And So It Goes Slaughterhouse Five Quotes & Sayings

Fobbit is fast, razor sharp, and seven kinds of hilarious. Thank you, Mr. Abrams, for the much needed salve
it feels good to finally laugh about Iraq. Fobbit deserves a place alongside Slaughterhouse Five and Catch-22 as one of our great comic novels about the absurdity of war. — Jonathan Evison

And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep. — Kurt Vonnegut

So it goes."
Unlike many of these quotes, the repeated refrain from Vonnegut's classic Slaughterhouse-Five isn't notable for its unique wording so much as for how much emotion - and dismissal of emotion - it packs into three simple, world-weary words that simultaneously accept and dismiss everything. There's a reason this quote graced practically every elegy written for Vonnegut over the past two weeks (yes, including ours): It neatly encompasses a whole way of life. More crudely put: "Shit happens, and it's awful, but it's also okay. We deal with it because we have to. — Kurt Vonnegut

I felt after I finished Slaughterhouse-Five that I didn't have to write at all anymore if I didn't want to. It was the end of some sort of career. I don't know why, exactly. I suppose that flowers, when they're through blooming, have some sort of awareness of some purpose having been served. Flowers didn't ask to be flowers and I didn't ask to be me. At the end of Slaughterhouse-Five ... I had a shutting-off feeling ... that I had done what I was supposed to do and everything was OK . — Kurt Vonnegut

The girls screamed. They covered themselves with their hands and turned their backs and so on, and made themselves utterly beautiful. — Kurt Vonnegut

I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material. — Jerry Garcia

Five German soldiers and a police dog on a leash were looking down into the bed of the creek. The soldiers' blue eyes were filled with a bleary civilian curiosity as to why one American would try to murder another one so far from home, and why the victim should laugh. — Kurt Vonnegut

Billy Pilgrim: "You guys go on without me. I'll be alright."
Slaughterhouse-Five
Kurt Vonnegut — Kurt Vonnegut

The Population Reference Bureau predicts that the world's total population will double to 7,000,000,000 before the year 2000. I suppose they will all want dignity, I said. — Kurt Vonnegut

I have graded my separate works from A to D. The grades I hand out to myself do not place me in literary history. I am comparing myself with myself. Thus can I give myself an A-plus for Cat's Cradle, while knowing that there was a writer named William Shakespeare. The report card is chronological, so you can plot my rise and fall on graph paper, if you like:
Player Piano B
The Sirens of Titan A
Mother Night A
Cat's Cradle A-plus
God Bless You, Mr. Rosewater A
Slaughterhouse-Five A-plus
Welcome to the Monkey House B-minus
Happy Birthday, Wanda June D
Breakfast of Champions C
Wampeters, Foma & Grandfalloons C
Slapstick D
Jailbird A
Palm Sunday C — Kurt Vonnegut

What good the prophet in the wilderness may do is incremental and personal. It's good for us to hear someone speak the irrational truth. It's good for us when, in spite of all of the sober, pragmatic, and even correct arguments that war is sometimes necessary someone says: war is large-scale murder, us at our worst, the stupidest guy doing the cruelest thing to the weakest being. — George Saunders

I turned the page in Slaughterhouse Five, a forbidden book at Belmont because we were too young to read about soldiers swearing and bombs dropping and bodies blowing up and war sucking. — Laurie Halse Anderson

Nearly all the writing of our time is likely to disappear in a hundred years. Certainly most readers - and nearly all critics - feel that [Kurt] Vonnegut started to repeat himself, to grow increasingly self-indulgent and meandering, and to sometimes just blather in his later work. But his books up to "Slaughterhouse-Five" do possess a distinctiveness that will insure some kind of permanence, if only in the history of the 1960s and of science fiction. — Michael Dirda

Chess and you taking a picture of me reading Slaughterhouse-Five, telling me I'd need proof someday because nobody in Creek View would ever believe I had actually read a goddamn book, let alone five. Talking about God and why there's evil in the world and bitching because the Steelers won the Super Bowl. Camp Leatherneck, me not missing home at all and you missing it like crazy, always talking about going to college and how when you had leave you were gonna marry Hannah. And you wanted kids, and I said I didn't because people like me, we just end up disappointing one another and I'd probably be like my dad, and you told me I had to get over it, get over my dad and my mom and how screwed up everything is because you said, Josh, you're gonna have it all. I know it. You're gonna have it all. And for the first time, I'm almost believing that. — Heather Demetrios

The nicest veterans in Schenectady, I thought, the kindest and funniest ones, the ones who hated war the most, were the ones who'd really fought. — Kurt Vonnegut

Billy Pilgrim has become unstuck in time. — Kurt Vonnegut Jr.

I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to 'real life' - he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. In fact, 'Slaughterhouse-Five' seemed to be saying that our most profound experiences may require this artistic uncoupling from the actual. The black box is meant to change us. If the change will be greater via the use of invented, absurd material, so be it. — George Saunders

The books he and his supporters wanted out of the schools, one of mine among them, were not pornographic, although he would have liked our audience to think so. (There is the word "motherfucker" one time in my Slaughterhouse-Five, as in "Get out of the road, you dumb motherfucker." Ever since that word was published, way back in 1969, children have been attempting to have intercourse with their mothers. When it will stop no one knows.) — Kurt Vonnegut

The gaping trunk looked like the mouth of a village idiot who was explaining that he didn't know anything about anything. — Kurt Vonnegut

YOU WEREN'T born choking on no silver spoon, you know how it goes when you go looking for a job and you need one: You wait in the first indifferent room, ink in the forms, apply in another room with linoleum that's waxy and squeaks and overhead lights that don't miss a thing; then there's the desk and the person behind it who thinks he's an admiral, or it's a she and she thinks she's now in line for the throne to somewhere, and next you're kissing ass and aw-shucksing toward the desk, telling how bad all your life you've been wanting to be night janitor in a chemical plant, or hog wrangler in a slaughterhouse, or pizza delivery boy, how you've laid awake in bed gettin' goose bumps just from imagining how high and wide your life might someday be lived if ever you could average five dollars and forty cents an hour. But — Daniel Woodrell

The time would not pass. Somebody was playing with the clocks, and not only the electronic clocks but the wind-up kind too. The second hand on my watch would twitch once, and a year would pass, and then it would twitch again.
There was nothing I could do about it. As an Earthling I had to believe whatever clocks said -and calendars. — Kurt Vonnegut

Billy took off his tri-focals and his coat and his necktie and his shoes, and he closed the venetian blinds and then the drapes, and he lay down on the outside of the coverlet. But sleep would not come. Tears came instead. They seeped.
[ ... ] He closed his eyes, and opened them again. He was still weeping, but he was back in Luxembourg again. He was marching with a lot of other prisoners. It was a winter wind that was bringing tears to his eyes. — Kurt Vonnegut

If everybody would leave him alone for just a little while, he thought, he
wouldn't cause anybody any more trouble. He would turn to steam and float up among
the treetops. — Kurt Vonnegut

Dystopian Cybernetic Environment in Kurt Vonnegut's Slaughterhouse-Five — Ruzbeh Babaee

Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs."
So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies.
So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne.
"I tell you what," I said, "I'll call it 'The Children's Crusade.'"
She was my friend after that. — Kurt Vonnegut

All this happened, more or less. The war parts, anyway, are pretty much true. — Kurt Vonnegut