America How Are You Song Quotes & Sayings

I am the Alexander Graham Bell of the phone company, the Christopher Columbus of America because after 'The Twist' everything changed, .. Watch the films from 1958 up to 1959, and watch American Bandstand during that time. After the song came out, everything was different. — Chubby Checker

California is the most reactionary state in America. Fascist sentiments are very strong here. — Ilya Ilf

I think hip-hop is no more misogynistic than America is as a society. I just think hip-hop is a lot more brash, a lot more bold, a lot more loquacious. There are a lot more words that go into a hip-hop song than go into a regular song. — Talib Kweli

Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities-'mistaken' identity, social racism, the whole fabric of urban and suburban life-are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it. — Hilton Als

America is a song that sounds the best when we all sing together - at least for a while. — Michael Josephson

Most people in the U.K. discovered me playing a standard on Parkinson. In America, it was on VH1 singing an original called 'All At Sea,' which is a contemporary pop song. So the people that know me there tend to think of me in the singer/songwriter category. — Jamie Cullum

Recordings of Georgian folk polyphonic songs makes a great musical impression. They are recorded in a tradition of active reproduction of Georgian folk music the origin of which begins from ancient time. It is a wonderful finding and can give to the performance much more than all the modem music can ... Yodel or "Krimanchuli" as it is called in Georgia is the best song which I have ever heard. ["America" magazine, No 23 1967] — Igor Stravinsky

It's an old song that's been played on all the jukeboxes in America. The song has been around so long that it's been recorded on the very dust of America and it has settled on everything and changed chairs and cars and toys and lamps and windows into billions of phonographs to play that song back into the ear of our broken heart. — Richard Brautigan

God Bless America started to become an almost ritualistic incantation at the end of political speeches really with Ronald Reagan. It appears occasionally before, but it was not that common. And of course since it was a song that wasn't written by Irving Berlin until the 20th century (laughter), none of the 19th century presidents said God Bless America at the end of speeches, either. I think that the symbolism which suggests that everybody is religious and that even presidents who believe in church and state feel obliged to do this ... — Susan Jacoby

If Madison Avenue advertising executives were to pick a song that would best represent America, the last one they would choose is 'The Star Spangled Banner.' — Ronald Kessler

But there are certain very practical things American Negro writers can do. And must do. There's a song that says, "the time ain't long." That song is right. Something has got to change in America-and change soon. We must help that change to come. — Langston Hughes

As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy. — Macklemore

In Middle America men are awakening. Like awkward and untrained boys we begin to turn toward maturity and with our awakening we hunger for song. But in our towns and fields there are few memory haunted places. Here we stand in roaring city streets, on steaming coal heaps, in the shadow of factories from which come only the grinding roar of machines. We do not sing but mutter in the darkness. Our lips are cracked with dust and with the heat of furnaces. We but mutter and feel our way toward the promise of song. — Sherwood Anderson

I think if you're writing from the heart, very often, the subject matter will adjust as you age ... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound. — Gerry Beckley

I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.' — Jacki Weaver

I think the zenith of popular songwriting to the United States of America was that period that started in the '20s and went into the '50s. It was the period of the great American standard song. — Linda Ronstadt

A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song. — Martin Scorsese

Today's folk song is rock and roll. Although it happened to emanate from America, that's not really important in the end because we wrote our own music and that changed everything. — John Lennon

Record stores are the backbone of the recorded music culture. It's where we go to network, browse around, and find new songs to love. The stores whose staff live for music have spread the word about exciting new things faster and with more essence than either radio or the press. Any artist that doesn't support the wonderful ma and pa record stores across America is contributing to our own extinction. — Joan Jett

Don't start drinking before the fifth song. — Terry Wogan

Seven-11 is the pulse-beat of America. I think that Bruce Springsteen should do a song about a 7-11 in Asbury Park, New Jersey, but write it in such a way that American's youth can identify and slurp along with the Boss. Hail the Boss! Hail 7-11! — Henry Rollins

I just wanted to keep consistent and keep true to America and not seem contrived. I didn't want to seem contrived at all with any song choice that might be a detriment to my journey on 'The Voice.' — Will Champlin

For two full days we picked green beans out in the field, under the molten rays of the summer sun, rows and rows of beans. And the more rows I picked alongside Serafino, the madder I grew inside, thinking about those charityless, virtueless, and benevolentless shitheads who have spread about this glorious land a melodyless song, a giftless song that accuses the immigrant of stealing their lunches - when in fact they are picking, packing, and purveying them.* Millions of immigrant workers - men, women, and children - ignorant, poor, yet so ripe with hope and determination and humility, even while bent over at the waist, picking America's crops, servicing America's insatiable appetite, shouldering the heaviest and most dangerous loads, not so much for themselves, but for America, daily, joyously, like Whitman's song: "A song for occupations! / In the labor of engines and trades and the labor of fields I find / the developments, — Richard Horan

People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song. — Martin Gore

The thing I've been talking about with daughter is the idea of - and I'm talking about essentially in America - the possibility of, a lost generation. I've been listening to a lot of music - as a fan, as a critic, as somebody who likes to dance - but I hear, you know, within these songs and half the people I hear, these philosophies encoded and embedded in these songs. — Saul Williams

If life is music, I sometimes feel as though I was born on the off-beat of the song, and I love it. As Christian numbers reportedly decrease in America, my love for Christ feels as though it increases. Perhaps that is a little strange, yes, but in all honesty, I now want to be thought unfaithful about as much as a smug aristocrat wants to be thought a hobo. — Criss Jami

Growing up female in America. What a liability! You grew up with your ears full of cosmetic ads, love songs, advice columns, whoreoscopes, Hollywood gossip, and moral dilemmas on the level of TV soap operas. What litanies the advertisers of the good life chanted at you! What curious catechisms! — Erica Jong

Oh Beautiful for smoggy skies, insecticided grain,
For strip-mined mountain's majesty above the asphalt plain.
America, America, man sheds his waste on thee,
And hides the pines with billboard signs, from sea to oily sea. — George Carlin

OUCH

"The arrabal (a term used for poor neighbourhoods in Argentina and Uruguay) and carpa (informal mobile theatre set up inside tents, once common in Latin America), with their caliente (hot) rhythms such as the rumba or the cha-cha-cha, were conquering audiences all over the world, a trend allegorised in song lyrics about their popularity among the French and other non-Latin Americans - "The Frenchman has fun like this/as does the German/and the Irishman has a ball/as does even the Muslim" ("Cachita") - even as they filtered in the presence of a blackness - "and if you want to dance/look for your Cachita/and tell her "Come on negrita"/let's dance" - denied in the official discourse of those Spanish=speaking countries wielding the greatest economic power in the region: namely, Argentina and Mexico, the latter of which would eventually incorporate Afro-Latin American culture into its cinema - although being careful to mark it as Cuban and not Mexican. — Robert McKee Irwin

In America, they want you to accomplish these great feats, to pull off these David Copperfield-type stunts. You want me to be great, but you don't ever want me to say I'm great? — Kanye West