Art Workshop Quotes & Sayings

All good fairy tales have meaning to many levels," Bruno Bettleheim observes in The Uses of Enchantment. "Only the child can know which meanings are significance to him at the moment. — Kate Bernheimer

My dear friend, Bonnie, is a person who rests and, consequently, earned my ire early in our relationship. Her ability to rest eventually taught me incredibly valuable lessons about the art of taking time-outs. To this day, Bonnie is astutely aware of times when her energy dips too low and resolutely honors her need to rest. To boost her energy, she's been known to sit quietly with a cup of tea, adjourn a workshop we were co-facilitating to take a five-minute breather, or slip out of her own wedding reception to be restored by a few minutes of solitude in the sun. — Sue Thoele

I have a feeling that art is something you do for yourself, and that any time you turn your decisions over to someone else you're postponing at best, your own development. The atmosphere of the workshop should be that of trying out one's own work and accepting the signals from others but not accepting the dictation of others because that is a violation of the spirit of art. Art can't be done by somebody else, it has got to be done by the artist. — William Stafford

You don't spend your money while you're making it. You don't have time. — Chasey Lain

When art find no temple open, it takes refuge in the workshop. — Marie Von Ebner-Eschenbach

Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of creating. The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things. — Robert D. Richardson

How come you write the way you do?" an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, "Because Samuel Beckett was already writing the way he does."
Asked another, smiling but serious, "How can we become better writers than we are?"
"Well," DB advised, "for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help."
"But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester ... "
"That, too," Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. "You're probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything. — John Barth

World War II was a decisive time in our history and June 6, 1944, marked the decisive moment of the war. — Lane Evans

When you're working with wood, every stroke of the tool dulls the edge just a little. Once, in my last year at the violin-making school, I had been passing through the workshop when I overheard one of the younger students ask the instructor how it was that his tools stayed sharp so much longer than ours. "I use them less," he said, looking out the window, which was where he addressed his replies to obvious questions. It took him two cuts to get where we took fifty. Art didn't need to cut a hundred times to get where he wanted to be. He lived the life he wanted to live the first time around. — James N McKean

In the first place you must study drawing for at least one year; then you must remain with a master at the workshop for the space of six years at least , that you may learn all the parts and members of the art ... drawing without intermission on holidays and work-days — Cennino Cennini

What is the use of composing if it is to confine the product within the precinct of the concert or the solitude of listening to the radio? To compose, at least by propensity, is to give to do, not to give to hear but to give to write. The modern location for music is not the concert hall, but the stage on which the musicians pass, in what is often a dazzling display, from one source of sound to another. It is we who are playing, though still it is true by proxy; but one can imagine the concert - later on? - as exclusively a workshop, from which nothing spills over - no dream, no imaginary, no short, no 'soul' and where all the musical art is absorbed in a praxis with no remainder. — Roland Barthes

Well, I think of the folks who are the climate deniers as the flat Earthers and the people who say the moon landings never happened. — Jeffrey Kluger

I caution against beginning or ending a quotation with ellipses. — Bill Walsh

My father has always written with Mont Blanc pens. It's very chic and elegant and classic. — Eva Green

No. I cannot expect you to believe it. Take it as a lie
or a prophecy. Say I dreamed it in the workshop. Consider I have been speculating upon the destinies of our race until I have hatched this fiction. Treat my assertion of its truth as a mere stroke of art to enhance its interest. And taking it as a story, what do you think of it? — H.G.Wells

Tossed By Waves,
She Does Not Sink. — Lauren Kate

The ability to workshop in stand-up comedy is incomparable to any art form, in my opinion. — Mike Birbiglia