Apologia Quotes & Sayings

We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur. — Martin Amis

Homicide is not a sin. It is sometimes a necessary violence on resistant and ossified forms of existence which have ceased to be amusing. In the interests of an important and fascinating experiment, it can even become meritorious. Here is the starting point of a new apologia for sadism. — Bruno Schulz

The author apologizes for being unable to afford a ghost writer, which explains the lack of a distinctive prose style. — Richard Armour

I'm very impressed by the imagery in the 'Apologia', which is a kind of sustained poem. It's not just a piece of apologetics of the sort you find in Jesuit literature: 'Why I came over', and so on. It's a tremendously rewarding book but requires perseverance on the part of the reader. — John Cornwell

Because of this it has been possible for the play to be read, as it so often has been since the Romantic period, as a credo, an apologia pro vita sua (a justification of his own life), on the part of Shakespeare the dramatist. — William Shakespeare

Apologetics comes from the Greek word apologia, which means a defense, as in a court of law. Christian apologetics involves making a case for the truth of the Christian faith. — William Lane Craig

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

The only really effective apologia for Christianity comes down to two arguments, namely, the saints the Church has produced and the art which has grown in her womb. — Pope Benedict XVI

[Medieval] Art was not just a static element in society, or even one which interacted with the various social groups. It was not simply something which was made to decorate or to instruct - or even to overawe and dominate. Rather, it was that and more. It was potentially controversial in ways both similar and dissimilar to its couterpart today. It was something which could by its force of attraction not only form the basis for the economy of a particular way of life, it could also come to change that way of life in ways counter to the original intent. Along with this and because of this, art carried a host of implications, both social and moral, which had to be justified. Indeed, it is from the two related and basic elements of justification and function - claim and reality - that Bernard approaches the question of art in the Apologia. — Conrad Rudolph

Why was she always so craven, so apologetic? He had always seen Ruth as separate, good and untainted. As a child, his parents had appeared to him as starkly black and white, the one bad and frightening, the other good and kind. Yet as he had grown older, he kept coming up hard in his mind against Ruth's willing blindness, to her constant apologia for his father, to the unshakeable allegiance to her false idol. — J.K. Rowling

There are always a dozen reasons for doing nothing," Ann liked to say
it was a favourite apologia, indeed, for many of her misdemeanours. "There is only one reason for doing something. And that's because you want to." Or have to? Ann would furiously deny it: coercion, she would say, is just another word for doing what you want; or for not doing what you are afraid of. — John Le Carre

The metaphysical apologia at least betrayed the injustice of the established order through the incongruence of concept and reality. The impartiality of scientific language deprived what was powerless of the strength to make itself heard and merely provided the existing order with a neutral sign for itself. Such neutrality is more metaphysical than metaphysics. — Theodor Adorno

A month later Billie sits at her dining room table, sifting through the pictorial record of Chris's final days. It is all she can do to force herself to examine the fuzzy snapshots. As she studies the pictures, she breaks down from time to time, weeping as only a mother who has outlived a child can weep, betraying a sense of loss so huge and irreparable that the mind balks at taking its measure. Such bereavement, witnessed at close range, makes even the most eloquent apologia for high-risk activities ring fatuous and hollow. - describing the mother of Chris McCandless after learning of his starvation in the wild — Jon Krakauer

The earliest surviving manuscript containing Artephius' 'Ars Sintrillia' is from the seventeenth century, titled 'Artetti ac Mininii Apologia in Artem Magicam' under the heading 'De Scientia Praeteritorum Praesentium ac Futuorum'. This describes the use of three vases of different materials filled with water, wine and oil in which there are semi-precious stones. These are arranged in several ways with candles, and by the reflection of the rays of the sun, moon and stars into the liquids from several instruments, including a sword, make possible various kinds of divination, especially knowledge of the past, present and future — Nicholas Clulee