Art In Motion Quotes & Sayings
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Top Art In Motion Quotes

Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay. — Raymond Chandler

Two moral forces shaped how we think and live in this shining twentieth century: the Virgin, and the Dynamo. The Dynamo represents the desire to know; the Virgin represents the freedom not to know.
What's the Virgin made of? Things that we think are silly, mostly. The peculiar logic of dreams, or the inexplicable stirring we feel when we look on someone that's beautiful not in a way that we all agree is beautiful, but the unique way in which a single person is. The Virgin is faith and mysticism; miracle and instinct; art and randomness.
On the other hand, you have the Dynamo: the unstoppable engine. It finds the logic behind a seeming miracle and explains that miracle away; it finds the order in randomness to which we're blind; it takes the caliper to a young woman's head and quantifies her beauty in terms of pleasing mathematical ratios; it accounts for the secret stirring you felt by discoursing at length on the nervous systems of animals. — Dexter Palmer

Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization. — A.R. Ammons

Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys. — Nikki Giovanni

The very first thing I remember in my early childhood is a flame, a blue flame jumping off a gas stove somebody lit... I remember being shocked by the whoosh of the blue flame jumping off the burner, the suddenness of it... I saw that flame and felt that hotness of it close to my face. I felt fear, real fear, for the first time in my life. But I remember it also like some kind of adventure, some kind of weird joy, too. I guess that experience took me someplace in my head I hadn't been before... The fear I had was almost like an invitation, a challenge to go forward into something I knew nothing about. That's where I think my personal philosophy of life and my commitment to everything I believe in started... In my mind I have always believed and thought since then that my motion had to be forward, away from the heat of that flame. — Miles Davis

In the sky we had rediscovered the moving principle of any work of art: the light, and the motion of color. — Sonia Delaunay

There is a love for the real, an affection for the true, in all of Dutch art. A church interior with its stillness. A hand with its gesture. A landscape with its distances. A cloud with its motion. — Katharine Weber

In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting. — Siri Hustvedt

Zero dimensions! Have you seen such a thing done?" "No. We've only witnessed two-dimensionalization. We've never even seen one-dimensionalization. But somewhere, some Zero-Homers must be trying. No one knows if they've ever succeeded. Comparatively, it's easier to lower the speed of light to zero, so we've seen more evidence of such attempts to lower the speed of light past zero and return it to infinity." "Is that even theoretically possible?" "We don't know. Maybe the Zero-Homers have theories that say yes, but I don't think so. Zero-lightspeed is an impassable wall. Zero-lightspeed is absolute death for all existence, the cessation of all motion. Under such conditions, the subjective cannot influence the objective in any way, so how can the 'hour hand' be shifted past it? I think the Zero-Homers are practicing a kind of religion, a kind of performance art." Cheng — Liu Cixin

For me, it's important to experience aesthetic shock, which sets in motion our imagination, our emotions, our feelings, and our thoughts. That's the purpose of a painting and of art in general. — Pierre Soulages

It's only when movement becomes the most natural state in our lives that we can finally begin to enjoy the motion. And it's only when standing still becomes impossible that we can finally embrace the kinds of changes that are inevitable in our lives.
We were not designed to stand still. If we were, we'd have at least three legs. We were designed to move. Our bodies are bodies that have walked across vast continents. Our bodies are bodies that have carried objects of art and war over great distances. We are no less mobile than our ancestors. We are athletes. We are warriors. We are human. — John Bingham

Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful. — J.G. Ballard

Hence the experienced soldier, once in motion, is never bewildered; once he has broken camp, he is never at a loss. — Sun Tzu

The motion picture is like journalism in that, more than any of the other arts, it confers celebrity. Not just on people - on acts, and objects, and places, and ways of life. The camera brings a kind of stardom to them all. I therefore doubt that film can ever argue effectively against its own material: that a genuine antiwar film, say, can be made on the basis of even the ugliest battle scenes ... No matter what filmmakers intend, film always argues yes. — Renata Adler

Rather than feeling that every moment you've got to exert this enormous control, you can take the attitude that your job as a writer is not to control everything, but to set things in motion. — Stuart Dybek

Creativity of all kinds focuses your mind, engages your imagination, and feeds your soul. Being creative can also facilitate understanding and encourage healing. Creativity is mindfulness in motion-intuitive, artistic motion. Creative moments and activities give you a boost and help you feel energized and good about yourself. — Sue Thoele

A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet. — Stephen Greenblatt

I get tired of singing to the guys I beat up in motion pictures. — Elvis Presley

The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom. — Raymond Chandler

This Jesus of Nazereth without money and arms, conquered more millions than Alexander, Caeser, Muhammad and Napoleon; without science and learning, He shed more light on matters human and divine than all philosophers and scholars combined; without the eloquence of schools, He spoke such words of life as were never spoke before or since and produced effects which lie beyond the reach of orator poet; without writing a single line, He set more pens in motion and furnished themes for more sermons, orations, discussions, learned volumes, works of art and songs of praise than the whole army of great men of ancient and modern times. — JOHN SCHAFF

I am intrigued with scriptural mythology that tells us that God created a divine feminine presence to dwell amongst humanity. This concept has had a constant influence on the work. I have imagined her as ubiquitous, watchful, and often in motion. This work is, in effect, the photographic image of the invisible. — Leonard Nimoy

Nature (the Art whereby God hath made and governs the World) is by the Art of man, as in many other things, so in this also imitated, that it can make an Artificial Animal. For seeing life is but a motion of Limbs, the beginning whereof is in some principal part within; why may we not say, that all Automata (Engines that move themselves by springs and wheels as doth a watch) have an artificial life? — Thomas Hobbes

In the major institutions of education, government, science, and the arts, we are witnessing the imposition of a post-Christian view of life. It now dominates in motion pictures, television, and every other form of entertainment. — D. James Kennedy

Organic growth is a cyclical process; it is just as true to say that the oak is a potential acorn as it is to say the acorn is a potential oak. But the process of writing a poem, of making any art object, is not cyclical but a motion in one direction toward a definite end. — W. H. Auden

Punning is an art of harmonious jingling upon words, which, passing in at the ears, excites a titillary motion in those parts; and this, being conveyed by the animal spirits into the muscles of the face, raises the cockles of the heart. — Jonathan Swift

Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of creating. The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things. — Robert D. Richardson

One who sets the entire army in motion to chase an advantage will not attain it. — Sun Tzu

Why must art be static? You look at an abstraction, sculptured or painted, an entirely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion. — Alexander Calder

Your life will contribute to a grand and wonderful story no matter what you do. You have been spoken. You are here, existing, choosing, living, shaping the future and carving the past. Your physical matter and your soul exist, not out of necessity, not voluntarily, and not under their own strength. There is absolutely nothing that you or I can do to guarantee that we will continue to exist. You aren't doing anything that makes you be. We aren't the Author. You and I are spoken. We have been called into this art as characters, born into this thread of occurrence tumbling downstream in the long Niagara of loss set in motion by the trouble that faced our first father and first mother. We will contribute to this narrative. But how? — N.D. Wilson

Painters and sculptors and designers, they take raw materials and turn them into art. Dancers turn themselves into art. We are poetry in motion when we do our jobs right, and we can stop your heart with the point of a toe or the angle of a limb. But — Seanan McGuire

Academy of Motion Picture Arts and Sciences, fellow members of the motion picture industry and honored guests: This is one of the happiest moments of my life, and I want to thank each one of you who had a part in selecting me for one of their awards, for your kindness. It has made me feel very, very humble; and I shall always hold it as a beacon for anything that I may be able to do in the future. I sincerely hope I shall always be a credit to my race and to the motion picture industry. My heart is too full to tell you just how I feel, and may I say thank you and God bless you. — Hattie McDaniel

In 1972 Charlie Chaplin was allowed back to America to receive an honorary Oscar, 'for the incalculable he had on making motion pictures the art form of this century'. That's what the Academy was always for - to blur the equation enough so that profit and fame could be called art. — Edward Jay Epstein

Pace begins in the screenplay. Cliche or not, we must control rhythm and tempo. It needn't be a symmetrical swelling of activity and shaving of scene lengths, but progressions must be shaped. For if we don't, the film editor will. And if to trim our sloppy work he cuts some of our favorite moments, we have no one to blame but ourselves. We're screenwriters, not refugees from the novel. Cinema is a unique art form. The screenwriter must master the aesthetics of motion pictures and create a screenplay that prepares the way for the artists who follow. — Robert McKee

Now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. — Oscar Wilde

Westerns are closer to art than anything else in the motion picture business. — John Wayne

Being unemployed, Kurt set in motion a routine that he would follow for the rest of his life. He would rise at around noon and eat a brunch of sorts. Kraft Macaroni and Cheese was his favorite food. After eating, he would spend the rest of the day doing one of three things: watching television, which he did unceasingly; practicing his guitar, which he did for hours a day, usually while watching TV; or creating some kind of art project, be it a painting, collage, or three-dimensional installation. This last activity was never formal - he rarely identified himself as an artist - yet he spent hours in this manner. — Charles R. Cross

An art machine is a system
whose parts when put in motion
act upon each other in such a way
as to cause you to see things differently — David Antin

I call my style, "Poetry in Motion." So I'm working on a new art to make fighting even more beautiful. — Bobby Green

Leaders can change the tenor of the workplace and create harmony in motion toward a favorable result. So every time you say to your team, "Let's rock and roll," make sure you have already set up the stage to where they can actually perform like rock stars. — Thomas Huynh

To me, cinema is not a movie or a TV screen, and it's not a seat in a building versus one in your living room. It's the art of motion pictures. — Ted Sarandos

For by Art is created that great LEVIATHAN called a COMMON-WEALTH, or STATE, (in latine CIVITAS) which is but an Artificiall Man; though of greater stature and strength than the Naturall, for whose protection and defence it was intended; and in which, the Soveraignty is an Artificiall Soul, as giving life and motion to the whole body; — Thomas Hobbes

The art of walking is at once suggestive of the dignity of man. Progressive motion alone implies power, but in almost every other instance it seems a power gained at the expense of self-possession. — Henry Theodore Tuckerman

Harvey sought for truth in Truth's own book- Creation - which by God himself was writ;And wisely thought 'twas fitNot to read comments only upon it,But on th' original itself to look.Methinks in Art's great circle others standLock'd up together hand in hand:Every one leads as he is led,The same bare path they tread,A dance like that of Fairies, a fantastic round,With neither change of motion nor of ground.Had Harvey to this road confined his wit,His noble circle of the blood had been untrodden yet. — William Harvey

The Fae book was definitely filled with the same stories as hers, but this one was filled with picture after picture of Jared. She couldn't help but flip backward a few pages and see magical images come to life: of Jared defending her in an alley. Sitting in art class with Mina, spinning on the pottery wheel. There was another one of Jared by the lake, teaching her to fight. Jared and her in the storage room, laughing, before their tickling fight. She flipped forward and saw the last page filled with a motion-captured image of Jared and her sharing a kiss. — Chanda Hahn