happened at 9/11 is a direct result of what the economic hit men are doing. — John Perkins

Elizabeth Turnage is a woman of grit and grace who lives into the stories of those who join her in this odd journey of seeking God. She honors the complexity of life without ever losing sight of the simple glory of the cross. Her grasp of the mundane and miraculous and their interplay gives a depth and honesty to her story that tugs at the heart and gives us hope our story can matter. Her book will be a clarion call to bring our broken, holy, troubled, and glorious life to the author of all stories: Jesus. — Dan B. Allender

The new approach to health care will feature the healing power of story. In the clear understanding that finding meaning in any life passage may be at the heart of healing, our healers -declared or undeclared - will help people use the power of dreaming to move beyond personal history into a bigger story that contains the juice and sense of purpose to get them through. — Robert Moss

I looked at all the trees and didn't know what to do.
A box made out of leaves.
What else was in the woods? A heart, closing. Nevertheless.
Everyone needs a place. It shouldn't be inside of someone else.
I kept my mind on the moon. Cold moon, long nights moon.
From the landscape: a sense of scale.
From the dead: a sense of scale.
I turned my back on the story. A sense of superiority.
Everything casts a shadow.
Your body told me in a dream it's never been afraid of anything. — Richard Siken

At its heart, biblical faith is a creed of the antihero. It is the story of men and women who come to the end of themselves and must discover God. — Mark Sayers

I had to tell it because it was the only honorable way to fulfill the promise that I had made on the Red Lake Reservation almost twenty years earlier. This, then - The Wolf at Twilight - is the fruit of that promise. It is the part of Dan's life I had left untold. It takes us to places that for too long have been hidden in shadow and reveals truths about what has been taken from Native people and what the rest of us have lost in that taking. But it also reveals what we may all yet become if we heed Sitting Bull's poignant entreaty and put our minds together to see what kind of lives we can create for the children. I hope you find it worthy of your time. If it opens your eyes to another way of understanding, I am grateful. If it simply entertains you, I am pleased. But what matters most is that it touches you. For it is, above all, a story of Native America, and its goal is to lodge deep in your heart. — Kent Nerburn

One story sums up their magical quality. On June 30th 1968, at the height of Apple optimism, Paul McCartney and Derek Taylor were driving back to London from Saltaire, Yorkshire, where they had been recording the Black Dyke Mills Band on a song of Paul's called 'Thingummybob'. They were in Bedfordshire. Let's pick a village on the map and pay it a visit, said Beatle Paul. He found a village called Harrold, which they found quite hilarious, and turned off the A5. Harrold turned out to be a picture-perfect village, with a picture-perfect pub at its heart. The pub was closed, but when the villagers saw there was a Beatle at the door they opened it up. Soon the whole village was in the pub, listening to Paul McCartney on the pub piano playing the as-yet-unreleased 'Hey Jude'. Every Harrold resident danced and sang along, and the revelry went on until 3 a.m. It was beautiful, perfect, spontaneous and full of love. Harrold. You couldn't make it up. — Bob Stanley

It is necessary to know that Cole is a neat-freak. They are both exhausted after a medical situation happens in the story. This is not part of the quote.
"Cole sat at the head of the table at a right angle to Rhyne. He snapped his napkin open and tucked one corner into the collar of his shirt. When Rhyne looked at him in surprise, he said, "You're too busy to do more laundry. I thought I'd try to keep my shirts reasonably clean."
Rhyne continued to stare at him.
"What?" he asked, looking down at himself. "Have I already spilled something?"
"My heart," she said feelingly. "All over you. — Jo Goodman

One of the characters in our story, Gavril Ardalionovitch Ivolgin, belonged to the other category; he belonged to the category of "much cleverer" people; though head to toe he was infected with the desire to be original. But this class of person, as we have observed above, is far less happy than the first. The difficulty is that the intelligent "ordinary" man, even if he does imagine himself at times (and perhaps all his life) a person of genius and originality, nevertheless retains within his heart a little worm of doubt, which sometimes leads the intelligent man in the end to absolute despair. If he does yield in this belief, he is still completely poisoned with inward-driven vanity. — Fyodor Dostoyevsky

EVEN THOUGH I KNEW it was going to be what she would ask me, Graciela McCaleb's request gave me pause. Terry McCaleb had died on his boat a month earlier. I had read about it in the Las Vegas Sun. It had made the papers because of the movie. FBI agent gets heart transplant and then tracks down his donor's killer. It was a story that had Hollywood written all over it and Clint Eastwood played the part, even though he had a couple decades on Terry. The film was a modest success at best, but it still gave Terry the kind of notoriety that guaranteed an obituary notice in papers across the country. I had just gotten back to my apartment near the strip one morning and picked up the Sun. Terry's death was a short story in the back of the A section. — Michael Connelly

No perfection can last forever. Time tears at it; wears it down until it's nothing, just an empty shell. — Cassandra Giovanni

With a quick twist to her heart, Cress's fear of him began to subside. She'd been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha. — Marissa Meyer

A story is alive, as you and I are. It is rounded by muscle and sinew. Rushed with blood. Layered with skin, both rough and smooth. At its core lies soft marrow of hard, white bone. A story beats with the heart of every person who has ever strained ears to listen. On the breath of the storyteller, it soars. Until its images and deeds become so real you can see them in the air, shimmering like oases on the horizon line. A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same. — Cameron Dokey

But though she's told a longer version of the story a thousand times before to a thousand different people, she gets the feeling that Oliver might understand better than anyone else. It's something about the way he's looking at her, his eyes punching a neat little hole in her heart. She's knows it's not real: It's the illusion of closeness, the false confidence of a hushed and darkened plane, but she doesn't mind. For the moment, at least, it feels real. — Jennifer E. Smith

I always believed that first love would stay in my heart the longest, that it would be reminded through every man I met, through every song and every place I had been too, it hurt like hell to experience my heart crashing into a thousand pieces amongst the floor & the feeling of missing them so bad that my body ached that I spent a lot of time alone wondering if I deserved to be loved the way I love and then I met you & you gently reminded me that I was worthy and in your actions taught me to give love one more chance. So I did and as vulnerable and uncertain it all is, im glad my heart has met someone it wants to open for again. — Nikki Rowe

There's an interesting story around that ["Heaven Without a Gun"], because the girl I was dating at the time got into a bike accident and couldn't make it into the studio, and the gentleman Dave Hamlin who worked on this record along with Ohad sort of took it, rearranged it. Dave went and sonically changed it and changed the keys so that Andy could sing it better. All these pieces came together that suddenly displayed that the song was meant for Andy [Kim] to sing. And he always said, "I'll never understand it, but I'll sing it with all my heart." — Kevin Drew

We write for actors and even down to the smallest character in the film, they all have their moment. You take that and you put it in a story that's in your face and there's tons of hardcore R action, nudity and you name it, but at the same time there really is a story there. It's got heart and at the end of the movie people will feel it. So I hope they'll their friends and want to see more. — Todd Farmer

'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, the idea of becoming a parent. We're always kind of looking for those emotional nuggets. They're always at the heart of the story. — Pete Docter

If you are names without a nature, it's not because I don't remember, no, the opposite is true, you are remembered in me as an endless stirring and turning. But it's for this precisely that you must forgive me, because in every story of obsession there's only one character, only one plot. I am writing about myself alone, it's all I know, and for this reason I have always failed in every love, which is to say at the very heart of life. — Damon Galgut

Echo and Shadow

A room
and a room. And between them

she leans in the doorway
to say something,

lintel bright above her face,
threshold dark beneath her feet,

her hands behind her head gathering
her hair to tie and tuck at the nape.

A world and a world.

Dying and not dying.
And between them
the curtains blowing
and the shadows they make on her body,

a shadow of birds, a single flock,
a myriad body of wings and cries
turning and diving in complex unison.
Shadow of bells,

or the shadow of the sound
they make in the air, mornings, evenings,
everywhere I wait for her,

as even now her voice
seems a lasting echo
of my heart's calling me home, its story
an ocean beyond my human beginning,

each wave tolling the whole note
of my outcome and belonging. — Li-Young Lee

The romance genre is the only genre where readers are guaranteed novels that place the heroine at the heart of the story. These are books that celebrate women's heroic virtues and values: courage, honor, determination and a belief in the healing power of love. — Jayne Ann Krentz

It may merely be apocryphal that when the Wizard saw the glass bottle he gasped, and clutched his heart. The story is told in so many ways, depending on who is doing the telling, and what needs to be heard at the time. It is a matter of history, however, that shortly thereafter, the Wizard absconded from the Palace. He left in the way he had first arrived
a hot-air balloon
just a few hours before seditious ministers were to lead a Palace revolt and to hold an execution without trial. — Gregory Maguire

The passion for the story is the wind in your narrative sails. Begin at the heart. We must hear the heartbeat of the story. Love your characters into existence. — Patricia Lee Gauch

Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her — J. Sheridan Le Fanu

Over the years I have forged intimate familial ties with these characters, who are reflections of a portion of myself. Consequently, even a character who appeared only once in a short story waits now in the wings, concealed by the curtain, for his next appearance on-stage. Not one of them has ever broken free of his familial ties with me and disappeared for ever - at least, not within the confines of my heart. — Shusaku Endo

At the heart of every story is conflict - whether external or internal, make it a good one, and remember that this problem is going to shape your character, leaving her forever changed. — Jennifer McMahon

Christmas, in fact, is not an external event at all, but a piece of one's home that one carries in one's heart: like a nursery story, its validity rests on exact repetition, so that it comes around every time as the evocation of one's whole life and particularly of the most distant bits of it in childhood. — Freya Stark

In the end, the creators of Narnia and Middle-earth offer a vision of human life that is at once terrifying and sublime. They insist that every soul is caught up in an epic story of sacrifice and courage and clashing armies: the Return of the King. It is the day when every heart will be laid bare. We will know, with inexpressible joy or unspeakable sorrow, whether we have chosen Light or Darkness. — Joseph Loconte

Scripture is, at its heart, the great story that we sing in order not just to learn it with our heads but to become part of it through and through, the story that in turn becomes part of us. — N. T. Wright

But perhaps age has taught me that the earth is still new, molten at the core and still forming, that black leaves in the winter forest will crawl with life in the spring, that our story is ongoing and it is indeed a crime to allow the heart's energies to dissipate with the fading of light on the horizon. I can't be sure. I brood upon it and sleep little. I wait like a denied lover for the blue glow of dawn. — James Lee Burke

We've made a beautiful mess of things lately, haven't we?" He flashed that sexy crooked smile at me, which made my heart flutter.
"But it's our crazy story," "It's been ours, only ours. There's been a lot of romance, sometimes way too much drama ... " "very memorable comedy, a few pulse-racing action scenes ... "
"We've also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too."
"I think we've covered it all, everything except fo being captured by aliens!"
"But through it all you've loved me unconditionally, and I know how fortunate I am to have your love. I don't want to live without you, not for one more minute, not for one more second. I want to spend the rest of my days living my story with you ... only you."
"It is here that I fell in love with you"
"And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife. — Tina Reber

God sent His Prince, Jesus, into rebel territory to conquer evil and free us to be true citizens of the Kingdom again ... That's the essential story we find in the Bible, and it's the essential story at the heart of each of our lives. And that's what all good fantasy stories have at their core, whether or not it's a conscious theme. — Sarah Arthur

A prickle of awareness made the hairs at the back of his neck stand. A deep chill sank into his flesh to settle around his heart, squeezing it. Skeletal fingers scraped along his spine and he wanted to look back over his shoulder, but couldn't. No, he didn't dare. If he saw what caused the sound it might be more than he could handle. Rooted to the ground, he couldn't twitch a finger or twist his head around. His lips glued together, so he couldn't speak. — Pamela K. Kinney

At Christmas, I am always struck by how the spirit of togetherness lies also at the heart of the Christmas story. A young mother and a dutiful father with their baby were joined by poor shepherds and visitors from afar. They came with their gifts to worship the Christ child. — Queen Elizabeth II

At night, before she went to sleep in her cabin down in the quarters, she remembered Mawu's story and told herself that she was a god, a powerful god. Each and every day, she reminded herself of this so that she wouldn't fall backward. She was more than eyes, ears, lips, and thigh. She was a heart. She was a mind — Dolen Perkins-Valdez

My inner voice told me at that point,
"you shouldn't be caring about her, just move on! You have to improve your life and live apart from her"

But my absurd heart was pleading,
"you love her, you idiot. She is your life sphere, one more try at least for the sake of kindness. — Qalandar Nawaz

I love a big, character-rich story with a dark heart, with a compelling mystery or some kind of ticking clock at its center. I want to be lured in by prose, captured by character, and bound by stellar plotting to keep turning the pages. — Lisa Unger

There will be a time when love is beautiful and passionate and nothing else will exist but you and the person you love, and a time when love hurts so badly that you will wish you wouldn't wake up. I say this. Always, always, always approach love with the heart of the angel you were born with. Never become bitter and always know that pain goes away. Marry for love. But also choose to marry a man or woman who you love that treats you with the ultimate respect for your expression of who you are at your very core. Always see the good, appreciate every moment and remember that love lives on forever. — Julieanne O'Connor

God seeks to influence humanity. This is at the heart of the Christmas story. It is the story of light coming into the darkness, of a Savior to show us the way, of light overcoming the darkness, of God's work to save the world. — Adam Hamilton

If the New Marketing can be characterized by just one idea, it's this: Ideas that spread through groups of people are far more powerful than ideas delivered at an individual.
Social change, education, new-product launches, religious movements ... it doesn't matter, the story is the same. Movements are at the heart of change and growth. A movement - an idea that spreads with passion through a community and leads to change - is far more powerful than any advertisement ever could be.
As you consider what to do next, you're faced with a difficult choice. It's difficult because it represents giving up something you may be quite comfortable with, and it's difficult because it requires an all-or-nothing commitment. — Seth Godin

Wherever my story takes me, however dark and difficult the theme, there is always some hope and redemption, not because readers like happy endings, but because I am an optimist at heart. I know the sun will rise in the morning, that there is a light at the end of every tunnel. — Michael Morpurgo

Love? ... It's at the heart of every story. — Jessica Day George

But because of his telling, many who did not believe have come to believe, and some who did not care have come to care. He tells the story, out of infinite pain, partly to honor the dead, but also to warn the living - to warn the living that it could happen again and that it must never happen again. Better than one heart be broken a thousand times in the retelling, he has decided, if it means that a thousand other hearts need not be broken at all. (vi) — Elie Wiesel

Well, the Story Girl was right. There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way — L.M. Montgomery

We are trying to communicate that which lies in our deepest heart, which has no words, which can only be hinted at through the means of a story. And somehow, miraculously, a story that comes from deep in my heart calls from a reader that which is deepest in his or her heart, and together from our secret hidden selves we create a story that neither of us could have told alone. — Katherine Paterson

You are angry at the God you were taught to believe in as a child. The God who is supposed to watch over you and protect you, who answers your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehension. We can't understand His will; He can't be explained in a book. He didn't abandon us and He will not save us. He has nothing to do with our being here. God does not change. He simply is. I don't pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray, I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don't need angels or a heaven, because we are a part of God already. — Nando Parrado

Stories don't teach us to be good; it isn't as simple as that. They show us what it feels like to be good, or to be bad. They show us people like ourselves doing right things and wrong things, acting bravely or acting meanly, being cruel or being kind, and they leave it up to our own powers of empathy and imagination to make the connection with our own lives. Sometimes we do, sometimes we don't. It isn't like putting a coin in a machine and getting a chocolate bar; we're not mechanical, we don't respond every time in the same way ...
The moral teaching comes gently, and quietly, and little by little, and weighs nothing at all. We hardly know it's happening. But in this silent and discreet way, with every book we read and love, with every story that makes its way into our heart, we gradually acquire models of behaviour and friends we admire and patterns of decency and kindness to follow.
Philip Pullman from his Award Lecture, Astrid Lindgren Memorial Award Recipient 2005 — Philip Pullman

Finn said, "You feel the wind is a bully, beating you. But that is your seeing. That is your story, not the wind's. To a bird who rides it, that wind is only a kind hand. Because the bird rides the wind's power. Do you understand?" Clare, bitter, cold, and wind-battered, frowned stubbornly. "But a bird can fly. I can't fly." He turned to look at her, and his face was troubled. "If you cling to the safety of the rock, indeed you can't. To fly, you open your arms and fall, heart first, trusting the wind to bear you up. That's what the birds do. — Katherine Catmull

The best place for discovering what a man is is the heart of the desert. Your plane has broken down, and you walk for hours, heading for the little fort at Nutchott. You wait for the mirages of thirst to gape before you. But you arrive and you find an old sergeant who has been isolated for months among the dunes, and he is so happy to be found that he weeps. And you weep, too. In the arching immensity of the night, each tells the story of his life, each offers the other the burden of memories in which the human bond is discovered. Here two men can meet, and they bestow gifts upon each other with the dignity of ambassadors. — Antoine De Saint-Exupery

If Shirley were not an indolent, a reckless, an ignorant being, she would take a pen at such moments, or at least while the recollection of such moments was yet fresh on her spirit. She would seize, she would fix the apparition, tell the vision revealed. Had she a little more of the organ of acquisitiveness in her head, a little more of the love of property in her nature, she would take a good-sized sheet of paper and write plainly out, in her own queer but clear and legible hand, the story that has been narrated, the song that has been sung to her, and thus possess what she was enabled to create. But indolent she is, reckless she is, and most ignorant; for she does not know her dreams are rare, her feelings peculiar. She does not know, has never known, and will die without knowing, the full value of that spring whose bright fresh bubbling in her heart keeps it green. — Charlotte Bronte

We are each living a story. What many of us are too afraid to admit is that we are the authors of our story. You are living the life you chose for yourself. You are living the result of each and every one of your choices. If you are letting others make decisions for you, you are allowing them to write your story. Do they have your best interests at heart? If you are unhappy, whose fault is that? Don't like your life, go write yourself a better one. — Michael R. Fletcher

The Redwood Tree

My father once told me a story about an old redwood tree - how she stood tall and proud - her sprawling limbs clothed in emerald green. With a smile, he described her as a mere sapling, sheltered by her elders and basking in the safety of the warm, dappled light. But as this tree grew taller, she found herself at the mercy of the cruel wind and the vicious rain. Together, they tore relentlessly at her pretty boughs, until she felt as though her heart would split in two.

After a long, thoughtful pause, my father turned to me and said, "My daughter, one day the same thing will happen to you. And when that time comes, remember the redwood tree. Do not worry about the cruel wind or the vicious rain - but do as that tree did and just keep growing. — Lang Leav

They sat on the back porch and looked at the stars while Zombie told the story of a queen named Cassiopeia who lived forever on a throne in the sky.
"But her throne's tilted down," Sam said, looking at the constellation. "Won't she fall out?"
Zombie cleared his throat. "She won't fall. Her throne is turned that way so she can keep watch over her realm."
"What's a realm?"
Zombie pressed his hand against Sam's chest.
"This is." Zombie's hand to Sam's heart. "Here. — Rick Yancey

Inside the room there sat a rocker, which she sat on, and which had rocked her while she sipped the beer, because in spite of herself she had become so giddy to have so quickly relieved her heart that she allowed herself to lean backwards while in the rocker, which had made it possible for the rocker to rock her, although it was not her intention to be so rocked. Also there stood an ironing board with a still hot iron on it that was burning a yellow shift, and there was, among several items that were not as noticeable to the woman, and yet were noticeable enough to at least bear mention, a fake man.
"I hope you don't mind me asking," said the woman who lived in the room, but then while in her chair she nodded off. — Justin Dobbs

At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention. — Julia Bacha

I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties ... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam. — Horst Faas

Amedeo loved thick tomes, and in tackling them he felt the physical pleasure of undertaking a great task. Weighing them in his hand, thick, closely printed, squat, he would consider with some apprehension the number of pages, the length of the chapters, then venture into them, a bit reluctant at the beginning, without any desire to perform the initial chore of remembering the names, catching the drift of the story; then he would entrust himself to it, running along the lines, crossing the grid of the uniform page, and beyond the leaden print the flame and fire of battle appeared, the cannonball that, whistling through the sky, fell at the feet of Prince Andrei, and the shop filled with engravings and statues where Frederic Moreau, his heart in his mouth, was to meet the Arnoux family. Beyond the surface of the page you entered a world where life was more alive than here on this side ... — Italo Calvino

At the heart of Christian faith is the story of Jesus' death and resurrection. — John Ortberg

My friendship with Jack remains strained. I want to believe that he was duped, but he has always been far too clever to fall for another man's ruse. So we have added yet one more thing to our relationship about which we never speak. Sometimes I think we will break beneath the weight of it, but on those occasions I have but to look at my wife in order to find the strength to carry on. I am determined to be worthy of her and that requires that I be a far stronger and better man than I had ever planned to be.
We see Frannie from time to time, not as often as we'd like unfortunately. She did eventually marry, but that is her story to tell.
Dear Frannie, darling Frannie.
She shall always remain the love of my youth, the one for whom I sold my soul to the devil. But Catherine, my beloved Catherine, shall always be the center of my heart, the one who, in the final hour, would not let the devil have me. — Lorraine Heath

The family tree of Christ startlingly notes not one woman but four. Four broken women - women who felt like outsiders, like has-beens, like never-beens. Women who were weary of being taken advantage of, of being unnoticed and uncherished and unappreciated; women who didn't fit in, who didn't know how to keep going, what to believe, where to go - women who had thought about giving up. And Jesus claims exactly these who are wandering and wondering and wounded and worn out as His. He grafts you into His line and His story and His heart, and He gives you His name, His lineage, His righteousness. He graces you with plain grace. Is there a greater Gift you could want or need or have? Christ comes right to your Christmas tree and looks at your family tree and says, I am your God, and I am one of you, and I'll be the Gift, and I'll take you. Take Me? — Ann Voskamp

Building a museum case and filling it with types of mussels is one way of knowing mussels; but on the shore, a mussel leads to a crab or a curious stone, which leads to another thing and eventually leads back to mussels, which is another and perhaps a more far-reaching way to know mussels. The sea that always seems like a metaphor, but one that is always moving, cannot be fixed, like a heart that is a like a tongue that is like a mystery that is like a story that is like a border that is like something altogether different and like everything at once. One thing leads to another, and this is the treasure that always runs through your fingers and never runs out. — Rebecca Solnit

We realize, though, because we must, that remembrance is finite. It crosses only so many generations before it fades to indistinction. One man remembers his father and perhaps his grandfather and the details of the lives that were lived. But it's harder to see further back in time. I know the name of my great-grandfather, but our living time did not intersect. We did not walk the earth at the same time. Thus, to me he's a photograph; a story I heard my grandfather tell. He's not a life I remember. And my children may not know him at all, unless by chance they can find him in a book. In time, he will be forgotten entirely, just as we all will with enough revolutions of the earth around the slowly expiring sun. Each fragile heart now beating will one day stop ... We are little more than one tree's growth of leaves in hillside forest. We will enjoy our brief moment in the sun, only to fall away with all the other to make way for the next bright young generation. — Phillip Lewis

...sound Bible study transforms the heart by training the mind and it places God at the center of the story. — Jen Wilkin

He licked his lips, still looking earnest. "Sara. We had such a special connection. It was real and it was fantastic. Maybe that's why I've spent so many years yearning for it too. We both knew what it was like, and we lost it. Even though you may not remember yet, it's somewhere in here." He reached over and touched my head. "And in there." He pointed a finger toward my heart.
I was speechless. I stared at Jack, knowing in my heart that he was being honest and truthful. And I was overwhelmed that he understood me so well.
Turning to face me, his eyes burned with intensity. He took my hands in his and said, "I love you Sara Jordan Hamilton, and I'm willing to give you all the desires of your heart, if only you'll let me. Nothing can take away my love for you. Not time, not distance, not even another husband. — Sharon Ricklin Jones

Storytelling is at the heart of life ... In finding our own story, we assemble all the parts of ourselves. Whatever kind of mess we have made of it, we can somehow see the totality of who we are and recognize how our blunderings are related. We can own what we did and value who we are, not because of the outcome but because of the soul story that propelled us. — Marion Woodman

Inviting God to write the chapters of our loves story involves work on our part - not just a scattered prayer here and there, not merely a feeble attempt to find some insight by flopping open the Bible every now and then. It's seeking Him on a daily basis, putting Him in first place at all times, discovering His heart. — Eric Ludy

How much more so when it comes to the deep truths of the Christian faith. God loves you; you matter to him. That is a fact, stated as a proposition. I imagine most of you have heard it any number of times. Why, then, aren't we the happiest people on earth? It hasn't reached our hearts. Facts stay lodged in the mind, for the most part. They don't speak at the level we need to hear. Proposition speaks to the mind, but when you tell a story, you speak to the heart. We've been telling each other stories since the beginning of time. It is our way of communicating the timeless truths, passing them down. And that's why when Jesus comes to town, he speaks in a way that will get past all our intellectual defenses and disarm our hearts. He tells a certain kind of story. — John Eldredge

There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way to fairyland. — L.M. Montgomery

I am most grateful for company this evening, even of the quiet variety. I am no great conversationalist, myself."
Gray snorted. Not a conversationalist. The girl had coaxed the life story out of every sailor in this ship.
She had just picked up her spoon again when Joss spoke.
"You do not find the voyage too tedious, Miss Turner?" Joss asked. "I regret that you are left to entertain yourself, being the sole passenger."
She laid down her spoon. "Thank you, Captain, but I find sufficient activity to occupy my hands and my mind. Reading, sketching, walking the deck for fresh air and healthful exertion. I'm surprisingly content, living at sea."
Gray's heart gave an odd kick. — Tessa Dare

In the story of the good Samaritan, Jesus not only teaches us to help people in need; more deeply, he teaches us that we cannot identify who "has it", who is "in" with God, who is "blessed", by looking at exteriors of any sort. That is a matter of the heart. There alone the kingdom of the heavens and human kingdoms great and small are knit together. Draw any cultural or social line you wish, and God will find his way beyond it. — Dallas Willard

The Dream Lover is a historical novel at once expansively researched yet intimately imagined. George Sand may be the ultimate Berg heroine. 'A life not lived in truth,' Berg writes, 'is a life forfeited.' In this latest work, Elizabeth Berg has poured her own great gifts and her own great heart into the story of a woman determined to refuse any such forfeiture, no matter the cost. — Leah Hager Cohen

The fact is that nothing is more difficult to believe than the truth; conversely, nothing seduces like the power of lies, the greater the better. It's only natural, and you will have to find the right balance. Having said that, let me add that this particular old woman hasn't been collecting only years; she has also collected stories, and none sadder or more terrible than the one she's about to tell you. You have been at the heart of this story without knowing it until today ... — Carlos Ruiz Zafon

The song is gone; the dance
is secret with the dancers in the earth,
the ritual useless, and the tribal story
lost in an alien tale.
Only the grass stands up
to mark the dancing-ring; the apple-gums
posture and mime a past corroboree,
murmur a broken chant.
The hunter is gone; the spear
is splintered underground; the painted bodies
a dream the world breathed sleeping and forgot.
The nomad feet are still.
Only the rider's heart
halts at a sightless shadow, an unsaid word
that fastens in the blood of the ancient curse,
the fear as old as Cain. — Judith A. Wright

Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin. — James Caskey

The stars, like the hollow eyes of a god forgotten, marry the sadness of the exhausted hour and inspire a little chaos, a little gentleness, to those below.

I look up at the sky and see everything I've ever lost,
waiting for me. — Marlen Komar

If you stand right at the edge of the night sky, some place where one o'clock leaves to meet two, the breeze will carry your words up to the stars. And they'll swallow your secrets until its time to hand them over to the truths in the sky- the ones that draw maps in the black.

They carve their answers into the backs of my hands, the grooves of the words running deep in my palms. — Marlen Komar

She says I shall now have one mouth the more to fill and two feet the more to shoe, more disturbed nights, more laborious days, and less leisure or visiting, reading, music, and drawing.
Well! This is one side of the story, to be sure, but I look at the other. Here is a sweet, fragrant mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God; and the body in which it dwells is worth all it will cost, since it is the abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all, to whom, while I minister in Christ's name, I make a willing sacrifice of what little leisure for my own recreation my other darlings had left me. Yes, my precious baby, you are welcome to your mother's heart, welcome to her time, her strength, her health, her tenderest cares, to her lifelong prayers! Oh, how rich I am, how truly, how wondrously blest! — Elizabeth Payson Prentiss

I am called to listen to the sound of my own heart
to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart. — Katherine Paterson

History is so comprehensive and detailed. I couldn't be a history student. I thought there was a time when I couldn't be a history maker, because of my limited understanding of what that meant. Today, thinking about the passing of Julian Bond and a wonderful conversation with a woman who has influenced so much, I think we all are history makers. All of our names will not be as known as Mr. Bond's or in books, but our names will be on someone's tongue and our memories will be in someone's heart, and we will all be a part of someone's personal story. We have a unique opportunity at this very second to change how we affect someone's life as living history and historians. Flaws and all. Yep. — Robin Caldwell

I feel for Veronica Mars so much when I'm watching at home. It is a wonderful story. The writing is consistently funny, biting, charming, heart-wrenching, etc. I also like the look of it. The cinematography - different from any other show. — Jason Dohring