Art In Culture Quotes & Sayings

A singular confusion exists about the notions of 'culture' and 'civilization'.
Culture began with the 'prologue in heaven.' With its religion, art, ethics, and philosophy, it will always be dealing with man's relation to that heaven from whence he came. Everything within culture means a confirmation or a rejection, a doubt or a reminiscence of the heavenly origin of man. Culture is characterized by this enigma and goes on through all time with the steady striving to solve it.
On the other hand, civilization is a continuation of the zoological, one-dimensional life, the material exchange between man and nature. This aspect of life differs from other animals' lives, but only in its degree, level, and organization. Here, one does not find man embarrassed by evangelical, Hamletian, or Karamasovian problems. The anonymous member of society functions here only by adopting the goods nature and changing the world by his work according to his needs. — Alija Izetbegovic

The idea is that human culture as broadly defined
art, politics, technology, religion, and so on
evolves in much the way biological species evolve: new cultural traits arise and may flourish or perish, and as a result whole institutions can belief systems form and change. — Robert Wright

A photocopier is a camera in its own right. I was fortunate to grow up in the time and culture that I did. I was allowed to develop an awareness that the art that really moves me is actually based on an original image. — Wolfgang Tillmans

The enormous amount of financial resources and creative energy that nations have spent on wars and weapons could have been redirected to curing deadly diseases, feeding the hungry, eliminating poverty, promoting art and culture, investing in renewable clean energy, and solving a host of other important challenges facing humanity. — Newton Lee

The acquisition of culture requires repose, sitting quietly in a room with a book, or alone with one's thoughts even any crowded concert or art museum. — Joseph Epstein

E have become wealthy, and wealth is the prelude to art. In every country where centuries of physical effort have accumulated the means for luxury and leisure, culture has followed as naturally as vegetation grows in a rich and watered soil. To have become wealthy was the first necessity; a people too must live before it can philosophize. No doubt we have grown faster than nations usually have grown; and the disorder of our souls is due to the rapidity of our development. We are like youths disturbed and unbalanced, for a time, by the sudden growth and experiences of puberty. But soon our maturity will come; our minds will catch up with our bodies, our culture with our possessions. Perhaps there are greater souls than Shakespeare's, and greater minds than Plato's, waiting to be born. When we have learned to reverence liberty as well as wealth, we too shall have our Renaissance. — Will Durant

Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct. — Camille Paglia

I don't believe in very many things, but art is definitely one of them. And at the top of that list, film and art influence our world's culture much more than many of us understand and fully respect. — Megan Ellison

I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black. — Samuel R. Delany

In advanced societies it is not the race politicians or the "rights" leaders who create the new ideas and the new images of life and man. That role belongs to the artists and intellectuals of each generation. Let the race politicians, if they will, create political, economic or organizational forms of leadership; but it is the artists and the creative minds who will, and must, furnish the all important content. And in this role, they must not be subordinated to the whims and desires of politicians, race leaders and civil rights entrepreneurs whether they come from the Left, Right, or Center, or whether they are peaceful, reform, violent, non-violent or laissez-faire. Which means to say, in advanced societies the cultural front is a special one that requires special techniques not perceived, understood, or appreciated by political philistines. — Harold Cruse

I am not part of that earlier Australian generation who set off on a deliberate search for fame and fortune in distant lands. My generation was the first that didn't need to. By the 1980's when I left home, our culture had grown deep enough and wide enough to encompass all but the most rarefied of ambitions. — Geraldine Brooks

A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is sensitive; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture
in literature, art, theater, or the daily newspapers. — Andrea Dworkin

Memory is always in art, even when it works involuntarily. — Harold Bloom

Because there's such a long tradition of the arts being very prominent and very varied in Cuban culture and society, people do use the art world as a space for critical reflection and people look to it for that. — Rachael Price

We should free ourselves from the narrowness of being related only to those familiar to us, either by the fact that they are blood relations or, in a larger sense, that we eat the same food, speak the same language, and have the same " common sense." Knowing men in the sense of compassionate and empathetic knowledge requires that we get rid of the narrowing ties of a given society, race or culture and penetrate to the depth of that human reality in which we are all nothing but human. True compassion and knowledge of man has been largely underrated as a revolutionary factor in the development of man, just as art has been. It is a noteworthy phenomenon that in the development of capitalism and its ethics, compassion (or mercy) ceases to be a virtue. — Erich Fromm

Aesthetic culture is not the high-road to all the virtues, and, indeed, certain of the vices have been known to infest it. Neither, on the other hand, is there any special grace in ugliness. Art is only utterance. It must express something; and the vital question is, what does it express? — Lewis Foreman Day

I refuse to believe that Southern pride stems from the pain we've inflicted on others. Southern pride comes from what we've built together. In our music and art and innovation.

In the people who honor us by taking our culture out into the world and celebrating it. It comes from people seeking us out, and flocking here to experience all that we know and love.

We are all neighbors. We are all Southerners. This is OUR culture, and it means what WE choose it to mean.

So, yes. I'll say it again - Southern Pride is good collard greens.

Death to the flag.

Long live the South. — Jason Latour

Many well-meaning Dutch people have told me in all earnestness that nothing in Islamic culture incites abuse of women, that this is just a terrible misunderstanding. Men all over the world beat their women, I am constantly informed. In reality, these Westerners are the ones who misunderstand Islam. The Quaran mandates these punishments. It gives a legitimate basis for abuse, so that the perpetrators feel no shame and are not hounded by their conscience of their community. I wanted my art exhibit to make it difficult for people to look away from this problem. I wanted secular, non-Muslim people to stop kidding themselves that Islam is peace and tolerance. — Ayaan Hirsi Ali

Cities, Barber notes, "collect garbage and collect art rather than collecting votes or collecting allies. They put up buildings and run buses rather than putting up flags and running political parties. They secure the flow of water rather than the flow of arms. They foster education and culture in place of national defense and patriotism. They promote collaboration, not exceptionalism."24 — Michael Shermer

I think it's very disheartening and undermining to focus on nostalgia or youthful sentimentality as the lens through which you view art and culture, because then you feel like everything good already happened. I really just try to be in the present with music and just find the things that are invigorating and make me feel happy to be alive right now. — Carrie Brownstein

He was uninterested in art, politics, culture, people. While his brain burrowed through rock toward a very specific knowledge goal, mine preferred to warren the air; his brain operated a drill bit while mine launched a thousand aimless kites that tangled strings or bounced along the invisible currents, disconnected and alone. Cognitively, we were the gravitational negatives of each other. Sometimes I wished I had his brain. But only sometimes. He suffered due to his specialized excesses; he just suffered differently from me. — Heidi Julavits

Why did you spend your whole life working in an insurance company? You should have been a painter, a musician, well, I don't know. Why didn't you follow your calling?"

Don Rigoberto nodded and reflected a moment before answering.

"Because I was a coward, son," he finally murmured. "Because I lacked faith in myself. I never believed I had the talent to be a real artist. But maybe that was an excuse for not trying. I decided not to be a creator but only a consumer of art, a dilettante of culture. Because I was a coward is the sad truth. So now you know. Don't follow my example. Whatever your calling is, follow it as far as you can and don't do what I did, don't betray it. — Mario Vargas-Llosa

What does it mean to be cultured? Who is the cultured person? The cultured individual is not defined nor determined by status in society nor by wealth; but the cultured individual is determined and defined by his or her sense for the art of life. And what is the art of life? The art of life is the reflection of the mind and the soul upon the world, upon other people, upon the respect and understanding of other people and upon the things that are in this world and beyond. There is a joy that is always sought in beautiful things. Being cultured is being conscious, reflective, understanding, feeling, aware. Knowing how to feel, to listen, to understand. A desire to find or to create joy in many things - that is the art of life. And these things define a cultured person. — C. JoyBell C.

The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art "too literally," and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world - a cultural and academic world - which is dominated by male power and, often unconscious, patriarchal attitudes. In Utopia - that is to say, in a world in which the power structure was such that both men and women equally could be represented clothed or unclothed in a variety of poses and positions without any subconscious implications of dominance or submission - in a world of total and, so to speak, unconscious equality, the female nude would not be problematic. In our world, it is. — Linda Nochlin

In the common perception, there is something unseemly about young people getting rich. Getting rich is supposed to be the reward for hard work, preferably arriving when you are too old to enjoy it. And the spectacle of young millionaires who made their bundle not from business or crime but from avant-garde art is particularly offensive. The avant-garde is supposed to be the conscience of the culture, not its id. — Janet Malcolm

[The ruling class] sees people in the working class as being almost animals. It sees itself as being synonymous with civilization and its cultivation as coming from its natural abilities and not from its wealth and privileged opportunities. It doesn't see that the way in which it monopolizes these things distorts the culture it derives from them and that this makes its culture irrational and an enemy of civilization. — Edward Bond

The world of technology has made it easier for people to get in touch with their modern muses regardless of the genres that they are trying to utilize and even if they create a new genre based on a mixing of others. The potential for modern-day muses is as vast as individual creativity. — Kytka Hilmar-Jezek

It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level. — Guy Maddin

The decent man and the lover holds back even when he could obtain what he wishes. To win this silent consent is to make use of all the violence permitted in love. To read it in the eyes, to see it in the ways in spite of the mouth's denial, that is the art of he who knows how to love. If he then completes his happiness, he is not brutal, he is decent. He does not insult chasteness; he respects it; he serves it. — Jean-Jacques Rousseau

We live in secular world now, but most of our art and culture is rooted in religion. — James Norton

Edwin Land of Polaroid talked about the intersection of the humanities and science. I like that intersection. There's something magical about that place. There are a lot of people innovating, and that's not the main distinction of my career. The reason Apple resonates with people is that there's a deep current of humanity in our innovation. I think great artists and great engineers are similar in that they both have a desire to express themselves. In fact some of the best people working on the original Mac were poets and musicians on the side. In the seventies computers became a way for people to express their creativity. Great artists like Leonardo da Vinci and Michelangelo were also great art science. Michelangelo knew a lot about how to quarry stone, not just how to be a sculptor. — Walter Isaacson

Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them. — Chuck Palahniuk

In response to our fast-food culture, a 'slow food' movement appeared. Out of hurried parenthood, a move toward slow parenting could be growing. With vital government supports for state-of-the-art public child care and paid parental leave, maybe we would be ready to try slow love and marriage. — Arlie Russell Hochschild

A nation lives by its myths and heroes. Many societies have survived defeat and invasion, even political and economic collapse. None has survived the corruption of its picture of itself. High and popular art are not in competition here. Both may help citizens decide what they are and what they admire. In our age, however, high art has given up speaking to the body of its fellow citizens. It devotes itself to technical displays that can appeal only to other technicians. — E. Christian Kopff

Its culture: the fruit of its life, the product of its own efforts in thought and art. This culture is not international. It is the expression of the national genius, of the blood. The culture is international in its brilliance but national in origin. Someone made a fine comparison: bread and wheat may be internationally consumed, but they always bear the imprint of the soil from which they came. — Corneliu Zelea Codreanu

Of all the hardships and deprivations a people can suffer, I am not sure if the deprivations of art and culture are not the most devastating. As meat and rice are food for the body, art and culture are food for the soul. Starve the body and the person dies; starve the soul and the spirit dies. — Gerard De Marigny

When people say that L.A. doesn't have a culture, I think it really does: a very old culture, and very specific. There's streets named after entertainers, and statues of entertainers, and it's great. Entertainment is still art, even if it makes billions of dollars. So it's like a city built on entertainment, and art in a way. — Fred Armisen

I was in Paris last year, where there's a great appreciation of many different aspects of African culture and of black culture. The music ... the art ... whatever ... And I kind of went with that. — Lenny Kravitz

What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by. — Nick Cave

The idea of the culture that you live in determining meaning in your art, though, is a very important aspect of what art would be about. But that had more to do with the kind of general understanding of what the hell you're doing, you know. — Robert Barry

Nothing signals conviction and passion in this age more than the art of being theatrically offended. And it would be easy to see the vehemence of our outrage as evidence that we are "engaging the culture," when we would be doing nothing of the sort. If outrage were a sign of godliness, then the devil would be the godliest soul in the cosmos. — Russell D. Moore

The greatest change in corporate culture - and the way business is being conducted - may be the accelerated growth of relationships based ... on partnership. — Peter Drucker

Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in. — LeCrae

Do you want to know why I don't like the so-called connoisseurs of arts? I hate hypocrisy. I'll give you an example: if the movie is colored and tells us about two friends who sit in the pool, fart into the water, get out of the pool and fart into each other's face it will be thrash, a lack of a culture and a third-rate comedy. But if the movie is black-and-white and tells us about two friends who cross the desert and peeing on each other, shit on the sand, and then they eat each other's shit, and on top of that they fucking each other's ass it will be a brilliant art house movie. — Ilze Falb

The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images. — Camille Paglia

Text of pleasure: the text that contents, fills, grants euphoria; the text that comes from culture and does not break with it, is linked to a comfortable practice of reading.
Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain
boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.
Now the subject who keeps the two texts in his field and in his hands the reins of pleasure and bliss is an anachronic subject, for he simultaneously and contradictorily participates in the profound hedonism of all culture (which permeates him quietly under the cover of an "art de vivre" shared by the old books) and in the destruction of that culture: he enjoys the consistency of his selfhood (that is his pleasure) and seeks its loss (that is his bliss). He is a subject split twice over, doubly perverse. — Roland Barthes

History is driven, over the long haul, by culture - by what men and women honor, cherish, and worship; by what societies deem to be true and good, and by the expressions they give to those convictions in language, literature, and the arts; by what individuals and societies are willing to stake their lives on. — George Weigel

If someone like Karl Rove had wanted to neutralize the most creative, intelligent, and passionate members of his opposition, he'd have a hard time coming up with a better tool than Burning Man. Exile them to the wilderness, give them a culture in which alpha status requires months of focus and resource-consumptive preparation, provide them with metric tons of psychotropic confusicants, and then ... ignore them. It's a pretty safe bet that they won't be out registering voters, or doing anything that might actually threaten electoral change, when they have an art car to build. — John Perry Barlow

Every brilliant experiment, like every great work of art, starts with an act of imagination. Unfortunately, our current culture subscribes to a very narrow definition of truth. If something can't be quantified and calculated, then it can't be true. Because this strict scientific approach has explained so much, we assume that it can explain everything. But every method, even the experimental method, has limits. Take the human mind. Scientists describe our brain in terms of its physical details; they say we are nothing but a loom of electrical cells and synaptic spaces. What science forgets is that this isn't how we experience the world. (We feel like the ghost, not like the machine.) It is ironic but true: the one reality science cannot reduce is the only reality we will ever know. This is why we need art. By expressing our actual experience, the artist reminds us that our science is incomplete, that no map of matter will ever explain the immateriality of our consciousness. — Jonah Lehrer

I think a lot of America turned to art and culture after Sept. 11. I know the sales of bibles went shooting up, but so did the sales of poetry. I think in a crisis one looks to one's culture, partially to give validation to why one would want that culture to survive. — Art Spiegelman

Royalty has traditionally been vulnerable to psychic frauds. In ancient China and Rome astrology was the exclusive property of the emperor; any private use of this potent art was considered a capital offense. Emerging from a particularly credulous Southern California culture, Nancy and Ronald Reagan relied on an astrologer in private and public matters - unknown to the voting public. Some portion of the decision-making that influences the future of our civilization is plainly in the hands of charlatans. If anything, the practice is comparatively muted in America; its venue is worldwide. — Carl Sagan

This is the land of dreamings, a land of wide horizons and secret places. The first people, our ancestors, created this country in the culture that binds us to it. — Hetti Perkins

My art history papers were really politics. They were about the manifestation of culture through the eye of political events. So there was always that refusal to settle in one place, or one discipline or medium. — Roselee Goldberg

Traveling to the Middle East and playing music for people on the street, for soldiers, for people in hospitals, and for people who lost their homes, and seeing people open up through the experience of music really restored my faith in music, in art, and in culture to change things. — Michael Franti

..."extreme capitalism": the obsessive, uncritical penetration of the concept of the market into every aspect of American life, and the attempt to drive out every other institution, including law, art, culture, public education, Social Security, unions, community, you name it. It is the conflation of markets with populism, with democracy, with diversity, with liberty, and with choice---and so the denial of any form of choice that imposes limits on the market. More than that, it is the elimination of these separate concepts from our political discourse, so that we find ourselves looking to the stock market to fund retirement, college education, health care, and having forgotten that in other wealthy and developed societies these are rights, not the contingent outcomes of speculative games.

James K. Galbraith, Lloyd M. Bentsen Jr. Chair in Government/Business Relations and Professor of Government, University of Texas. — James K. Galbraith

Hip-hop culture is probably one of the most powerful things to come out of America in a long time - everything from the music to the art to the dance to the language. — Will.i.am

The best hopes of any community rest upon that class of its gifted young men who are not encumbered with large possessions ... I now speak of extensive scholarship and ripe culture in science and art ... It is not large possessions, it is large expectations, or rather large hopes, that stimulate the ambition of the young. — Rutherford B. Hayes

If I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society. — Lina Wertmuller

Jowell fell back on the same justification for funding the arts that the first chairman of the Arts Council, John Maynard Keynes, had deployed in 1945. Art was something produced by people with special skills, who set their own standards of excellence; they needed to be supported to do this, and the audience needed to be encouraged to appreciate this excellence, by being given subsidised access to it. And for all of Jowell's attempts to transcend instrumentalism, the purpose of culture continued to be to help the government 'to transform our society into a place of justice, talent and ambition where individuals can fulfil their true potential'.22 — Robert Hewison

In our fast-forward culture, we have lost the art of eating well. Food is often little more than fuel to pour down the hatch while doing other stuff - surfing the Web, driving, walking along the street. Dining al desko is now the norm in many workplaces. All of this speed takes a toll. Obesity, eating disorders and poor nutrition are rife. — Carl Honore

The power of both myth and art is this magical ability to open doors, to make connections - not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in ... and at the same time, mythic stories and art celebrate our essential differences ... — Alan Lee

If our cultural lives are sick, it is likely to be an impediment to our spiritual lives. Much popular culture promotes a spirit of restlessness. That is likely to be an obstacle to prayer, to concerned reflection, and to attentiveness to the needs of others. Popular culture also has an extremely limited range of sensibilities. I have never heard a work of popular music that has the depth of poignancy of the opening bars of Brahms's 'German Requiem,' for example, with its text, 'Blessed are they that mourn, for they shall be comforted.' I learn something about mourning when I hear Brahms; I know of no similar lessons in popular music. — Kenneth A. Myers

The Arts are fundamental resources through which the world is viewed, meaning is created, and the mind developed. To neglect the contribution of the Arts in education, either through inadequate time, resources, or poorly trained teachers, is to deny children access to one of the most stunning aspects of their culture and one of the most potent means for developing their minds. — Elliot W. Eisner

Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence
but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson
that the moral lessons of their culture exclude them. — Naomi Wolf

Virtually everything we do is dependent on others, from the arts and culture to farmers who grow the food we eat. Quite a lot of the differences that make us rich and poor are matters just of luck. To somehow revel in one's privilege would be a mistake. An even bigger mistake would be trying to convert that into a theory that the rich are so much more productive than many of us. — Amartya Sen

Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated. — Wassily Kandinsky

The earlier days of the republic went into the acquisition of money and the provision for material things is now finding an outlet in the espousal of art. Now America has the leisure and the culture to foster beauty. — Fritz Kreisler

Culture as art is the peak expression of man's creativity, his capacity to break out of nature's narrow bounds, and hence out of the degrading interpretation of man in modern natural and political science. — Allan Bloom

In the sixties, the recycling of pop culture turning it into Pop art and camp had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures and they use them not as larger-than-life jokes but as altars. — Pauline Kael

For all the talk about the merging of film and video game, and for all its inevitability, perhaps the secret of true convergence lies not in an external reality , but in an internal truth: What kids seek from video games is what we all seek from our own distractions--be they movies, radio, comic books, literature, or art: an escape from the mundane to the sublime, where our imaginations make of us heroes, lovers, warriors, and gods. — Devin C. Griffiths

Jobs described Mike Markkula's maxim that a good company must "impute"- it must convey its values and importance in everything it does, from packaging to marketing. Johnson loved it. It definitely applied to a company's stores. " The store will become the most powerful physical expression of the brand," he predicted. He said that when he was young he had gone to the wood-paneled, art-filled mansion-like store that Ralph Lauren had created at Seventy-second and Madison in Manhattan. " Whenever I buy a polo shirt, I think of that mansion, which was a physical expression of Ralph's ideals," Johnson said. " Mickey Drexler did that with the Gap. You couldn't think of a Gap product without thinking of the Great Gap store with the clean space and wood floors and white walls and folded merchandise. — Walter Isaacson

We might have reason to be driven! We live for a short stretch of time in a world we share with others. Virtually everything we do is dependent on others, from the arts and culture to farmers who grow the food we eat. — Amartya Sen

I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form. There is a long road ahead, and the stars are only way stations, but we have begun the journey. To be born in this age is a precious gift, and I regret the prospect of my own death only because I will leave so many pages of man's destiny - if you will excuse the Gutenbergian image - tantalizingly unread. But perhaps, as I've tried to demonstrate in my examination of the postliterate culture, the story begins only when the book closes. — Marshall McLuhan

Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling. — Andrea A. Lunsford

Art - in all of its forms - is not exclusive. It does not belong to any class, cast or country. Its matchless ability to express the most basic human impulses is only strengthened by its universality. It transcends language and culture, bridges social and political chasms and nurtures a collective understanding. It engenders hope, rebuilds self-respect and restores humanity. Art is a motivator, a force of empowerment and a source of support for people of all races, nationalities, ages, economic situations and genders. It is ageless, timeless and breaks through many barriers. Art brings strength to those who lack confidence, wish for a mental escape from harsh environments or who seek to restore happiness and hope in times of great need." Artfully AWARE 5 — Artfully Aware

In contemporary art or movies, it makes perfect sense to be focused on the bleeding edge, on the new idea that's never been previously contemplated. But when we're discussing our goals, our passion and the way we interact with the culture, it seems to me that what works is significantly more important than what's new. — Seth Godin

Consciousness permits us to develop the instruments of culture - morality and justice, religion, art, economics and politics, science and technology. Those instruments allow us some measure of freedom in the confrontation with nature. — Antonio Damasio

Everybody should read fiction ... I don't think serious fiction is written for a few people. I think we live in a stupid culture that won't educate its people to read these things. It would be a much more interesting place if it would. And it's not just that mechanics and plumbers don't read literary fiction, it's that doctors and lawyers don't read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn't trust art. — Percival Everett

Existence is movement. Action is movement. Existence is defined by the rhythm of forces in natural balance. ( ... ) It is our appreciation for dance that allows us to see clearly the rhythms of nature and to take natural rhythm to a plane of well-organised art and culture. — Rudolf Von Laban

The more the Jew is a Jew, the more universalist will his views and aspirations be, the less aloof will he be from anything that is noble and good, true and upright, in art or science, in culture or education; the more joyfully will he applaud whenever he sees truth and justice and peace and the ennoblement of man prevail and become dominant in human society. — Samson Raphael Hirsch

I don't believe in the clash of cultures. The culture is one. The culture is a ring off the same chain. Picasso was very much influenced by the African arts, and he influenced a whole other generation of artists. So everything influences everything. — Marjane Satrapi

The culture of any country is gauged first by its progress in art. — Ignacy Jan Paderewski

I don't think that the big crunch should be seen as a menace, but rather as an opportunity. It's one of these times in -history - and we have plenty of examples from the past - where it's possible to really make a difference. And if art is serious about claiming a central role in today's society and culture, this is the best chance it's had in ages. — Maurizio Cattelan

I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person. — Porochista Khakpour

The League of Independent Theater represents a coming together of actual artistic and theatrical forces that may yet undo the difficulty of our times in maintaining the highest artistic standards in a period of economic crisis. Who can save us from the downhill trend of our economy except the vigor of our arts? Theatre, music and education are our only hopes to lift our times beyond their despair and create a viable, prosperous culture. — Judith Malina

I was a man who stood in symbolic relations to the art and culture of my age ... The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy,intellectual daring; I made art a philosophy, and philosophy an art: I altered the minds of men and the colour of things: there was nothing I said or did that did not make people wonder ... I treated Art as the supreme reality, and life as mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram. — Oscar Wilde

I went to Berlin for a year and a half, and that's where I learned about culture and art and everything. Before that, I lived in total absence of culture. I come from a house where there was nothing like reading or art. — Lea Seydoux

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.)
The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have. — Susan Sontag

After 1968 the restored communist regime required all Czech rock musicians to sit a written exam in Marxism Leninism — Niall Ferguson

What was remarkable was that associating with a computer and electronics company was the best way for a rock band to seem hip and appeal to young people. Bono later explained that not all corporate sponsorships were deals with the devil. "Let's have a look," he told Greg Kot, the Chicago Tribune music critic. "The 'devil' here is a bunch of creative minds, more creative than a lot of people in rock bands. The lead singer is Steve Jobs. These men have helped design the most beautiful art object in music culture since the electric guitar. That's the iPod. The job of art is to chase ugliness away. — Walter Isaacson

The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture. — Thomas Kinkade

The noise around us determines how we speak. And how we listen. Just as a conversation suffers in a war zone, art suffers in a culture built on noise. So does our enjoyment of it. — Michael Gungor

Harold March was the sort of man who knows everything about politics, and nothing about politicians. He also knew a great deal about art, letters, philosophy, and general culture; about almost everything, indeed, except the world he was living in. — G.K. Chesterton

Like it or not, war (cold or hot) is the most powerful funding driver in the public arsenal. Lofty goals such as curiosity, discovery, exploration, and science can get you money for modest-size projects, provided they resonate with the political and cultural views of the moment. But big, expensive activities are inherently long term, and require sustained investment that must survive economic fluctuations and changes in the political winds. In all eras, across time and culture, only war, greed, and the celebration of royal or religious power have fulfilled that funding requirement. Today, the power of kings is supplanted by elected governments, and the power of religion is often expressed in nonarchitectural undertakings, leaving war and greed to run the show. Sometimes those two drivers work hand in hand, as in the art of profiteering from the art of war. But war itself remains the ultimate and most compelling rationale. — Neil DeGrasse Tyson

Via the mediation of the Enlightenment, this movement had changed from a hobby among a tiny literate elite and their secretaries, an ostentatious amusement among princely and mercantile art patrons and their masterly suppliers (who established a first 'art system'), into a national, a European, indeed a planetary matter. In order to spread from the few to the many, the renaissance had to discard its humanistic exterior and reveal itself as the return of ancient mass culture. The true renaissance question, reformulated in the terminology of practical philosophy - namely, whether other forms of life are possible and permissible for us alongside and after Christianity, especially ones whose patterns are derived from Greek and Roman (perhaps even Egyptian or Indian) antiquity - was no longer a secret discourse or an academic exercise in the nineteenth century, but rather an epochal passion, an inescapable pro nobis. — Peter Sloterdijk

Art in the art world, and culture in general, are branches of the media, which produces our political and social thinking climate. — Hans Haacke

The belief that established science and scholarship
which have so relentlessly excluded women from their making
are "objective"and "value-free" and that feminist studies are "unscholarly," "biased," and "ideological" dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological; there is no neutrality in culture! — Adrienne Rich

Nas' Illmatic blew my mind when I first heard it. The poetry was done on such a high level that in a way, it validated our existence, our culture. He used the language of the street at the time and made it art. Art tends to be validating. — Erik Parker

I do not know when, but I know that many have come in this century to develop arts and sciences, sow the seeds of a new culture that will flourish, unexpected, sudden, just when the power is deluded into believing they have won. — Giordano Bruno

One culture I find fascinating to juxtapose against American culture is the culture of Germany. They've gone through a long process through their art, poetry, public discourse, their politics, of owning the fact of their complicity in what happened in World War II. It's still a topic of everyday conversation in Germany. — Chris Jordan