Art Critic Quotes & Sayings
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I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art. — Harvey Pekar

Normally, we don't consider the audience in the genius equation. We assume that they are merely the passive recipients of the gifts that the genius bestows. They are much more than that, though. They are the appreciators of genius, and as art critic Clive Bell said, "The essential characteristic of a highly civilized society is not that it is creative but that it is appreciative." By that measure, Vienna was the most highly civilized society to grace the planet. Mozart — Eric Weiner

Adele doesn't need any ironic detachment. She can love and appreciate the talent of others without feeling threatened herself. This is often very hard for people. We usually worry that someone else's talent or success is being compared with our own so we take the role of a critic and evaluate people harshly in order to protect our own egos.
People like Adele focus on what they like and they ignore the comparisons. Plus, they let the people around them know when they found something that they love about their work or their art. — Charlie Houpert

I am not a food critic. Or a chef. Or even a professional writer. What I am schooled in the art of, however, is enjoying myself. — Jewel Staite

My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child - incidentally children understand my pictures very well, and I haven't met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all. — Andrei Tarkovsky

The absence of models, in literature as in life, to say nothing of painting, is an occupational hazard for the artist, simply because models in art, in behavior, in growth of spirit and intellect
even if rejected
enrich and enlarge one's view of existence. Deadlier still, to the artist who lacks models, is the curse of ridicule, the bringing to bear on an artist's best work, especially his or her most original, most strikingly deviant, only a fund of ignorance and the presumption that as an artist's critic one's judgement is free of the restrictions imposed by prejudice, and is well informed, indeed, about all the art in the world that really matters. — Alice Walker

The art of the critic in a nutshell: to coin slogans without betraying ideas. The slogans of an inadequate criticism peddle ideas to fashion. — Walter Benjamin

I've stopped going to see art films because every critic gives them four stars and say things like 'masterpiece,' 'spellbinding' and 'mesmerizing.' I mean, they're doing that with my film, but I don't want to use those blurbs. Critical reviews aren't worth too much anymore because just about every film can get one or two of them. — Terry Zwigoff

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analysing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon. — D.H. Lawrence

Uh, hey, I got a idea. Instead of us hanging around playing art critic 'til I get pinched by the man, how's about we move away from this eerie-ass piece of work, and get on with our increasingly eerie-ass day. How's that? — Joss Whedon

I think that when a film does its job, it poses questions rather than gives answers. It should act as a frustrating counselor who, at your bidding for advice, says, 'What do you think?' I think that's some of what the culture critic Greg Tate meant by art leaving a 'metaphysical stain.' — Aunjanue Ellis

An art critic is someone who appreciates art, except for any particular piece of art. — Robert Breault

[A critic] can never forget that all he has to go by, finally, is his own response, the self that makes and is made up of such responses - and yet he must regard that self as no more than the instrument through which the work of art is seen, so that the work of art will seem everything to him and his own self nothing. — Randall Jarrell

To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest, as the lowest, form of criticism is a mode of autobiography. — Oscar Wilde

This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. — Susan Sontag

Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter. — Chuck Jones

You cannot step a foot into the literature about the 1960s without being told how 'creative', 'idealistic', and 'loving' it was, especially in comparison to the 1950s. I fact, the counterculture of the Sixties represented the triumph of what the art critic Harold Rosenberg famously called the 'herd of the independent minds'. Its so-called creativity consisted in continually recirculating a small number of radical cliches; its idealism was little more than irresponsible utopianism; and its crusading for 'love' was largely a blind for hedonistic self-indulgence. — Roger Kimball

In one of the most scathing of these reviews, New York Times critic Robert Palmer wrote: "He has mastered the art of making lyrics that are banal - and, when they are about women, frequently condescending - sound vaguely important. He has mastered the art of making the simplest drum accent sound as portentous as a peal of thunder and of introducing his side-men's solos with such dramatic flourishes that they almost sound like gifted, sensitive musicians rather than like the hacks they are. He has won a huge following by making emptiness seem substantial and Holiday Inn lounge schlock sound special. — Hank Bordowitz

A critic should always strive to recapture the sense of wonder and surprise with which he first beheld a now-familiar work of art. — Terry Teachout

The critic has to do more of what the book critics and art critics have done in the past. Which is give you a context for understanding the restaurant, give you a better way to appreciate it, give you the tools to go in there and be a more informed diner who can get more pleasure out of the experience. — Ruth Reichl

Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art. — Odd Nerdrum

Every art is a church without communicants, presided over by a parish of the respectable. An artist is born kneeling; he fights to stand. A critic, by nature of the judgment seat, is born sitting. — Hortense Calisher

Here, I could see, was choice matter on which the expert and art critic could exercise their knowledge and judgment. As I had neither, I made an experiment or two, and was able to inform the readers of the paper that if you walked briskly past the picture, winking both eyes as fast as possible, you really got a sort of impression of movement and activity, of ships and boats coming into the harbour and sailing out of it, of sails lowered and hoisted, of an uncertain background, now obscured, now left visible as a ship in full sail passed before it. It struck me that, in my hands, art criticism was in a fair way to become a popular sport. — Arthur Machen

In the arts, you simply cannot secure your bread and your freedom of action too. You cannot be a hostile critic of society and expect society to feed you regularly. — Katherine Anne Porter

I'm a critic. I write essays about works of art. It's like being a eunuch in the seraglio, but unrequited love is the sweetest, and I have the proper distance. I can compress the qualities of beauty I've been trained to see, store them up, and bring them out at will, rapid-fire, in the combinations I want. — Mark Helprin

Thus, since time immemorial, it has been customary to accept the criticism of art from a man who may or may not have been artist himself. Some believe that artist should create its art and leave it for critic to pass judgement over it. Whereas dramatists like Ben Jonson is of the view that to 'judge of poets is only the faculty of poets; and not of all poets, but the best'. Only the best of poets have the right to pass judgments on the merit or defects of poetry, for they alone have experienced the creative process form beginning to end, and they alone can rightly understand it. — Aristotle.

I wish I had a dollar for every time someone said, "Me? No, I'm not creative". I would be gazillionaire. The thing is, that's not really them talking, it's their jerkface inner critic. Okay, so maybe you haven't made anything in a very long time, but that doesn't mean you're not creative. What it means is that, somewhere along the way, you became really good at saying "Me? No, I'm not creative". — Danielle Krysa

Any kind of art that seems to be just about normal people, it's judged less by how good of a work of art it is, and more by how much the critic thinks that that is true to life. Which, you know, I think might be why something like Boyhood was so hugely praised, whereas something like Margaret was a little unfairly marginalized. There were people who said, "OK, well, I don't relate to these characters," or, "I think the way they speak is off from real-life" as opposed to saying, "Is what's being expressed in it - is the emotional content true to life?" You can just look on Youtube and see clips into people's real life very easily, so I'm actually more excited by that feeling of, I'm being immersed completely in this one guy's view of the world. But, obviously, I get more excited talking about other people's work than my own. — Adrian Tomine

In moments of prayer, people tend to pose as a critic and point out percieved flaws in God's art. — Steve Maraboli

The criminal is the creative artist; the detective only the critic. — G.K. Chesterton

Aristotle was the first accurate critic and truest judge nay, the greatest philosopher the world ever had; for he noted the vices of all knowledges, in all creatures, and out of many men's perfections in a science he formed still one Art. — Ben Jonson

For every good art critic there may be ten great artists. — Clement Greenberg

Robert Hughes, Time magazines's art critic, told him on the phone that after he saw the planes flying over SoHo he had walked around in shock. On his way home he had stopped by a bakery and found the shelves cleaned out. Not a loaf remained, not a bagel, and the old baker standing amid the emptiness spread his arms and said, 'Should happen every day. — Salman Rushdie

People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic. — George Bernard Shaw

If art is to have a special train, the critic must keep some seats reserved on it. — Oscar Wilde

I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic. — Lynne Tillman

The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done. — George Edward Woodberry

There are two sorts of beauty; one is the result of instinct, the other of study. A combination of the two, with the resulting modifications, brings with it a very complicated richness, which the art critic ought to try to discover. — Paul Gauguin

Anything can be art: painting stairs, raising a child, or organising a trip to the end of the world. It's the way you live that makes you either an artist, or an art connoisseur, or an unsatisfied critic. — Mykyta Isagulov

Painting, n.: The art of protecting flat surfaces from the weather, and exposing them to the critic. — Ambrose Bierce

The Picture of Dorian Gray by Oscar Wilde THE PREFACE The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things — Oscar Wilde

The cruelest thing you can do to an artist is tell them their work is flawless when it isn't — Yahtzee Croshaw

I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked. — Walter Matthau

The critic said that once a year he read Kim; and he read Kim, it was plain, at whim: not to teach, not to criticize, just for love - he read it, as Kipling wrote it, just because he liked to, wanted to, couldn't help himself. To him it wasn't a means to a lecture or article, it was an end; he read it not for anything he could get out of it, but for itself. And isn't this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means - that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives; but duringthe contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence, Read at whim! read at whim! — Randall Jarrell

By encouraging the critic in themselves (the hater) they have killed the artist (the lover). — Brenda Ueland

The critic will certainly be an interpreter, but he will not treat Art as a riddling Sphinx, whose shallow secret may be guessed and revealed by one whose feet are wounded and who knows not his name. Rather, he will look upon Art as a goddess whose mystery it is his province to intensify, and whose majesty his privilege to make more marvellous in the eyes of men. — Oscar Wilde

For something to become a work of art, a labeling process must take place that requires three participants: an artist who produces an apt object, a client or public, and a critic or connoisseur who mediates between the artist and the public to assure them of the artness of the thing. If I make a painting, it is not sufficient for the painting to be "art" that I consider it so, nor even that you, my friend and neighbor, admire it and hang it on your wall; it must be certified as art by competent authority and exhibited in the institutionally appropriate place, a gallery or museum. — Wyatt MacGaffey

The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same. — Clive James

What was remarkable was that associating with a computer and electronics company was the best way for a rock band to seem hip and appeal to young people. Bono later explained that not all corporate sponsorships were deals with the devil. "Let's have a look," he told Greg Kot, the Chicago Tribune music critic. "The 'devil' here is a bunch of creative minds, more creative than a lot of people in rock bands. The lead singer is Steve Jobs. These men have helped design the most beautiful art object in music culture since the electric guitar. That's the iPod. The job of art is to chase ugliness away. — Walter Isaacson

The first assumption of an art critic is that the artist meant to paint something else. — Robert Breault

The cynical, caustic, acid-tongued New York drama critic Addison De Witt introduces his protege/date of the moment, a bimbo date and so-called actress named Miss Casswell (Marilyn Monroe) in another very famous line: "Miss Casswell is an actress, a graduate of the Copacabana School of Dramatic Art." — George Sanders

The ability to master certain tasks in a state of distraction proves that their solution has become a matter of habit. Distraction as provided by art presents a covert control of the extent to which new tasks have become soluble by apperception. Since, moreover, individuals are tempted to avoid such tasks, art will tackle the most difficult and most important ones where it is able to mobilize the masses. Today it does so in the film. Reception in a state of distraction, which is increasing noticeably in all fields of art and is symptomatic of profound changes in apperception, finds in the film its true means of exercise. The film with its shock effect meets this mode of reception halfway. The film makes the cult value recede into the background not only by putting the public in the position of the critic, but also by the fact that at the movies this position requires no attention. The public is an examiner, but an absent-minded one. — Walter Benjamin

The professional learns to recognize envy-driven criticism and to take it for what it is: the supreme compliment. The critic hates most that which he would have done himself if he had had the guts. — Steven Pressfield

I intensely dislike the word 'critic,' because it puts you in an antagonistic position to artists. I've learned everything that I know about art from artists ... I see myself as an advocate and an activist and a writer. — Lucy R. Lippard

The critic interested in a novel manifestation holds his criteria and taste in reserve. Since they were formed upon yesterday's art, he does not assume that they are ready-made for today. — Leo Steinberg

I love commercial music! I can dissect it and criticize it with any critic in the business. But without any thought, I just enjoy it. It's folk music. That's what I'm doing, folk music. I'm not intellectualizing it ... and making it into a phoney art form. I'm just doing the music I enjoy. — John Lennon

It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing. — Peter Schjeldahl

The popular distinction between 'constructive' and 'destructive' criticism is a sentimentality: the mind too weak to perceive in what respects the bad fails is not strong enough to appreciate in what the good succeeds. To be without discrimination is to be unable to praise. The critic who lets you know that he always looks for something to like in works he discusses is not telling you anything about the works or about art; he is saying 'see what a nice person I am. — Brigid Brophy

Art critics are like every other critic. — Marc Jacobs

Those who lack the guts to create critic. — Mokokoma Mokhonoana

We properly judge a critic's virtue not by his freedom from error but by the nature of the mistakes he does make, for he makes them, if he is worth reading, because he has in mind something besides his perceptions about art in itself he has in mind the demands that he makes upon life. — Lionel Trilling

For a moment he felt like devoting the next ten years to working his way to a position as art critic on purpose to review Bertrand's work unfavorably. — Kingsley Amis

Cortissoz was art critic of the New York Herald Tribune. — Abraham Lincoln

A certain man placed a fountain by the wayside, and he hung up a cup near to it by a little chain. He was told some time after that a great art-critic had found much fault with its design. 'But,' said he, 'do many thirsty persons drink at it? — Charles Haddon Spurgeon

Don't be an art critic. Paint. There lies salvation. — Paul Cezanne

Don't ask me my opinions on art, because I don't have any. Aesthetic concerns have played a relatively minor role in my life, and I have to smile when a critic talks, for example, of my "palette". I find it impossible to spend hours in galleries analyzing and gesticulating. — Luis Bunuel

Most artists, or at least most of the ones I know, deny having a philosophical outlook that they try to translate into their works. Some had thought of the work of Cezanne and others as being a 'painted epistemology.' But Cezanne himself denied this and Daniel-Henri Kahnwiler, the art critic and art dealer, insisted that none of the many painters he had known had a philosophical culture. — Semir Zeki

Being a critic is a terrific method for killing your love of art. — David Toop

Art critic! Is that a profession? When I think we are stupid enough, we painters, to solicit those people's compliments and to put ourselves into their hands! What shame! Should we even accept that they talk about our work? — Edgar Degas

A critic in my house sees some paintings. Greatly perturbed, he asks for my drawings. My drawings? Never! They are my letters, my secrets. — Paul Gauguin

An art critic is someone who hopes to see his ideas translated to canvas without having to learn how to paint. — Robert Breault

A critic should be taught to criticise a work of art without making any reference to the personality of the author. — Oscar Wilde

I was born into a world full of 'specialists'. I'm not sure whether it's the result of our education system or just natural entropy, but it's very uncommon to know a poet with even a mediocre knowledge about art, or an artist with a good taste in poetry, and so on and on. What this really is: lack of general education in a structural sense: god knows how many people I've met that are actually PROUD about proclaiming their ignorance about another field: it is as if it signifies their 'devotion to one path' while in reality they really only look like a buffoon if you ask me. New is that I am encountering 'Literary Critics' that proudly proclaim to 'never have read any foreign poetry' as if a 'movie critic' that only has watched Dutch films would be somehow capable of criticizing them in any true sense of the word. — Martijn Benders

If there is a main problem in American art today," says critic Tom Piazza, "it is not that we need the new to unshackle us from a suffocating and outmoded tradition. The new is constantly pumped out, by the ton and 24 hours a day, into the esthetic rivers, reservoirs and gullies of our culture, and nobody needs to go looking for it. With all the economic force of corporate profit and advertising behind it, pop culture, with its Billy the Kid ethos, has in fact become the new establishment. In a truly Orwellian irony, the new is the status quo."36 — James Bau Graves

I don't know anybody who needs a critic to find out what art is. — Ansel Adams

Everybody's an art critic. — Judith Martin

One way to cope with the provocations of novel art is to rest firm and maintain solid standards ... set by the critic's long-practiced taste and by his conviction that only those innovations will be significant which promote the established direction of advanced art. — Leo Steinberg

For all the years I'd spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I would mistrust a poetry critic who couldn't produce a rhyming couplet. Could one write about art without knowing how to draw? — Adam Gopnik

Wait a second, is a snooty book critic actually admitting to judging books by their covers? — Larry Correia

I was an awful critic. I operated on the assumption that there was an absolute scale of values against which art could be measured. I didn't trust my own subjective responses. — Tom Stoppard