Art Object Quotes & Sayings

The work of art is the object seen sub specie aeternitatis; and the good life is the world seen sub specie aeternitatis. This is the connection between art and ethics.
The usual way of looking at things sees objects as it were from the midst of them, the view sub specie aeternitatis from outside.
In such a way that they have the whole world as background. — Ludwig Wittgenstein

When a man devotes himself body and spirit to a single object, if he has training and aptitude, no matter how mediocre he may be in ordinary affairs, he will produce something so nearly akin to a work of genius as to deceive half the judges who think themselves competent to decide between genius and talent.
("The Phantom Model") — Hume Nisbet

Ideally, each piece of art's its own unique object, and its evaluation's always present-tense. — David Foster Wallace

The ordinary true, or purely real, cannot be the object of the arts. Illusion on a ground of truth,
that is the secret of the fine arts. — Joseph Joubert

The concept of encounter also enables us to make clearer the important distinction between talent and creativity. Talent may well have its neurological correlates and can be studied as "given" to a person. A man or woman may have talent whether he or she uses it or not; talent can probably be measured in the person as such. But creativity can be seen only in the act. If we were purists, we would not speak of a "creative person," but only of a creative act. — Rollo May

In order that our art may arrive at the degree of the sublime which I demand and hope for, it is imperative for dancers to divide their time and studies between the mind and the body, and that both become the object of their application; but, unfortunately, all is given to the latter and nothing to the former. The legs are rarely guided by the brain, and, since intelligence and taste do not reside in the feet, one often goes astray. — Jean-Georges Noverre

People understand the meaning of eating lies in the nourishment of the body only when they cease to consider that the object of that activity is pleasure ... People understand the meaning of art only when they cease to consider that the aim of that activity is beauty, i.e., pleasure. — Leo Tolstoy

We feel more emotion ... before an amateur photograph linked to our own life history than before the work of a Great Photographer, because his domain partakes of art, and the intent of the souvenir-object remains at the lower level of personal history. — Chris Marker

He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed. — John Ruskin

She imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? — Virginia Woolf

Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image) — Paul Isaacs

Habitualization devours objects, clothes, furniture, one's wife, and the fear of war. If all the complex lives of many people go on unconsciously, then such lives are as if they had never been.

Art exists to help us recover the sensation of life; it exists to make us feel things, to make the stone stony. The end of art is to give a sensation of the object seen, not as recognized. The technique of art is to make things 'unfamiliar,' to make forms obscure, so as to increase the difficulty and the duration of perception. The act of perception in art is an end in itself and must be prolonged. In art, it is our experience of the process of construction that counts, not the finished product. — Victor Shklovsky

Those words ... national and portrait. They were both to do with identity: the identity of a culture (place, language and history), the identity of an individual human being as an object for mimetic representation. — A.S. Byatt

Postmodernism shifts the basis of the work of art from the object to the transaction between the spectator and the object and further deconstructs this by negating the presence of a representative objective viewer. — Arnold Aronson

A movie star is not an artist, he is an art object. — Richard Schickel

The slightest force, when it is applied to assist and guide the natural descent of its object, operates with irresistible weight; and Jovian had the good fortune to embrace the religious opinions which were supported by the spirit of the times and the zeal and numbers of the most powerful sect. Under his reign, Christianity obtained an easy and lasting victory; and, as soon as the smile of royal patronage was withdrawn, the genius of Paganism, which had been fondly raised and cherished by the arts of Julian, sunk irrecoverably in the dust. — Edward Gibbon

The secret principle of martial arts is not vanquishing the attacker, but resolving to avoid an encounter before its occurrence. To become an object of an attack is an indication that there was an opening in one's guard, and the important thing is to be on guard at all times. — Gichin Funakoshi

Painting, by its nature, cannot provide an object of simultaneous collective reception ... as film is able to do today ... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism. — Walter Benjamin

Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special. — Terry Teachout

That's the difference between the serious artist and the craftsman
the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote. — Truman Capote

Most of the makers of the twentieth-century mind, figures such as Freud, Heisenberg, Picasso, Joyce, and Eliot, have in common an about-face on the subject-object question and the mindmatter question; they all reject the dualism that arbitrarily and irreversibly splits the world into pieces. This rejection of dualism and the corresponding reach for monism are of the essence in understanding the revolutionary nature of twentieth-century science and art. — Jewel Spears Brooker

The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs. — Jacques Maritain

To keep himself amused, starts to look for options of Quality, and secretly pursues these options, just for their own sake, thus making an art out of what he is doing, he's likely to discover that he becomes a much more interesting person and much less of an object to the people around him because his Quality decisions change him too. And not only the job and him, but others too because the Quality tends to fan out like waves. — Robert M. Pirsig

When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art. — Marc Chagall

The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art "too literally," and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world - a cultural and academic world - which is dominated by male power and, often unconscious, patriarchal attitudes. In Utopia - that is to say, in a world in which the power structure was such that both men and women equally could be represented clothed or unclothed in a variety of poses and positions without any subconscious implications of dominance or submission - in a world of total and, so to speak, unconscious equality, the female nude would not be problematic. In our world, it is. — Linda Nochlin

A game may be as integral to a culture, as true an object of human aesthetic appreciation, as admirable a product of creativity as a folk art or a style of music; and, as such, it is quite as worthy of study. — Michael Dummett

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object. — Lawrence Weiner

Exaggeration of every kind is as essential to journalism as it is to the dramatic art; for the object of journalism is to make events go as far as possible. Thus it is that all journalists are, in the very nature of their calling, alarmists; and this is their way of giving interest to what they write. Herein — Arthur Schopenhauer

Art is what we do. Culture is what is done to us. A photograph of an art object is not the art object. An essay about an artist's work is not the artist's work. — Carl Andre

If Art relates itself to an Object, it becomes descriptive, divisionist, literary. — Robert Delaunay

The virtue of art lies in detachment, in sequestering one object from the embarrassing variety. Until one thing comes out from theconnection of things, there can be enjoyment, contemplation, but no thought. — Ralph Waldo Emerson

More than any expert Irene had met, Mr. Simms mastered the intricacies of dealing in art. He understood an object's worth, not solely its dollar value but how that value could be manipulated into emotional currency. — Kim Fay

For another thing, the devil uses special diligence to destroy the souls of young men, and they seem not to know it. Satan knows well that you will make up the next generation, and therefore he employs every art betimes to make you his own. I would not have you ignorant of his devices. You are those on whom he plays off all his choicest temptations. He spreads his net with the most watchful carefulness, to entangle your hearts. He baits his traps with the sweetest morsels, to get you into his power. He displays his wares before your eyes with his utmost ingenuity, in order to make you buy his sugared poisons, and eat his accursed dainties. You are the grand object of his attack. — J.C. Ryle

In other words, an entire new world is pointed to, by this. The name for it is neither art, for it has no form, nor religion. What is it? I have pondered this pin unceasingly, yet cannot fathom it. We evidently lack the work for an object like this. So you are right, Robert. It is authentically a new thing on the face of the world — Philip K. Dick

I don't like to treat a piece of clothing like an object of art because I don't consider myself an artist. I'm a designer. — Frida Giannini

And something else, of course; there's always more, deep in art's pockets, far down in the chiaroscuro on which these foodstuffs rest: everything here has been transformed into feeling, as if by looking very hard at an object it suddenly comes that much closer to some realm where it isn't a thing at all but something just on the edge of dissolving. Into what? Tears, gladness - you've felt like this before, haven't you? Taken far inside. — Mark Doty

'Commercial' is not the word that has to be said only by CEOs. It has to be something that is maybe the essence of design, because design has some sort of art in it and creation, but it's also some object that you have to use. There is also this pragmatic end to it. — Alber Elbaz

Art no longer cares to serve the state and religion, it no longer wishes to illustrate the history of manners, it wants to have nothing further to do with the object, as such, and believes that it can exist, in and for itself, without "things" (that is, the "time-tested well-spring of life"). — Kazimir Malevich

For what is more foolish than for a man to study nothing else than how to please himself? To make himself the object of his own admiration? And yet, what is there that is either delightful or taking, nay rather what not the contrary, that a man does against the hair? Take away this salt of life, and the orator may even sit still with his action, the musician with all his division will be able to please no man, the player be hissed off the stage, the poet and all his Muses ridiculous, the painter with his art contemptible, and the physician with all his slip-slops go a-begging. Lastly, you will be taken for an ugly fellow instead of youthful, and a beast instead of a wise man, a child instead of eloquent, and instead of a well-bred man, a clown. So necessary a thing it is that everyone flatter himself and commend himself to himself before he can be commended by others. — Erasmus

It gives him spiritual freedom. To him life is a tragedy and by his gift of creation he enjoys the catharsis a purging of pity and terror, Which Aristotle tells is the object of art.
Everything is transformed by his power into material and by writing it he can overcome it. Everything is grist to his mill.
... The artist is the only free man. — W. Somerset Maugham

The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more, making it purer and emptier, more absolute and more exclusive - non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective. the only and one way to say what abstract art or art-as-art is, is to say what it is not. — Ad Reinhardt

The artist's talent sits uneasy as an object of public acclaim, having been so long an object of private despair. — Robert Breault

It depends little on the object, much on the mood, in art. — Ralph Waldo Emerson

One reason I was interested in photography was to get away from the preciousness of the art object. — Cindy Sherman

The object of the artist is the creation of the beautiful. What the beautiful is is another question. — James Joyce

The beauty of a finely worked object points to the beauty of the craftsmanship. The beauty of the craftsmanship points to the beauty of the name which was the source of the craftsmanship. The beauty of the name of the craftsman's art points to the beauty of the craftsman's attributes manifested in that art. — Said Nursi

The scar, and her indifference to it, did something extraordinary for her, just as damage to some art object threw into relief how beautiful it had once been, tarnishing and tempering her face with the reminder of what humanity did to lovely things and how they bore it. — Ariana Franklin

Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world ... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object. — Robert Olen Butler

When objects are presented within the context of art (and until recently objects always have been used) they are as eligible for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object existing in the realm of art means that the object's existence or functioning in an art context is irrelevant to the aesthetic judgment. — Joseph Kosuth

Once an object has been incorporated in a picture it accepts a new destiny. — Georges Braque

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel. — Edward Bulwer-Lytton, 1st Baron Lytton

Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity. — Erwin Panofsky

Masonry, according to the general acceptation of the term, is an art founded on the principles of geometry, and devoted to the service and convenience of mankind. But Freemasonry, embracing a wider range and having a nobler object in view, namely, the cultivation and improvement of the human mind, may with more propriety be called a science, inasmuch as, availing itself of the terms of the former, it inculcates the principles of the purest morality, though its lessons are for the most part veiled in allegory and illustrated by symbols. — William Howard Taft

At the back of our brains is a blaze of astonishment at our own existence. The object of the artistic and spiritual life is to dig for this sunrise of wonder. — Gilbert K. Chesterton

The mind itself is an art object ... The mind is a blue guitar on which we improvise the song of the world. — Annie Dillard

I am giving soul and functionality to art by implementing her in to daily objects by through out design — Baris Gencel

A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater objectivity of the photograph in order to correct my own way of seeing: for instance, if I draw an object from nature, I start to stylize and to change it in accordance with my personal vision and my training. But if I paint from a photograph, I can forget all the criteria that I get from these sources. I can paint against my will, as it were. And that, to me, felt like an enrichment. — Gerhard Richter

Art is a social object, books and films and records and television shows, they're social objects that bring people together in conversation. I love the notion that I could write something that two people could share. That's the goal. — Graham Moore

Our minds must meditate on some object. According to what he thinks, a man can create an atmosphere of radiance, exuberance, buoyancy; and this brings joy. Or he can carry gloom with him. It is a matter of the habit of thought. We must build up our own life by our thoughts. There are many ways by which we can do this. Art, music, even manual work, all can bring ripening to the soul. — Swami Paramananda

The job of the artist is to make a gesture and really show people what their potential is. It's not about the object, and it's not about the image; it's about the viewer. That's where the art happens. — Jeff Koons

We attempted perfection; we wanted an object to be without flaw, so we cut the papers with a razor, pasted them down meticulously, but it buckled and was ruined ... that is why we decided to tear prewrinkled paper, so that in the finished work of art imperfection would be an integral part, as if at birth death were built in. — Hans Arp

The work of art itself is ... a vibrant, magical, and exemplary object which returns us to the world in some way more open and enriched. — Susan Sontag

Lies, fictions and untrue suppositions can create new human truths which build technology, art, language, everything that is distinctly of Man. The word "stone" for instance is not a stone, it is an oral pattern of vocal, dental and labial sounds or a scriptive arrangement of ink on a white surface, but man pretends that it is actually the thing it refers to. Every time he wishes to tell another man about a stone he can use the word instead of the thing itself. The word bodies forth the object in the mind of the listener and both speaker and listener are able to imagine a stone without seeing one. All the qualities of stone can be metaphorically and metonymically expressed. "I was stoned, stony broke, stone blind, stone cold sober, stonily silent," oh, whatever occurs. More than that, a man can look at a stone and call it a weapon, a paperweight, a doorstep, a jewel, an idol. He can give it function, he can possess it. — Stephen Fry

Thus art is not an object, it is an experience. — Josef Albers

The truth and the facts aren't necessarily the same thing. Telling the truth is the object of all art; facts are what the unimaginative have instead of ideas. — A.A. Gill

The object, which is back of every true work of art, is the attainment of a state of being, a state of high functioning, a more than ordinary moment of existence. In such moments activity is inevitable, and whether this activity is with brush, pen, chisel, or tongue, its result is but a by-product of the state, a trace, the footprint of the state. — Robert Henri

Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art ... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object". — Jasper Johns

Don't make the mistake of believing it's enough to reproduce the realities of life ... The object of art is to give life a shape, and to do it by every conceivable artifice. — Jean Anouilh

A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter. — Robert Barry

And the fifteenth century was an impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to ad as a religious object. — Walter Pater

Objectifying is kind of a funny thing. Art is objectification, all art, because you're taking someone and making them into an object. But people can also talk back more to you when you're sketching them. They can look at you and say, 'Oh man, you got me wrong.' — Molly Crabapple

Poetry matters. Poetry is what elevates the banal and neglected object to a realm of art. It can transform the thing that might have made people fearful into something that invites them to look, and look a little longer, and maybe even understand. — Aimee Mullins

The object [Duchamp's Fountain] was rejected , giving Duchamp the opportunity of issuing a statement, which he published in a review, The Blind Man. In his statement he emphasized that the act of choice was sufficient to justify it as a creative art. Placing it in such a way that its normal use was disguised caused a new reality for the object to be invented. To the criticism that it was rude he replied, logically enough,How could this object be acceptable when displayed in a plumber's shop window and yet be immoral anywhere else? — Neville Weston

Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence
but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson
that the moral lessons of their culture exclude them. — Naomi Wolf

The object of art is to give life shape. — Jean Anouilh

The end will be what it will be. The object is intense living, fulfillment; the great happiness in creation. — Robert Henri

Where are you, my little object of art? I am here to collect you. — Pepe

When everything that is called art was well and truly riddled with rheumatism, the photographer lit the thousands of candles whose power is contained in his flame, and the sensitive paper absorbed by degrees the blackness cut out of some ordinary object. He had invented a fresh and tender flash of lightning. — Tristan Tzara

Genuine art . . . does not have as its object a mere transitory game. Its serious purpose is not merely to translate the human being into a momentary dream of freedom, but actually to MAKE him free. — Friedrich Schiller

The object of art is not to reproduce reality, but to create a reality of the same intensity. — Alberto Giacometti

The law of empathy, by which he could, by his will, transfer himself into an object or a work of art, and thus inflence the outer world. He did not feel redeemed by the work he did. He did not seek redemption. He sought to see what others did not, the projection of his imagination. — Patti Smith

Why can't a photograph be all four things at once? -be an art object; be a document, what ever that means exactly, but deal with content; be a formalist exploration; and operate on some, metaphor is not the right word but, resonant level.. — Stephen Shore

If we see an object as a bowl, it may inhibit seeing it as craft, just as seeing it as craft might inhibit seeing it as art. See first; name later. — Walter Darby Bannard

We know from accounts of Rilke's life that his stay in Rodin's workshops taught him how modern sculpture had advanced to the genre of the autonomous torso. The poet's view of the mutilated body thus has nothing to do with the previous century's Romanticism of fragments and ruins; it is part of the breakthrough in modern art to the concept of the object that states itself with authority and the body that publicizes itself with authorization. — Peter Sloterdijk

Painting is seen as picture making, the making of an art object, something that can stand on its own. — Peter Wright

I was crazy about goal keeping. In Russia and the Latin countries, that gallant art had been always surrounded with a halo of singular glamour. Aloof, solitary, impassive, the crack goalie is followed in the streets by entranced small boys. He vies with the matador and the flying ace as an object of thrilled adulation. His sweater, his peaked cap, his kneeguards, the gloves protruding from the hip pocket of his shorts, set him apart from the rest of the team. He is the lone eagle, the man of mystery, the last defender. Photographers, reverently bending one knee, snap him in the act of making a spectacular dive across the goal mouth to deflect with his fingertips a low, lightning-like shot, and the stadium roars in approval as he remains for a moment or two lying full length where he fell, his goal still intact. — Vladimir Nabokov

For something to become a work of art, a labeling process must take place that requires three participants: an artist who produces an apt object, a client or public, and a critic or connoisseur who mediates between the artist and the public to assure them of the artness of the thing. If I make a painting, it is not sufficient for the painting to be "art" that I consider it so, nor even that you, my friend and neighbor, admire it and hang it on your wall; it must be certified as art by competent authority and exhibited in the institutionally appropriate place, a gallery or museum. — Wyatt MacGaffey

How do I define art? A work of art is not an object of monetary value; it is a timid attempt by man to recreate the miracle of which every young woman is capable: to produce life from nothing. Hence, only women and artists have respect for life, and the segment of the so-called "society" that denies women the right to vote and therefore to participate, and denies artists the right to exist, does not really care for life. It oppresses humanity,and it has, directly or indirectly, a vested interest in wars. — Oskar Kokoschka

Because each work of art originates in the mind and feelings of a human being, it reaches its destination in the mind and feelings of another. A work of art, therefore, is a fact of consciousness quite as much as it is an object existing beside us in the physical world and an event in the chronology of the historical past. A history of art is therefore a history of consciousness. — George Heard Hamilton

Not merely hope, but any burdensome yearning: ambition, hatred, love (especially love) - how rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at see, washed between hope and despair, hailing something that may never come to rescue us. Catastrophe has become art; but this is no reducing process. It is freeing, enlarging, explaining. Catastrophe has become art: that is, after all, what it is for. — Julian Barnes

I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me. — Robert Barry

But the operation of writing implies that of reading as its dialectical correlative and these two connected acts necessitate two distinct agents. It is the joint effort of author and reader, which brings upon the scene that concrete and imaginary object which is the work of the mind. There is no art except for and by others. — Jean-Paul Sartre

In teaching, you must simply work your pupil into such a state of interest in what you are going to teach him that every other object of attention is banished from his mind; then reveal it to him so impressively that he will remember the occasion to his dying day; and finally fill him with devouring curiosity to know what the next steps in connection with the subject are. — William James

Maybe now if you're not an exhibitionist you're private. Or maybe it's just that for a lot of people - sometimes in interesting ways, sometimes in stupid ways - there's no division between the art object and what surrounds it. — Ben Lerner

Thinking in art and morals and even mathematics is neither the reflection in consciousness of a mechanical order in the brain nor the tracing with the mind's eye of some empirical order in its object, but an endeavour to realize in thought an ideal order which would satisfy an inner demand. The nearer thought comes to its goal, the more it finds itself under constraint by that goal, and dominated in its creative effort by aesthetic or moral or logical relevance. These relations of relevance are not physical or psychological relations. They are normative relations that can enter into the mental current because that current is ... teleological. Their operation marks the presence of a different type of law, which supervenes upon physical and psychological laws when purpose takes control. — Brand Blanshard

Ancient poetry and mythology suggest, at least, that husbandry was once a sacred art; but it is pursued with irreverent haste and heedlessness by us, our object being to have large farms and large crops merely. We have no festival, nor procession, nor ceremony, not excepting our cattle-shows and so-called Thanksgivings, by which the farmer expresses a sense of the sacredness of his calling, or is reminded of its sacred origin. It is the premium and the feast which tempt him. He sacrifices not to Ceres and the Terrestrial Jove, but to the infernal Plutus rather. — Henry David Thoreau

You see I am an enthusiast on the subject of the arts. But it is an enthusiasm of which I am not ashamed, as its object is to improve the taste of my countrymen, to increase their reputation, to reconcile to them the respect of the world, and procure them its praise. — Thomas Jefferson

Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely. — Pablo Picasso

What was remarkable was that associating with a computer and electronics company was the best way for a rock band to seem hip and appeal to young people. Bono later explained that not all corporate sponsorships were deals with the devil. "Let's have a look," he told Greg Kot, the Chicago Tribune music critic. "The 'devil' here is a bunch of creative minds, more creative than a lot of people in rock bands. The lead singer is Steve Jobs. These men have helped design the most beautiful art object in music culture since the electric guitar. That's the iPod. The job of art is to chase ugliness away. — Walter Isaacson

Each living art object, taken out of its native habitat so we can conveniently gaze at it, is like an animal in a zoo. Something about it has died in the removal. — Daniel J. Boorstin