At&t Commercial Quotes & Sayings

I had a hard time watching Wolf Creek. It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking. — Roger Ebert

I worked at all kinds of jobs, mostly commercial editing. — Marilyn Hacker

And as a nutritional researcher, I was surprised at first by the popularity and commercial success of the low-carb diet, especially given its serious flaws. The research on high-protein, high-fat diets has consistently demonstrated that they have disastrous health effects and fail to secure compliance and long-term weight loss. — T. Colin Campbell

When I was at drama school in the U.K., I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, 'We've taught you Chekhov and Shakespeare; you are likely to be in a washing-up soap-liquid commercial.' — James Callis

I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music. — Ricki-Lee Coulter

Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder's widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn's museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: "Our stuff looks tinny compared to it." At a time when commercial values are systematically corrupting the museum - one of civilized society's most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever. — Martin Filler

Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot. — Barbara Kruger

Surely it wasn't possible that Vin diPietro was the first assignment.
"Hello?" DiPietro waved. "You in there?"
Nah, Jim thought. Can't be. That would be above and beyond any call of duty.
Over the guy's shoulder, the commercial that was on the TV suddenly showed a price of $49.99-no, $29.99, with a little red arrow that ... considering where Vin was standing, poined right at his head.
"Sh*t, no" Jim muttered. This was the guy?
On the Tv screen, some woman in a pink bathrobe smiled up at the camera and mouthed, Yes, it is! — J.R. Ward

I don't want to look back at my career and see a string of incredibly commercial projects that don't have much heart. I'm looking for things that have soul. — Taron Egerton

Commercial music is music that a lot of people connect to at the same time, but that doesn't mean it has to be something shallow or without personality. — Robyn

The rumors were that at least one of the three largest commercial banks would go bankrupt, similar to LTCB (Long Term Capital Bank) a couple of years before, causing a market shock that would reverberate around the world. I — David Schneider

It's the tabloids, with their intense commercial need to get scoops to bring in readers, that run a regime of fear, where reporters are bullied, shouted at. That's where things go wrong. — Nick Davies

If you look at where innovation - defined as ideas, not as commercial product - tends to live, the university system is remarkably innovative. — Steven Johnson

Music has become more pervasive and portable than ever. But it feels less previous in the bargain. I don't want to confuse artistic and commercial value, but it's just a fact that some kid who rips an album for free isn't going to give it the same attention he would if it cost him ten bucks. At what point does convenience become spiritual indolence? I realize this makes me sound like an old fart, but sometimes I get nostalgic for the days when the universe of recorded sound wasn't at our fingertips, when we had to hunt and wait and - horror of horrors - do without, when our longing for a particular record or song made it feel sacred. — Steve Almond

I was asked to do a test commercial shoot for an Apple product which didn't mean much to me at the time. Some music player that holds all your songs. Sounded cool to me and I never gave up an opportunity to work, especially with the possibility of it turning into a national commercial. Coolest job I did in that time. — Harry Shum Jr.

I liked it better when you couldn't be so sure. When terrifying rumors were distant enough to be a UFO at the bottom of Loch Ness. When the horribly compelling train-wreck tragedies of less fortunate people's lives were only as real as you let them be. Just a cover of a magazine, a black-and-white photo on some late-night commercial for a charity. Now confirmation is just a mouse click away. — Chuck Palahniuk

I did another commercial. Don't lose your loved ones, I wrote, because of excessive radioactivity. Don't be a wallflower at the dance because of strontium 90 in your bones. Don't be a victim of fallout. When the tart on Thirty-sixth Street gives you the big eye does your body stride off in one direction and your imagination in another? Does your mind follow her up the stairs and taste her wares in revolting detail while your flesh goes off to Brooks Brothers or the foreign exchange desk of the Chase Manhattan Bank? Haven't you noticed the size of the ferns, the lushness of the grass, the bitterness of the string beans, and the brilliant makings on the new breeds of butterflies? You have been inhaling lethal atomic waste for the last twenty-five years and only Elixircol can save you. — John Cheever

Depending on how you looked at it, Darren was our Mick Jagger (designated swaggering extrovert) to Simon's Keith Richards (quietly virtuosic, blatantly self-destructive). Or else Darren had been Paul McCartney (chirpily commercial) and Simon had been John Lennon (moody, introspective, possessed of quasi-mystical insights). — Austin Grossman

Let's note, that in what I consider the most disgraceful performance abroad by an American official in my lifetime - something not exampled since Jane Fonda sat on the anti-aircraft gun in Hanoi to be photographed - Mr. McDermott said in effect, not in effect, he said it, we should take Saddam Hussein at his word and not take the President at his word. He said the United States is simply trying to provoke. I mean, why Saddam Hussein doesn't pay commercial time for that advertisement for his policy, I do not know. — George Will

If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes. — Brian Eno

[...] if truth be told, evolution hasn't yielded many practical or commercial benefits. Yes, bacteria evolve drug resistance, and yes, we must take countermeasures, but beyond that there is not much to say. Evolution cannot help us predict what new vaccines to manufacture because microbes evolve unpredictably. But hasn't evolution helped guide animal and plant breeding? Not very much. Most improvement in crop plants and animals occurred long before we knew anything about evolution, and came about by people following the genetic principle of 'like begets like'. Even now, as its practitioners admit, the field of quantitative genetics has been of little value in helping improve varieties. Future advances will almost certainly come from transgenics, which is not based on evolution at all.
[review of The Evolving World: Evolution in Everyday Life, Nature 442, 983-984 (31 August 2006)] — Jerry A. Coyne

Seems there's a big debate going on about whether a new TV commercial for Minute Maid orange juice portrays Popeye and Bluto as gay lovers or just good friends. The commercial shows Popeye and Bluto at the beach and riding a bicycle for two. I don't think that makes them gay. I think the fact they both find Olive Oyl attractive, that makes them gay. — Jay Leno

Listen closely. There's a remote possibility that you might learn something: First, I don't give a damn if my work is commercial or not ... I'm the writer. If what I write is good, then people will read it. That's why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself. — John Fante

Wells is teaching us to think. Burroughs and his lesser imitators are teaching us not to think. Of course, Burroughs is teaching us to wonder. The sense of wonder is in essence a religious state, blanketing out criticism. Wells was always a critic, even in his most wondrous and romantic tales.

And there, I believe, the two poles of modern fantasy stand defined. At one pole wait Wells and his honorable predecessors such as Swift; at the other, Burroughs and the commercial producers, such as Otis Adelbart Kline, and the weirdies, and horror merchants such as H.P. Lovecraft, and so all the way past Tolkien to today's non-stop fantasy worlders. Mary Shelley stands somewhere at the equator of this metaphor. — Brian W. Aldiss

Government isn't that good at rapid advancement of technology. It tends to be better at funding basic research. To have things take off, you've got to have commercial companies do it. — Elon Musk

Well, certainly at the Golden Globes, during every commercial break everyone gets up and schmoozes with each other. — Jesse Tyler Ferguson

My first job was a McDonald's commercial. It made me want to wake up at 4 A.M. to do something I loved. I haven't been the same since. — Nadine Velazquez

I was a complete unknown when I did 'Karate Kid.' I'd just done a pilot for a TV show called 'Call to Glory.' And I sat down with John Avildsen and brought still pictures from the show. I brought pictures! At that point, I would've been happy to be in a dog-food commercial. — Elisabeth Shue

When was the last time we took a verse like, "Let there be no filthiness nor foolish talk nor crude joking, which are out of place, but instead let there be thanksgiving" (Eph. 5:4) and even began to try to apply this to our conversation, our movies, our YouTube clips, our television and commercial intake? What does it mean that there must not be even a hint of immorality among the saints (v. 3)? It must mean something. In our sex-saturated culture, I would be surprised if there were not at least a few hints of immorality in our texts and tweets and inside jokes. And what about our clothes, our music, our flirting, and the way we talk about people who aren't in the room? — Kevin DeYoung

You have got to have an agent. It's a business. But I think there is a way to be artful and commercial at the same time. — Elizabeth Banks

A lot of today's campaigns are based on optimum positioning but are totally ineffective - because they are dull, or badly constructed, or ineptly written. If nobody reads your advertisement or looks at your commercial, it doesn't do you much good to have the right positioning. — David Ogilvy

I did short film with Damian Lewis from Homeland, that was a really incredible experience. He's one of the best actors I've ever worked with. Even though that's a short film for Jaguar that's really, in essence, a commercial, it didn't feel like it, at all. — Shannyn Sossamon

When I look at commercial studios, I think, "Oh, they're all so nice and tidy," but it's because they don't actually write music in them. — Aphex Twin

His name is Richard Bingham and he's an advertising executive at Bingham, Charles & Alexander. And yes, he is the Bingham in the title. He says, "I loved watching you eat your lunch. You really savored the flavors."
I am immediately mortified by his comment as I can only imagine what I must have looked like. I get an image in my head of a phone sex commercial for 1-800 eat-this. I grimace and beg, "Please tell me you were not watching me eat."
But he just smiles, "I couldn't take my eyes off of you. That's why I brought the desserts over. I can die a happy man if you'll just take one bite of each of them for me. — Whitney Dineen

This is Nick's wife, Amy, who was born and raised in New York City." And her friends, plump and welcoming, immediately suffer some strange Tourettesian episode: They repeat the words - New York City! - with clasped hands and say something that defies response: That must have been neat. Or, in reedy voices, they sing "New York, New York," rocking side to side with tiny jazz hands. Maureen's friend from the shoe store, Barb, drawls "Nue York Ceety! Get a rope," and when I squint at her in confusion, she says, "Oh, it's from that old salsa commercial!" and when I still fail to connect, she blushes, puts a hand on my arm, and says, "I wouldn't really hang you. — Gillian Flynn

The television commercial is not at all about the character of products to be consumed. It is about the character of the consumers of products. — Neil Postman

I remember I prayed to God. I was like, "Just let me be on TV." Let my friends see me on TV in a good thing. I like, if I'm funny a little bit on a commercial and then I don't need to act ever again. "Just let them see me." And then it worked. I got the commercial. I was on TV. My friends all saw me. I was a kind of a star at school for like three days. And then it faded away and I was hungry and I had to like make another deal with God. I remember it still. — Jack Black

At the foot of the mountain, the park ended and suddenly all was squalor again. I was once more struck by this strange compartmentalization that goes on in America
a belief that no commercial activities must be allowed inside the park, but permitting unrestrained development outside, even though the landscape there may be just as outstanding. America has never quite grasped that you can live in a place without making it ugly, that beauty doesn't have to be confined behind fences, as if a national park were a sort of zoo for nature. — Bill Bryson

We Americans commercialize everything. Look at what we did to Christmas. Christmas is Jesus' birthday. Now, I don't know Jesus, but from what I read he was the least materialistic person who ever walked the earth. No bling on Jesus. He kept a low profile and we turned his birthday into the most commercial day of the year. In fact we have a whole Jesus birthday season. And then at the end of it, we have the nerve to have an economist come on TV and say what a horrible Jesus birthday season we had. — Chris Rock

Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it. — Steve Martin

At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die.
You never stop waiting for the real story to start, because the only real story, in the end, is that you die. — Jonathan Franzen

You can reduce your anxiety somewhat by facing the fact that there isn't a mechanic alive who doesn't louse up a job once in a while. The main difference between you and the commercial mechanics is that when they do it you don't hear about it - just pay for it, in additional costs prorated through all your bills. When you make the mistakes yourself, you at least get the benefit of some education. — Robert M. Pirsig

I try to rediscover why that object exists at all, and why one should take the trouble to reconsider It. I don't consider the technical or commercial parameters so much as the desire for a dream that humans have attempted to project onto an object. — Philippe Starck

I don't think about commercial concerns when I first come up with something. When I sit down at the piano, I try to come up with something that moves me. — Lamont Dozier

A complete stranger
a giant pancake, no less
has just appeared in their home," Boyd said. "Why isn't anyone reacting to this? Wouldn't they be screaming in terror?"
"They love pancakes," Stan said.
"What would they do if a fried chicken leg walked in?"
"I'm not sure a chicken leg could walk in," said the script supervisor, a lady who wore three layers of shirts and sucked on a pencil as if it were a pacifier. "I suppose it could hop."
Stan looked over his shoulder at her. "let me handle this." He turned back to Boyd. "The family knows you. You're not just another pancake off the street. You're a celebrity pancake, the Jay Leno of breakfast foods. Would anyone throw Leno out of their house?"
"Okay, assuming you're right, I'm a pancake asking this family to eat me. Am I suicidal or simply filled with self-loathing?"
"Take your pick," Stan said. "Whatever will get you through the scene. — Janet Evanovich

I can't live without mousse. When my hair is damp I put it at the roots. When I blow dry my hair it makes it so much bouncier. It gives you shampoo commercial hair and makes your blowout so much better. — Shay Mitchell

My brother was scouted for a commercial when he was three, and it was just because he could speak clearly and was well behaved, basically. I don't think he had any amazing acting ability at that age - although he is actually a great actor. — Rose McIver

I've done commercial work for Amtrak. However, that was branded as Stanton. I stipulated at the very beginning that it was not going to involve 'Humans of New York,' that I wasn't going to promote it on 'Humans of New York.' So nobody who follows me really even knows that I did it. — Brandon Stanton

Maybe one way I am original is that at heart I really am a classical actor. I haven't had my chance yet in the commercial world to show that. Movies aren't really made about classical people so much any more. — Christopher Reeve

Well, in a world where so few of us are obliged to cook at all anymore, to choose to do so is to lodge a protest against specialization - against the total rationalization of life. Against the infiltration of commercial interests into every last cranny of our lives. To cook for the pleasure of it, to devote a portion of our leisure to it, is to declare our independence from the corporations seeking to organize our every waking moment into yet another occasion for consumption. (Come to think of it, our nonwaking moments as well: Ambien, anyone?) It is to reject the debilitating notion that, at least while we're at home, production is work best done by someone else, and the only legitimate form of leisure is consumption. This dependence marketers call freedom. — Michael Pollan

When I did have a little bit of commercial success, it really didn't suit my temperament at all. I'm a terrible public person. — Juliana Hatfield

Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love.
Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will.
At least the ancient Greeks were being honest. — Chuck Palahniuk

Far more people die in the developing world than in the West. At religious festivals mainly. That's not a myth - the numbers don't lie. I think it's just because in the West crowds tend to be manufactured by commercial interesting, and they have, or at least should have, a responsibility for keeping people safe. — John Seabrook

I think it makes people frustrated when they have to live their actual lives commercial free and they can't just magically wind up at the part with the happy ending. — Larry Gelbart

Every love story,every commercial trade, every secret, every matter in which trust is involved, is a gentle transaction of hostages. Everything is, to a degree, in the custody of every other thing. Blackmail, kidnapping, then, are among the extreme violations of the deal. Anyway, I seem to be about to have Jim's child; at least, I think I will, and the thing is I haven't mentioned it to Jim. — Renata Adler

It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it. — James Patterson

Gorgeous, arrogant and pissed off?" I chuckled a little. "Yes, that's him." "His name is Graham Morgan, and I know just where you should bring the phone." I fished a pen from my purse. "Okay." "Are you anywhere near the 1 train?" "I'm not too far." "Okay. Well, hop on the 1 and take that all the way downtown. Pass Rector Street and get off at the South Ferry Terminal." "Okay. I can do that." "Once you're off. Take a right on Whitehall and then a left on South Street." I knew the area and tried to visualize the buildings around there. It was a pretty commercial neighborhood. "Won't that take me to the East River?" "Exactly. Toss that asshole's phone in, and forget you ever saw the man." The phone line went dead. — Vi Keeland

What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all. — Karan Bajaj

I was in college, and very disappointed. I majored in commercial art and interior design for three or four years. At that time, it seemed the thing I really wanted to do, production design, just wasn't available in the U.K., so I turned to music. — Eric Burdon

I don't think it's so hard to be commercial and interesting. Look at Prince, or Neil Young. — Sufjan Stevens

chest in a sensation of gut-punching fear. My hand caught me and I bounced back to my feet. So that's ice? I thought. Until now I had only seen it on TV and in the freezer. There was a black sedan in the driveway that looked like something I'd seen on a Buick commercial. My hand brushed against it as I ran down the driveway and stopped at the end. I heard the — Robert J. Crane

Rather than going through a commercial banking training program, at the first bank I ever worked in, I was the chairman. And it was my own money, so we loaned it out like it was my own money. — Gerald J. Ford

The truth is not in the commercial media because the truth is a dagger pointed at its heart, which is its pocketbook. — George Seldes

True transformation occurs only when we can look at ourselves squarely and face our attachments and inner demons, free from the buzz of commercial distraction and false social realities. We have to retreat into our own cocoons and come face-to-face with who we are. We have to turn toward our own inner darkness. For only by abandoning its attachments and facing the darkness does the caterpillar's body begin to spread out and its light, beautiful wings begin to form. — Julia Hill

The curious double strands in Farfrae's thread of life - the commercial and the romantic - were very distinct at times. Like the colours in a variegated cord those contrasts could be seen intertwisted, yet not mingling. — Thomas Hardy

So many television marriages -
that playing out of lives against a
background of the tube.
Instead of two lives filing the room,
There are their two lives and the eleven o'clock news with
Constant commercial interruption.
Instead of what you say and what I say.
You don't laugh with me;
I don't laugh with you.
All the wit comes pouring out of the tube.
And we laugh at it together.
The more we avoid talking
the more passive the relationship becomes.
Television permits us to walk through life
with minor speaking parts.
And the more we fail to speak,
the more difficult speaking becomes — Lois Wyse

This interplay of military and academic motives became ingrained in the Internet. "The design of both the ARPANET and the Internet favored military values, such as survivability, flexibility, and high performance, over commercial goals, such as low cost, simplicity, or consumer appeal," the technology historian Janet Abbate noted. "At the same time, the group that designed and built ARPA's networks was dominated by academic scientists, who incorporated their own values of collegiality, decentralization of authority, and open exchange of information into the system."90 These academic researchers of the late 1960s, many of whom associated with the antiwar counterculture, created a system that resisted centralized command. It would route around any damage from a nuclear attack but also around any attempt to impose control. — Walter Isaacson

From that night on, the electron-up to that time largely the plaything of the scientist-had clearly entered the field as a potent agent in the supplying of man's commercial and industrial needs ... The electronic amplifier tube now underlies the whole art of communications, and this in turn is at least in part what has made possible its application to a dozen other arts. It was a great day for both science and industry when they became wedded through the development of the electronic amplifier tube. — Robert Andrews Millikan

By 1988, I'm seeing this commercial phenomenon beginning to show up. Hardware makers are selling routers to universities so they can build up their campus networks. So I remember thinking, 'Well, how are we going to get this in the hands of the general public?' There were no public Internet services at that point. — Vint Cerf

Among the early commercial adopters of wild beer were the Cottonwood Brewery of Boone, North Carolina, and Joe's Brewery of Champaign, Illinois. Brewer John Isenhour gained a "cult status" for his production of beers with a lambic profile in the mid-1990s using wild yeast and bacteria that he kept active at various stages of the lambic fermentation cycle. John quite successfully marketed the "Lambic" to his rather conservative clientele in this central Illinois college town as "Belgian lemonade. — Jeff Sparrow

Rattle me out of bed early, set me going, give me as short a time as you like to bolt my meals in, and keep me at it. Keep me always at it, and I'll keep you always at it, you keep somebody else always at it. There you are with the Whole Duty of Man in a commercial country. — Charles Dickens

I was watching cartoons on television and a commercial came on for one of the Batman series where I played a butler. And then my grandson looked up at me and he said, "Do you know Batman?" I said, "Yes." He said, "Really," I said, "Yeah." I said I know him very well. And he told all the boys at school, he said, "My grandpa knows Batman. Does your grandpa know Batman? OK, no. Mine does." — Michael Caine

Good morning, sunshine," he said, his smile quickly disappearing in the face of her murderous glance when she raised her face to look at him.

"Shut up and die, morning person. Coffee," she mumbled.

Right. Note to self. Mate was not a morning person. He poured a cup of coffee and placed it on the table near her hand along with the sweetener and cream. He watched as she poured three packets of Equal into the coffee with her forehead still on the table. He looked on in amazement as she felt around and unscrewed the cap to the cream before dousing the dark liquid. She stirred for a second before dragging the cup to her lips. After a few sips she was able to lift her head. By the time she had finished half a cup she was sitting upright. When she finished the cup, her eyes were open and she was looking around.

"You need to be a coffee commercial," Connor said, staring at his mate. — Alanea Alder

Sex appeal is a good thing for commercial cinema. Though I can't sit at home and consider myself a sex symbol, it is for people to do so. I want to be known as an interesting actor. — Randeep Hooda

In most cases, obviously, soldiers fought because a government drafted them and gave them a rifle. At every point too, we see the role of nationalistic sentiment, commercial rivalries, and simple greed. But can we ever separate out such motives from the religious? Was that not also true of the medieval crusades? — Philip Jenkins

Actually, Wilson's art can't fit into these neat categories. My own take is that the best way to think of Wilson is as an outsider musician, but one who actually happens to have a huge amount of talent. Much like, say, Wesley Willis, Wilson is focussed on having huge commercial success, but has little to no idea what actually counts as commercial. He's very easily swayed by people around him, so if he's told he should be doing three-minute pop songs, he does three-minute pop songs, and if he's told he should do epic suites about the American Dream, he does those. But at all times there are two things that remain true about him: he has an unerring ability as an arranger, and a directness that makes his music more communicative than any other music I've ever heard. — Andrew Hickey

It is interesting to speculate whether commercial capitalism was thereby smothered in its crib in Egypt, just at a moment when it was beginning to take off in other places such as Italy, the Netherlands, and England.24 On — Francis Fukuyama

I loved working when I worked at commercial art and they told you what to do and how to do it and all you had to do was correct it and they'd say yes or no. The hard thing is when you have to dream up the tasteless things to do on your own. — Andy Warhol

Widespread commercial distribution of ice was so new that 300 tons of the precious commodity melted at one port while customs officials tried to figure out how to classify it. — Bill Bryson

And it made me realize that we often find our people at an early age. The ones who encourage us, love us, and share our weird desire to play with sliced dill pickles in the cafeteria and sing commercial jingles. The years may change our faces, our bodies, and our lives, but there are connections we make early on that remain part of who we are forever. — Melanie Shankle

If you look at the first commercial transactions on the Internet, few of the early companies necessarily survived intact, but the ideas they invented became the industry. — James Heywood

Pointing out the possible, and expensive, entanglements that could come with widespread commercial enterprise, the author calculates the Great Britain was at war half the time between 1689 and 1783. — John Ferling

A male star named "T.T. Boy" ... is a legend in the business [actor in commercial porn films]. T.T. Boy does not look at all glamorous - he's a small, tough-guy, assistant mobster type; sometimes he chews gum during his lovemaking scenes. He pounds his partners ... Once memorably described as 'nothing more than a life-support system for his penis,' he got the kind of admiring, solid applause reserved for a large artillery piece going by in a parade. — George Plimpton

The cult of friendship disturbs me. It's like our quality is supposed to be measured by the number of friends we have. For me, it's quite the inverse. When somebody says "I'm friends with everyone" I just assume they have the spine of your average jellyfish and the integrity of your average soap dish.
"I have tons of close friends!" Ok, then you obviously have no standards. "I've slept with lots of people!" Good, I will shake your hand from inside this Hazmat suit. It's like you have to have friends or you're nothing, and you gotta have lots of friends, and the more friends you have the more value you have. This Is a way of lowering our standards to fit in.
I'm a big fan of quality over quantity. Everyone wants to look at their life like it's a beer commercial they can just climb into. The larger the circle of friends the more alcohol is involved to blind yourself to the fact that you cant stand most of these assholes. — Stefan Molyneux

Even the multiplex audience wants this flavour. No big-budget film can be a commercial hit until it does well both at multiplexes and single screens. 'Ghajini' and 'Dabangg' are examples. — Rohit Shetty

I call my ring Procter and Gamble, because David paid for it through his first commercial from Head & Shoulders. When I met David, he was waiting tables. He was below broke, in deep debt, but I followed my heart. When you're looking for a mate, don't look at his current status, but his present potential that will become a part of his future. — Alysia Reiner

At thirteen I began modeling, doing my first television commercial in ninth grade for Pizza Hut. — Donna Rice

the old anti-'commercial' tendencies mocked throughout this book have been bulked up into a worldview by the runaway growth of what I call semipopular music." (Oh yeah, "semipopular music." Er, "music more popular in form than in market share." At least when it starts out. Under the rubric "alternative," now also an established image-making strategy that informs many of the "brands" ambitious young musicians concoct for themselves. — Robert Christgau

When you read books on your Kindle, the data about which phrases you highlight, which pages you turn, and whether you read straight through or skip around are all fed back into Amazon's servers and can be used to indicate what books you might like next. When you log in after a day reading Kindle e-books at the beach, Amazon is able to subtly customize its site to appeal to what you've read: If you've spent a lot of time with the latest James Patterson, but only glanced at that new diet guide, you might see more commercial thrillers and fewer health books. — Eli Pariser

I plan to join the 'SNL' band as a maraca player and stand behind saxophonist Lenny Pickett. That way they will at least cut to me before commercial breaks. I'll be sure to look right into camera. — John Mulaney

But there's no way round it-commercial success is a mark of failure for a graffiti artist. We're not supposed to be embraced in that way. When you look at how society rewards so many of the wrong people, it's hard not to view financial reimbursement as a badge of self-serving mediocrity. — Banksy

It's happening everywhere; commercial and housing development, along with the road network needed to support it, is the single greatest pressure on natural landscapes in the United States, and by its very pervasiveness the hardest to control. Between 1982 and 1997, developed land in the forty-eight contiguous states increased by 25 million acres - meaning a quarter of all the open land lost since European settlement disappeared in just those fifteen years. This isn't a trend, it's a juggernaut, and the worst may be yet to come. At this pace, by 2025 there will be 68 million more rural acres in development, an area about the size of Wyoming, and the total developed land in the United States will stand at a Texas-sized 174 million acres. Already, just the impervious covering we put on the land, the things like roads, sidewalks, and buildings we pave with asphalt or concrete, adds up to an area the size of Ohio.3 — Scott Weidensaul

But when he smiles? Really smiles, it's perfect. Like toothpaste commercial, boy-next-door beauty that makes it really hard to be pissed at him. — Nyrae Dawn

Kessler depicts his developing intimacy with a handful of dairy goats and offers an enviable glimpse of the pastoral good life. Yet he also cautions, "Wherever the notion of paradise exists, so does the idea that it was lost. Paradise is always in the past." The title Goat Song is a literal rendering of the Greek word traghoudhia, tragedy. Reading it, I was reminded of Leo Marx's analysis of Thoreau's Walden. In The Machine in the Garden, Marx names Thoreau a tragic, if complex pastoralist. After failing to make an agrarian living raising beans for commercial trade (although his intent was always more allegorical than pecuniary), Thoreau ends Walden by replacing the pastoral idea where it originated: in literature. Paradise, Marx concludes, is not ultimately to be found at Walden Pond; it is to be found in the pages of Walden. — Heather Paxson

An endless series of gambits backed by gigantic investments encouraged young people entering the online world for the first time to create standardized presences on sites like Facebook. Commercial interests promoted the widespread adoption of standardized designs like the blog, and these designs encouraged pseudonymity in at least some aspects of their designs, such as comments, instead of the proud extroversion that characterized the first wave of web culture.
Instead of people being treated as the sources of their own creativity, commercial aggregation and abstraction sites presented anonymized fragments of creativity as products that might have fallen from the sky or been dug up from the ground, obscuring the true sources. — Jaron Lanier

Is not 'casual' labour the very secret and safety-valve of a safe and sound labour system generally?...In a complicated and commercial state constant employment at regular wages is impossible; while dole-supported unemployment, at anything like the wages of employment, is demoralizing to begin with and ruinous at its more or less quickly arriving end. — George Saintsbury

When did you guys even start speaking again?"
Ernie shrugged and popped a peanut into his mouth. "He's probably just sniffing around here so I leave him my property when I kick it." He drank his beer and leaned back into his easy chair. "Eh, he's a good kid. My sister's only son. He's family. Family's family. Never forget that, Conrad."
"Ernie, two commercial breaks ago, you told me that if I didn't try and break up my brother's wedding, I was a punk!"
Picking at his teeth, Ernie said, "If a girl's the one, all bets are off, family or no family. — Jenny Han

The assimilation of taboo images to the everyday language of doing business produces a strange effect. It domesticates the taboo while at the same time making the everyday transactional world more porous, more open to the forbidden. The wolf of unbridled appetite slips into everyday convention in the sheep's clothing of commercial language. — Lee Siegel

It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at. — Mark Rydell

My acting career began at age three and my parents got me into it. I was in a McDonald's commercial. — Corey Feldman