Another Me Film Quotes & Sayings

The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director. — Nicholas Ozeki

I love TV, don't get me wrong. But with film, you're just banging out this one product and you're not waiting on another script. You have your script. It's great, in that way. — David Anders

'Jurassic Park' and 'Star Wars' shoved me into loving sci-fi and film in general when I was a barely coherent 3-year-old. And 'Lord of the Rings' took me to another planet entirely. Before that series, I knew I loved writing, but after, I knew that I had to write. — Victoria Aveyard

I do play all the characters, when I write them, one after another. If they actually had to film me, the only one I could play would be Samwell Tarly or Hot Pie. — George R R Martin

I could've had moments when I could've said, "You know what? Let me make another film; this is taking a long time to get distributed." It can be difficult to stay passionate. You have to be that passionate and be prepared for it to get what it deserves. Make sure you have a really good team going in at the beginning and don't have people in your team that aren't there 100%. — Storm Saulter

People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys', and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time, I was shooting this indie film 'The Souler Opposite' and six days a week, I'm playing this big puppy dog, then I come to the 'NYPD Blue' set and become this scumbag. — Christopher Meloni

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

For me, after emotionally intense roles, I'd need to take a step back because then there's the promoting of the film which is another job in itself. — Gugu Mbatha-Raw

I think the contrast between these two in the professional world of cinema mattered to me. One who has reached the ultimate point of being a star, who knows how to do everything very well, facing another person who would throughout the making of the film transfer his anxiety to both of us, to me and to Juliette, as to whether or not he would be capable of fulfilling his role. This in itself created a challenge that was actually very good for me, since I hadn't ever counterposed two such performers before, creating that challenge between someone who knows their part and someone who doesn't. — Abbas Kiarostami

Actually, after the release of the Bond film, the producers came back to me to offer me another one, but I didn't have any juice left for an immediate encore. — Roger Spottiswoode

I don't know - music in film, for me, is not another part of a soundtrack; it is something that also helps to approach a character, to foresee the type of image - you see what I mean - it's like a part of the process. — Claire Denis

There's a level where the themes of a film are very relevant to me and also the idea of finding out how relevant one genre is to another. I think that westerns and samurai films and superhero films have a lot in common. It's just that the scale of the visuals in tentpole films can sometimes overwhelm the drama. — James Mangold

[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again ... — Dennis Hopper

My favorite scene was my dying scene, when I had to stand up and suddenly in that moment recall my wife and everything I stood for, and I say "My queen, my wife, my love" and I think of all my movies, that is the most powerful moment I ever had. In preparation for each take, I would scream at the ground, clench my fists, and scrape the ground, and cut all my knuckles and rip my nails... I would scream, and scrape, and scratch, and then I would stand and go "GO."
And they would film.
And it felt so visceral, and so powerful, and the next day, that was my last day of filming, the next day I was leaving Montreal and I went through US IMMIGRATION and the officer asked "what happened to your hands" and I said "I was just scratching the ground" and she took me for secondary questioning, and I missed my flight, and had to stay another day.
So the next day I wore gloves. — Gerard Butler

If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer ... — Bruce Dern

We were in another planet and we were reaching for something closer to a fable. It was something fabulous. I started looking at the film as if it happened in another planet and that allowed me even more freedom. — Alex Abreu

I stole a ton of film language from Steven Soderbergh and 'The Limey.' It's the definition of elliptical. It was the first movie I remember that introduced me to storytelling that isn't just one scene after another, and that things can be mixed up in the way that real experiences can. — Shane Carruth

I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character. — Sandra Bullock

Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert [Budreau] was going to really let me be creative inside this part. — Ethan Hawke

I'd love to be in another film, but they haven't asked me. I think it's a shame but the prospects of me doing another one now are remote. Please do campaign on my behalf. — Julie Walters

Another thing that really excites me: I'd like to do multiple versions of the same film. — Steven Soderbergh

The film's title star, Christian Bale, told me in June that he'd signed a multi-picture contract. When I caught up with Batman Begins ... All I can tell you is, we're talking. There was quite an air of secrecy around the development of 'Batman Begins,' and there will be even more around the development of another film, if they move forward. — Christopher Nolan

That is another chamber of my heart that shows no electrical activity - the chamber that used to flicker into life when I saw a film that moved me, or read a book that inspired me, or listened to music that made me want to cry. I closed that chamber myself, for all the usual reasons. And now I seem to have made a pact with some philistine devil: if I don't attempt to re-open it, I will be allowed just enough energy and optimism to get through a working day without wanting to hang myself. — Nick Hornby

A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium
stage, film, music
doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way. — Lois Lowry

The truth of the matter is, every film is imperfect. It's the nature of the beast. One of the things that people ask me all the time is, what's the difference between theater and film, and one of the biggest differences is, in the theater you always get another go. — Stephen Daldry

Getting the role in '300' saved me. I'd been out of work for 11 months after 'The Brothers Grimm.' Once the film came out and didn't do so well, the director Terry Gilliam blamed me for absolutely everything. It was pretty appalling, and I had started to wonder if I'd ever get another job again when I was asked to audition for '300.' — Lena Headey

I think, for me anyway, music and film is where you can really transport yourself to another universe. — Teresa Palmer

And my first film was Carnal Knowledge, another amazing experience, largely because of Mike Nichols, who would tell me you can't do anything wrong because you're doing everything right. — Carol Kane

I hate being cold and I hate being wet and around 80% percent of this film I was cold and another 60% I was cold and wet, so it wasn't the best shoot for me. — Morris Chestnut

When the war ended in 1945, Robert Newton's film career took off. And then he landed the part of Disney's Long John Silver. "What accent do you want me to put on?" he asked Walt, in his natural thick West-country, 'Cornwall/Devon/Dorset' burr. Pointing at his face excitedly, "Why, that one." Disney replied. And THE OFFICIAL PIRATE ACCENT was born. Newton went on to do another Long John Silver film, then a 26 part television series. He died early, aged 50, from chronic alcoholism, just the way a pirate would want to go. But he left the legacy of 'the' pirate accent 'til the end of time. Every pirate 'R' or 'Arrrgh' joke you ever heard, owes its very life to the combination of Robert Newton, R. L. Stevenson, and Walt Disney.
-- Renaissance Festival Survival Guide — Ian Hall

I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream ... allows you to dream in the dark. It's just a fantastic thing, to get lost inside the world of film. — David Lynch

Streets closed, emptied by force Guns at corners
with open mouths and eyes Memory speaks:
You cannot live on me alone
you cannot live without me
I'm nothing if I'm just a roll of film
stills from a vanished world
fixed lightstreaked mute
left for another generation's
restoration and framing I can't be restored or framed
I can't be still I'm here
in your mirror pressed leg to leg beside you
intrusive inappropriate bitter flashing
with what makes me unkillable though killed — Adrienne Rich

I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997. — Deborah Mailman

Unlike an envied and admirable few, I separate my friends and almost never dare mingle one group with another. When I do, it is usually a social disaster, like mixing drinks. I love good beer and I love good wine, but you cannot drink both on the same evening without suffering. I love the friends with whom I play or once daily played snooker and tooted quantities of high-grade pulverized Andean flake; I love the friends with whom I dine at preposterously expensive restaurants; I love the friends with whom I'm film-making or mincing on the stage. I love and value them all equally and don't think of them as stratified or in tiers, one group in some way higher or more important than the rest, but the thought of introducing them to each other makes me shiver and shudder with cringing embarrassment. — Stephen Fry

I remember, the first time I saw a [Andrei] Tarkovsky film, I was shocked by it. I didn't know what to do. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before. Then others, like Kurosawa and Fellini, were like a new discovery for me, another country. — Alejandro Gonzalez Inarritu

My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state. — Randolph Scott

To work with Richard [Ayoade] is my favourite thing in the world. He is my favourite person. So, it was great for me to be involved in a project that was, again, so different and with such wonderful actors. Everyone from Submarine is in the film in one way or another, which helps because it really does feel like a family. — Yasmin Paige

For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance. — Gore Verbinski

When I connect to my soul, project it into another # character , and then bring it to the stage or to a film
that has always been for me the great joy of # acting . It's been as if my soul kind of leaps out of my body and is able to be free and dance around. — Kyra Sedgwick

When I see 'Sunshine,' I see a film that part of me is kind of very proud of and another part of me is very sad about, so it's a really complicated film for me. And I've never been really able to resolve all that in myself. — Alex Garland

Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him. — Greil Marcus

I'm keeping my day job, because Poptropica is something that really energizes me. I'd love to create a TV series or write a film that's not in the 'Wimpy' universe, but I know it will be difficult to create something from scratch. But I love creating good comedy for kids, so I hope to have another successful venture in the future! — Jeff Kinney

In terms of doing another franchise after 'Transformers,' I don't know if that would be best for me. I'm really happy to inhabit the world of independent film. — Jack Reynor

It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage. — Philip Kaufman

Yes, I'm old," Henry said, and folded his arms. "Old enough to have made cemeteries of men younger than you. Killed in wars. Killed in peace. Knifed and shot my way most of my life. Killed Indians and white men with my hands or the guns I took from them."
Another step, his arms unfolded.
"I get paid to bring in escaped men that have done worse."
One more foot.
"And there is nothing in you that don't stand thin against me, and you know it. And this ain't the forst time I've had guns against me and you know that too."
He looked at them all, weighed them all.
"And I'm done talking. — Robert Lautner

I wanted to be involved in TV and film in some capacity, so a compromise, because acting seemed unrealistic, and so risky, was to get into the production side. And it was a really fortunate, smart move looking back on it, because it gave me perspective on another side of the business. — Wentworth Miller

I realized what interested me as a student of film was one thing and the movies that I liked were another. — Sam Raimi

Each film I make changes me in some way. When I start the picture I'm one person and by the time I finish I'm another. — Dario Argento

Suppose every photo of me ever taken was an infinitesimal piece? Every magazine ad, every negative, every frame of motion picture film - another tiny molecule of me, stolen away to feed an audience that is *never* satiated. And when someone is fully consumed - vampirized - they move on, still hungry, to pick their next victim by making him or her a star. That's why they're called consumers. ("Red Light") — David J. Schow

To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film. — Edward Zwick

If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart. — George A. Romero

I am not interested in considering another TV series. This one was a wonderful experience which will be hard to top, and It's caused me to turn down several good film opportunities because of the schedule. — Dennis Franz

My kids love going to movies, and I enjoy taking naps during those movies. Sure, I'm not thrilled to pay twelve dollars to take a nap, yet it always seems worth it. I'm not even concerned that I'm missing the film, because I know I'll have another dozen times to see it at home when my kids watch it on Netflix or force me to buy it on iTunes for a thousand dollars. — Jim Gaffigan

I was born into a world full of 'specialists'. I'm not sure whether it's the result of our education system or just natural entropy, but it's very uncommon to know a poet with even a mediocre knowledge about art, or an artist with a good taste in poetry, and so on and on. What this really is: lack of general education in a structural sense: god knows how many people I've met that are actually PROUD about proclaiming their ignorance about another field: it is as if it signifies their 'devotion to one path' while in reality they really only look like a buffoon if you ask me. New is that I am encountering 'Literary Critics' that proudly proclaim to 'never have read any foreign poetry' as if a 'movie critic' that only has watched Dutch films would be somehow capable of criticizing them in any true sense of the word. — Martijn Benders

Baz Luhrrman's movie Romeo and Juliet is what made me decide that I wanted to dedicate my life to making films one way or another. — Kelly Blatz

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me. — Jennifer Beals

I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else. — William Monahan