Art Murals Quotes & Sayings

I felt very maternal around eight months. And I thought I couldn't become any more until I saw the baby ... But it happened during my labor because I had a very strong connection with my child. I felt like when I was having contractions, I envisioned my child pushing through a very heavy door. And I imagined this tiny infant doing all the work, so I couldn't think about my own pain ... We were talking. I know it sounds crazy, but I felt a communication. — Beyonce Knowles

Fragrance should never be worn like a thick scented choker, where the scent emanates from the neck in strong blasts like a foghorn! Rather, it should sparkle like twinkling stars, where small bursts disperse here and there, they elude us, pique our curiosity and make us want more. — Marian Bendeth

Existence is never so miserable as when you have a taste of something beautiful," Lucifer said. "It serves to remind you of everything you can never have. — Lauren Kate

I think it's the next thing, getting out of the comfort-zone readership, that at some point you have to try and break out of that and see if you can go in new directions. I wanted to do something that felt a lot bigger than a book that's going to sit on a toilet. — Drew Magary

Art used to be made in the name of faith. We made cathedrals, we made stained-glass windows, we made murals. — Julia Cameron

Those who are troubled by our existing programs are not interested in a repeat of 9/11, and those who defend these programs are not dismissive of civil liberties. The challenge is getting the details right, and that's not simple. — Barack Obama

The Paleolithic hunters who painted the unsurpassed animal murals on the ceiling of the cave at Altamira had only rudimentary tools. Art is older than production for use, and play older than work. Man was shaped less by what he had to do than by what he did in playful moments. It is the child in man that is the source of his uniqueness and creativeness, and the playground is the optimal milieu for the unfolding of his capacities. — Eric Hoffer

In my previous murals, I had tried to achieve a harmony in my painting with the architecture of the building. But to attempt such a harmony in the garden of the Institute would have defeated my purposes. For the walls here were of an intricate Italian baroque style, with little windows, heads of satyrs, doorways, and sculpturesque mouldings. It was within such a frame that I was to represent the life of an age which had nothing to do with baroque refinements
a new life which was characterized by masses, machines, and naked mechanical power. So I set to work consciously to over-power the ornamentation of the room. — Diego Rivera

I was filming a movie in London, and I drove through Ireland. It was quite beautiful, and the countryside was really remarkable. The contrast between the countryside and Ireland, and the murals there, with Northern Ireland still being a part of the United Kingdom, there's just a stark contrast in those two things. And I found that the art that came out of the conflict was really spectacular because it was about remembering either events or points of view for local neighborhoods, or the rallying cries of one side against the other. — Vince Vaughn

Murals in restaurants are on a par with the food in museums. — Peter De Vries

God, I hate feelings. Or I hate my conscience. The two are constantly at war — Colleen Hoover

There's a lot of bitterness, there's a lot of anger out there. We all have to work hard to heal those wounds. — Allen Boyd

To do exciting, empowering research and leave it in academic journals and university libraries is like manufacturing unaffordable medicines for deadly diseases. We need to share our work in ways that people can assimilate, not in the private languages and forms of scholars...Those who are hungriest for what we dig up don't read scholarly journals and shouldn't have to. As historians we need to either be artists and community educations or find people who are and figure out how to collaborate with them. We can work with community groups to create original public history projects that really involved people. We can see to it that our work gets into at least the local popular culture through theater, murals, historical novels, posters, films, children's books, or a hundred other art forms. We can work with elementary and high school teachers to create curricula. Medicinal history is a form of healing and its purposes are conscious and overt. — Aurora Levins Morales

You don't fight fire with fire. You fight fire with water. We're gonna fight racism with solidarity. We're not gonna fight capitalism with Black capitalism. We're gonna fight capitalism with socialism. Socialism is the people. If you're afraid of socialism, you're afraid of yourself. — Fred Hampton

Here's how adaptation works - almost everything in the movie is in the book in some form. But it's as though the deck has been completely reshuffled and some of the cards have been assigned different values, some of the fours have been made into jacks, and some of the jacks have been made into twos. — Walter Kirn

While working in California, I met William Valentiner and Edgar Richardson of the Detroit Institute of Arts. I mentioned a desire which I had to paint a series of murals about the industries of the United States, a series that would constitute a new kind of plastic poem, depicting in color and form the story of each industry and its division of labor. Dr. Valentiner was keenly interested, considering my idea a potential base for a new school of modern art in America, as related to the social structure of American life as the art of the Middle Ages had been related to medieval society. — Diego Rivera

I must represent France, and I want to be elegant, and I want the French people to be proud of me, you know. — Carla Bruni

As [William] Valentiner noted in his uncompleted memoirs Remembering Artists, [Diego] Rivera's [Detroit Industry] murals rooted the Detroit Institute of Arts to the many-faceted jewel of its central court because of the harmonious, fertile relationship between "the industrialist" and "the artist." Rivera remarked to Valentiner how especially struck he was that "Edsel had none of the characteristics of the exploiting capitalist, that he had the simplicity and directness of a workman in his won factories and was like one of the best of them." Their relationship was like the murals themselves, a superb expression of pluralism, toleration, and empathy for the other, and of a cosmopolitan sense of all the Americas, not just of the United States of America or Detroit alone. — John Dean

A lot of artists were members of the artistic union. It gave you the possibility to buy paints, canvases, brushes, even the possibility to get a studio if you had the money to build it. It also gave you the possibility to make your living by making official art and then you would get a lot of "official" commissions: portraits, paintings, murals, etc. — Ilya Kabakov