Art And Community Quotes & Sayings

All of the designs on Minted are crowd-sourced from a global community of independent designers. We hold monthly design and art challenges that anyone in the world is welcome to enter. — Mariam Naficy

Art that means anything in the life of a community must bear some relation to current interpretations of the mystery of the universe. Our rigid separation of the humanities and the sciences has temporarily left our art stranded or stammering and incoherent. Both art and science ought to be blended in our early education of our children's emotions and powers of observation, and that harmony carried forward in later education. — Dora Russell

It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them. — Mark Rothko

McMansions in sprawling suburbs, without mountains of unnecessary packaging, without giant mechanized monofarms, without energy-hogging big-box stores, without electronic billboards, without endless piles of throwaway junk, without the overconsumption of consumer goods no one really needs is not an impoverished world. I disagree with those environmentalists who say we are going to have to make do with less. In fact, we are going to make do with more: more beauty, more community, more fulfillment, more art, more music, and material objects that are fewer in number but superior in utility and aesthetics. The cheap stuff that fills our lives today, however great its quantity, can only cheapen life. — Charles Eisenstein

The arts can enrich all of us in this nation as individuals. The arts can enrich all of our communities and the country. And the arts can connect us to each other like nothing else can. — Michelle Obama

I haven't seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were askedthis week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company's behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself. — Anna Quindlen

He wasn't pleased with himself for appraising the girl in the tank. He thought of her as half-pretty, the sort of girl one would find modeling for art classes in dire community colleges. Putting her cheap panties and her ex-boyfriend's shirt back on to wander around the easels afterward and wondering how grotesque she must really be, to have summoned up the deformities whacked down in merciless charcoal strikes. — Warren Ellis

We can learn the art of fierce compassion - redefining strength, deconstructing isolation and renewing a sense of community, practicing letting go of rigid us-vs.-them thinking - while cultivating power and clarity in response to difficult situations. — Sharon Salzberg

I only laid the cobbles for the streets of Bordertown; it took all of us, an entire community, to bring the city to life. And that's as it should be. Community, friendship, art: stirred together, they make a powerful magic. Used wisely, it can save your life. I know that it saved mine. — Terri Windling

Jiu Jitsu forges friendships in a way I've never known. Being involved in an art as intimate as this, where bodily connection is a must, the common cultural boundaries of personal space are broken. You will never see more hugs, high fives, and physical expressions of love than on the mats. Ultimately, this proves to be one of the most fulfilling aspects of our pursuit of mastery. Along the way, we learn to love others as we love ourselves. — Chris Matakas

I'm not really anti-gang - I was a gang member and so was my son. I'm pro-youth, pro-community, pro-family, pro-arts, and pro-peace. — Luis J. Rodriguez

As a person who grew up in a border town, it is important to me that I use my education and my art to tell human stories of an otherwise neglected and marginalized community. — Raul Castillo

I feel more a part of the wrestling community than I feel I belong to the community of arts and letters. Why? Because wrestling requires even more dedication than writing because wrestling represents the most difficult and rewarding objective that I have ever dedicated myself to; because wrestling and wrestling coaches are among the most disciplined and self-sacrificing people I have ever known. — John Irving

God is that force that drives us to really see each other and to really behold each other and care for each other and respond to each other. And for me, that is actually enough. That cultivating it, that thinking about it, worshipping it, working towards it, taking care of it, nurturing it in myself, nurturing it in other people, that really is a life's work right there, and it doesn't have to be any bigger than that. God doesn't have to be out in the next solar system over bashing asteroids together. It's plenty, just the God that I work with. Kate Braestrup — Krista Tippett

Century after century, the belief that an individual's physical health was independent of his or her emotional health has so dominated medical thought that there has even been open contempt for anyone who would dare to claim that a person's physical well-being is the sum of its internal and external influences. — Sandy Oshiro Rosen

Nearly half of all associational memberships are church-religious context. Religious worshipers and people who say religion is very important to them are much more likely than other persons to visit friends, to entertain at home, to attend club meetings, and to belong to sports groups; professional and academic societies; school service groups; youth groups; service clubs; hobby or garden clubs; literary, art, discussion, and study groups; school fraternities and sororities; farm organization; political clubs; nationality groups; and other miscellaneous groups. — Robert Putnam

I don't think there's a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that's what the best writing does, that's what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It's not about you. Whether you're a genius or an idiot savant. It's about the work. The work is more important than you. So it's not about back-claps and plaudits and "isn't that author smart." It's about, "this book really connected with me. And even though you, my friend, are very different from me, I'm lending it to you, because I think it will connect with you as well." Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways. — Colin Fleming

responds to and develops recent currents of critical and scholarly thought which see Shakespeare not as a lone eminence but as a fully paid-up member of the theatrical community of his time, a working playwright with professional obligations to the theatre personnel without whose collaboration his art would have been ineffectual, and one who, like most other playwrights of the age, actively collaborated with other writers, not necessarily always as a senior partner. — Stanley Wells

The community of the Giver had achieved at such great price. A community without danger or pain. But also, a community without music, color or art. And books. — Lois Lowry

In the land of the rejected, the field is flattened, open to much oppurtunity. Here flourish the weeds and nonstandard quality alike. No one aspires, because there is no pinnacle to reach - just be better than whoever is next to you. It is basic, fundamental, and often rude, with bonus points for creative solution. Hardly ever about who you are, but how you do, it's "run what you brung" not Formula 1. — Alec Mackaye

Many well-meaning Dutch people have told me in all earnestness that nothing in Islamic culture incites abuse of women, that this is just a terrible misunderstanding. Men all over the world beat their women, I am constantly informed. In reality, these Westerners are the ones who misunderstand Islam. The Quaran mandates these punishments. It gives a legitimate basis for abuse, so that the perpetrators feel no shame and are not hounded by their conscience of their community. I wanted my art exhibit to make it difficult for people to look away from this problem. I wanted secular, non-Muslim people to stop kidding themselves that Islam is peace and tolerance. — Ayaan Hirsi Ali

Because you live to love and love to live/ And because of what your heardrum will give/ Now we might love to live and live to love. — Janet Goodfriend

A prince, therefore, must not mind incurring the charge of cruelty for the purpose of keeping his subjects united and confident; for, with a very few examples, he will be more merciful than those who, from excess of tenderness, allow disorders to arise, from whence spring murders and rapine; for these as a rule injure the whole community, while the executions carried out by the prince injure only one individual. And of all princes, it is impossible for a new prince to escape the name of cruel, new states being always full of dangers ... — Niccolo Machiavelli

When we decided to go to Cuba to perform, we did it because we just wanted to build a bridge, you know, between Cuba and the rest of the community. And we just wanted to prove that music and art need to be over all ideology or way to think life, and we just wanted to go in there and play just because of love. — Juanes

There are so few other things we can look at with pride,' said Allen. 'We don't have a large university that has thirty or forty thousand students in it. We don't have the art museum that some communities have and are world-renowned. When somebody talks about West Texas, they talk about football. There is nothing to replace it. It's an integral part of what made the community strong. You take it away and it's almost like you strip the identity of the people. — H. G. Bissinger

A community united by the ideals of compassion and creativity has incredible power. Art of all kinds
music, literature, traditional arts, visual arts
can lift a community. — Martin O'Malley

Often I'll go outside and just place my hands on the soil, even if there's no work to do on it. When I am filled with worries, I do that and I can feel the energy of the mountains and of the trees. — Andy Couturier

An elegant simplicity is an understated, organic aesthetic that contrasts with the excess of consumerist lifestyles. Drawing from influences ranging from Zen to the Quakers, it celebrates natural materials and clean, functional expressions, such as are found in many of the hand-made arts and crafts from this community. — Duane Elgin

Every meaningful cultural act
wherever it takes place
is unquestionably good in and of itself, simply because it exists and because it offers something to someone. Yet can this value 'in itself' really be separated from 'the common good'? Is not one an integral part of the other from the start? Does not the bare fact that a work of art has meant something to someone
even if only for a moment, perhaps to a single person
already somehow change, however minutely, the overall condition for the better? ... Can we separate the awakening human soul from what it always, already is
an awakening human community? — Vaclav Havel

Earning money is not the sole objective of life or education. A community of any quality should have a whole range of skills and interests. They should paint, write, perform, visit art galleries and enjoy world-class concerts. Only then will they form a vibrant, rounded, interesting community. — Goh Chok Tong

To do exciting, empowering research and leave it in academic journals and university libraries is like manufacturing unaffordable medicines for deadly diseases. We need to share our work in ways that people can assimilate, not in the private languages and forms of scholars...Those who are hungriest for what we dig up don't read scholarly journals and shouldn't have to. As historians we need to either be artists and community educations or find people who are and figure out how to collaborate with them. We can work with community groups to create original public history projects that really involved people. We can see to it that our work gets into at least the local popular culture through theater, murals, historical novels, posters, films, children's books, or a hundred other art forms. We can work with elementary and high school teachers to create curricula. Medicinal history is a form of healing and its purposes are conscious and overt. — Aurora Levins Morales

Beyond the pervasive disinterest in the visual arts among the Protestant community, the core problem lies in the fact that the art world rejects on several grounds work that is in any way explicitly Christian in content and also shrugs off as naive anything that has the semblance of hope or optimism in outlook. — John Walford

I grew up as a kid being able to attend concerts, go to art museums. Santa Barbara was a rich cultural community, and I had access to everything. I think that shaped me as an artist. — Floyd Norman

Great food, like all art, enhances and reflects a community's vitality, growth and solidarity. Yet history bears witness that great cuisines spring only from healthy local agriculture. — Rick Bayless

There were counter-protests, of course, and in the end Mapplethorpe's work was exhibited, but the message to the arts community was clear: stray too far from the innocuous, and the axe would fall. Call it selective censorship: freedom of expression was guaranteed unless it was expressed in a work of art. The most amazing aspect of this American morality play was not that the government would place self-interest above principle when it felt threatened, but that no one foresaw this coming from miles down the road. A reminder from history: the American Revolution was not financed with matching Grants from the Crown. COMMON — David Bayles

I remember the university as being very encouraging, especially to experimentation. I think you always get a lot of musicians in any art community, and it seemed like a lot of people I knew worked on films that got made locally. — Neil Farber

( ... ) contemporary art has become a kind of alternative religion for atheists. ( ... ) For many art world insiders and art aficionados of other kinds, concept-driven art is a kind of existencial channel through which they bring meaning to their lives. It demands leaps of faith, but it rewards the believer with a sense of consequence. Moreover, just as churches and other ritualistic meeting places serve a social function, so art events generate a sense of community around shared interests — Sarah Thornton

This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity. — Jesse L. Martin

Opera is the most complete art form. It includes drama, acting, technology (lighting), art (the sets), dance, and the epitome of the human voices. But mostly, go for the glorious music. The arts are crucial to the life of every community. — Karen DeCrow

For corporations to be bedfellows with the arts is good business for both. The architecture that houses a company is a more visible statement than the president's in the annual report. Ditto interiors, particularly of offices and sometimes, dramatically, in plants. For solvent businesses, support of community cultural undertakings in music, drama, dance creates great goodwill. Also, the existence of such activities is often important to the executives and their families that companies want to keep or attract to keep. — Malcolm Forbes

Women's art, though created in solitude, wells up out of community. There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working. — Adrienne Rich

They don't want art that might actually change the community. They just want consumers. They don't want people to manufacture things. They'll do the manufacturing, and they just need people to buy it, need youth to buy it. — Malik Yusef

What thoughts are to the individual, art is to the community as a whole. That's where you reflect on who you are, who you hope to be, what you've gone through, and where you hope to go. — Wendell Pierce

That is why my first and most pressing question seems like such an outright act of mutiny. What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself? Isn't the art itself my intimate communication with others, with the world, with the unfolding spectacle of the human struggle as we live and coexist on this earth? — Meghan Tifft

And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from. — Albert Camus

Gangs exist when there are lots of empties in a person, in family, in community. It points out how we need to do more to bring real art, passions, teachings, caring, and resources into the emptiness of young peoples' lives. — Luis J. Rodriguez

The word "art" is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community ... Art is to decorate people's houses, their skin, their clothes, to make them expand their minds, and it's supposed to be right in the community, where they can have it when they want it ... It's supposed to be as essential as a grocery store ... that's the only way art can function naturally. — Amiri Baraka

Before the Conquest all art was of the people, and popular art has never ceased to exist in Mexico. The art called popular is fugitive in character, with less of the impersonal and intellectual characteristics of the schools. It is the work of talent nourished by personal experience and that of the community - rather than being taken from the experiences of painters in other times and other cultures. — Manuel Alvarez Bravo

But, historians, and even common sense, may inform us, that, however specious these ideas of perfect equality may seem, they are really, at bottom, impracticable; and were they not so, would be extremely pernicious to human society. Render possessions ever so equal, men's different degrees of art, care, and industry will immediately break that equality. Or if you check these virtues, you reduce society to the most extreme indigence; and instead of preventing want and beggary in a few, render it unavoidable to the whole community. — David Hume

For this reason poets and artists developed the doctrine of Art for Art's Sake. The community did not appear to need them, so, tit for tat, they did not need the community. This being granted, it was no longer necessary or even desirable to make one's poetry either intelligible or sympathetic to the community. — Louis MacNeice

I grew up in a tradition where having ideas and contributing to the community and creating art that had an impact on the world mattered. That's part of the Jewish tradition. — Eve Ensler

Oikonomia is the science or art of efficiently producing, distributing, and maintaining concrete use values for the household and community over the long run. Chrematistics is the art of maximizing the accumulation by individuals of abstract exchange value in the form of money in the short run. — Wendell Berry

Every book begins and ends with other people- the readers who suggest the book to us and encourage us to read it, the talented author who crafted each word, the fascinating individuals we meet inside the pages- and the readers we discuss and share the book with when we finish. — Donalyn Miller

What constitutes a good manager in this field? He must be knowledgeable in the art with which he is concerned, an impresario, labor negotiator, diplomat, educator, publicity and public relations expert, politician, skilled businessman, a social sophisticate, a servant of the community, a tireless leader - becomingly humble before authority - a teacher, a tyrant, and a continuing student of the arts. — John D. Rockefeller

If, in time of peace, our museums and art galleries are important to the community, in time of war they are doubly valuable. For then, when the petty and the trivial fall way and we are face to face with final and lasting values, we ... must summon to our defense all our intellectual and spiritual resources. We must guard jealously all we have inherited from a long past, all we are capable of creating in a trying present, and all we are determined to preserve in a foreseeable future. Art is the imperishable and dynamic expression of these aims. It is, and always has been, the visible evidence of the activity of free minds. ... — Robert M. Edsel

Nevertheless, for the most part the intangible dangers of being observed by unintended audiences are considered secondary to the convenience of instantaneous access to this "virtual campfire" from the comfort of the home. While online social networking sites are often disparaged as poor replacements for human interaction that encourage superficial relationships, my ethnographic analysis reveals how some people, American youth in particular, are incorporating this medium into their everyday practices in more or less meaningful ways. Through elucidating both the dangers and possibilities of this medium, I seek to encourage people to create their own "virtual campfires" as a supplement to, rather than a replacement of, their offline lives. Through participation and sharing in meaningful ways- from conversation to creating art- we might begin to see these sites as vehicles for healing the widely-felt loss of community and the pervasive sense of alienation experienced by so many. — Jennifer Anne Ryan

Of all the arts, music is the one communal art. It requires for its existence extensive cooperation and organization ... Singing together the greatest choral music of all time is the surest way of developing in a community that sense of quality and reverence for beauty, which is the basis of a musical culture ... Entertainment has its place in life just as candies and cocktails have, but health is not built on such a diet alone, nor culture exclusively on amusement. — Edgard Varese

I spend all day replying to tweets and reblogging posts and sharing fan art. I think it's the most important thing I can possibly do, to stay involved in the community as a part of the community, not ahead of the community. I'm very much the same level of them in it. — Tyler Oakley

Each of us contributes our own piece to the whole, each in our own way, each in our own time with the gifts and talents that are ours. You ask about possible vehicles for change: question, stand, speak, act. Engage in unruly behavior. Disturb the status quo. Take direct action. Commit civil disobedience. Make art. Build community. Dance. Sing. Farm. Cook. Create something beautiful and then give it away. Find your own monkey wrench and use it with the force of love. Sharpen your pencil. Vote. — Terry Tempest Williams

Caring for others tends to be the first cut when we review our personal time budget. It does not necessarily fulfill the goals of my ambition; it will not pave the way for my success; it takes away from my own depleted emotional resources. It is an imposition in every way. To some of us, it is an inconvenience from which we unashamedly run. We have become experts in maintaining a grand scope of friendships and amateurs in genuine intimacy and care. Unwittingly, we have sacrificed everything on the altar of self-sufficiency - only to discover that we have sold our souls to isolation. — Sandy Oshiro Rosen

When it repudiates a past paradigm, a scientific community simultaneously renounces, as a fit subject for professional scrutiny, most of the books and articles in which that paradigm had been embodied. Scientific education makes use of no equivalent for the art museum or the library of classics, and the result is a sometimes drastic distortion in the scientist's perception of his discipline's past. More than the practitioners of other creative fields, he comes to see it as leading in a straight line to the discipline's present vantage. In short, he comes to see it as progress. No alternative is available to him while he remains in the field. — Thomas S. Kuhn

Before this we were one community, none knew whether we were good or bad. False coin and fine (both) were current in the world, since all was night, and we were as night-travellers, Until the sun of the prophets rose and said, "Begone, O alloy! Come, O thou that art pure!" The eye can distinguish colours, the eye knows ruby and (common) stone. The eye knows the jewel and the rubbish; hence bits of rubbish sting the eye. — Jalaluddin Rumi

I have no problem with religion, and I grew up with a strong curiosity about spiritual matters, but my searching took me away from church and community worship to the internal journey. Before my recovery began, I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin' Wolf, and Little Walter. — Eric Clapton

Art is by nature aristocratic, and naturally selective in its effect on the audience. For even in its 'collective' manifestations, like theatre or cinema, its effect is bound up with the intimate emotions of each person who comes into contact with a work. The more the individual is traumatised and gripped by these emotions, the more significant a place will the work have in his experience.
The aristocratic nature of art, however does not in any way absolve the artist of his responsibility to his public and even, if you like, more broadly, to people in general. On the contrary, because of his special awareness of his time and of the world in which he lives, the artist becomes the voice of those who cannot formulate or express their view of reality. In that sense the artist is indeed vox populi. That is why he is called to serve his own talent, which means serving his people. — Andrei Tarkovsky

You have to be able to use it [art] to effect change in the community. That's what gives the film and the music an impactful legacy. — One9

People forget that art is not just a piece of entertainment. It is the place where we collectively declare our values and then act on them. That's one of the most powerful things we have as a community: our culture and our art. And it's the intersection between life and how people deal with life. It's the most important thing we do. — Wendell Pierce

I had one simple idea about telling friends about arts and technology events. People in the community suggested everything else to us, and that's our theme. We're really run by the people who use the site. We just run the infrastructure, and help out with problems. — Craig Newmark

This process of assimilation, which takes place in depth, requires a state of relaxation that is becoming rarer and rarer. If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away. His nesting places - the activities that are intimately associated with boredom - are already extinct in the cities and are declining in the country as well. With this the gift for listening is lost and the community of listeners disappears. For storytelling is always the art of repeated stories, and this art is lost when the stories are no longer retained. — Walter Benjamin

I didn't go to high school, I didn't go to college, I didn't have women's studies. All of my feminist ideals and education have been built around art and my friends and community. And so it's still growing. — Kathleen Hanna

There is a close connection between art and religion in the sense that both are concerned about questions of meaning - if not about the meaning of existence generally, then certainly about the meaning of one's individual life and how a person relates to his or her total community/environment. — Freeman Patterson

Stop being part of the social norms of writing and teaching, which then leads to the point, stop being a capitalist person, one who works for a salary to teach writing in a form that's acceptable to capitalism, which then leads further to the point, exit social norms imposed upon you, do not have a lifestyle that requires living by capitalist rules even outside the teaching and practice of writing - which ultimately is the only way to a real literary community, which is based on real art, and you see how impossible a track I'm on? — Anis Shivani

Anyone who believes that you can make art from language is part of a small, nearly-vanishing community, and we should all form a wedge and march on the enemy. Do we need different uniforms in this struggle, different stripes on our arms so that it's clear who the realists are? Maybe, but I care less and less. — Ben Marcus

Fashion intersects a lot with art and film and music, and that was appealing to me. I read a bunch of fashion blogs and wanted to be part of the community. — Tavi Gevinson

We don't need more museums that try to construct the historical narratives of a society, community, team, nation, state, tribe, company, or species. We all know that the ordinary, everyday stories of individuals are riches, more humane, and much more joyful. — Orhan Pamuk

..."extreme capitalism": the obsessive, uncritical penetration of the concept of the market into every aspect of American life, and the attempt to drive out every other institution, including law, art, culture, public education, Social Security, unions, community, you name it. It is the conflation of markets with populism, with democracy, with diversity, with liberty, and with choice---and so the denial of any form of choice that imposes limits on the market. More than that, it is the elimination of these separate concepts from our political discourse, so that we find ourselves looking to the stock market to fund retirement, college education, health care, and having forgotten that in other wealthy and developed societies these are rights, not the contingent outcomes of speculative games.

James K. Galbraith, Lloyd M. Bentsen Jr. Chair in Government/Business Relations and Professor of Government, University of Texas. — James K. Galbraith

The purpose of education is to fit us for life in a civilised community, and it seems to follow from the subjects we study that the two most important things in civilised life are Art and Science. — Anthony Burgess

The best hopes of any community rest upon that class of its gifted young men who are not encumbered with large possessions ... I now speak of extensive scholarship and ripe culture in science and art ... It is not large possessions, it is large expectations, or rather large hopes, that stimulate the ambition of the young. — Rutherford B. Hayes

[May] this civic and social landmark [the Washington, D.C., Jewish Community Center] ... be a constant reminder of the inspiring service that has been rendered to civilization by men and women of the Jewish faith. May [visitors] recall the long array of those who have been eminent in statecraft, in science, in literature, in art, in the professions, in business, in finance, in philanthropy and in the spiritual life of the world. — Calvin Coolidge

Odors from decaying food wafting through the air when the door is opened, colorful mold growing between a wet gym uniform and thedamp carpet underneath, and the complete supply of bath towels scattered throughout the bedroom can become wonderful opportunities to help your teenager learn once again that the art of living in a community requires compromise, negotiation, and consensus. — Barbara Coloroso

Sister Simone Campbell: I sometimes think we, in the United States, think we ought to do something about everything and that it's my job to fix everything. Well, it's not. That's way beyond us. It's more important, I think, that we listen deeply to our stories and then see where it leads. And that's the piece. If we all do our part ... Whatever our part is, wherever we are. Whatever our part is. Just do one thing. That's all we have to do. The guilt - or the curse - of the progressive, the liberal, the whatever, is that we think we have to do it all. And then we get overwhelmed. I get all those solicitations in the mail. And I can't do everything. And so I don't do anything. But that's the mistake. Community is about just doing my part. — Krista Tippett

Fortunately art is a community effort - a small but select community living in a spiritualized world endeavoring to interpret the wars and the solitudes of the flesh. — Allen Ginsberg

The detachment of the artist is kind of creepy. It's kind of rude, and yet really it's where art comes from. It's not the same as courage. It's closer to bad manners than to courage. [ ... ] if you're going to be a writer, you basically have to say, 'this is just who I am [ ... ]'. There's a certain indefensibility about it. It's not about loving your community and taking care of it - you're not attached to the chamber of commerce. It's a little unsafe. You have to be willing to have only four friends, not 11. — Lorrie Moore

I'm pleased to see the progress made on the Windsor Regional Hospital project. This is an important project for our community in terms of the stimulus it is providing to the local economy and the vital role the new facility will play in providing state-of-the-art health care and treatment to Windsor residents. — Sandra Pupatello

We've made it private, contained it in family, when its audacity is in its potential to cross tribal lines. We've fetishized it as romance, when its true measure is a quality of sustained, practical care. We've lived it as a feeling, when it is a way of being. It is the elemental experience we all desire and seek, most of our days, to give and receive. The sliver of love's potential that the Greeks separated out as eros is where we load so much of our desire, center so much of our imagination about delight and despair, define so much of our sense of completion. There is the love the Greeks called filia - the love of friendship. There is the love they called agape - love as embodied compassion, expressions of kindness that might be given to a neighbor or a stranger. The Metta of the root Buddhist Pali tongue, "lovingkindness," carries the nuance of benevolent, active interest in others known and unknown, and its cultivation begins with compassion towards oneself. — Krista Tippett

You never know what will spark a student's interest and feed the flame of learning. For me, all subjects are connected: writing, reading, science, art, music, math, social studies. By presenting myself as a writer with wide ranging passions - for astronomy, volcanology, art, music, history, and community service - I hope to inspire not only budding writers but also budding scientists, artists, activists... — Elizabeth Rusch

In the dynamics of the main family of the story, a rising socialist in England's postwar government expects his grandparents to be pleased that the local aristocrat's garden is commandeered to allow the people to get coal underneath. Instead, the grandparents grieve because the garden represents something more than a resource to be divided. It is a symbol of community and beauty. — Ken Follett

I would say if you are familiar with our history and the history of our art and literature that you see a clear cut pattern of people wanting to contribute, not only artistically, but in some practical purpose, for the benefits of the community. — Gil Scott-Heron

Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art. — Howard Zehr

Where there is no human connection, there is no compassion. Without compassion, then community, commitment, loving-kindness, human understanding, and peace all shrivel. Individuals become isolated, the isolated turn cruel, and the tragic hovers in the forms of domestic and civil violence. Art and literature are antidotes to that. — Susan Vreeland

The paid wealth which hundreds in the community acquire in trade, or by the incessant expansions of our population and arts, enchants the eyes of all the rest; the luck of one is the hope of thousands, and the bribe acts like the neighborhood of a gold mine to impoverish the farm, the school, the church, the house, and the very body and feature of man. — Ralph Waldo Emerson

When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action. — Lily Yeh

DeLillo presents art as the soundest magic against dread, the truest source of radiance and community. Albeit tentatively and ambiguously, Underworld suggests that artists may achieve an accommodation with culture that is also act of resistance. (7) — Mark Osteen

I think the arts has great potential to create citizens. Citizenship is about the direction your imagination travels. We can't plan or calculate or examine citizenship; it's an imagined thing. Community is an imagined thing. And if your imagination isn't working - and, of course, in oppressed people that's the first thing that goes - you can't imagine anything better. Once you can imagine something different, something better, then you're on your way. — Lee Maracle

Art pulls a community together ... Art makes you feel differently. That's what artists are doing all the time, shifting and changing the way you see life. — Lister Sinclair

Steven Tepper's Not Here, Not Now, Not That! offers invaluable insights into how social change and uncertainty drive protests over art. With fresh data and perspectives, Tepper makes a compelling case that cultural conflicts are largely homegrown, tied to each community's shifting demographics and values. It's an eye-opening work. — Ken Paulson

Darkness is a lot of what art is and certainly in our community a lot of it is people sort of wrestling with their demons. — Joseph Gordon-Levitt

I know the community mostly for its art and culture ... and of course its food, I eat at their restaurants." "They make you feel like taking off your shoes ... it feels like home. — Erykah Badu

On the one hand, it is in and through creative minds that the community fulfils itself at its best and reaches its highest forms; and on the other, it is from them that the community recovers the social substance with which it had nourished them, transfigured by their creative alchemy into a still higher social substance. The creative evolution of his community and his own creative evolution must always be the two earnest purposes of the individual. Its own creative evolution and that of the individuals in its midst must always be the two earnest purposes of the community. — Salvador De Madariaga

Collaborative workshops and writers' peer groups hadn't been invented when I was young. They're a wonderful invention. They put the writer into a community of people all working at the same art, the kind of group musicians and painters and dancers have always had. — Ursula K. Le Guin

When artists give form to revelation, their art can advance, deepen and potentially transform the consciousness of their community. — Alex Grey