Anglo Saxon Poetry Quotes & Sayings
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Top Anglo Saxon Poetry Quotes

There is an Anglo-Saxon form of riddling that plays with the polarities of words like bright and dark, cold and warm, throwing them against one another and crafting lines of rich, humorous nonsense like this poem that has been around for so many hundreds of years that you just have to sit back and, with nothing else in mind, laugh out loud. — Gerald Hausman

At seventeen I tried to write poetry confining myself solely to Anglo-Saxon words - don't know if it helped, but it made me more concrete ... — John Geddes

Less doth yearning trouble him who knoweth many songs, or with his hands can touch the harp: his possession is his gift of glee which God gave him. — J.R.R. Tolkien

In a way, Anglo-Saxon poetry cannot be translated. — Seamus Heaney

Some people think that English poetry begins with the Anglo-Saxons. I don't, because I can't accept that there is any continuity between the traditions of Anglo-Saxon poetry and those established in English poetry by the time of, say, Shakespeare. And anyway, Anglo-Saxon is a different language, which has to be learned. — James Fenton

Spanish and English have such different music, and in my own poetry I feel much less drawn to fluid sounds than I do toward the hard sounds and rhythms that come out of the Anglo-Saxon roots of English. — Joan Larkin

Can you name a single one of the great fundamental and original intellectual achievements which have raise man in the scale of civilization that may be credited to the Anglo-Saxon? The art of letters, of poetry, of music, of sculpture, of painting, of the drama, of architecture; the science of mathematics, of astronomy, of philosophy, of logic, of physics, of chemistry, the use of the metals and principles of mechanics, were all invented or discovered by darker and what we now call inferior races and nations. — James Weldon Johnson

What fascinated me about English was what I later recognized as its hybrid etymoogy: blunt Anglo-Saxon concreteness, sleek Norman French urbanity, and polysyllabic Greco-Roman abstraction. The clash of these elements, as competitive as Italian dialects is invigorating, richly entertaining, and often funny, as it is to Shaskespeare, who gets tremendous effects out of their interplay. The dazzling multiplicity of sounds and word choices in English makes it brilliantly suited to be a language of poetry.. — Camille Paglia