An Old English Quotes & Sayings

OLD GRIZZLY ADAMS. [37-*] James C. Adams, or "Grizzly Adams," as he was generally termed, from the fact of his having captured so many grizzly bears, and encountered such fearful perils by his unexampled daring, was an extraordinary character. For many years a hunter and trapper in the Rocky and Sierra Nevada Mountains, he acquired a recklessness which, added to his natural invincible courage, rendered him truly one of the most striking men of the age. He was emphatically what the English call a man of "pluck." In 1860, he arrived in New York with his famous collection of California animals, captured by himself, consisting of twenty or thirty immense grizzly bears, at the head of which stood "Old Sampson" - now in the American Museum - wolves, half a dozen other species of bear, California lions, tigers, buffalo, elk, etc., and Old Neptune, the great sea-lion, from the Pacific. — P.T. Barnum

Honeymoon, a term we are all familiar with, is a specific reference to mead. The term comes from an old English tradition that dates from the Middles Ages. Mead was drunk in great quantities at weddings, and after the ceremony nuptial couples were given a month's supply of mead--sufficient for one full cycle of the moon. — Pamela Spence

I could never have pictured myself writing a book when I was 25 years old. My mom was an English teacher but I wasn't that way growing up. — Tony Dungy

He hums a little. He's a really old guy with an English accent, he might have a goatee, and he'll definitely be carrying around a really thick, boring book. You might be able to pry it from his decaying hands and beat him back to death with it. Or maybe just reading it to him would work. — Kasie West

Few words in any language carry such a load of meaning as 'honor.' It is an old word, unchanged even in its spelling from classical Latin to modern English. Spoken or written, it does not seem to require much explanation; most people think they know what it means. — Edmund Morgan

Pelapi. It is an old word. There is no single word like it in English. It means 'librarian,' but also 'apprentice,' or perhaps 'student. — Scott Hawkins

European languages and a Google app can now turn your words into a foreign language, either in text form or as an electronic voice. Skype, an internet-telephony service, said recently that it would offer much the same (in English and Spanish only). But claims that such technological marvels will spell the end of old-fashioned translation businesses are premature. Software can give the gist of a foreign tongue, but for business use (if executives are sensible), rough is not enough. And polyglot programs are a pinprick in a vast industry. The business of translation, interpreting and software localisation (revising websites, apps and the like for use in a foreign language) generates revenues of $37 billion a year, reckons Common Sense Advisory (CSA), a consulting firm. — Anonymous

It's kind of a cross between, I think. It's not, you know, over the top Old English, like Lord of the Rings would be or something like that, but there is a very sophisticated air about the Asgardians[?], you know, in their dialogue, and - hold on. Okay. Um, and I'm doing an English accent in the movie. — Jaimie Alexander

John Ronald Reuel Tolkien wrote his first story aged seven. It was about a "green great dragon." He showed it to his mother who told him that you absolutely couldn't have a green great dragon, and that it had to be a great green one instead. Tolkien was so disheartened that he never wrote another story for years.
The reason for Tolkien's mistake, since you ask, is that adjectives in English absolutely have to be in this order: opinion-size-age-shape-colour-origin-material-purpose Noun. So you can have a lovely little old rectangular green French silver whittling knife. But if you mess with that word order in the slightest you'll sound like a maniac. It's an odd thing that every English speaker uses that list, but almost none of us could write it out. And as size comes before colour, green great dragons can't exist. — Mark Forsyth

I'm very sensitive to the English language. I studied the dictionary obsessively when I was a kid and collect old dictionaries. Words, I think, are very powerful and they convey an intention. — Drew Barrymore

An old walrus-faced waiter attended to me; he had the knack of pouring the coffee and the hot milk from two jugs, held high in the air, and I found this entrancing, as if he were a child's magician. One day he said to me - he had some English - "Why are you sad?"
"I'm not sad," I said, and began to cry. Sympathy from strangers can be ruinous.
"You should not be sad," he said, gazing at me with his melancholy, leathery walrus eyes. "It must be the love. But you are young and pretty, you will have time to be sad later." The French are connoisseurs of sadness, they know all the kinds. This is why they have bidets. "It is criminal, the love," he said, patting my shoulder. "But none is worse. — Margaret Atwood

old-fashioned flowers, it looked like an English garden. — Melanie Benjamin

I know, of course, he said, that bacon for breakfast is an English institution, almost as old as parliamentary government. But still, don't you think we might occasionally have a change, Dorothy? — George Orwell

I call it an old-fashioned seafood house for the new millennium. We are trying to update what we know as old fish houses and places like that, which are great, but I want to give it a new, fresh look with updated versions of the classics we all love. — Todd English

Is this good for English football? In the short run, Chelsea's rise has broken up what was turning into an irritating Arsenal-Manchester United duopoly. But football leagues (look at Scotland, look at Spain) can get along OK with duopolies. A monopoly, however, is a disaster. Everyone else in the Premiership has to operate on some kind of business footing, and the terror stalking Highbury and Old Trafford is that Chelsea will be immune from financial discipline forever. — Matthew Engel

I do tend to be an analyzer. I'm an old English major from way back, so I do have fun tearing apart texts and trying to find the hidden secrets and the subtexts in there. — Cynthia Nixon

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

A lot of men who have accepted - or had imposed upon them in boyhood - the old English public school styles of careful modesty in speech, with much understatement, have behind their masks an appalling and impregnable conceit of themselves. — J.B. Priestley

America is remarkable, don't you think so? When I came to Washington, I was twelve years old. I spoke English with an English accent. It was assumed that it would go on in that way. — Ahmet Ertegun

Asian children can perform basic functions, such as addition, far more easily. Ask an English-speaking seven-year-old to add thirty-seven plus twenty-two in her head, and she has to convert the words to numbers (37 + 22). Only then can she do the math: 2 plus 7 is 9 and 30 and 20 is 50, which makes 59. Ask an Asian child to add three-tens-seven and two-tens-two, and then the necessary equation is right there, embedded in the sentence. No number translation is necessary: It's five-tens-nine. — Malcolm Gladwell

an 'old English lady'. Henry, though, had other — Thomas Penn

How fortunate that it was an 'unconventional' party, where formalities are ruled out! On this basis Aziz found the English ladies easy to talk to, he treated them like men. Beauty would have troubled him, but Mrs Moore was so old and Miss Quested so plain that he was spared this anxiety. — E. M. Forster

And yet sometimes she worried about what those musty old books were doing to her. Some people majored in English to prepare for law school. Others became journalists. The smartest guy in the honors program, Adam Vogel, a child of academics, was planning on getting a Ph.D. and becoming an academic himself. That left a large contingent of people majoring in English by default. Because they weren't left-brained enough for science, because history was too dry, philosophy too difficult, geology too petroleum-oriented, and math too mathematical
because they weren't musical, artistic, financially motivated, or really all that smart, these people were pursuing university degrees doing something no different from what they'd done in first grade: reading stories. English was what people who didn't know what to major in majored in. — Jeffrey Eugenides

They were experimenting with narcoanalysis and found that Old Bull had seven separate personalities, each growing worse and worse on the way down, till finally he was a raving idiot and had to be restrained with chains. The top personality was an English lord, the bottom the idiot. Halfway he was an old Negro who stood in line, waiting with everyone else and said, Some's bastards, some's ain't, that's the score. — Jack Kerouac

The language I have learn'd these forty years, My native English, now I must forego: And now my tongue's use is to me no more Than an unstringed viol or a harp, Or like a cunning instrument cased up, Or, being open, put into his hands That knows no touch to tune the harmony: Within my mouth you have engaol'd my tongue, Doubly portcullis'd with my teeth and lips; And dull unfeeling barren ignorance Is made my gaoler to attend on me. I am too old to fawn upon a nurse, Too far in years to be a pupil now: What is thy sentence then but speechless death, Which robs my tongue from breathing native breath? — William Shakespeare

Through neglect of this rule, many men of genius and great scholars have become weak-minded and childish, or even gone quite mad, as they grew old. To take no other instances, there can be no doubt that the celebrated English poets of the early part of this century, Scott, Wordsworth, Southey, became intellectually dull and incapable towards the end of their days, nay, soon after passing their sixtieth year; and that their imbecility can be traced to the fact that, at that period of life, they were all led on? by the promise of high pay, to treat literature as a trade and to write for money. This seduced them into an unnatural abuse of their intellectual powers; and a man who puts his Pegasus into harness, and urges on his Muse with the whip, will have to pay a penalty similar to that which is exacted by the abuse of other kinds of power. And — Arthur Schopenhauer

Shakespeare's bitter play [Troilus and Cressida] is therefore a dramatization of a part of a translation into English of the French translation of a Latin imitation of an old French expansion of a Latin epitome of a Greek romance. (p. 55) — Gilbert Highet

When a new writer defends his "style," the teacher smiles (or cringes) because real style isn't an artifice. Real style - voice - arrives on its own, as an extension of a writer's character. When style is done self-consciously and purposefully it becomes affectation, and as transparent as any affectation - an English accent on an old college chum from New Jersey, for example. — Bill Roorbach

Shelby looked over to see Andrew silently mouthing syllables to himself, as if he were part of an ecstatic rite. He grinned as he bit fricatives and tongued plosives. He was tasting English origins, mulling over words ripped from bronze-smelling hoards. Words that had slept beneath centuries of dust and small rain, sharp and bright as scale mail. Poetry had never moved her quite so much as drama. She loved the shock of colloquy, the beat and treble of words doing what they had to on stage. Andrew preferred the echo of poems buried alive. — Bailey Cunningham

All of us together were of a generation born of old country people who spoke English with an accent and prayed in another language, who drank red wine and cooked their food in the old country way, and peeled apples and pears after dinner. — Robert Laxalt

The concept of an author, the single creative person who gives the text 'authority', only comes later in this period. Most Old English poetry is anonymous, even though names which are in no way comparable, such as Caedmon and Deor, are used to identify single texts. Caedmon and Deor might indeed be as mythical as Grendel, might be the originators of the texts which bear their names, or, in Deor's case only, the persona whose first-person voice narrates the poem. Only Cynewulf 'signed' his works, anticipating the role of the 'author' by some four hundred years. — Ronald Carter

MAINTAINING DOCTRINAL PURITY IS good, but it is not the whole picture for a New Testament church. The apostles wanted to do much more than simply "hold the fort," as the old gospel song says. They asked God to empower them to move out and impact an entire culture. In too many places where the Bible is being thumped and doctrine is being argued until three in the morning, the Spirit of that doctrine is missing. William Law, an English devotional writer of the early 1700s, wrote, "Read whatever chapter of Scripture you will, and be ever so delighted with it - yet it will leave you as poor, as empty and unchanged as it found you unless it has turned you wholly and solely to the Spirit of God, and brought you into full union with and dependence upon him."1 — Jim Cymbala

What is eternity? You're on the checkout line at a supermarket. There are seven people in front of you. They are all old. They all have two carts and coupons for every item. They are all paying by check. None of them have ID. It's the checkout girl's first day on the job. She doesn't speak any English. Take away fifteen minutes from that, and you begin to get an idea of what eternity is. — Emo Philips

The War of the Roses in England and the Civil War in America were both intestinal conflicts arising out of similar ideas. In the first the clash was between feudalism and the new economic order; in the second, between an agricultural society and a new industrial one. Both led to similar ends; the first to the founding of the English nation, and the second to the founding of the American. Both were strangely interlinked; for it was men of the old military and not of the new economic mind
men, such as Sir Humphrey Gilbert and Sir Walter Raleigh
who founded the English colonies in America. — J. F. C. Fuller

Hocus was an old cunning attorney. The words of consecration, "Hoc est corpus," were travestied into a nickname for jugglery, as "Hocus-pocus." - John Richard Green, A Short History of the English People, 1874. see Charles Macklin. — John Arbuthnot

There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already. — Ralph Vaughan Williams

There is an old Italian proverb about the nature of translation: "Traddutore, traditore!" This means simply, "Translators-traitors!" Of course, as you can see, something is lost in the translation of this pithy expression: there is great similarity in both the spelling and the pronunciation of the original saying, but these get diluted once they are put in English dress. Even the translation of this proverb illustrates its truth! — Daniel Wallace

Middle-earth is ... not my own invention. It is a modernization or alteration ... of an old word for the inhabited world of Men, the oikoumene: middle because thought of vaguely as set amidst the encircling Seas and (in the northern-imagination) between ice of the North and the fire of the South. O. English middan-geard, mediaeval E. midden-erd, middle-erd. Many reviewers seem to assume that Middle-earth is another planet! — J.R.R. Tolkien

It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature. — William Strunk Jr.

When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat ... disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him"
The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately. — Stasi Eldredge

California nurse Jared Axen was holding a dying hospice patient's hand when he began to sing an old hymn. The woman, who didn't speak English, hadn't been responsive in days. But when Axen sang to her, she squeezed his hand, a response that soothed the woman's family. Six years later, Axen, a classically trained musician, sings to some of his patients every day. "It gives them their humanity back," he said. "Music is a common language that helps me connect with my patients." Many patients also claim to feel better and to need fewer pain medications, Axen said. "It's become a vital tool for my patients and their families. — Alexandra Robbins

Mr. Schmidt had screamed at me in New York: LOSER! You English Loser ... I suppose he thought it was the most grievous insult he could hurl. But such a curse doesn't really have any effect on an English person - or a European - it seems to me. We know we're all going to lose in the end so it is deprived of any force as a slur. But not in the USA. Perhaps this is the great difference between the two worlds, this concept of Loserdom. In the New World it is the ultimate mark of shame - in the Old it prompts only a wry sympathy. — William Boyd

You English words?
I know you:
You are light as dreams,
Tough as oak,
Precious as gold,
As poppies and corn,
Or an old cloak:
Sweet as our birds
To the ear,
As the burnet rose
In the heat
Of Midsummer — Edward Thomas

As for poetry 'belonging' in the classroom, it's like the way they taught us sex in those old hygiene classes: not performance but semiotics. If it I had taken Hygiene 71 seriously, I would have become a monk; & if I had taken college English seriously, I would have become an accountant. — Jerome Rothenberg

Cabinet is a conscious, explicit attempt to portray the Doctor himself as myth. "He's a mischief, a leprechaun, a boojum," says one character, bookseller and collector of incunabula, Syme. "The Doctor is a myth. He's straight out of Old English folklore, typical trickster figure really."29 Neither part of an ongoing narrative, nor specifically located within the series' past, Cabinet is in a position to challenge the portrayal of the Doctor. — Anthony Burdge, Jessica Burke, Kristine Larsen

Do you realise that about two hundred of Twing's heftiest are waiting for you outside to chuck you into the pond?"
"No!"
"Absolutely!"
For a moment the poor chap seemed crushed. But only for a moment. There has always been something of the good old English bulldog breed about Bingo. A strange, sweet smile flickered for an instant over his face.
"It's all right," he said. "I can sneak out through the cellar and climb over the wall at the back. They can't intimidate me! — P.G. Wodehouse

I looked. George Shearing. And as always he leaned his blind head on his pale hand, all ears opened like the ears of an elephant, listening to the American sounds and mastering them for his own English summer's-night use. Then they urged him to get up and play. He did. He played innumerable choruses with amazing chords that mounted higher and higher till the sweat splashed all over the piano and everybody listened in awe and fright. They led him off the stand after an hour. He went back to his dark corner, old God Shearing, and the boys said, 'There ain't nothin left after that. — Jack Kerouac

I give my vote for Mr. Johnson to fill that great and arduous post. And I hereby declare that I make a total surrender of all my rights and privileges in the English language, as a freeborn British subject, to the said Mr. Johnson, during the term of his dictatorship. Nay more; I will not only obey him, like an old Roman, as my dictator, but, like a modern Roman, I will implicitly believe in him as my pope, and hold him to be infallible while in the chair; but no longer. — Philip Dormer Stanhope Chesterfield

He stopped. She heard the intake of his breath. "You are my country, Desdemona." Yearning, harsh and poignant and she felt herself swaying toward him. "My Egypt. My hot, harrowing desert and my cool, verdant Nile, infinitely lovely and unfathomable and sustaining."
She gasped.
His gaze fell, shielded by his lashes. An odd, half-mocking smile played about his lips. "You'll never hear old Blake say something like that."
She swallowed, unable to speak, her senses abraded by his stimulating words, her pulse hammering in anticipation? Trepidation?
"Remember my words next time he calls you a bloody English rose. — Connie Brockway

Her voice was trained, supple as leather, precise as a knife thrower's blade. Singing or talking, it had the same graceful quality, and an accent I thought at first was English, but then realized was the old-fashioned American of a thirties movie, a person who could get away with saying 'grand.' Too classic, they told her when she went out on auditions. It didn't mean old. It meant too beautiful for the times, when anything that lasted longer than six months was considered passe. I loved to listen to her sing, or tell me stories about her childhood in suburban Connecticut, it sounded like heaven. — Janet Fitch

Ram Dass, Krishna Dass, we all spoke through interpreters. There were good interpreters there, educated people in India speak English but Maharaji was the One, the Baba, Holy Man, mendicant, he didn't speak English. We talked to him and it was hard to know him, he was an ancient holy man and I was a 21 year old seeker. So I never knew what was going on, I mean I don't really know what's going on now, my guess work is a little better perhaps. — Surya Das

Hockey historians say the handshake dates to English settlers in Canada, who preached an upper-class version of sportsmanship in the 19th century. Soon, tough kids in urban and prairie rinks began imitating imagined dukes and earls of the old country. — George Vecsey

George Bernard Shaw writes like a Pakistani who has learned English when he was twelve years old in order to become an accountant. — John Osborne

At one stage in the history of English, the past tenses of verbs were marked by a regular vowel change process; instead of "help/helped," we had "help/holp." Over time, -ed became the preferred way to mark the past tense, and eventually the past tense of most verbs was formed by adding -ed. But the old pattern was preserved in verbs like "eat/ate," "give/gave," "take/ took," "get/got" - verbs that are used very often, and so are more entrenched as a linguistic habit (the very frequently used "was/ were" is a holdover from an even older pattern). They became irregular because the world changed around them. — Arika Okrent

MOST CITIES ARE designed on grids that fill them with hard angles. Not Amsterdam, which has a softness about it imparted by the watery curves of the 16th-century canals that fan out through the city. Though its gabled canal houses and narrow medieval streets give it an undeniable old-world charm, Amsterdam's thoroughly contemporary takes on arts, architecture and design show that it has modernity in a firm embrace. It's a city that invites wandering, with a tram system and a plenitude of bicycles (about as many as there are residents) that make navigating as fun as it is easy. Thanks to the locals, most of whom speak English, you'll feel instantly welcome and will be spared the indignity of trying to pronounce Dutch (don't even try). Spend as much time as possible on foot, the better to enjoy the city's theatrical quality: The huge, unshaded windows of the canal homes allow you to peer right in, testimony to the Dutch ethos of having nothing to hide. — Anonymous

The word "landmark" is from the old English "landmearc", meaning 'an object in the landscape which, by its conspicuousness, serves as a guide in the direction of one's course. — Robert Macfarlane

It was a clear autumn day Sunday in 1876; Vincent van Gogh, twenty-three years old, left the English boarding school where he was teaching to give a sermon at a small Methodist church in Richmond, a humble London suburb. Standing in front of the lectern, he felt like a lost soul emerging from the dark cave in which he had been buried.

The sermon, which survives among Vincent's collected letters, reiterates universal ideas and is not an outstanding example of the art of homiletics. Nevertheless, his words grew out of his tormented life and had an intense emotional charge. Preaching to the congregation, he was also preaching to himself -- and of himself. The images he used were the same as those that were to be given powerful expression in his pictures.

The text chosen for the sermon was Psalm 119:19, 'I am a stranger on the earth, hide not Thy commandments from me.' — Albert J. Lubin

What we would think of as a beef animal had the double purpose of being a working or draught animal that could pull heavy loads. There is an old adage, "A year to grow, two years to plough and a year to fatten." The beef medieval people would have eaten would have been a maturer, denser meat than we are used to today. I have always longed to try it. The muscle acquired from a working ox would have broken down over the fattening year and provided wonderful fat covering and marbling. Given the amount of brewing that took place, the odds are that the animals would have been fed a little drained mash from time to time. Kobe beef, that excessively expensive Japanese beef, was originally obtained from ex-plough animals whose muscles were broken down by mash from sake production and by massage. I'd like to think our beef might have had a not dissimilar flavour. — Clarissa Dickson Wright

My father was an Episcopal minister, and for 14 years my family lived in China, in a city called Wuchang. We four children spoke Chinese before we spoke English. We left when the communists came, in the early 1930s. I was about 5 years old. — Audrey Meadows

It happened that I had just finished co-writing a screen adaptation of Beowulf, the old English narrative poem, and was mildly surprised by the number of people who, mishearing me, seemed to think I had just written an episode of "Baywatch." So I began retelling Beowulf as a futuristic episode of "Baywatch" for an anthology of detective stories. It seemed to be the only sensible thing to do. Look, I don't give you grief over where you get your ideas from. — Neil Gaiman

Here will be an old abusing of God's patience and the king's English. — William Shakespeare

Children...wake up and find themselves here, discover themselves to have been here all along; is this sad? They wake like sleepwalkers, in full stride,; they wake like people brought back from cardiac arrest or from drowning: in medias res, surrounded by familiar people and objects, equipped with a hundred skills. They know the neighborhood, they can read and write English, they are old hands at the commonplace mysteries, and yet they feel themselves to have just stepped off the boat, just converged with their bodies, just flown down from a trance, to lodge in an eerily familiar life already well underway. — Annie Dillard

I was looking for a name with an old English sound, very easy to pronounce in every language and easy to remember. At the beginning I used J. P. Tod's, but then in 1999 it was shortened since too many people were asking who was Mr. J. P. Tod's. — Diego Della Valle