Artist In The Making Quotes & Sayings

I don't know of any artist who started off in the 50's who's making it now with new material. — Don Everly

I think designers are starting to realize that we're all in the same industry. We're making clothes - we aren't saving the world. I'm not saying that designers aren't artists, but at the end of the day, we make clothes. — Joseph Altuzarra

There's obviously always danger in making music or art for art's sake. Even as Christians we can be guilty of that, being more about the art than the Artist who gave us this gift. — Steven Curtis Chapman

It is man who has introduced a little grace, beauty, unknown charm and mystery into creation by singing about it, interpreting it, by admiring it as a poet, idealizing it as an artist and by explaining it through science, doubtless making mistakes, but finding ingenious reasons, hidden grace and beauty, unknown charm and mystery in the various phenomena of Nature. God created only coarse beings, full of the germs of disease, who, after a few years of bestial enjoyment, grow old and infirm, with all the ugliness and all the want of power of human decrepitude. — Guy De Maupassant

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony. — Adria Petty

I had given up ( around 1950, fh) any ambition of making a career as an artist ... ..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure. — Jean Dubuffet

I knew I wanted to be an artist, but I never took music lessons. I was just playing around in front of the mirror and being silly, then suddenly I started making songs. — Lykke Li

I had the misfortune to be nourished by the dreams and visions of great Americans
the poets and seers. Some other breed of man has won out. This world which is in the making fills me with dread. I have seen it germinate; I can read it like a blueprint. It is not a world I want to live in. It is a world suited for monomaniacs obsessed with the idea of progress
but a false progress, a progress which stinks. It is a world cluttered with useless objects which men and women, in order to be exploited and degraded, are taught to regard as useful. The dreamer whose dreams are non-utilitarian has no place in this world. Whatever does not lend itself to being bought and sold, whether in the realm of things, ideas, principles, dreams or hopes, is debarred. In this world the poet is anathema, the thinker a fool, the artist an escapist, the man of vision a criminal. — Henry Miller

The duty of the artist is not to be calculating in any sense, so that he may be free himself of human emotions while carried by the universal forces of life. Only then does one not think about making art, or about styles, or directions. Something comes about, something happens. — Karel Appel

Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image) — Paul Isaacs

Looking at and 'appreciating' art has been understood as an instrument (or at best a result) of upward mobility, in which owning art is the ultimate step. making art is at the bottom of the scale. This is the only legitimate reason to see artists as so many artists see themselves - as 'workers'. At the same time, artists/makers tend to feel misunderstood and, as creators, innately superior to the buyers/owners. The innermost circle of the art-world class system thereby replaces the rulers with the creators, and the contemporary artist in the big city is a schizophrenic creature. S/he is persistently working 'up' to be accepted, not only by other artists, but also by the hierarchy that exhibits, writes about and buys his / her work. At the same time s/he is often ideologically working 'down' in an attempt to identify with the workers outside of the art context and to overthrow the rulers in the name of art. — Ben Davis

Every time it's the same. It's easy to prove to myself that good pictures are elusive, but I can never quite believe they're also inevitable. It would be a lot easier for me to believe they were if I also believed that they came as a result of my obvious talent, that I was extraordinary in some way. Artists go out of their way to reinforce the perception that good art is made by singular people, people with an exceptional gift. But I don't believe I am that exceptional, so what is this that I'm making? — Sally Mann

you should consider. But letting those 500 words serve as a compass for your goals and dreams makes them much more likely to happen. If making a decision throws you so far off course that you're facing the polar opposite direction of where you want to end up, it might be the wrong decision, since it practically guarantees you won't end up in the direction your compass is pointing you. Let's say you want to be an artist of some sort and for the next 100 days you sit on your ass in front of the television. Well that's a completely different direction than the one your dream is pointing you in. But — Srinivas Rao

The wisdom of God is seen in making the most desperate evils turn to the good of his children. As several poisonable ingredients, wisely tempered by the skill of the artist, make a sovereign medicine, so God makes the most deadly afflictions co-operate for the good of his children. He purifies them, and prepares them for heaven. 2 Cor 4: I7. These hard frosts hasten the spring flowers of glory. — Thomas Watson

Once I started reinventing for myself what being an artist was - not going into a studio, but making things on my own terms in response to being out in the world - I started to really enjoy it ... I realized that everything else for me was hell. — Cornelia Parker

When you're making your living as a writer or an artist or a musician, you kind of live in a trance. You're sort of in the day-to-day world, you're certainly there for your day-to-day relationships with people, and so on. — Stephen R. Bissette

I really did feel like I was surrounded by family members. I didn't have a dad, and I remember there were all these guys - in the old days, there were no women, except a makeup artist or, occasionally, a script supervisor. So there were just guys who taught me how to, you know, whittle wood, or how to pull focus, and what the camera was doing. And if I was being bratty, they'd sit me down and tell me. There were lots of rules about not being late and making sure that you didn't spill anything. So it felt a little bit like I was in a family. — Jodie Foster

In this world, this life, "flow" [the times when our work or play so absorbs and attunes our energies that we lose track of time] comes to an end. The canvas is dry, the fugue is complete, the band plays the tag one more time and then resolves on the final chord. And, too, the book is finished, the service is over, the lights go up in the darkened theater and we emerge blinking into the bright lights of the "real world." But what if the timeless, creative world we had glimpsed is really the real world -- and it is precisely its reality that gave it such power to captivate us for a while? What if our ultimate destiny is that moment of enjoyment and engagement we glimpse in the artist's studio? — Andy Crouch

It is unfeeling to speak of the people who cooperate in the production of art works as "personnel" or, worse yet, "support personnel", but that accurately reflects their importance in the conventional art world view. In that view, the person who does the "real work", making the choices that give the work its artistic importance and integrity, is the artist, who may be any of a number of people involved in its production, everyone else's job is to assist. I do not accept the view of the relative importance of the "personnel" involved that the term connotes, but i use it to emphasize that it is the common view in art worlds — Howard S. Becker

There are any number of models artists can use to profit off of their talent and artistry. It is not up to the state to protect them from competition. Musicians can obviously get paid for performing and having their music copied and "pirated" helps them in this respect by making them more well known, more popular. — Stephan Kinsella

Artistic style is only a means to an end, and the more styles you have, the better. To get trapped in a style is to lose all flexibility. If you have only one style, then you're going to do the same book over and over, which is pretty dull. Lots of styles permit you to walk in and out of books. So, develop a fine style, a fat style, and fairly slim style, and a really rough style.
As an aspiring artist, you should strive for originality of vision. Have something to say and a fresh way of saying it. No story is worth the writing, no picture worth the making, if it's not the work of the imagination. — Maurice Sendak

The artist's memory is a dangerous, necessary thing. Never disavow what you see and remember-it's your brilliant stock-in-trade: remembering, and making something out of it. Artists remember the world as it is, first, because you have to know what it is you're reinventing; that's a rule, perhaps the only one: being cognizant of your source material. — Hilton Als

If, early on, you know how things are put together, then you can build. The architect is in charge of making - he is not an artist. — Peter Zumthor

An artist is someone who sees and feels realty very intensely. Creativity doesn't mean just making things up out of thin air. It means seeing and feeling the world so vividly that you can put together connections and patterns that help to explain reality. It means you see the beauty in the world rather than trying to hide from it. — Danny Gregory

A lot of artists are involved with fabrication. Artists today are making more objects and many of them need the participation of a dealer in order to facilitate and provide support for projects. So that has changed. But I don't know if what it means to be an artist has really changed. I hope that it hasn't. — Larry Gagosian

My mother, who is a pianist and a fine artist, purchased a piano for me. Twice. This was back when I was a small girl. Pianos, of course, came complete with the quintessential piano teacher who whacked my hand with a stick each time I struck the wrong key. I learned a few pieces, yes, but eventually my pen compelled me to write too much and the sound of the leaves rustling in the wind compelled me to climb trees too often. Sorry mom. Coincidentally, books come from trees and flipping the pages sounds like wind through leaves ... hhhmmmm ... I guess I'm still just climbing trees now, but in a different way! — C. JoyBell C.

Each one seems to be, in some way, essentially different from the others, and each is a surprise to me. I think that making books, or any kind of art, might also be like mining. The artist digs into his or her life and imagination and never knows what they'll find. That's the adventure. — Mordicai Gerstein

In movies, books & even music, to me, the true artist is the writer. Writers have to begin the creative process by making nothing into something before it can ever manifest into anything. — Chris Mentillo

I'm bad at some things."
She raised an eyebrow. "Name one thing."
Making you fall in love with me the way I've always been in love with you. You only ever saw the jock while you let those artist assholes chase you. And hurt you. — Bella Andre

When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist. — Blake Mills

Bruce Lee was an artist and, like him, I try to go beyond the fundamentals of my sport. I want the public to see a knockout in the making. — Sugar Ray Leonard

I believe that when you're making a mix, you're making history. You ransack the vaults, you haul off all the junk you can carry, and you rewire all your ill-gotten loot into something new. You go through an artist's entire career, zero in on that one moment that makes you want to jump and dance and smoke bats and bite the heads off drugs. And then you play that one moment over and over. A mix tape steals these moments from all over the musical cosmos, and splices them into a whole new groove. — Rob Sheffield

I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work. — David Shrigley

Personally, I never believe an artist saying "I do it for myself" is saying the truth, because why would you go through the trouble of making something that goes out into the world if you didn't care about somebody else seeing it? It's like the difference between those who choose "more comfortably termed entertainment" versus what people think of as the "art life," which is supposedly more monastic or spiritual. I don't believe in those distinctions. — Eric Fischl

Any time you're stepping out on a limb as an artist, it's scary, especially when you have a lot of success. When you're reaching a lot of people, the masses, it's easy to stay in that niche, you know? Especially when you're making a lot of money and you know there's a formula, it's easy to stay in that rut. — Scott Weiland

My process in making a music video is pretty much a formula of talking to the artist. I've never made a video where I didn't talk to the artist before I wrote the treatment. Basically, I enter into it knowing we are collaborators. — Adria Petty

Art is what we call ... the thing an artist does.
It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human.
Art is not in the ... eye of the beholder. It's in the soul of the artist. — Seth Godin

I think making art is something where you think you know, you also know you don't know and you hope - all these things are in play all the time. I think it's what makes the excitement of creativity for the artist. — Eric Fischl

Set in the remote and harsh high desert landscape of Idaho, Outpost is an artist live/work studio and sculpture garden for making and displaying art. An important aspect of the complex is the protected paradise garden, which is separated from the wild landscape by thick masonry walls. The materials used in the structure, including concrete block, car-decking, and plywood, require little to no maintenance, and are capable of withstanding the extreme weather that characterize the desert's four seasons. — Tom Kundig

Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work. — Chuck Close

I like to work in the real world, so I do a lot of searching or just simple looking. But I'm not above tweaking reality and making something up. I don't think there are any rules in art. It's not so much what you see as it is the significance you, the artist, see in it. — Keith Carter

Why do we make records? Because we want to say something. Why are you in art? Because you want to say something. The second you don't have anything to say, you stop making art - you might start making product. And I'm interested in being an artist. — Patrick Stump

Now, you might think that because there are more poets than ever, there might be more opportunities for poets than ever. And you'd be correct. If your fondest wish is to become the next totally obscure minor poet on the block, well, you're probably already successful at that. This literary landscape has proven itself infinitely capable of absorbing countless interchangeable artists, all doing roughly the same thing in relative anonymity: just happily plucking away until death at the grindstone, making no great cultural headway, bouncing poems off their friends and an audience of about 40 people. A totally fine little life for an artist, to be sure. No grand expectations from the world to sit up and listen. One can live out one's days quite satisfied to create something enjoyed by a genial cult. But that's not why any of us are here tonight. We're here to conquer American Poetry and suck it dry of all glory and juice. — Jim Behrle

When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again. — Lynda Barry

Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.

The artist Paul Klee refers to this simple act as 'taking a line for a walk', an apt description of my own basic practice: allowing the tip of a pencil to wander through the landscape of a sketchbook, motivated by a vague impulse but hoping to find something much more interesting along the way. Strokes, hooks, squiggles and loops can resolve into hills, faces, animals, machines -even abstract feelings- the meanings of which are often secondary to the simple act of making (something young children know intuitively). Images are not preconceived and then drawn, they are conceived as they are drawn. Indeed, drawing is its own form of thinking, in the same way birdsong is 'thought about' within a bird's throat. — Shaun Tan

Aomori Water is a sound collage piece made in 1998, in Aomori Japan. I was in a residency with other artists. A Japanese sculptor was making a round house and wanted a sound piece to play in it. I recorded some very gentle waves lapping the beach, for the first part. And a very small mountain stream, flowing, for the second part. I layered 8 tracks. This was the first work that I did in ProTools. — Phill Niblock

There's more well-known artists who aren't making as good songs as people who are just coming out of nowhere. That seems to be more typical in the last few years than ever. — Beck

When I look at a wildlife or nature subject, I dont see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of the painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe. — Charley Harper

Jack was too absorbed in his work to hear the bell. He was mesmerized by the challenge of making soft, round shapes of hard rock. The stone had a will of its own, and if he tried to make it do something it did not want to do, it would fight him, and his chisel would slip, or dig in too deeply, spoiling the shapes. But once he had got to know the lump of rock in front of him he could transform it. The more difficult the task, the more fascinated he was. He was beginning to feel that the decorative carving demanded by Tom was too easy. Zigzags, lozenges, dogtooth, spirals and plain roll moldings bored him, and even these leaves were rather stiff and repetitive. He wanted to curve natural-looking foliage, pliable and irregular, and copy the different shapes of real leaves, oak and ash and birch. — Ken Follett

I've gone through many phases in music in my life. Before I was signed, I was making completely different music, and my fan base has followed me. They continue to follow me as the music progresses and as I grow as an artist. As long as I stay true and don't pretend to be someone I'm not, I hope they'll come along with it. — Charlie Puth

To put it in my music, that's not the message I am trying to send out. That's not the type of artist I am trying to be. That is not the type of lane I am trying to take. I'm looking for a crossover, wide audience. I am here to make great music and pursue a great career and connect with the fans _ this big artist that is making great music and sending positive messages. — Sean Kingston

In the case of an artistic practice that performs female narcissism..., the threat lies in its making superfluous the arbiters of artistic value. Already presuming her desirability, [she] obviates the modern critical system; loving herself, she needs no confirmation of her artistic 'value — Amelia Jones

I find myself most drawn to: art that has arisen from a deeply personal conversation between the artist and the work at hand. It is art that walks perilously close to the Edge, that crosses the river of blood into Faerie, that flies so high it is scorched by the sun, and then returns to tell the tale to us. It is art that needed to be written, or painted, or sung, or woven, or otherwise shaped. It is art gifted by the Mystery to the maker ... and then, in turn, gifted to us. — Terri Windling

People say if you keep making work and keep putting it out, better things will come. I think artists should never forget that. I think that's what you have to be committed to if you're an artist, that's where the good feelings come from. It's so easy to get caught up in other stuff, like the business part of it. If you just have to be aware, just keep putting it out there. — Kalup Linzy

I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror. — Neill Blomkamp

I was not doing what I was told to do. And they sued me for making music "uncharacteristic of Neil Young." That was Geffen Rocords' biggeest mistake, I think. The mistakes all started when I caved and didn't give them Island in the Sun. They wanted me to be commercially successful, and I wanted to be an artist expressing myself-those two goals are not always compatible. I was expecting to have the same artistic freedom that I had at Asylum Records, but Geffen Records wanted me to be a smash, selling millions of records. Most important, Geffen was not a hands-on at Geffen Records. He had other people doing that. It showed. — Neil Young

In the 2000s, I became an artist. I started preserving and educating. I became more obsessed with making iPod playlists for people. — Questlove

Two main groups like to drop the readymade bomb - galleries and art historians. Galleries love to drop the Duchamp brand because dealers can try to convince clients of an artist's worth just by mentioning the mouthwatering response readymade. Most Art Historians aren't interested in what artists are making in Bushwick studios, most of whom rarely wake up with Duchamp on the brain. — Paddy Johnson

It's never the same relationship. I see my job as filling in the blanks. Whatever it is that the artist lacks in the process of making a record, I'm supposed to fill that in. And sometimes it's a lot of stuff and I have to hector them about working on the material and that sort of thing. Sometimes you have an artist that's really fairly self-sufficient; they just need another ear to offer some objective criticism, but otherwise pretty much know what they're doing. It varies a lot. — Todd Rundgren

In order to be artists we need to be in our studios, in our private rooms ... in our private personal space ... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share. — Adam Leipzig

What motivates me is the chance to improve the world in my own special way; to contribute to the fight that all artists are fighting. I want to hold the mirror up to society and help them see themselves more clearly. I also love just making people laugh. — Jinkx Monsoon

If, in making a portrait, you hope to grasp the interior silence of a willing victim, it's very difficult, but you must somehow position the camera between his shirt and his skin. Whereas with pencil drawing, it is up to the artist to have an interior silence. — Henri Cartier-Bresson

Set aside the old traditional notion of female as nurturer and male as leader; set aside, too, the new traditional notion of female as superwoman and male as oppressor. Begin with that most frightening of all things, a clean slate. And then look, every day, at the choices you are making, and when you ask yourself why you are making them, find this answer: Because they are what I want, or wish for. Because they reflect who and what I am.
This is the hard work of life in the world, to acknowledge within yourself the introvert, the clown, the artist, the homebody, the goofball, the thinker. Look inside. That way lies dancing to the melodies spun out by your own heart. — Anna Quindlen

But it's not just "Do you want a hit?" More importantly, it has to be something we - the artist and I - like. If you go in just wanting a hit song, it's not going to happen that way. You have to first be committed to making music you like. — Lukasz Gottwald

I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like. — Ben Lee

Our job as actors, especially in front of a camera, is almost like textile artists. We spend so much time getting the right texture of yarn, and working out the color scheme, and binding off the weave, and making it just right. — Anthony Heald

I like the idea that paintings are not representations of an artist's psyche. Making the paintings is what gives the artist her psyche in the first place. — Shea Hembrey

There's the obvious shift in the tech industry. I'm not really politicized about the whole thing, but it's definitely clear that rent is harder and it's harder for musicians or artists or someone not making a ton of money to live comfortably. — Mikal Cronin

When I first learned about Abrams and saw the types of books they were making, I knew I wanted my books to be published by them. Abrams books are special-when you hold one in your hands, you have the feeling that this book needed to be made. I once heard an artist say that books are fetish objects-I think Abrams gets that, because their books demand to be treasured. So who better to give comics art its proper due? I feel privileged to have found a home with Abrams. — Jeff Kinney

The creatives, they want to connect with people. These artists, the clothing designers, they want to connect with people the same way that music gets to connect with people. But the cost of silk is too expensive. And they won't lower their quality levels. So I can spend $2 million on a record and give it out in a democratic way. They could spend all their time making the greatest dress in the world, and it's just impossible to hand-make that many. — Kanye West

The fact that I could secure an opera engagement made me realize I had within me the making of an artist, if I would really labor for such an end. When I became thoroughly convinced of this, I was transformed from an amateur into a professional in a single day. — Enrico Caruso

this approach was permissive only in the sense that all feelings were permitted. For example, "I can see that you're having fun making designs in the butter with your fork." But that doesn't mean that you have to permit a child to behave in a way that's unacceptable to you. As you remove the butter, you can also let the young "artist" know that "Butter is not for playing with. If you want to make designs, you can use your clay. — Adele Faber

One reason for making and exhibiting a work is to induce a reaction or change in the viewer ... In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer. — Adrian Piper

It seems the deeper, truer personality of the artist only emerges in the making of decisions ... in refusing and accepting, changing and revising. — Bridget Riley

Making yourself a corporation (or just thinking of yourself in that way) reinforces the idea of professionalism because it separates the artist-doing-the-work from the will-and-consciousness-running-the-show. — Steven Pressfield

The tricky thing about being a writer, or about being any kind of artist, is that in addition to making art you also have to make a living. — Ann Patchett

I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free. — Ben Howard

Without a doubt, because now in the music business talent and hard work isn't enough. There is just a lot of luck and marketing money involved in making any artist break. "Fall Down" is about a relationship, but you could certainly apply it to the relationship we've had with each other and throughout our career. — Jason C. Miller

They came generally from people writing theses on fantasy or on the Dark Is Rising books. They were full of questions I'd never thought about and false assumptions that I didn't want to think about. They would ask me in great detail for, say, the specific local and mythical derivations of my Greenwitch, a leaf-figure thrown over a Cornish cliff as a fertility sacrifice, and I would have to write back and say, "I'm terribly sorry; I made it all up." They told me I echoed Hassidic myth, which I hadn't read, and the Mormon suprastructure, which I'd never even heard of. They saw symbols and buried meanings and allegories everywhere. I'd thought I was making a clear soup, but for them it was a thick mysterious stew.

from "In Defense of the the Artist" in Signposts to Criticism of Children's Literature (1983) — Susan Cooper

When I hear artists or authors making fun of businessmen, I think of a regiment in which the band makes fun of the cooks. — H.L. Mencken

A very tall bearded guy was standing in a doorway, smoking a cigarette. "Hey", he said.
"Hi," I said. "Excuse me, do you rehearse here?"
"Yeah," he said, extending his hand and saying, almost formally, "Gibby Haynes. I'm in the Butthole Surfers."
I shook his hand. "Moby," I said. "I just moved upstairs."
"Are you an artist?"
"No, a musician."
"Oh, cool. Welcome to the building."
"Do you know who else has spaces here?" I asked.
"Well, there's us and Iggy and Sonic Youth and Helmet and Sean Lennon and the Beastie Boys and some other people," he said as someone behind him started making a wall of feedback. — Moby

A lot of people just love music, especially a lot of aspiring artists. They just want to jump in and start making music. They don't really take time to grow and appreciate the craft. — LeCrae

Any writer or journalist who wants to retain his integrity finds himself thwarted by the general drift of society rather than by active persecution. The sort of things that are working against him are the concentration of the press in the hands of a few rich men, the grip of monopoly on radio and the films, the unwillingness of the public to spend money on books, making it necessary for nearly every writer to earn part of his living by hackwork ... Everything in our age conspires to turn the writer, and every other kind of artist as well, into a minor official, working on themes handed down from above and never telling what seems to him the whole of the truth. But in struggling against this fate he gets no help from his own side: that is, there is no large body of opinion which will assure him that he's in the right. — George Orwell

I think I've grown a lot in the last few years, and I needed to express myself as an artist on this. It wasn't necessarily about going in and making an album chocked full of hit singles ... there were a lot of things I did out of the joy and the want to do it. — Terri Clark

When it comes to the selections, I heard several observers claim that the Academy was embracing "nostalgia" by honoring The Artist and Hugo. Give me a break! Hugo represents cutting-edge storytelling by a world-class director - in 3-D, no less. The Artist dares to revisit a form of cinema that was abandoned in the late 1920s. The Academy members admired these films for making the past seem immediate and relevant. That has nothing to do with nostalgia; it has everything to do with great moviemaking, which is what the Academy Awards are all about. — Leonard Maltin

I have been in the music industry ever since I was six years old. I have been inspired by so many great artists and of course trying to be original at the same time. I try not to work under boundaries while I'm making music. — Asher Monroe

The function of the creative artist consists of making laws, not in following laws already made. — Ferruccio Busoni

Making music videos, I try to bring musicians into the logistics of filmmaking, and I try to preserve whatever's of value and achievable in their idea. If it's something I can't achieve, I tell them straight. You want to make sure that the artist really loves the idea and is committed to it, otherwise they're not going to feel great when they're up there miming it. — Adria Petty

Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that. — Ad Reinhardt

I don't think that the despiritualised, dehumanised culture in which we live, the McDonalds and Disney culture, does our internal lives, our mythological lives, any favours at all. In other words, to be an Outsider in this culture now is to be looking inside at a plastic world, and I think it's easier to critique that world if I don't belong to it ... In Hollywood where I live now, there's a lot of having lunches, a lot of going to parties ... and I will have no part of that. I'm certainly not very good at it, I don't like it and I feel a little weird about it. I don't want to be part of the problem, I want to be a part of the solution, and the only way I can help solve the problem of the plasticity of our world is by writing, by painting and by making my work, so I stay where I can do that, which is at my desk, in my studio. I will venture out when I need to sell a book or exhibit my paintings, but the rest of the time my job is to be here and imagine. — Clive Barker

I know I am making the choice most dangerous to an artist in valuing life above art, — James Agee

Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science. — Paul Valery

I'm not doing anything wrong, I'm not obstructing anyone's access. When I have a crowd I make sure that the crowd makes room for people. I'm an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone. — Kalan Sherrard

I can certainly throw out some observation about the process of creating which may be of use. Firstly, it's the best & the worst of worlds, because the only fuel you have to make the fire blaze on the page / screen is the stuff of your own being. An artist consumes his or herself in the act of making art. I can feel that consumption even now, sitting here at my desk at the end of a working day. In order to generate the ideas that I have set on the page for the last 10 or 11 hours I have burned the fuel of my own history. This is, obviously a double-edged sword. In order to give, the artist must take from himself. That's the deal. And it's very important to me that the work I do is the best I can make it, because I know what is being burned up to create. As the villain of Sacrament says: living & dying, we feed the fire. — Clive Barker

I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership. — Tamaryn

Self-expression is a hallmark of an artist, of art, to get something off one's chest, to sing one's song. So that element is present in all art. It is the key to even standing up and saying, "Hey, listen to me." Self-expression can be based on looking at the world and making observations about it. — George Carlin

An artist in 2014 who is thinking about album sales is either sadly deluded or has to make so many commercial compromises that it sort of takes the joy out of making music. — Moby

What was missing, I've come to believe, were the two postures that are most characteristically biblical -- the two postures that have been least explored by Christians in the last century. They are found at the very beginning of the human story, according to Genesis: like our first parents, we are to be creators and cultivators. Or to put it more poetically, we are artists and gardeners. ... after the contemplation, the artist and the gardener both adopt a posture of purposeful work. They bring their creativity and effort to their calling. ... They are acting in the image of One who spoke a world into being and stooped down to form creatures from the dust. They are creaturely creators, tending and shaping the world that original Creator made. — Andy Crouch

From the age of six I wanted to be an artist. At that point I meant a painter, but it turned out what I really meant was I was someone who was very interested in watching the world and making copies of it. — Reynolds Price

Most of the photographs I make are personal pictures and never end up in print. Even the magazines I shoot for on assignment publish very few of the actual selects. Sometimes these personal pictures will end up in a book of my work. Oftentimes, however, they are simply photographs which I hope resonate, yet rarely find a publication home. I do a lot of personal work in Rio de Janeiro, and this of a parkour artist making a jump on Ipanema Beach is such a moment. — David Alan Harvey