Quotes & Sayings About Art In History

From now on there is no longer any development immanent to art. The times have passed for history of art with a logical sense. There is no longer even any consistency in absurdities; the development has been wound up, and what comes now already exists: the syncretism of a muddle of all styles and possibilities, post-history. — Arnold Gehlen

And like no other sculpture in the history of art, the dead engine and dead airframe come to life at the touch of a human hand, and join their life with the pilot's own. — Richard Bach

True cool is an attitude that is projected from a person who is extremely comfortable in their own skin. Cool people have the ability to forge their own paths, stand apart from the herd, and not give a damn about fitting in. A person who is truly cool is a work of art. And remember, original works of art cost exponentially higher than imitations. Just take a look at the the coolest people in history. They will always be a part of history for being extremely original individuals, not imitations. — Suzy Kassem

When Margot died after a car accident in which my sister was also seriously injured in November 1970, I sat on a hill behind a friend's house in Greymouth trying to get my head around having to identify the body of my university sweetheart. Yvonne was the only one who came with condolences (Paul Caffyn) — Theresa Sjoquist

And if, as all philosophers on the subject have noted, art is a human activity that relies on the senses to reach the soul, did it not also stand to reason that dogs
at least dogs of Mr. Bones' caliber
would have it in them to feel a similar aesthetic impulse? Would they not, in other words, be able to appreciate art? As far as Willy knew, no one had ever thought of this before. Did that make him the first man in recorded history to believe such a thing was possible? No matter. It was an idea whose time had come. If dogs were beyond the pull of oil paintings and string quartets, who was to say they wouldn't respond to an art based on the sense of smell? Why not an olfactory art? Why not an art for dogs that dealt with the world as dogs knew it? — Paul Auster

While it is unlikely that poetry or art shall eliminate the reality of war in the twenty-first century, it is thrilling to know there remain individuals, and even entire communities, still willing to invest in art and poetry's own uniquely explosive contributions to the great, and small, dramas of human history. — Aberjhani

Where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated? — David Mamet

Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy. — Colum McCann

I would never want to write a character who was not thoroughly herself or himself. She's a very specific creature in my mind, and she has her thoughts, which range from skin to American history, philosophy, and the arts. — Lynne Tillman

I had become a kind of information magpie, gathering to myself all manner of shiny scraps of fact and hokum and books and art-history and politics and music and film, and developing, too, a certain skill in manipulating and arranging these pitiful shards so that they glittered and caught the light. Fool's gold, or priceless nuggets mined from my singular childhood's rich bohemian seam? I leave it to others to decide. — Salman Rushdie

Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that? — John Fowles

The term 'Pre-Raphaelite' is in danger of becoming one of the most misused tags in art history — Christopher Wood

Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art. — Odd Nerdrum

Beauty is the product of the dominant ideology. (Thus when ideology changes, the ideal body follows.) We can see that in the history of art. — Orlan

I was, like, a history major, and I minored in art and Spanish, but I found myself gravitating toward media studies as time went on. — Nick Kroll

Damascus, is simply an oasis, that is what it is. For four thousand years its waters have not gone dry or its fertility failed. Now we can understand why the city has existed so long. It could not die. So long as its waters remain to it away out there in the midst of that howling desert, so long will Damascus live to bless the sight of the tired and thirsty wayfarer.
"Though old as history itself, thou art fresh as the breath of spring, blooming as thine own orange flower, O Damascus, the pearl of the East!". — Mark Twain

I believe in originality, primarily. However, it's important to know what there has been before to aim in that direction. Art history informs us. It informs our mind. I like to look at books, exhibitions, paintings, as a computer, subconsciously taking on information. — Philip Treacy

I graduated. I did History of Art, you know, all those things - American Studies - and then I went to art school, and I did Joseph Alvarez in the art school. — Peter Beard

The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations. — Roland Barthes

What the study of history and artistic creation have in common is a mode of forming images. — Johan Huizinga

In the history of a soul's evolution there is a critical point of the human incarnation that decides for us whether we stay there, go down or progress upwards. There is a knot of worldly desires impeding us; cut the knot by mastering desires and go forward. This done, progress is assured. — Virchand Gandhi

All art becomes history as soon as it is made, so it is inevitably part of a tradition. It doesn't matter a toss if it is in paint or in film; it is all art. — Gary Hume

The modern tendency towards increasing specialization in all branches of research and scholarship has discouraged comparative studies of the arts; and what we seldom do we generally distrust. But our distrust of analogies was not shared by the sixteenth century, which inherited from antiquity a habit of drawing parallels as a matter of course. — John Shearman

Art has done many things in human history, but in the last century especially, it has primarily tried to bother and provoke us. To force us to see things differently. Art changes. Its very purpose, we might say, is to change, and to change us along with it. — Ian Bogost

Art then becomes a safety valve for the expression of individual and collective neuroses originating in the inability of coping with the environment. Its products serve as a retarded correction of perception braked by the system of conventions and stereotypes that stabilize society. They create a slightly updated system which, eventually assimilated by history, will require a new system and so on without end. Art objects serve as points of identification alienated from the consumer, requiring more sympathy than empathy. — Luis Camnitzer

Because each work of art originates in the mind and feelings of a human being, it reaches its destination in the mind and feelings of another. A work of art, therefore, is a fact of consciousness quite as much as it is an object existing beside us in the physical world and an event in the chronology of the historical past. A history of art is therefore a history of consciousness. — George Heard Hamilton

To put this even more bluntly, one might think about the difference between adding traditional and contemporary Indigenous art to the National Gallery of Canada's historical Canadian wing and imagining the entire gallery curated from an Indigenous perspective of what a "National Gallery of Canada" might mean.37 Put slightly differently, the project of Indigenous representation in the gallery in Canada has been defined as "bringing aboriginal art in to the history of Canadian art" rather than of incorporating settler history into the history of Aboriginal art.38 Would such reimaginings mean, for example, a move away from the primacy of a liberal politic and of the artist genius as a cultural application of that politic? — Lynda Jessup

The riders, clad in crimson and black, stopped to scan the maze. Blaise shrank into the hedge, but one keen-eyed hunter spied him. He raised his crossbow, took careful aim and fired. — Teresa Flavin

One of the great unwritten chapters of retail intelligence programming featured a "personal shopper" program that all-too-accurately modeled the shoppers' desires and outputted purchase ideas based on what shoppers really wanted as opposed to what they wanted known that they wanted. This resulted in one overcompensatingly masculine test user receiving suggestions for an anal plug and a tribute art book for classic homoerotic artist Tom of Finland, while a female test user in the throes of a nasty divorce received suggestions for a small handgun, a portable bandsaw, and several gallons of an industrial solvent used to reduce organic matter to an easily drainable slurry. After history's first recorded instance of a focus group riot, the personal shopper program was extensively rewritten. — John Scalzi

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world. — Emir Kusturica

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

Few developments central to the history of art have been so misrepresented or misunderstood as the brief, brave, glorious, doomed life of the Bauhaus - the epochally influential German art, architecture, crafts, and design school that was founded in Goethe's sleepy hometown of Weimar in 1919. — Martin Filler

The study of history and philosophy, accompanied by some acquaintance with art and literature, should be for lawyers and engineers as well as for those who study in arts faculties. — Terry Eagleton

The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world. — Natasha Trethewey

I read a lot of social history. If I'm in an art gallery and a picture intrigues me, I immediately write down the title and I google it. I do a lot of googling and looking out for good stories. I can almost smell them sometimes. — Emma Donoghue

I love going to art galleries. The Tate Modern is one of my favourite things to do. But I don't invest in the history of it and I don't read up on it. I am a guy who would buy a print rather than buy an original. — James McAvoy

We honor the Greeks because in their art, literature, philosophy and civic history we discern the early stirrings of our own ideals - rationalism, humanism, democracy - which first took firm root in Athenian soil. — Caroline Alexander

Compared with this simple, fibrous life, our civilized history appears the chronicle of debility, of fashion, and the arts of luxury. But the civilized man misses no real refinement in the poetry of the rudest era. It reminds him that civilization does but dress men. It makes shoes, but it does not toughen the soles of the feet. It makes cloth of finer texture, but it does not touch the skin. Inside the civilized man stands the savage still in the place of honor. We are those blue-eyed, yellow-haired Saxons, those slender, dark-haired Normans. — Henry David Thoreau

In the court of the movie Owner, none criticized, none doubted. And none dared speak of art. In the Owner's mind art was a synonym for bankruptcy. The movie Owners are the only troupe in the history of entertainment that has never been seduced by the adventure of the entertainment world. — Ben Hecht

I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful. — Mario Testino

The power of the artform is stronger than stone, the poet says, and chooses the sonnet, a form concerned with argument and persuasion, to say so. This sonnet, he says, will last longer than any gravestone-and you'll be made shinier, brighter, by it. In this form it will-and therefore you will-avoid destruction by war, history, time generally; it'll even keep you alive after death; in fact it'll form a place for you to live, not die, where you'll be seen in the eyes of and the context of this love right to the end of time. — Ali Smith

What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by. — Nick Cave

The Revolution introduced me to art, and in turn, art introduced me to the Revolution! — Albert Einstein

Art no longer cares to serve the state and religion, it no longer wishes to illustrate the history of manners, it wants to have nothing further to do with the object, as such, and believes that it can exist, in and for itself, without "things" (that is, the "time-tested well-spring of life"). — Kazimir Malevich

As a matter of history great developments in art have often been remarkably separate from religious motivation and use. — Ruth Benedict

All history and art are against us, but we still expect happiness in love. — Mason Cooley

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. — Grant H. Kester

I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school. — Vera Wang

When contemplating a shield that would protect America for incoming missiles, Democrats suddenly became hardheaded fiscal conservatives. For the first time in recorded history, liberals were concerned about the cost and usefulness of a government program. These people believe federally funded art therapy for the homeless will pay for itself. That you can take to the bank. But a shield to repel incoming nuclear missiles from American soil they said, was too expensive and wouldn't work. — Ann Coulter

I have heard of you- a kind of revolutionary. Hard to be a revolutionary in the deadly museum business. — Thomas Hoving

Listening to the radio every day for an entire year was a prison sentence. It was the most depressing, annoying, debilitating project I have ever undertaken, and I have a master's degree in art history. — Sarah Vowell

As once-colonized nations seek to stand on their own, the countries once denuded of their past seek to assert their independent identities through the objects that tie them to it. The demand for restitution is a way to reclaim history, to assert a moral imperative over those who were once overlords. Those countries still in the shadow of more powerful empires seek to claim the symbols of antiquity and colonialism to burnish their own national mythmaking. — Sharon Waxman

Where you are undoubtedly studying art history, women's studies, and probably casting your own bronzes. And you probably work in a coffee house to help cover the rent. — Neil Gaiman

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing. — Pete Doherty

The morality of art is in its very beauty. — Gustave Flaubert

The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards. — Peter Sloterdijk

If I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society. — Lina Wertmuller

Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are. — Jonathan Safran Foer

It was partly the war, the revolution did the rest. The war was an artificial break in life
as if life could be put off for a time
what nonsense! The revolution broke out willy-nilly like a sigh suppressed too long. Everyone was revived, reborn, changed, transformed. You might say that everyone has been through two revolutions
his own, personal revolution as well as the general one. It seems to me that socialism is the sea, and all these separate streams, these private, individual revolutions, are flowing into it
the sea of life, the sea of spontaneity. I said life, but I mean life as you see it in a great picture, transformed by genius, creatively enriched. Only now people have decided to experience it not in books and pictures, but in themselves, not as an abstraction but in practice. — Boris Pasternak

The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history (Geoffrey Jellicoe, Landscape of man) — Tom Turner

I saw myself as reviving a certain mode of life, a mode that had been almost lost: the contemplative life of the country gentleman, in harmony with his status and history. In Renaissance times they had called it sprezzatura. The idea was to do whatever one did with grace, to imbue one's every action with beauty, while at the same time making it look quite effortless. Thus, if one were to work at, say, law, one should raise it to the level of an art; if one were to laze, then one must laze beautifully. This, they said, was the true meaning of being an aristocrat. — Paul Murray

The arts and humanities define who we are as a people. That is their power
to remind us of what we each have to offer, and what we all have in common. To help us understand our history and imagine our future. To give us hope in the moments of struggle and to bring us together when nothing else will. — Michelle Obama

I'm keeping everything on a human level, but essentially everything in our lives has to be on a human level. Any specification of something by art history doesn't make any sense. The point is, if you have a loving, adorable, supportive mother anywhere in the world and you tell her all of your dreams, all of your aspirations, and the reward you would like, and she understands you, then it's not worth doing. — Lawrence Weiner

In running over the pages of our history for seven hundred years, we shall scarcely find a single great event which has not promoted equality of condition. The Crusades and the English wars decimated the nobles and divided their possessions: the municipal corporations introduced democratic liberty into the bosom of feudal monarchy; the invention of fire-arms equalized the vassal and the noble on the field of battle; the art of printing opened the same resources to the minds of all classes; the post-office brought knowledge alike to the door of the cottage and to the gate of the palace; and Protestantism proclaimed that all men are alike able to find the road to heaven. The discovery of America opened a thousand new paths to fortune, and led obscure adventurers to wealth and power. — Alexis De Tocqueville

Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language. — Jerry Saltz

An artist is the magician put among men to gratify
capriciously
their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist's touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships
and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes
husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer ... — Tom Stoppard

Art has no answers, only solutions, and resolutions... Art has only vision and revision... Art has only hope and more hope... again and again, against circumstance and history... What we hope life might be, again and again, against what we see it has been. In hope, there is a reason to continue. — Israel Horovitz

To discover the history of women and art is in part to account for the way art history is written. To expose its underlying values, its assumptions, its silences and its prejudices is also to understand that the way women artists are recorded is crucial to the definition of art and artists in our society. — Norma Broude

Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often, the magic he was doing was to fool other magicians. — Ricky Jay

Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger." — Paul Gauguin

The object [Duchamp's Fountain] was rejected , giving Duchamp the opportunity of issuing a statement, which he published in a review, The Blind Man. In his statement he emphasized that the act of choice was sufficient to justify it as a creative art. Placing it in such a way that its normal use was disguised caused a new reality for the object to be invented. To the criticism that it was rude he replied, logically enough,How could this object be acceptable when displayed in a plumber's shop window and yet be immoral anywhere else? — Neville Weston

Film photography will always be superior to digital - because no matter how many lasers and instant buttons and HD pixels you've got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took. — Rebecca McNutt

And after the briefest flowering of understanding, my own generation had grown complacent. At some level, we must have started taking it for granted that the way the universe worked was now obvious to any child ... even though it went against everything innate to the species: the wild, undisciplined love of patterns, the craving to extract meaning and comfort from everything in sight.
We thought we were passing on everything that mattered to our children: science, history, literature,
art. Vast libraries of information lay at their fingertips. But we hadn't fought hard enough to pass on
the hardest-won truth of all: Morality comes only from within. Meaning comes only from within. Outside our own skulls, the universe is indifferent. — Greg Egan

The deepwood is vanished in these islands
much, indeed, had vanished before history began
but we are still haunted by the idea of it. The deepwood flourishes in our architecture, art and above all in our literature. Unnumbered quests and voyages have taken place through and over the deepwood, and fairy tales and dream-plays have been staged in its glades and copses. Woods have been a place of inbetweenness, somewhere one might slip from one world to another, or one time to a former: in Kipling's story 'Puck of Pook's Hill,' it is by right of 'Oak and Ash and Thorn' that the children are granted their ability to voyage back into English history. — Robert Macfarlane

House-watching is an art. You have to develop a way of seeing how a building sits in its landscape or streetscape. You have to discover how much room it takes up in the world, how much of the world it displaces. — Edmund De Waal

The voice of madness, for instance, is barely a whisper in the babbling history of art because its realities are themselves too maddening to speak of for very long - and those of the Teatro have no voice at all, given their imponderably grotesque nature. — Thomas Ligotti

As all those have shown who have discussed civil institutions, and as every history is full of examples, it is necessary to whoever arranges to found a Republic and establish laws in it, to presuppose that all men are bad and that they will use their malignity of mind every time they have the opportunity. — Niccolo Machiavelli

Throughout the history of art it has been art itself - in all its forms - that has inspired art ... today's photographs are so geared to life that one can learn more from them than from life itself. — Van Deren Coke

Don't give your opinions about Art and the Purpose of Life. They are of little interest and, anyway, you can't express them. Don't analyze yourself. Give the relevant facts and let your readers make their own judgments. Stick to your story. It is not the most important subject in history but it is one about which you are uniquely qualified to speak. — Evelyn Waugh

Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp. — Jessi Klein

In the USA, we learn "art history" as Western art history, and the history of Asian, or African art is a special case; we learn politics by examining our own government system, and consider other systems special cases, and the same is true of philosophy. — Jay L. Garfield

I enjoy practicing law too much to even contemplate retiring, but I often think about engaging in serious study of the history of art, of the intricacies of classical music. I could write a fugue, or perhaps learn to play the cello. — Karen DeCrow

An important document of the paper of record at a crucial, make-or-break juncture in its long, glorious history, and a love letter to the dying art form that is the great American newspaper. — Nathan Rabin

Blaise decided that the thing he would remember most about this London was the sour stink of it. The overripe foulness of the streets made him gag, and when a woman emptied a chamber pot from a top window, nearly catching him in its spray, he bent over and wretched, much to the Nightsneaks' amusement. — Teresa Flavin

Recent fads in history and biography have increasingly exalted the aridity of chronology and fact, and have, with some valid reason, rejected romanticizing and the presumption of guessing at the inner thoughts of historical figures. Unfortunately, the result has largely been not to demythologize the past, but merely to dehumanize and depersonalize it. As Roger Mudd has pointed out, 'Too many of today's historians [and biographers] ... seem to have forgotten that the writing of history is a literary art. — Markham Shaw Pyle

I don't think that the big crunch should be seen as a menace, but rather as an opportunity. It's one of these times in -history - and we have plenty of examples from the past - where it's possible to really make a difference. And if art is serious about claiming a central role in today's society and culture, this is the best chance it's had in ages. — Maurizio Cattelan

I don't think it's necessary for artists to have any formal training in painting or art history, but I do think it's essential to continually experiment with different subject matter, types of paint and methods of painting. — Ron Parker

Photography has the capacity to provide images of man and his environment that are both works of art and moments in history. — Cornell Capa

When you examine the genesis of great works of art, successful start-ups, and revolutionary shifts in politics, you can always trace back a history of monetary and nonmonetary exchange, the hidden patrons and underlying favors. — Amanda Palmer

Grigsby's marvelous exploration-a deep, wide, and beautiful inquiry into Sojourner Truth's use of technology-features more of her photographs than have ever been collected before. Among its many insights, I especially relished the analysis of Truth's illiteracy. Enduring Truths is art history with a wide-ranging concept of history left in. A terrific book, and one we've needed for a long time. — Nell Irvin Painter

Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are. — Nathaniel Hawthorne

"I was born in the US and l have lived in Mexico since 1946. I believe that all these states of being have influenced my work and made it what you see today. I am inspired by Black people and Mexican people, my two peoples. My art speaks for both my peoples" ~ Elizabeth Catlett — Melanie Anne Herzog

Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth. — Anne Fortier

My art history papers were really politics. They were about the manifestation of culture through the eye of political events. So there was always that refusal to settle in one place, or one discipline or medium. — Roselee Goldberg

I am a failed architect, if I'm honest. I got a degree in art history and was about to get another degree, in architecture, but realized I would be terrible at building things because I've got really bad spatial awareness. — Hannah Ware

We live in a time in which tragedy is not an art form but a form of history. — Susan Sontag

The most frequently cited artists and curators travel extensively and there is a real difference in saying whether concepts and other contributions to the current contemporary arts agenda bear a recognizable cultural, or even national, identity. — Charlotte Bydler

A Gift for You
I send you ...
The gift of a letter from your wise self. This is the part of you that sees you with benevolent, loving eyes. You find this letter in a thick envelope with your name on it, and the word YES written boldly above your name.
My Dear,
I am writing this to remind you of your 'essence beauty.' This is the part of you that has nothing to do with age, occupation, weight, history, or pain. This is the soft, untouched, indelible you. You can love yourself in this moment, no matter what you have, or haven't done or been.
See past any masks, devices, or inventions that obscure your essence.
Remember your true purpose, WHICH is only Love.
If you cannot see or feel love, lie down now and cry; it will cleanse your vision and free your heart.
I love you; I am you. — SARK

In my contemporary stories, I write about today's quilters, inventive techniques they use, and how technology has influenced their art. Novels set in the past let me have fun researching patterns that were popular and fabrics and tools available to quilters through history. — Jennifer Chiaverini

I have a long history with Soho: even when I was at art college, I came down to Soho to work in the summer. — Marc Almond