Quotes & Sayings About Art Life And Death

In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life — Paul Auster

She felt she had been created by the demands of others, by their insatiable appetite for something beyond ordinary life. They craved a world without death and they had spotted her, in their hunger, like wolves alert to any poor sheep that might stray from the fold and stand gazing ignorantly up at the stars. — Valerie Martin

A kata is not fixed or immoveable. Like water, it's ever changing and fits itself to the shape of the vessel containing it. However, kata are not some kind of beautiful competitive dance, but a grand martial art of self-defense - which determines life and death. — Kenwa Mabuni

There is today, every day, set before thee good and evil, life and death
choose thou. For only self can separate you from the love of the Father. For it should be manifested to thee that thou art conscious in a living world, aware of suffering, of sorrow, of joy, of pleasure. These, to be sure, are the price one pays for having will, knowledge. But let that knowledge be spent in a way and manner to help others. For as ye do to thy fellow man ye do to thy Maker. — Edgar Cayce

It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them. — Mark Rothko

Men love death. In everything they make, they hollow out a central place for death, let its rancid smell contaminate every dimension of whatever still survives. Men especially love murder. In art they celebrate it, and in life they commit it. They embrace murder as if life without it would be devoid of passion, meaning, and action, as if murder were solace, stilling their sobs as they mourn the emptiness and alienation of their lives. — Andrea Dworkin

The Lord's my Shepherd, I'll not want;
He makes me down to lie
In pastures green; He leadeth me
The quiet waters by.
My soul He doth restore again,
And me to walk doth make
Within the paths of righteousness,
E'en for His own name's sake.
Yea, though I walk in death's dark vale,
Yet will I fear no ill;
For Thou art with me, and Thy rod
And staff my comfort still.
My table Thou hast furnished me
In presence of my foes;
My head Thou dost with oil anoint,
And my cup overflows.
Goodness and mercy all my life
Shall surely follow me;
And in God's house forevermore,
My dwelling place shall be. — Psalm 23

The real resistance now is to an art which forces its audience to recognize and accept imaginatively, in their nerve ends, not the facts of life but the facts of death and violence: absurd, random, gratuitous, unjustified, and inescapably part of the society we have created. — Al Alvarez

One of the obvious implications is that a person will have to face the fact that she cannot meet other people's expectations. This signals the end of what might be called the "camel" phase of human development. I believe it was Nietschze who suggested that for the first part of life, we are camels, trudging through the desert, accepting on our backs everybody's "shoulds" and "don'ts." Camels only know how to spit; they don't think for themselves or talk back. As the camel dies, a lion is born in its place. Lions discover both their roar and the art of preening. The lion may be a little shaky at first, so support and encouragement are vital. But once the camel begins to die (e.g., signaled by depression), there is no turning back. Symptoms occupy the space between the death of the camel and the birth of the lion. A therapist can be a good midwife during this liminal phase. — Stephen Gilligan

Living for Sabina meant seeing. Seeing is limited by two borders: strong light, which blinds, and total darkness. Perhaps that was what motivated Sabina's distaste for all extremism. Extremes mean borders beyond which life ends, and a passion for extremism, in art and in politics, is a veiled longing for death. — Milan Kundera

If the boy who draws
lets you look over his shoulder.
If the poet
smiles
and shows you her words.
If the girl who sings for the shower only,
hums a song
in front of you.
Know that you're no longer a person
but the air
and dust
that fills their lungs.
When the world perishes,
and all things cease to exist,
you'll remain inside an ink stain,
a paint brush,
a song.

Poem N. 8 — Alaska Gold

Many African societies divide humans into three categories: those still alive on the earth, the sasha, and the zamani. The recently departed whose time on earth overlapped with people still here are the sasha, the living-dead. They are not wholly dead, for they still live in the memories of the living, who can call them to mind, create their likeness in art, and bring them to life in anecdote. When the last person to know an ancestor dies, that ancestor leaves the sasha for the zamani, the dead. As generalised ancestors, the zamani are not forgotten but revered. Many ... can be recalled by name. But they are not the living-dead. There is a difference. — James W. Loewen

Art allows us to die over and over without actually dying. Only we must catch our breath. — Meia Geddes

In the arts of life main invents nothing; but in the arts of death he outdoes Nature herself, and produces by chemistry and machinery all the slaughter of plague, pestilence and famine ... There is nothing in Man's industrial machinery but his greed and sloth: his heart is in his weapons. — George Bernard Shaw

Our ability to detect and measure the passage of time is burdensome. The conception and sensation of time bears down upon all of us. It weighs us down; it compresses our souls. There is a variety of ways to escape the dull passage of time or the fearfulness of our accelerating march towards death. We must choose our mechanisms for dealing with the inexorability of time and our finiteness. We can fill our void with work or pleasure, laughter or pain, and fretfulness or courage. We can seek a sense of purposefulness or acknowledge the meaninglessness of life. We can seek to escape the drudgery and pain of life through alcohol, drugs, or pleasure seeking, or by working to support our families and create artistic testaments to our worldly existence. — Kilroy J. Oldster

Art is an affirmation of life, a rebuttal of death. And here we blunder into paradox again, for during the creation of any form of art, art which affirms the value and the holiness of life, the artist must die. To serve a work of art, great or small, is to die, to die to self. — Madeleine L'Engle

A great ring of pure & endless light
Dazzles the darkness in my heart
And breaks apart the dusky clouds of night.
The end of all is hinted in the start.
When we are born we bear the seeds of blight;
Around us life & death are torn apart,
Yet a great ring of pure and endless light
Dazzles the darkness in my heart.
It lights the world to my delight.
Infinity is present in each part.
A loving smile contains all art.
The motes of starlight spark & dart.
A grain of sand holds power & might.
Infinity is present in each part,
And a great ring of pure and endless light
Dazzles the darkness in my heart. — Madeleine L'Engle

Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. — Markus Zusak

He realised, more vividly than ever before, that art had two constant, two unending preoccupations: it is always meditating upon death and it is always thereby creating life. — Boris Pasternak

St. Thomas Aquinas deeply loved this beautiful chant thus understood. It is told of him that he could not keep back his tears when, during Compline of Lent, he chanted the antiphon: "In the midst of life we are in death: whom do we seek as our helper, but Thou, O Lord, who because of our sins art rightly incensed? Holy God, strong God, holy and merciful Savior, deliver us not up to a bitter death; abandon us not in the time of our old age, when our strength will abandon us." This beautiful antiphon begs for the grace of final perseverance, the grace of graces, that of the predestined. How it should speak to the heart of the contemplative theologian, who has made a deep study of the tracts on Providence, predestination, and grace! — Reginald Garrigou-Lagrange

You are young men and not children. The idea is that art allows the child imprisoned inside the adult to come out to play and celebrate the world and its beauty." He said that art was intimately linked with immortality: a challenge to death and time, a celebration of life. — Sinan Antoon

What is the world? What is it for?
It is an art. It is the best of all possible art, a finite picture of the infinite. Assess it like prose, like poetry, like architecture, sculpture, painting, dance, delta blues, opera, tragedy, comedy, romance, epic. Assess it like you would a Faberge egg, like a gunfight, like a musical, like a snowflake, like a death, a birth, a triumph, a love story, a tornado, a smile, a heartbreak, a sweater, a hunger pain, a desire, a fufillment, a desert, a waterfall, a song, a race, a frog, a play, a song, a marriage, a consummation, a thirst quenched.
Assess it like that. And when you're done, find an ant and have him assess the cathedrals of Europe. — N.D. Wilson

People today are trying to hang on to the dignity of man, but they do not know how to, because they have lost the truth that man is made in the image of God ... We are watching our culture put into effect the fact that when you tell men long enough that they are machines, it soon begins to show in their actions. You see it in our whole culture
in the theater of cruelty, in the violence in the streets, in the death of man in art and life. — Francis A. Schaeffer

Why do we always begin to think about people when they die? I think we should think about people while they're still alive! That way, they can know that we're thinking about them! I always tell people when I'm thinking about them, or that I thought about them, or that I have been thinking about them and it almost always scares them away, but so what, I am practicing the art of life and if that is frightening to them then maybe they need to start living while they're still alive! — C. JoyBell C.

The stories teach them valuable life lessons. That good things happen to bad people. That it's possible to make a bad situation even worse if you don't think it through. That parents are clueless except when they're not. That it's good to try new things even when a new thing is kind of disgusting, because new experiences make you a well-rounded person. That art can be transcendent. That lust is all-powerful, that drugs are fun, and that not everyone who does them is a loser. That losing people is part of life. That where comedy goes, tragedy isn't far behind. That everyone has issues with their bodies, but some take it too far, almost to death. That fear can be exhilarating. That boys are assholes. That it's important to look forward and never look back ... — Megan McCafferty

Art has two constant, two unending concerns: It always meditates on death and thus always creates life. All great, genuine art resembles and continues the Revelation of St John. — Boris Pasternak

Think of the great poetry, the music and dance and ritual that spring forth from our aspiring to a life beyond death. Maybe these things are justification enough for our hopes and dreams, although I wouldn't say that to a dying man. — Don DeLillo

I was also one of those people who hadn't caught up with the latest social networking site. Maura belonged to most of them. She passed most evenings befriending men who had tried to date-rape her in high school, but I was still stuck in the last virtual community, a sad place to be, like Europe, say, during the Black Death. Whenever I cruised this site, with its favorites lists and its paeans to somebody's cousin's gas station art gallery, I could not help but think of medieval corpses in the spring-thaw mud, buboes sprouted in every armpit and anus, black bile curling out of frozen mouths. Those of us still cursed with life wandered the blasted dales of this stricken network, wept and moaned and flogged ourselves with frayed AC adaptors, called out for God to strike us dead, or else let us find somebody who liked similar bands. — Sam Lipsyte

Creative work bridges time because the energy of art is not time-bound. If it were we should have no interest in the art of the past, except as history or documentary. But our interest in art is our interest in ourselves both now and always. Here and forever. There is a sense of the human spirit as always existing. This makes our death bearable. Life + art is a boisterous communion/communication with the dead. It is a boxing match with time. — Jeanette Winterson

This was a family that consumed attractive, talented people. Its aim was to preserve beauty and genius through the centuries. For all eternity. To bottle the spark of magic that flares up in the soul of an artist, to preserve in wax the pain that is born in the heart of an actor, to dry and store the subtle, shifting images that hover above the head of a writer.

Madness. They didn't realize it was impossible. As the years pass by, feelings and emotions are blunted. And thousands of years of life kill all feelings. The soul becomes cold. It can't burn anymore. The farys took away from humans the one thing that I sought and valued in them most of all - their bright, vital feelings. — Lena Meydan

Be thou of Zen. Remember, in tranquillity, that the Absolute, the Tao, is within thee, that no priest or cult or dogma or book or saying or teaching or teacher stands between Thou and It. Know that Good and Evil are irrelevant, I and Thou irrelevant, Inside and Outside irrelevant as are Life and Death. Enter into the Sphere where there is no fear of death nor hope of afterlife, where thou art free of the impediments of life or the needs of salvation. Thou art thyself the Tao. Be thou, now, a rock against which the waves of life rush in vain. — James Clavell

In Life's name and for Life's sake, I say that I will use the Art for nothing but the service of that Life. I will guard growth and ease pain. I will fight to preserve what grows and lives well in its own way; and I will change no object or creature unless its growth and life, or that of the system of which it is part, are threatened. To these ends, in the practice of my Art, I will put aside fear for courage, and death for life, when it is right to do so - till Universe's end. I will look always toward the Heart of Time, where all times are one, where all our sundered worlds lie whole, as they were meant to be. — Diane Duane

Trauma and pain are the foundations of art. I believe that. When tragedy strikes, however, a muralist or a watercolorist has the opportunity to be a human being in the moment and an artist afterward. Faced with the death of a loved one, a sculptor or portraitist can first grieve, suffer, and heal--then create. Most artists go through life this way. They can react normally to the trials and tribulations of the human experience. They can pass through the world with compassion and comradeship. They can make their art later. Outside, elsewhere, beyond. But photography is immediate. It does not offer the luxury of time. Faced with blood, death, or transformation, a photographer has no choice but to reach for the camera. An artist first, a human being afterward. Photography is a neutral record of all events, a chronicle of things both sublime and terrible. By necessity, this work is made without emotion, without connection, without love. — Abby Geni

I feel at various times in my life that I've been at a point where I had to choose between a death sentence and a life sentence. And I want to live. What do I do to live? What do I do to be vital? And the answer is always creativity. The answer is always art. — Jodie Foster

Dying is also an art and just like any other art it must be learned. — Alireza Salehi Nejad

Bloody thou art, bloody will be thy end;
Shame serves thy life and doth thy death attend. — William Shakespeare

If there is any intelligence guiding this universe, philosophy wishes to know and understand it and reverently work with it; if there is none, philosophy wishes to know that also, and face it without fear. If the stars are but transient coagulations of haphazard nebulae, if life is a colloidal accident, impersonally permanent and individually fleeting, if man is only a compound of chemicals, destined to disintegrate and utterly disappear, if the creative ecstasy of art, and the gentle wisdom of the sage, and the willing martyrdom of saints are but bright incidents in the protoplasmic pullulation of the earth, and death is the answer to every problem and the destiny of every soul
then philosophy will face that too, and try to find within that narrowed circle some significance and nobility for man. — Will Durant

Women have always been healers. Cultural myths from around the world describe a time when only women knew the secrets of life and death, and therefore they alone could practice the magical art of healing ... The emergence of women whose consciousness blends with the ancient themes of healing is the single most promising event in health care ... — Jeanne Achterberg

Some deaths were long, the decay so gradual the rotted end was nothing more than a sigh disappearing in the wind.
Others were quick, the abrupt cut of a life in mid-phrase leaving unanswered questions lingering like an unresolved harmony. — Emma Raveling

In those first hours after he drowned, when the catastrophe was still confined to Calabash beach, and to Jake, Joe and me, its speed was impossible to reconcile with its scale. Nothing so big could happen this fast; it defied the laws of physics, it could not be true. Death is too much for the mind to register in a matter of minutes; the incalculable magnitude can only be absorbed by increment, day by day. As each day allows a new glimpse of its immensity, and the aftershock extends beyond the beach to reach hundreds of people all over the world, my comprehension slowly expands until its dimensions resemble a more accurate impression of the truth. But the bigger his death grows, the more inconceivable it becomes. It feels like an ambitious piece of performance art; a work of fiction, not real life. How strange that the truth of my own situation should be so much clearer to everybody else. — Decca Aitkenhead

When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death:
"Thru Time I'll save my love!" he said ... yet Beauty vanished with his breath, and, with her lovers, she was dead ...
-Ever his wit and not her eyes, ever his art and not her hair:
"Who'd learn a trick in rhyme, be wise and pause before his sonnet there" ... So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon. — F Scott Fitzgerald

A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet. — Stephen Greenblatt

Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art. — Paul Theroux

One finds life through conquering the fear of death within one's mind. Empty the mind of all forms of attachment, make a go-for-broke charge and conquer the opponent with one decisive slash. — Takenaka Shigekata

I wanted to say something different: the pictures are also a leave-taking, in several respects. Factually: these specific persons are dead; as a general statement, death is leave-taking. And then ideologically: a leave-taking from a specific doctrine of salvation and, beyond that, from the illusion that unacceptable circumstances of life can be changed by this conventional expedient of violent struggle. — Gerhard Richter

His life had seemed horrible when it was measured by its happiness, but now he seemed to gather strength as he realised that it might be measured by something else. Happiness mattered as little as pain. They came in, both of them, as all the other details of his life came in, to the elaboration of the design. He seemed for an instant to stand above the accidents of his existence, and he felt that they could not affect him again as they had done before. Whatever happened to him now would be one more motive to add to the complexity of the pattern, and when the end approached he would rejoice in its completion. It would be a work of art, and it would be none the less beautiful because he alone knew of its existence, and with his death it would at once cease to be.
Philip was happy. — W. Somerset Maugham

Now, as never before, it was clear to him that art is always, ceaselessly, occupied with two things. It constantly reflects on death and thereby constantly creates life. — Boris Pasternak

I was walking down a street and after his death and saw a billboard on the side of a brick wall for Van's shoes. It was a picture of Hopper's face, and all it said was, 'Hopper Lives.' So I think he's still part of youth culture. There are lessons to be learned from Hopper about being a young person who wants to live the art life in America. — Tom Folsom

I have, for my own projected works and ideas, only the silliest and dewiest of hopes; no matter what, I am romantic enough or sentimental enough to wish to contribute something to life's fabric, to the world's beauty ... [S]imply to live does not justify existence, for life is a mere gesture on the surface of the earth, and death a return to that from which we had never been wholly separated; but oh to leave a trace, no matter how faint, of that brief gesture! For someone, some day, may find it beautiful! — Frank O'Hara

Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it - Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism. — Andre Malraux

Yet each, in itself - this was the uncanny, the anti-organic, the life-denying character of them all - each of them was absolutely symmetrical, icily regular in form. They were too regular, as substance adapted to life never was to this degree - the living principle shuddered at this perfect precision, found it deathly, the very marrow of death - Hans Castorp felt he understood now the reason why the builders of antiquity purposely and secretly introduced minute variation from absolute symmetry in their columnar structures. — Thomas Mann

By profession I am a soldier and take pride in that fact. But I am prouder - infinitely prouder - to be a father. A soldier destroys in order to build; the father only builds, never destroys. The one has the potentiality of death; the other embodies creation and life. And while the hordes of death are mighty, the battalions of life are mightier still. It is my hope that my son, when I am gone, will remember me not from the battle field but in the home repeating with him our simple daily prayer, Our Father Who Art in Heaven. — Douglas MacArthur

He thought the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, as transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. — Hermann Hesse

No matter what is happening in life or in the world - war, natural disaster, poor health, pain, the death of loved ones - if existence is filled with art, music and literature, life will be fulfilling, a joy. — Karen DeCrow

When we consider that each of us has only one life to live, isn't it rather tragic to find men and women, with brains capable of comprehending the stars and the planets, talking about the weather; men and women, with hands capable of creating works of art, using those hands only for routine tasks; men and women, capable of independent thought, using their minds as a bowling-alley for popular ideas; men and women, capable of greatness, wallowing in mediocrity; men and women, capable of self-expression, slowly dying a mental death while they babble the confused monotone of the mob? — Neil Gaiman

The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity. — Gerard Van Der Leeuw

But mortification - literally, "making death" - is what life is all about, a slow discovery of the mortality of all that is created so that we can appreciate its beauty without clinging to it as if it were a lasting possession. Our lives can indeed be seen as a process of becoming familiar with death, as a school in the art of dying ... all these times have passed by like friendly visitors, leaving you with dear memories but also with the sad recognition of the shortness of life. In every arrival there is a leave-taking; in every reunion there is a separation; in each one's growing up there is a growing old; in every smile there is a tear; and in every success there is a loss. All living is dying and all celebration is mortification too. — Henri J.M. Nouwen

Wonderful art can spring from misery,I'm the last person to deny that.I'd go even further:the best works of art of all time are probably stemmed from the deep human sorrow or hellish frustration,the death of a loved one or a divorce and yes:jealousy.Heartache and impotence as the man-spring for making the unverifiable verifiable and for giving it face.How romantic,beautiful and especially useful pain and misery can be. — Esther Verhoef

This death to the logic of emotional commitments of our chance moment in the world of space and time, this recognition of, the shift of our emphasis to, the universal life that throbs and celebrates its victory in the very kiss of our own annihilation, this amor fati, 'love of fate,' love of the fate that is inevitably death, constitutes the experience of the tragic art ... — Joseph Campbell

No matter how screwed up the artist might be, there's still the chance that they can produce art that people like us hang on our wall and talk about long after their death. That the sum is greater than one part. That maybe one incident does not a life make. — Charles Martin

THE ART OF PEACE does not rely on weapons or brute force to succeed; instead, we put ourselves in tune with the universe, maintain peace in our own realms, nurture life, and prevent death and destruction. The true meaning of the term samurai is one who serves and adheres to the power of love. — Morihei Ueshiba

No art is superior to another one, but every art looks for expertise and perfection. This is life, which continues; this is why there is no death. There is continuation. There is no silence. There is a continuation of thought. — Marcel Marceau

Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved. — Joseph Campbell

This intensely lyrical vision of the pregant woman in [i]Hope I[i] is set in an ambiguous context peopled with masks, death's heads and allegorical monsters such as Sin, Disease, Poverty and Death, all threatening the incipient life. — Gilles Neret

My whole life has been nothing more than a continuous struggle against Reaction and the death of art. — Pablo Picasso

We definitely don't exist just for the sake of welcoming death someday; I believe we live for the sake of living on." - Kazuto Kirigaya "Kirito" (Sword Art Online) — Reki Kawahara

The world doesn't need to be fixed,it only needs to be balanced.And the art of balance demands you tread lightly,not leap ahead in a continual frenzy.The art of balance demands you know your designated role in the game of life,not start muscling in on everyone else's.The art of balance demands knowledge of timelessness,of birth and death and rebirth.The art of balance demands you know the world cannot be fixed it must be endured. It must simply forever be kept in a splendid play. — Tarun J. Tejpal

[On the ancient Venus figurines:] If the central religious figure was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life - rather than death and the fear of death - were dominant in society as well as art. — Riane Eisler

The art of war is of vital importance to the State. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected. — Sun Tzu

I who know many present things by my art," replied the Hermit with a smile, "have yet little knowledge of things future. Therefore I do not know whether any man or woman or beast in the whole world will be alive when the sun sets tonight. But be of good hope. The damsel is likely to live as long as any her age. — C.S. Lewis

In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both the artist and consumer of art) is constructed as marginal, powerless to act, and so exculpated from action, passive subject of a complex pleasure, condemning and yet enjoying suffering imposed on others, and condemning himself for his own enjoyment. In this masochistic celebration of disempowerment, the sharpest pleasure recorded is that of the death of some important part of humanity. The dignity of human life is the ultimate victim of Lorrain's art, thrown away on a welter of delighted self-disgust. — Jennifer Birkett

The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference. — Elie Wiesel

It was shameless how life made fun of one; it was a joke, a cause for weeping! Either one lived and let one's senses play, drank full at the primitive mother's breast - which brought great bliss but was no protection against death; then one lived like a mushroom in the forest, colorful today and rotten tomorrow. Or else one put up a defense, imprisoned oneself for work and tried to build a monument to the fleeting passage of life - then one renounced life, was nothing but a tool; one enlisted in the service of that which endured, but one dried up in the process and lost one's freedom, scope, lust for life...
Ach, life made sense only if one achieved both, only if it was not split by this brittle alternative! To create, without sacrificing one's senses for it. To live, without renouncing the mobility of creating. Was that impossible? — Hermann Hesse

I didn't know if his art was helping. But Moses's pictures were like that, glorious and terrible. Glorious because they brought memory to life, terrible for the same reason.
Time softens memories, sanding down the rough edges of death.
But Moses's pictures dripped with life and reminded us of our loss. — Amy Harmon

Art can model the more difficult dynamic of transfiguring one's life, but at some point the dynamic reverses itself: life models, or forces, the existential crisis by which art - great art - is fully experienced. There is a fluidity between art and life, then, in the same way that there is, in the best lives, a fluidity between mind and matter, self and soul, life and death. Experience seems to stream clearly through some lives, rather than getting slowed and clogged up in the drift-waste of ego, or stagnating in little inlets of despair, envy, rage. It has to do with seizing and releasing as a single gesture. It has to do with standing in relation to life and death ... owning an emptiness that, because you have claimed it, has become a source of light, wearing your wound that, like a ramshackle house on some high exposed hill, sings with the hard wind that is steadily destroying it. — Christian Wiman

Johnson's later life, from 1763, is among the best documented of all literary lives. James Boswell gave himself the enormous task, after Johnson's death in 1784, of producing what is now held to be a model of biography; rich in detail and anecdote, a complete picture of the man and his times, traced over a period of more than twenty years. Boswell's Life of Johnson, published in 1791, carries on Johnson's own contribution to the growing art of biography, and consolidates Johnson's position as a major literary figure, who, although a poet and a novelist, is remembered more for his academic and critical achievement than for his creative writings. — Ronald Carter

Like every other form of art, literature is no more and nothing less than a matter of life and death. The only question worth asking about a story - or a poem, or a piece of sculpture, or a new concert hall - is, Is it dead or alive? — Mavis Gallant

In an artwork you're always looking for artistic decisions, so an ashtray is perfect. An ashtray has got life and death. — Damien Hirst

In this vast universe There is but one supreme truth- That God is our friend! By that truth meaning is given To the remote stars, the numberless centuries, The long and heroic struggle of mankind ... O my Soul, dare to trust this truth! Dare to rest in God's kindly arms, Dare to look confidently into His face, Then launch thyself into life unafraid! Knowing thou art within my Father's house, That thou art surrounded by His love, Thou wilt become master of fear, Lord of Life, conqueror even of death! — Joshua L. Liebman

The malady of civilized man is his knowledge of death. The good artist, like the wise man, addresses himself to life and invests with his private vision the deeds and thoughts of men. The creation of a work of art, like an act of love, is our one small yes at the center of a vast no. — Gore Vidal

The art which speaks to a universal audience concerns itself with the 'big' questions of life and death, and delivers its message with unrelenting and powerful emotion. — Scott Kahn

War stories deal in death. War illuminates love, while love is the greatest expression of hope, without which any story rings untrue to life. And to deny hope in a story about such darkness is to create false art. — Richard Flanagan

All life is death. You don't fool yourself about this anymore. You slash at the perfect canvas with strokes of paint and replace the perfect picture of your imagination with the reality of what you are capable of. From death, and sorrow, and compromise, you create. This is what it means, you finally realize, to be alive. ("The Chambered Fruit") — M. Rickert

At the end of his life, which had included financial ruin in the Great Depression, his wife's barbiturate addiction and death by overdose, and then his own lung cancer, Doc said, "It was enough to have been a unicorn." What he meant was that he got to do art. It was magic to him that his hands and mind got to make wonderful things, that he didn't have to be just another goat or horse. — Mark Vonnegut

Don't ever for a minute make the mistake of looking down your nose at westerns. They're art - the good ones, I mean. They deal in life and sudden death and primitive struggle, and with the basic emotions - love, hate, and anger - thrown in. We'll have westerns films as long as the cameras keep turning. The fascination that the Old West has will never die. And as long as people want to pay money to see me act, I'll keep on making westerns until the day I die. — John Wayne

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

We are all of life
who stepped from the sea
trading weightless journeys of the currents
We are all of life
who build and tear down and build again
to find gold and silver
to find scars that weep and bleed
to step from the sea
to stay with the sea — Tamara Rendell

In peace prepare for war, in war prepare for peace. The art of war is of vital importance to the state. It is matter of life and death, a road either to safety or to ruin. Hence under no circumstances can it be neglected. — Sun Tzu

ISIS and these kinds of extremists are a death cult. We're a life cult. Rock 'n' roll is a life force, and it's joy as an act of defiance. — Bono

Any art worthy of its name should address 'life', 'man', 'nature', 'death' and 'tragedy'. — Barnett Newman

We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art. — Josh Holloway

In this perilous world, if a black boy wanted to live a halfway normal life and die a natural death he had to learn early the art of how to get along with white folks. — Benjamin E. Mays

The real fighter knows perfectly well that there is no difference between victory and defeat, friend and enemy, day and night, life and death. — William C. Brown

A self is a frightening thing to waste, it's the lens through which one's whole life is viewed, and few people are willing to part with it, in death, or even imaginatively, in art. — Diane Ackerman

Education, learning by heart, may come to one but not knowledge in the deepest sense until the master pleases to transmit it to you. It is done as a favor. When your learning merges into real comprehension then the world takes on a different look. It is only then that one can see beyond vision, perceive beyond perception and the art of feeling the pulse-beat becomes true knowledge. You can even sense the presence of death in the midst of life. — Tarashankar Bandyopadhyay

In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable. — Robert Hughes

It should be the art of Christians to present death as a passage to a better life, to labour to bring our souls into such a condition, as to think death not to be a death to us, but the death of itself. Death dies when I die, and I begin to live when I die. It is a sweet passage to life. We never live till we die. — Richard Sibbes

Art is built on the deepest themes of human meaning: good and evil, beauty and ugliness, life and death, love and hate. No other story has incarnated those themes more than the story of Jesus. — John Ortberg

Death is not necessarily what gives meaning to life LIFE gives meaning to life, and what we do with life, which is to create knowledge like music, art, science To this end, I believe intelligent life might be evolution's secret weapon: the ultimate hack that might help us transcend entropy. — Jason Silva

PSA23.1 The LORD is my shepherd; I shall not want. PSA23.2 He maketh me to lie down in green pastures: he leadeth me beside the still waters. PSA23.3 He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. PSA23.4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. PSA23.5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. PSA23.6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever. — Anonymous