Quotes & Sayings About Art Changing The World

A singular confusion exists about the notions of 'culture' and 'civilization'.
Culture began with the 'prologue in heaven.' With its religion, art, ethics, and philosophy, it will always be dealing with man's relation to that heaven from whence he came. Everything within culture means a confirmation or a rejection, a doubt or a reminiscence of the heavenly origin of man. Culture is characterized by this enigma and goes on through all time with the steady striving to solve it.
On the other hand, civilization is a continuation of the zoological, one-dimensional life, the material exchange between man and nature. This aspect of life differs from other animals' lives, but only in its degree, level, and organization. Here, one does not find man embarrassed by evangelical, Hamletian, or Karamasovian problems. The anonymous member of society functions here only by adopting the goods nature and changing the world by his work according to his needs. — Alija Izetbegovic

The world to him no longer seemed a math equation but rather a complex piece of art, a masterpiece of things not easily understood. — K. Martin Beckner

Everything is art. Everything is politics. — Ai Weiwei

In order that the mind should see light instead of darkness, so the entire soul must be turned away from this changing world, until its eye can learn to contemplate reality and that supreme splendor which we have called the good. Hence there may well be an art whose aim would be to effect this very thing. — Socrates

Art is not meant to change the world, but when you see people interacting, when you see an impact on their lives, then I guess in a smaller way, this is changing the world. So, that's what I believe in. That's why I'm into creating more and more interactions. — JR

Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world. — Herbert Marcuse

I wanted to represent the world as a temporary art installation continuously changing. I wanted to consider it unreal and unfinished, judge and transform it, a possibility that only art gives us. — Olivo Barbieri

I tried hard to imagine my poems or any poems as machines that could make things happen, changing the government, or the economy or even their language, the body or its sensorium, but I could not imagine this, could not even imagine imagining it. And yet when I imagined the total victory of those other things over poetry, when I imagined, with a sinking feeling, a world without even the terrible excuses for poems that kept faith with the virtual possibilities of the medium, without the sort of absurd ritual I'd participated in that evening then I intuited an inestimable loss, a loss not of artworks but of art, and therefore infinite, the total triumph of the actual, and I realized that, in such a world, I would swallow a bottle of white pills. — Ben Lerner

In the past, traditional art was based on making manifest what is enduring in man, like love, jealousy, hatred, envy, and greed ... Today art has to look again at these unchanging qualities, because society is no longer unchanging. It is up to art today to show us what has become of these unchanging qualities in a world which is moving and changing. — Tawfiq Al-Hakim

It's not an artist's job to change people or save the world. — Marty Rubin

You know, I don't think my music is important, I don't think it's changing the world, I don't think it's art. I just think it's music. It is what it is. — Sufjan Stevens

Pardis Sabeti thought small by focusing patiently for years on a narrow niche (the genetics of diseases in Africa), but then acting big once she acquired enough capital to identify a mission (using computational genetics to help understand and fight ancient diseases). Sarah and Jane, by contrast, reversed this order. They started by thinking big, looking for a world-changing mission, but without capital they could only match this big thinking with small, ineffectual acts. The art of mission, we can conclude, asks us to suppress the most grandiose of our work instincts and instead adopt the patience - the style of patience observed with Pardis Sabeti - required to get this ordering correct. — Cal Newport

When art has changed, it's because the world was changing. — Corita Kent

Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss. — Banksy

Inasmuch as art preserves, with the promise of happiness, the memory of the goal that failed, it can enter, as a 'regulative idea,' the desperate struggle for changing the world. Against all fetishism of the productive forces, against the continued enslavement of individuals by the objective conditions (which remain those of domination), art represents the ultimate goal of all revolutions: the freedom and happiness of the individual. — Herbert Marcuse

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time
back home to the escapes of Time and Memory. — Thomas Wolfe

I have occupied this idle, empty winter with writing a story. It has been written to please myself, without thought of my own vanity or modesty, without regard for other people's feelings, without considering whether I shock or hurt the living, without scrupling to speak of the dead.

The world, I know, is changing. I am not indifferent to the revolution that has caught us in its mighty skirts, to the enormity of the flood that is threatening to submerge us. But what could I do? In the welter of the surrounding storm, I have taken refuge for a moment on this little raft, constructed with the salvage of my memory. I have tried to steer it into that calm haven of art in which I still believe. I have tried to avoid some of the rocks and sandbanks that guard its entrance.

[from the introduction] — Dorothy Bussy