Aristotle On Writing Quotes & Sayings

Speech is the representation of the mind, and writing is the representation of speech. — Aristotle.

The rules are all in a sixty-four-page pamphlet by Aristotle called 'Poetics.' It was written almost three thousand years ago, but I promise you, if something is wrong with what you're writing, you've probably broken one of Aristotle's rules. — Aaron Sorkin

To write well, express yourself like the common people, but think like a wise man. — Aristotle.

Aristotle writes that persuasion is based on three things: the ethos, or personal character of the speaker; the pathos, or getting the audience into the right kind of emotional receptivity; and the logos, or the argument itself, carried out by abbreviated syllogisms, or something like deductive syllogisms, and by the use of example. — Randal Marlin

[Footnote:] Aristotle maintains that the neck of the Lion is composed of a single bone. Aristotle knew nothing at all about Lions, a circumstance which did not prevent him from writing a good deal on the subject. — Will Cuppy

The truth is that, just as in the other imitative arts one imitation is always of one thing, so in poetry the story, as an imitation of action, must represent one action, a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin and dislocate the whole. For that which makes no perceptible difference by its presence or absence is no real part of the whole. — Aristotle.

In general, what is written must be easy to read and easy to speak; which is the same. — Aristotle.

We take Aristotle seriously not when we write about his ideas, but when we take his ideas as part of our discussions. — Jay L. Garfield

Anyone who has no need of anybody but himself is either a beast or a God.
Aristotle — Bruce Wayne Sullivan

The greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances. — Aristotle.

If, however, the poetic end might have been as well or better attained without sacrifice of technical correctness in such matters, the impossibility is not to be justified, since the description should be, if it can, entirely free from error. — Aristotle.

Helen's era was quite different from what most people think of when they hear the words ancient Greece. The Parthenon, the graceful statues, the works of Sophocles, Euripides, Socrates, Aristotle, and Plato, all came nearly a thousand years after Helen's time, during the classical era. In the Bronze Age, no one yet knew how to make brittle iron flexible enough to use for tools and weapons. Art, especially sculpture of the human form, was stiffer and more stylized. Few people could read or write. Instead of signing important papers, you would use a stone seal to leave an impression on clay tablets. The design on the seal would be as unique as a signature. There was a kind of writing in Bronze Age Greece, but it was mostly used to keep track of financial matters, such as royal tax records. Messages, poems, songs, and stories were not written down but were memorized and passed along by word of mouth. — Esther M. Friesner

I paraphrase Aristotle: If you want to be comical, write about people to whom the audience can feel superior; if you want to be tragical, write about at least one person to whom the audience is bound to feel inferior, and no fair having human problems solved by dumb luck or heavenly intervention. — Kurt Vonnegut

As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail. — Aristotle.

As Aristotle said, you have to be an aristocrat or a reactionary to write a good proletarian poem. — Kenneth Rexroth

A good style must, first of all, be clear. It must not be mean or above the dignity of the subject. It must be appropriate. — Aristotle.

The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play - which is the better way and shows the better poet. The Plot in fact should be so framed that even without seeing the things take place, he who simply hears the account of them shall be filled with horror and pity at the incidents; which is just the effect that the mere recital of the story in Oedipus would have on one. To produce this same effect by means of the Spectacle is less artistic, and requires extraneous aid. — Aristotle.

I was told, and indeed I saw several examples, that neither time nor place was much minded, and that I might hazard being equally careless of chronology and geography; but I piqued myself on having studied Aristotle, and scrupulously attended to the probabilities of time and place. — Charlotte Turner Smith

As far as I'm concerned all theatre is physical. As Aristotle says, you know, theatre is an act and an action, and he didn't mean just the writing of it, he meant that at the centre of any piece there is an action, a physical action. — Simon McBurney

It gives him spiritual freedom. To him life is a tragedy and by his gift of creation he enjoys the catharsis a purging of pity and terror, Which Aristotle tells is the object of art.
Everything is transformed by his power into material and by writing it he can overcome it. Everything is grist to his mill.
... The artist is the only free man. — W. Somerset Maugham

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second - compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. — Aristotle.

Thus, from admiration of one wise and innocent child, and from a misheard remark, the process that not even Aristotle could codify was triggered.
Where do you get your ideas?
I purposely mishear things. — Harlan Ellison