Artifices Que Quotes & Sayings
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My fingers are too short to enable me to get grip enough on the ball to pitch a deep curve, so that I have been compelled to depend more on drops, straight balls and the different artifices known to pitchers to deceive the batter. — Pud Galvin

So long as we see the stones and joints, and are not deceived as to the points of support in any piece of architecture, we may rather praise than regret the dexterous artifices which compel us to feel as if there were fibre in its shafts and life in its branches. — John Ruskin

The tricks and artifices of advertising are available to the seller of the better product no less than to the seller of the poorer product. But only the former enjoys the advantage derived from the better quality of his product. — Ludwig Von Mises

We are easily shocked by crimes which appear at once in their full magnitude, but the gradual growth of our own wickedness, endeared by interest, and palliated by all the artifices of self-deceit, gives us time to form distinctions in our own favor — Samuel Johnson

It is sometimes useful to pretend we are deceived, because when we show a deceiving man that we see through his artifices, we only encourage him to increase his deceptions. — Madeleine De Souvre, Marquise De ...

Experiment is the sole interpreter of the artifices of Nature. — Leonardo Da Vinci

All possible means were used by the infatuated parents to conclude the bargain; and deception put an end to these usual artifices. — Adelbert Von Chamisso

This cat is looking at me with judgment.""He's not," said Jules. "That's just his face.""You look at me the same way," Mark said, glancing at Julian. "Judgy face. — Cassandra Clare

Each day is a miracle that intoxicates me. I want more. I greet every morning like a new pleasure. And yet I am keenly aware of all life's artifices. Getting dressed, wearing make-up, laughing, having fun-isn't all that just playing a role? Am I not more profound, carrying the burden of those twenty years when I 'wasn't alive', than all those who rushed around in vain during that time? — Malika Oufkir

The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman. — Sarah Bernhardt

Genevieve Windham was not pretty, she was exquisite. Pretty in present English parlance meant blond hair and blue eyes, regular features, and a willingness to spend significant sums at the modiste of the hour. Unless a woman was emaciated or obese, her figure mattered little, there being corsets, padding, and other devices available to augment the Creator's handiwork. Failing those artifices, one resorted to the good offices of the portraitist, who could at least render a lady's likeness pretty even if the lady herself were not. Lady Jenny left pretty sitting on its arse in the mud several leagues back. Her eyes were a luminous, emerald green, not blue. Her hair was gold, not blond. Her figure surpassed the willowy lines preferred by Polite Society and veered off into the realms of sirens, houris, and dreams a grown man didn't admit aloud lest he imperil his dignity. The itching over Elijah's body faded in the face of the itch he felt to sketch her. She — Grace Burrowes

When a decision like that is made by a government, it emboldens those who are already prejudiced to speak their deepest thoughts of hate. They assume they are simply brave enough to say what everyone really thinks. — Cassandra Clare

This spirit of freedom is expanding even where it must struggle against the external obstacles of governments that misunderstand their own function. Such governments are illuminated by the example that the existence of freedom need not give cause for the least concern regarding public order and harmony in the commonwealth. If only they refrain from inventing artifices to keep themselves in it, men will gradually raise themselves from barbarism. — Immanuel Kant

You've got a lot of responsibility now," Jace said to Julian. "You'll have to make sure Emma winds up with a guy who deserves her."
Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if he'd been slapped.
"What about me?" Emma said, quickly. "Don't I have to make sure Jules winds up with someone who deserves him?"
"Absolutely. I did it for Alec, Alec did it for me - well, actually, he hated Clary at first, but he came around."
"I BET you didn't like Magnus much, either," said Julian, still with the same odd, stiff look on his face.
"Maybe not," said Jace, "but I never would have said so."
"Because it would have hurt Alec's feelings?" Emma asked.
"No," said Jace, "because Magnus would have turned me into a hat rack. — Cassandra Clare

If a close examination of the evidences of Christianity may be expected of one class of men more than another, it would seem incumbent upon lawyers who make the law of evidence one of our peculiar studies. Our profession leads us to explore the mazes of falsehood, to detect its artifices, to pierce its thickest veils, to follow and expose its sophistries, to compare the statements of different witnesses with severity, to discover truth and separate it from error. — Simon Greenleaf

In the midst of the disguises and artifices that reign among men, it is only attention and vigilance that can save us from surprises. — Jacques-Benigne Bossuet

The ordinary writer has an unmistakable preference for this style, because it causes the reader to spend time and trouble in understanding that which he would have understood in a moment without it; and this makes it look as though the writer had more depth and intelligence than the reader. This is, indeed, one of those artifices referred to above, by means of which mediocre authors unconsciously, and as it were by instinct, strive to conceal their poverty of thought and give an appearance of the opposite. their ingenuity in this respect is really astounding. — Arthur Schopenhauer

There are two forms of magic. There is a magic that is the work of the Devil and which aims at man's downfall through artifices of which it is not licit to speak. But there is a magic that is divine, where God's knowledge is made manifest through the knowledge of man, and it serves to transform nature, and one of its ends is to prolong man's very life. — Umberto Eco

I know you have nothing to worry about. I wasn't in love with Mark. I'll never be in love with anyone again who isn't you. — Cassandra Clare

A woman of class never admits to her artifices. — Gasmaskman

The theatre, for all its artifices, depicts life in a sense more truly than history, because the medium has a kindred movement to that of real life, though an artificial setting and form. — George Santayana

What does belief applied to the unconscious signify? What is an unconscious that no longer does anything but believe, rather than produce? What are the operations, the artifices that inject the unconscious with 'beliefs' that are not even rational, but on the contrary only too reasonable and consistent with the established order? — Gilles Deleuze

He had long observed with disapprobation and contempt the superstition which governed Madrid's inhabitants. His good sense had pointed out to him the artifices of the monks, and the gross absurdity of their miracles, wonders, and suppositious relics. He blushed to see his countrymen, the dupes of deceptions, so ridiculous, and only wished for an opportunity to free them from their monkish fetters. That opportunity, so long desired in vain, was at length presented to him. He resolved not to let it slip, but to set before the people, in glaring colours, how enormous were the abuses but too frequently practised in monasteries, and how unjustly public esteem was bestowed indiscriminately upon all who wore a religious habit. He longed for the moment destined to unmask the hypocrites, and convince his countrymen, that a sanctified exterior does not always hide a virtuous heart. — Matthew Gregory Lewis

God, I hate rogue necromancers," said Magnus. "Why can't they just follow the rules?"
"Probably because the biggest rule is 'no necromancy'?" Emma suggested — Cassandra Clare

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy. — Robert Smithson

It is clear enough that not every something can be elevated to the rank of a thing - otherwise everything and everyone would be speaking once more, and the chatter would spread from humans to things. Rilke privileges two categories of 'entities' [Seienden), to express it in the papery diction of philosophy, that are eligible for the lofty task of acting as message-things - artifices and living creatures - with the latter gaining their particular quality from the former, as if animals were being's highest works of art before humans. Inherent to both is a message energy that does not activate itself, but requires the poet as a decoder and messenger. — Peter Sloterdijk

Was there to be any end to the gradual improvement in the techniques and artifices used by the replicators to ensure their own continuation in the world? There would be plenty of time for improvement. What weird engines of self-preservation would the millennia bring forth? Four thousand million years on, what was to be the fate of the ancient replicators?
They did not die out, for they are past masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, sealed off from the outside world, communicating with it by tortuous indirect routes, manipulating it by remote control.
They are in you and in me; they created us, body and mind; and their preservation is the ultimate rationale for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines. — Richard Dawkins

Stripped of the cunning artifices of the tailor, and standing forth in the garb of Eden - what a sorry set of round-shouldered, spindle-shanked, crane-necked varlets would civilized men appear! — Herman Melville