American Movie Quotes & Sayings

I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw. — Joss Whedon

They could play married, both happy and unhappy, like no other acting couple have ever played married. They're the Lunts of the American marriage movie. — Jeanine Basinger

Important safety tip," she said. "Thanks, Egon." When he gave her a blank look, she just smiled and waved him around the corner. "Talk amongst yourselves," she called to them. Roger looked at Nate. "That's a movie quote, right?" "Yeah, Ghostbusters, I think," said Nate "You sure?" "Yes, it's Ghostbusters, you philistines," Xela shouted around the corner. "How can you not immediately know that?" "I think I was four when Ghostbusters came out," Roger called back. "It's an American classic! — Peter Clines

'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing. — Drew Sidora

There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.' — John Sayles

The most interesting of the classic movie genres to me are the indigenous ones: the Western, which was born on the Frontier, the Gangster Film, which originated in the East Coast cities, and the Musical, which was spawned by Broadway. They remind me of jazz: they allowed for endless, increasingly complex, sometimes perverse variations. When these variations were played by the masters, they reflected the changing times; they gave you fascinating insights into American culture and the American psyche. — Martin Scorsese

Apollo 11 was the movie premiere of moon landings, with Neil Armstrong and Buzz Aldrin. Neil was a bit of a mystic, but also a taciturn guy from what I can tell. He really saw the moon as looking like the American high desert. He wasn't someone who dealt in metaphors. — Lily Koppel

Barack Obama has brought glamour back to American politics - not the faux glamour-by-association of campaigning with movie stars or sailing with the Kennedys, but the real thing. The candidate himself is glamorous. Audiences project onto him the personal qualities and political positions they want in a president. — Virginia Postrel

When I make an American movie it's going to come out all over the world-it doesn't happen the same way for an Italian film or a French film. — Monica Bellucci

I would like to perform more in English. But there have to be many good things gathered for me to be willing to do a movie. I watch trailers of every new American movie and I'm, like, 'OK, I'm not missing anything!' — Ludivine Sagnier

Imagine, there is almost no possibility for a foreign language film to be distributed in America right now. That doesn't just make the industry poorer, it makes the landscape of cinema poorer, in America. The impossibility to get a good release on a really good European, Latin American, Asian movie is a tragedy. — Guillermo Del Toro

You might like that one. But I'll tell you the same thing I tell my students when they complain about the depressing nature of American literature: life is not a PG feel-good movie. Real life often ends badly ( ... ) — Matthew Quick

I'm a singer and working on my second album. I write and produce. There is so much more that satisfies me. So there's not just this one ambition to become an American movie star. Because I will never become an American movie star. — Carice Van Houten

When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible. — Thomas Ian Nicholas

I'm in kind of a strange position - I have a strong Australian career and a strong British career. Then there's the American career. For every movie I do here, I do two somewhere else. I bounce back and forth between the three places. — Caroline Goodall

When we talk about Oscars, it's almost as a symbol of excellence, and the American public and the worldwide public accept that symbol. So, a movie like 'The Artist' that costs $14 million, has to go out and compete with movies that cost $140 million. How does David deal with Goliath? — Harvey Weinstein

I always used to wonder why American actors were getting fat, then I made a U.S. movie. I'm seeing all the food every day, and there's lots of waiting around because making an American movie is very slow. — Donnie Yen

I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie. — Jean Dujardin

We have to make movies where we do not think this is for the American market or this is for the Chinese market. We have to make a good movie that anyone would just want to sit down and watch because love, language, culture transcend everything. — Michelle Yeoh

I still remember 1997 when I made the movie 'Storm Riders;' that moment, a lot of American producers want to hire me to make movies in the States. — Andrew Lau

The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K. — Howard Stringer

Without the witty, potent dialogue and the puzzling shape of the story, the movie would have been merely an American version of the kind of brooding, shadow-filled, Ufa-style expressionist stuff that Joe had grown up watching in Prague. Without the brooding shadows and cold adventurings of the camera, without the theatrical lighting and queasy angles, it would have been merely a clever movie about a rich bastard. It was much, much more, than any movie really needed to be. In this one crucial regard--its inextricable braiding of image and narrative--Citizen Kane was like a comic book. — Michael Chabon

All those involved in the firebombing of Tokyo .. were war criminals interviews recorded in the movie The Fog of War.. the firebombing of Tokyo occurred before the atom bombs.. 100,000 civilians died in one night from American bombs.. 500,000 altogether over several days say some. — Robert McNamara

I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films. — Werner Herzog

And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie. — Matt Damon

When we were making the movie, winning awards for it wasn't the point at all. We didn't even have an American distributor. — Michel Hazanavicius

Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch. — Manny Farber

Those traumas when it comes to the historical past generation to generation; our children, our grandchildren, our future grandchildren learn these behaviors. We have to know that they exist and we have to take care of those traumas and learn to heal from them. This movie shows that perspective from Scott's character, and I love it. It shows the American Indians as the ones who respect and help out when people are needed. It's a nice little twist. — Adam Beach

I'd like to make really important movies, like American Beauty. I was really proud to be a part of that movie. — Allison Janney

As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and television show. — Jill Scott

My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years. — Ian McLagan

Not disown my past or upbringing, but I'd admired American actors, really American movie star - particularly the rebel heroes of the '50s. — Maxwell Caulfield

I'm used to American actors who have a movie career thinking television acting is beneath them. — Alan Ball

A movie like 'Selma' should be a relic in a time capsule from 1965, a clue to how well we heeded King's words and how far we have advanced. Instead, it is a reminder that the 'American problem' has yet to be solved. — Richard Corliss

What I dislike about movie culture is that it often presents a parable of our problems - but the issues are all straightforward and the people are either nice or they're not. In real life, everyone falls between those perimeters, but not many American films operate in that grey area. — Julian Fellowes

Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult. — Jackie Chan

I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I'm sure she would be exactly the same for me. — Berenice Bejo

The early commentators who put down the pre-presidential Roosevelt as an empty-headed young lightweight, all ambition and no talent, now seem comically wrong to a modern book-reading, movie-going, television-watching, legend-loving American public conditioned to think of him as one of the presidential giants on the order of Washington and Lincoln. — Russell Baker

It's easy to see why 'American Horror' is freaking people out. The ultraviolent hallucinations never pause long enough to make sense. In terms of coherence, it makes your average David Lynch movie look like 'Burn Notice.' — Rob Sheffield

I think that if you do an American movie it's important to earn some money, but in a stupid way, to be respected. — Audrey Tautou

South Sea natives who have been exposed to American movies classify them into two types, 'kiss-kiss' and 'bang-bang. — Hortense Powdermaker

Maybe every other American movie shouldn't be based on a comic book. Other countries will think Americans live in an infantile fantasy land where reality is whatever we say it is and every problem can be solved with violence. — Bill Maher

It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme. — Will Packer

We're a nation of celebrity and hero worshipers, so much so that we make heroes out of those who aren't, such as John Wayne: a patriotic, red-blooded, two-fisted American who spent the Second World War in the trenches on the movie lots of Hollywood. — Vincent Bugliosi

I feel like the American years were my apprenticeship for doing a Bond movie. — Sam Mendes

Big hooks have always been a part of American movie-making. So, to make a movie where you're just driving story through the characters without a high-concept is a challenge. — Steve Pink

Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon. — Ang Lee

The American independent cinema is as formulaic as Hollywood and one genre is what you might call the 'inaction movie'. The setting is invariably a decaying town in a regional backwater where a catalytic stranger or returning native meets up with a group of sad, eccentric outsiders. — Philip French

In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to write that kind of sound. — Giorgio Moroder

Mitt Romney looks like an American President in a Canadian movie. — David Letterman

If a queen comes to America, crowds fill the station squares, and attendant British journalists rejoice, 'You see: the American Cousins are as respectful to Royalty as we are.'
But the Americans have read of queens since babyhood. they want to see one queen, once, and if another came to town next week, with twice as handsome a crown, she would not draw more than two small boys and an Anglophile.
Americans want to see one movie star, one giraffe, one jet plance, one murder, but only one. They run up a skyscraper or the fame of generals and evangelists and playwrights in one week and tear them all down in an hour, and the mark of excellence everywhere is 'under new management'. — Sinclair Lewis

Watching a movie a couple of weeks ago. An American movie. I can't remember the name, but it wasn't even a sad movie. It caught me off guard. I was on an airplane. — Roger Federer

I have a totally unhealthy and unrealistic fear of being eaten by a great white shark. This is because I belong to a very specific demographic called American Child Whose Parents Made the Ill-Advised Decision To Allow Her To Watch the Movie Jaws At a Sleepover During Her Formative Years. — Elle Lothlorien

There are only seven movie stars in the world whose name alone will induce American bankers to lend money for movie productions, and the only woman on the list is Ingrid Bergman. — Cary Grant

I'm probably an actor that tends to, instead of putting things on, think about it more in terms of taking away what's not in the character, until I'm left with what is. If that makes sense. That's probably a particularly American way of working, but maybe not. The end of any movie is a readjustment. — Molly Parker

I would hate to say as a non-African-American person that it would be wrong for a black person to direct white people in a movie. Wouldn't that be awful of me to say that? The only sympathizing thing I might say for people that want to [grumble] is that a filmmaker should have an understanding for the place where the people you're portraying are coming from. — Mick Jagger

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who's called Hal - like Falstaff's prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al - Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. "But what shall I say to Hal - that I have never loved him?" Patricia says to Fred. Down below it says, "Et Al - qu'est-ce que je vais lui dire? — Adam Gopnik

I don't think Jennifer Lawrence deserves to be in this category [leading role]? Joy is a great movie, obviously. She's a great actress and I don't want to take anything from her, but it ain't American Hustle. — Bun B.

If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest Hemingway walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead. — Adam Haslett

I never saw anything like it. He was like the bit in the movie where Tom Cruise is a lawyer and he's decided he's really going to win this case, for the sake of justice and the American way, and that? And it's suddenly like bang-bang-bang - grabbing files off shelves and slamming them down on the desk and punching numbers in the telephone and shaking out the phone cord dramatically , and you know, snapping out instructions to all the assistants around the desk, like: "Get me all the phone records of the President of the United States for the last fifty years," and "Get me the names of every client who ever ate a banana," and "Let's get some Chinese take-out up here, on the double! — Jaclyn Moriarty

After 10 years of French torture - psychological torture - it's great to do an American movie. — Emmanuelle Beart

Would movie moguls release a film portraying Adolph Hitler as a great benefactor of the Jews? Hardly. Would they release a movie if the black community found it to be highly disparaging? No way. You better believe these executives would also think long and hard before they released a movie offensive to American Indians, Muslims homosexuals or virtually any affinity group. Yet, to most movie industries a film which offends millions of Christians is fine and dandy. — Donald Wildmon

For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie. — Melanie Laurent

'Night Watch' itself is a very Russian movie. It's impossible to imagine this kind of movie somewhere else: a movie with a depressing ending, a lot of inexplicable storylines, strange characters. It's a Russian reflection of American film culture. — Timur Bekmambetov

From the beginning [of the film The Darkest Hour], [aliens] it's a metaphor for the foreigners and from the beginning of the movie, American boys feel themselves like aliens here or they feel like Russians are aliens. There's misunderstanding or miscommunication. Then when the real aliens appear, together they have to fight to survive. — Timur Bekmambetov

When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable. — Michael Haneke

I think every American actor wants to be a movie star. But I never wanted to do stupid movies, I wanted to do films. — Kevin Kline

Modern American war is as easy to script as a B movie. — David Hackworth

Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie. — Joshua Leonard

If Hollywood and Bollywood were how we all lived our lives, that would surprise me. And yet it's often the way our cultures are conveyed, isn't it? People watching a Bollywood movie in some other part of Asia think everybody in India is beautiful and they have dramatic lives and happy endings. And if you were to watch American TV and our movies you'd think that we don't wear clothes and we spend all our time fighting with each other. — Hillary Clinton

I have to write three books a year to make a reasonable living out of writing - unless, of course, she gets a major American film deal. Phryne has been optioned since the very first book, but to make a historical TV movie, it costs $30,000 a day extra for the historical detail to be correct, so most people aren't doing it. — Kerry Greenwood

'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs. — Bel Powley

I think a lot of American comedies tend to apologize for their bad behavior in the last 10 minutes of the movie. — Todd Phillips

I think American Werewolf in London is the greatest werewolf movie of all time. — David Hayter

[On the movie American Hot Wax:] A plot so thin you could thread a needle with it. — Janet Maslin

For some strange reason we don't go to charming, light movies anymore. People expect a movie to be heavy and turgid, like "American Beauty." We've become a heavy-handed society. — Pauline Kael

It's easier for Europeans to give money to a movie that says a blow job is what brought down American democracy. — Julie Delpy

One of my favourite kinds of movie is the American picaresque, in which the characters make their way across the country, learning about life against the gorgeous backdrops of that vast land. — Steven Pinker

George Clooney's 'Ides of March' could be the most under-appreciated movie of the year. In 20 years they're gonna go back and say, 'Oh, that was American politics in that time period.' I follow politics, I love it, and that movie is so authentic. — Harvey Weinstein

Her voice was trained, supple as leather, precise as a knife thrower's blade. Singing or talking, it had the same graceful quality, and an accent I thought at first was English, but then realized was the old-fashioned American of a thirties movie, a person who could get away with saying 'grand.' Too classic, they told her when she went out on auditions. It didn't mean old. It meant too beautiful for the times, when anything that lasted longer than six months was considered passe. I loved to listen to her sing, or tell me stories about her childhood in suburban Connecticut, it sounded like heaven. — Janet Fitch

Many movie stars or American Idol contestants sort of fall into theater ... and say, 'Oh, yeah, I would love to do theater.' And then they get here and say, 'Oh, wait a minute, this actually is a craft!' It's not just show up one day and do it. It's show up eight times a week, twice on Wednesdays and twice on Saturdays. — Billy Porter

It's exemplification of our moment in American culture and American cultural journalism. It is an accurate document of the discourse of "takes." This movie, that book, this poem, that painting, this record, that show: Make a smart remark and move on. A take is an opinion that has no aspiration to a belief, an impression taht never hardens into a position. Its lightness is its appeal. It is provisional, evanescent, a move in a game, an accredited shallowness, a bulwark against a pause in the conversation. A take is expected not to be true but to be interesting, and even when it is interesting it makes no troublesome claim upon anybody's attention. Another take will quickly follow, and the silence that is a mark of perplexity, of research and reflection, will be mercifully kept at bay. A take asks for no affiliation. It requires no commitment. — Leon Wieseltier

Women are an eternal subject, which is a lot like being subjected, or subjugated, or a subject nation, even. There are comparatively few articles about whether men are happy or why their marriages also fail or how nice or not their bodies are, even the movie-star bodies. They are the gender that commits the great majority of crime, particularly violent crime, and they are the majority of suicides as well. American men are falling behind women in attending college, and have fallen farther in the current economic depression than women, which you'd think would make them interesting subjects of inquiry. — Rebecca Solnit

American Pie' was a big movie for me. No one knew it at the time, but it allowed me to be offered such movies as 'Like Mike' and 'New York Minute' with the Olsen twins — Eugene Levy

How many senators have taken their conception of what America can do from what they've seen on the American movie screen? — Zia Haider Rahman

When I attended the University, I daydreamed about being a movie star. I would do my dressing room in Early American and give lovely presents to my make-up man and hairdresser for making me look so lovely, and so on. When I got my contract at 20th I was in seventh heaven, but I found out that a movie career is mostly hard work laced with disappointments. — Coleen Gray

I didn't go to Paris until I was a grown-up in 1965. And when I went to Paris, it was the Paris I knew only from American movies. — Woody Allen

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. — Roger Ebert

For every person who died in the westward migration prior to the Civil War from Native Americans attacking, the stuff of American legends, thousands, maybe tens of thousands died from water holes polluted by cholera and typhoid . . . but that doesn't make for a good movie. — William R. Forstchen

The reason that most British actors are better than most American actors in the end is that they don't make any money. At the very end of their lives, they get into a space movie and they make a lot of money, but until that happens, basically, they don't have bank accounts. They live from day to day. — Mike Nichols

In the early '90s when the American independent movie started, it held personal vision as a premium. That was brilliant timing. — Allison Anders

Um, 'Soul Food' ... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning. — Vivica A. Fox

America hadn't really been suited for its long and tiresome role as the Last Superpower, the World's Policeman. As a patriotic American, Oscar was quite content to watch other people's military coming home in boxes for a while. The American national character wasn't suited for global police duties. It never had been. Tidy and meticulous people such as the Swiss and the Swedes were the types who made good cops. America was far better suited to be the World's Movie Star. The world's tequila-addled pro-league bowler. The world's acerbic, bipolar stand-up comedian. Anything but a somber and tedious nation of socially responsible centurions. — Bruce Sterling

Shareholders," murmured Eddie, the word echoing meaninglessly in his head. His brain had screeched to a halt in front of an earlier word in the sentence, and it now stood (in a figurative sense) stock still, with its eyes wide and its jaw open, staring at the word in awe. Lovely Wanda Kwan, the vaguely Asian-American publishing company representative, had uttered, through her lip gloss and perfect teeth, the one word that every writer secretly yearns to hear. That word is movie. "Ms. Kwan," he began. — Robert Kroese

I met someone on the street who said wasn't it great that we're going to have a movie star for president, that it was so Pop, and (laughs) when you think about it like that, it is great, it's so American. — Andy Warhol

For instance, I love the movie Casablanca. Who doesn't? No matter how many egghead critics declare Citizen Kane to be the greatest American movie, we all know it's Casablanca in fact. — Andrew Klavan

American films are terribly popular all over the world and American movie stars are terribly important. I don't know why. — Vincente Minnelli

Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart. — Emmanuelle Beart

When you watch the first 'American Pie' movie, you're like ... 'I know that jock who's kind of sweet and has a girlfriend, and I know that weird off-beat kid.' — Hayden Schlossberg

I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done. — Malcolm D. Lee