Artist As Subject Quotes & Sayings
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Top Artist As Subject Quotes
If you give a little credit to the concept of the artist, I think you ought to indulge excesses a bit, because that reflects the personality of the writer. Now if a joke is in bad taste or it's not funny, okay, that's awhole different thing, but how you craft a joke is really what the writer's job is, and I don't think that technique should be subject to any editorial constraints. — Bill Watterson
The artist is always searching for the meaning of life, his own and that of mankind, searching for truth. A system of uncertainty has entered our daily life. The pressures of mechanization and uniformity to which it is subject call for protest and the artist has only one means of expressing this, by music. — Bohuslav Martinu
What is a portrait good for, unless it shows just how the subject was seen by the painter? In the old days before photography came in a sitter had a perfect right to say to the artist: "Paint me just as I am." Now if he wishes absolute fidelity he can go to the photographer and get it. — Aubrey Beardsley
The subject may be of first importance to the artist when he starts a picture, but it should be of least importance in the finished product. The subject is of no aesthetic significance. — John French Sloan
All the old bogeys of 'dignified subject-matter,' of 'balanced compositions,' of 'correct drawing' were laid to rest. The artist was responsible to no one but his own sensibilities for what he painted and how he painted it. — Ernst Gombrich
If you're going to be an artist, all life is your subject. And all your experience is part of your art. A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement. — Ben Shahn
Some settlers began with no implements but an ax. In conversation, the subject of axes
their ideal weight, their proper helves
was more popular than politics or religion. A man who made good axes, who knew the secrets of tempering the steel and getting the center of gravity right, received the celebrity of an artist and might act accordingly. The best ax maker in southern Indiana was "a dissolute, drunken genius, named Richardson." Men who really knew how to chop became famous, too. An ax blow requires the same timing of weight shift and wrist action as a golf swing, and as in golf those who where good at it taught others; sometimes all the men in one district learned their stroke from the same axman extraordinaire. A good stroke had a "sweetness" similar to the sound of a well-struck golf or tennis ball, and gave a satisfaction which moved the work along. — Ian Frazier
There is a subject - there is a research that says a man thinks about sex every 12 seconds. And so when an artist expresses something that's sexual in music it is a reflection of our reality. If we want that reality changed, then we have to do things that affect the core. — Russell Simmons
For me there's several components to picture-taking and it starts with my goals as an artist. It's capturing I guess the inner life of my subject and then it is giving them their idealized version of themselves. — Carol Friedman
The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being. — Wassily Kandinsky
He [the artist] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of. — John Constable
Philosophy is to the mind of the architect as eyesight to his steps. The Term 'genius' when applied to him simply means a man who understands what others only know about. A poet, artist or architect, necessarily 'understands' in this sense and is likely, if not careful, to have the term 'genius' applied to him; in which case he will no longer be thought human, trustworthy or companionable.
Whatever may be his medium of expression he utters truth with manifest beauty of thought. If he is an architect, his building is natural. In him, philosophy and genius live by each other, but the combination is subject to popular suspicion and appellation 'genius' likely to settle him
so far as the public is concerned. — Frank Lloyd Wright
The real artist is striving to depict his subject's character and to stress the caricature, but at least it is art which is alive. — William Dobell
The purpose of subject matter is to veil technique. The great artist uses the cloak of resemblance to hide the means. — John French Sloan
The artist has a duty to be calm. He has no right to show his emotion, his involvement, to go pouring it all out at the audience. Any excitement over a subject must be sublimated into an Olympian calm of form. That is the only way in which an artist can tell of the things that excite him. — Andrei Tarkovsky
To call an artist morbid because he deals with morbidity as his subject-matter is as silly as if one called Shakespeare mad because he wrote 'King Lear. — Oscar Wilde
Your right. We do spend a lot of time worrying about our looks, instead of focusing on what's inside. - Raven
The artist has the power to capture that. To express what he thinks about the subject. I thought that was much more romantic then seeing myself in a cold, stark glass reflection. - Alexander — Ellen Schreiber
You might curb your magnanimity, and be more of an artist, and load every rift of your subject with ore. — John Keats
And health in art - what is that? It has nothing to do with a sane criticism of life. There is more health in Baudelaire than there is in [Kingsley]. Health is the artist's recognition of the limitations of the form in which he works. It is the honour and the homage which he gives to the material he uses - whether it be language with its glories, or marble or pigment with their glories - knowing that the true brotherhood of the arts consists not in their borrowing one another's method, but in their producing, each of them by its own individual means, each of them by keeping its objective limits, the same unique artistic delight. The delight is like that given to us by music - for music is the art in which form and matter are always one, the art whose subject cannot be separated from the method of its expression, the art which most completely realises the artistic ideal, and is the condition to which all the other arts are constantly aspiring. — Oscar Wilde
An artist must paint not simply surface light but what is inside, what he sees within his subject — Frank Wynne
And yet the point of view from which his ideas on art had sprung was a simple one: for him, literary schools did not exist; the only thing that mattered was the temperament of the artist; the only thing of interest was the way his brain worked, regardless of the subject he was treating. — Joris-Karl Huysmans
The funniest novel you've never read ... Afternoon Men is a revelation to sophisticated readers of every stripe, but especially to a certain kind of artist manqu on the brink of discovering that life is a more difficult business than he ever had reason to expect ... The subject matter is 'relatable,' as my students like to say. Better still, though, is what you can learn about the craft of writing from this marvelous book ... Indeed, if you're looking for a funny, nonportentous Hemingway, then the early Powell is your man. — Blake Bailey
When he had finished placing the objects that would be a part of the portrait, the artist asked his subject, "Why do you wish to include the top, milord?" He paused. "I ask this so that I may better understand its place in the portrait." "Because, when it is set in motion, it stands by its own rules. Then it is not an inert thing, like a tree, or a rock." Westcott had smiled. "Ah! But your hand must set it in motion, milord. So it cannot be as independent as you say." "It is the symbol of a soul, Mr. Westcott. Or of a mind. Every man has one, and it is like a top, fashioned by himself. He must keep it upright, by his own hand. He must exert the effort. Otherwise it will topple, and lay inert and useless within himself, not a living thing at all. Or another hand may set it in motion, and then he will have no say in its motion or course." Hugh paused. "This top has sentimental value to me, sir, and I wish to remember it. — Edward Cline
There's arrogance for you. I think all artists insert themselves into their subject matter. — Sophie Blackall
The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity. — Whitney Chadwick
Physical work is a specific contact with the beauty of the world, and can even be, in its best moments, a contact so full that no equivalent can be found elsewhere. The artist, the scholar, the philosopher, the contemplative should really admire the world and pierce through the film of unreality that veils it and makes of it, for nearly all men at nearly every moment of their lives, a dream or stage set. They ought to do this but more often than not they cannot manage it. He who is aching in every limb, worn out by the effort of a day of work, that is to say a day when he has been subject to matter, bears the reality of the universe in his flesh like a thorn. The difficulty for him is to look and to love. If he succeeds, he loves the Real — Weil Simone
Measurements are never enough. The artist's eye and desire to breathe life into the subject must be the deciding factors. — David McCullough
The genuine artist, Harris is saying, finds reality in a point of identity between subject and object, a point at which the created world and the world that is really there become the same thing. [p.211] — Northrop Frye
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. — Peter Schjeldahl
I think that one of the reasons that we chose the word love as the subject is because your human connection and how you affect everybody around you, you'll only understand the gravity of that as you pass later on in life. I think as artists it's our ability to communicate that in certain ways. — Tom DeLonge
The artist is an interpreter of Nature. People learn to love Nature through pictures. To the artist, nothing is in vain; nothing beneath his notice. If he is great enough, he will exalt every subject which he treats. — William Morris Hunt
It is my dream to create an art which is filled with balance, purity and calmness, freed from a subject matter that is disconcerting or too attention-seeking. In my paintings, I wish to create a spiritual remedy, similar to a comfortable armchair which provides rest from physical expectation for the spiritually working, the businessman as well as the artist. — Henri Matisse
In 2011, I interviewed a skilful young manga artist who asked me not to reveal his name because he still needs to defer to his seniors in the industry. He has had some considerable publishing success, and explained that, although the competitions are in theory open, in practice he now feels he needs to work first for the company that has supported him, and this also influences his choice of subject matter. — Joy Hendry
In literary art, as in the art of the architect, the painter, the musician, signs that the artist is thinking of his own achievement more than of his subject always offend me. — Herbert Spencer
Why is joy not considered a fit subject for an artist? — Eugene Manlove Rhodes
In the case of an artistic practice that performs female narcissism..., the threat lies in its making superfluous the arbiters of artistic value. Already presuming her desirability, [she] obviates the modern critical system; loving herself, she needs no confirmation of her artistic 'value — Amelia Jones
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing. — Clive James
When I look at a wildlife or nature subject, I dont see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of the painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe. — Charley Harper
I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries. — David Bowie
People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist's work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I'm concerned, even titling a work is an unnecessary concession. — Charles De Lint
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession. — Alberto Giacometti
A subject that is beautiful in itself gives no suggestion to the artist. It lacks imperfection. — Oscar Wilde
Take two paintings by the same artist, one has a signature and the other doesn't. The signed picture is generally more valuable. The signature is almost graffiti or a tagging system, yet it can become more important than the subject. — Gavin Turk
Everything depends on the attitude of the artist toward his subject. It is essential. — Robert Henri
When a child who has been conceived in love is born to a man and a woman, the joy of that birth sings throughout the universe. The joy of writing or painting is much the same, and the insemination comes not from the artist himself but from his relationship with those he loves, with the whole world. All real art is, in its true sense, religious; it is a religious impulse; there is not such thing as a non-religious subject. — Madeleine L'Engle
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist's responsibility, but I don't agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing. — Louise Bourgeois
It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life. — Andrei Tarkovsky
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting? — Gerald Brommer
An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it. — Robert Henri
Every artist undresses his subject, whether human or still life. It is his business to find essences in surfaces, and what more attractive and challenging surface than the skin around a soul? — Richard Corliss
In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both the artist and consumer of art) is constructed as marginal, powerless to act, and so exculpated from action, passive subject of a complex pleasure, condemning and yet enjoying suffering imposed on others, and condemning himself for his own enjoyment. In this masochistic celebration of disempowerment, the sharpest pleasure recorded is that of the death of some important part of humanity. The dignity of human life is the ultimate victim of Lorrain's art, thrown away on a welter of delighted self-disgust. — Jennifer Birkett
He had gathered about him what was considered by many to be the intellectual and artistic elite ... actually, a group of bored men and libertines who were glib-tongued, talking much of art, literature, and music but without any deep-seated convictions upon any subject aside from their own prejudices. Mainly concerned with their own posturing, they were creatures of fad and whim, seizing upon this writer or that composer and exalting him to the skies until he bored them, then shifting to some other. Occasionally, the artist upon whom they lavished attention were of genuine ability, but more often they possessed some obscurity that gave the dilettantes an illusion of depth and quality. In the majority of cases what was fancied to be profound was simply bad writing, bad painting, or deliberately affected obscurity. — Louis L'Amour
I wanted to make photographs that were immediate and revealing - different from traditional portraiture that called for formal distance between artist and subject. — Wendy Ewald
Artists are people who are subject to irrational convictions of the sacred. Baudelaire said that an artist is a child who has acquired adult capacities and discipline. Art education should help build those capacities and that discipline without messing over the child. — Peter Schjeldahl
What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist's subject be religious to be Christian? I don't think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful — R.C. Sproul
I've never met any artist who illustrated one of my books, although I've corresponded briefly with one. I have always been impressed by the technical expertise involved in the covers, even if sometimes puzzled by the subject matter. — Jane Lindskold
In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new. — Guity Novin
The artist himself is actually the subject in everything after, say, 1900. Eventually, art becomes so removed from the community that you have to know about the artist before you can even look at the painting, because there is a conceptual idea going on. — Gus Van Sant
What we hope for from the artist is help in discovering the significance of a place. In this sense we would choose in most respects for thirty minutes with Edward Hopper's painting Sunday Morning to thirty minutes on the street that was his subject; with Hopper's vision we see more. — Robert Adams
Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it. — Antony Hegarty
The moral life of man forms part of the subject matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. — Oscar Wilde
Every true artist has been inspired more by the beauty of lines and color and the relationships between them than by the concrete subject of the picture. — Piet Mondrian
The artist looks for a subject. You know, a lot of new poets don't seem to have a subject. I don't totally understand that. — Gerald Stern
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited. — Stewart Copeland
I have not, in general, much belief in the ability of woman as a creative artist. Unwritten lyrics, as [Ralph Waldo] Emerson said once when we conversed on this subject, should be her forte. — Fredrika Bremer
It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size. — Walter J. Phillips
To decide to reach for this blue and not that one, to switch styles or subject matter, to move, in the middle of a sentence, in one direction or another, to commit to this book when that one is also calling, are the sorts of choices that artists must make if they are to function. — Eric Maisel
I really believe that I am the first and only artist to throw not just the 'subject' out of my paintings, but every 'object' as well. — Wassily Kandinsky
A great artist is never a closed subject, but this catalogue is a milestone production, as useful as it is beautiful. — Norbert Lynton
The idea of space is given to the artist to change if he can. The subject matter in the abstract is space. — Willem De Kooning
The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time. — Kenneth Clark
The artist has to transcend a subject, or he loses the battle. The subject wins. — Fritz Scholder
Virtually every subject is most effectively learned directly from the greatest thinkers, historians, artists, philosophers, scientists, prophets and their original works. Great works inspire greatness. Mediocre or poor works inspire mediocre or poor learning. The great accomplishments of humanity are the key to quality education. — Oliver DeMille
According to the scientist, time is interminable and inexhaustible. The artist is more inclined to relate the passage of time as a subject involving the randomness of memory and humankind's ability to create vivid recollections. Astute artists depict collections of disjointed thought fragments in paintings and literature in order to stir the pot of human consciousness. Art rests upon the correspondence between the impact of external experience and the finiteness of human life. An artist attempts to articulate answers to the mystery of being by rendering a thoughtful interpretation of the world that we occupy and experience through our senses. — Kilroy J. Oldster
The eager or dutiful persons who subject themselves to these tidal waves of the classics and the moderns find everything wonderful in an absent-minded way. The wonder washes over them rather than into them, and one of its effects is to make anything shocking or odd suddenly interesting enough to gain a month's celebrity. And so another by-product of our come-one, come-all policy is the tendency to reward cleverness, not art, and to put one more hurdle in the path of the truly original artist. — Jacques Barzun
I think all artists are looking for a subject or are sometimes unsure of their subject, but immigrant artists bring another culture to that and they bring also the place where the original culture meets the new culture. — Edwidge Danticat
