Always The Same Story Quotes & Sayings

Objections to Christianity ... are phrased in words, but that does not mean that they are really a matter of language and analysis and argument. Words are tokens of the will. If something stronger than language were available then we would use it. But by the same token, words in defense of Christianity miss the mark as well: they are a translation into the dispassionate language of argument of something that resides far deeper in the caverns of volition, of commitment. Perhaps this is why Saint Francis, so the story goes, instructed his followers to "preach the Gospel always, using words if necessary." It is not simply and straightforwardly wrong to make arguments in the defense of the Christian faith, but it is a relatively superficial activity: it fails to address the core issues. — Alan Jacobs

I'm producing too many stories at once because what I want is for you to feel, around the story, a saturation of other stories that I could tell and maybe will tell or who knows may already have told on some other occasion, a space full of stories that perhaps is simply my lifetime, where you can move in all directions, as in space, always finding stories that cannot be told until other stories are told first, and so, setting out from any moment or place, you encounter always the same density of material to be told. — Italo Calvino

Fourteen, fifteen, sixteen, seventeen, lemme tell you. Those are big years. Everybody always thinks of it as a time of adolescence - just getting through to the real part of your life - but it's more than that. Sometimes your whole life happens in those years, and the rest of your life it's just the same story playing out with different characters. I could die tomorrow and have lived the main ups and downs of life. Pain. Loss. Love. And what you all so fondly refer to as wisdom. Wanna know the difference between adult wisdom and young adult wisdom? You have the ability to look back at your past and interpret it. I have the ability to look at my present and live it with my whole body. — Lidia Yuknavitch

I tried to build an igloo out of orange peel but it kept falling down and even when it stood up I didn't have an eskimo to put in it, so I had to invent a story about 'How Eskimo Got Eaten', which made me even more miserable. It's always the same with diversions; you get involved — Jeanette Winterson

The story hangs in the night air between them. It is very latem, and if father or daugther stepped to the window, tehyw ould see the Suktara, star of the impending dawn, hanging low in the sky. But they keep sitting at the table, each thinking of the story differently, as teller and listener always must. In the mind of each, different images swirl up and fall away, and each holds on to a different part of the story, thinking it the most important. And if each were to speak what it meant, they would say things so different you would not know it wa sthe same story they were speaking of. — Chitra Banerjee Divakaruni

Lucy always said that the greatest friends have nothing and everything in common all at once. Y'all girls are different versions of the same story, she would say. — Julie Murphy

I've definitely been spoilt. Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play. — Alden Ehrenreich

Each time a new war is disclosed in the name of the fight of the good against evil, those who are killed are all poor. It's always the same story repeating once and again and again. — Eduardo Galeano

Sometimes, we
become so familiar with the primal sacred story of the Bible that we need some fresh takes on it, telling us the same thing in different ways, or giving us some new vantage points to see what was always there, things we'd missed before. — Brian D. McLaren

Behind every open heart is a story. Tell yours with my Open Heart collection. There are millions of reasons to give one, but the message is always the same: Keep your heart open and love will always find its way in. — Jane Seymour

Am I the same cold, ragged damp Sara? And to think I used to pretend and pretend and wish there were fairies! The one thing I always wanted was to see a fairy story come true. I am living in a fairy story. I feel as if I might be a fairy myself, and able to turn things into anything else. — Frances Hodgson Burnett

I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer's block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn't the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: 'This is where my story begins.' — Walter Moers

The inner story, though the same in essence for all, is always single and unique in each human being, never before lived and never to be repeated. — Helen M. Luke

Cooking is mythology - a story told over and over, passed on again and again, always with the same meaning but expressed in endlessly different ways. — Anna Thomas

Again, I know that story is suspect in the high precincts of American fiction, but only because it brings entertainment and pleasure, the same responses that have always driven puritanical spirits at the dinner table wild when the talk turns to sexual intercourse and incontinence. — Pat Conroy

He told me how he had first met her during the war and then lost her and won her back, and about their marriage and then about something tragic that had happened to them at St-Raphael about a year ago. This first version that he told me of Zelda . and a French naval aviator falling in love was truly a sad story and I believe it was a true story. Later he told me other versions of it as though trying them for use in a novel, but none was as sad as this first one and I always believed the first one, although any of them might have been true. They were better told each time; but they never hurt you the same way the first one did. — Ernest Hemingway,

MY LIFE IS a beautiful tragedy. A sad love story on an endless loop. The players may evolve and the setting may change, but it's always the same. Love. Pain. Death. Repeat. — S.L. Jennings

I think kids want the same thing from a book that adults want - a fast-paced story, characters worth caring about, humor, surprises, and mystery. A good book always keeps you asking questions, and makes you keep turning pages so you can find out the answers. — Rick Riordan

The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from every corner of the world, but no matter where it is told, it is always the same story.

...Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.

These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.

- "The Midnight Star," a folktale. — Marie Lu

Writing had always helped her, before. It always clarified her feelings and her thoughts, and she never felt like she could understand something fully until the very minute that she'd written about it, as if each story was one she told herself and her readers, at the same time. — Lisa Scottoline

The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film. — Harrison Ford

And that's the way things have gone along from that day until this. Not staying the same, but always changing. And that's okay, because once one part of a thing changes, all the other pieces begin to shift, and pretty soon it's a whole new story. — Jenny Wingfield

Are you an artist?
I ask this question a lot. Generally, this question is met with a pause and a slightly blank look. In that moment I can almost hear the inner dialogue: "Um, Artist? Well, no. I make stuff. Sometimes. But an "Artist" with a capital A? I want to say yes, but that would be terrifying". What actually comes out of the person's mouth is usually, "Oh. Uh, not really". I should mention that this answer, and those blank looks, are always from adults. When I ask kids the same question, I get a very different response. It goes a little something like this: "Are you an artist?" "Yes". No hesitation. No thinking it over first. They have never sold a painting, or published a story, but they have absolutely no problem answering me with a loud, resounding yes. — Danielle Krysa

By now, everyone I know is one of seven strangers, inevitably hoping to represent a predefined demographic and always failing horribly. The Read World is the real world is The Real World is the read world. It's the same true story, even when it isn't. — Chuck Klosterman

Power largely consists in the ability to make others inhabit your story of their reality, even if you have to kill a lot of them to make that happen. In this raw sense, power has always been very much the same everywhere; what varies is primarily the quality of the reality it seeks to create: is it based more on truth than in falsehood, which is to say, is it more or less abusive to its subjects? The answer is often a function of how broadly or narrowly the power is based: is it centered in one person, or is it spread out among many different centers that excercise checks on one another? And are its subjects merely subjects or are they also citizens? In principle, narrowly based power is easier to abuse, while more broadly based power requires a truer story at its core and is more likely to protect more of its subjects from abuse. This rule was famously articulated by the British historian Lord Acton in his formula Power corrupts and absolute power corrupts absolutely. — Philip Gourevitch

He's uncertain what's going to happen next. But he is certain that that's actually the point. If this is all a story, then that's what the story means. If it isn't a story, then the exact same is true. But as his friends begin the final steps, pressing buttons, answering questions on a screen, he thinks that what is forever certain is that there's always more. Always. — Patrick Ness

It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always. — James N. Frey

But of course, very few people are Dexter. This is generally a good thing, but in this case it came in handy to be me. Four months after reading a story in the paper about a missing boy, I read a similar story. The boys were around the same age; details like that always ring a small bell and send a Mister Rogers whisper trickling through my brain: Hello, neighbor. — Jeff Lindsay

I always tell this story: When I started, the woman went to the store to buy a dress. She saw it in pink and red, and then she remembered that the husband, who is probably going to pay for the dress, loves it in pink. So she buys the pink. Today, the same woman goes to the store and remembers the husband likes pink, and she buys the red. — Oscar De La Renta

Twenty-first-century attitudes towards time and our expectations of story are very different from the shape of Mary Anning's life. She spent day after day, year after year, doing the same thing on the beach. I have taken the events of her life and condensed them to fit into a narrative that is not stretched beyond the reader's patience. Hence events, while in order, do not always coincide exactly with actual dates and time spans. Plus, of course, I made up plenty. For instance, while there was gossip about Mary and Buckland and Mary and Birch, there was no proof. That is where only a novelist can step in. — Tracy Chevalier

In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls. — David Foster Wallace

I am repeatedly asked in interviews exactly 'what's wrong' with me, and I always give them the same answer; I don't identify the name of my condition in an interview unless it's relevant to the context of the story. — Stella Young

I once believed in faith - that if I patiently waited, something good will happen. But at the end of the chapter, I found myself devastated. Years have gone by and I'm back at chapter one again. I've tried several times already and ended up in the same ending. It was always a different title, same story; different choices made but ending up with the same plot and finale. I grew tired of this never ending maze, wandering endlessly and finally giving up faith. — Raphael Paolo Augustine Camanag

Bill Condon, I must say, may have been one of the best professional experiences of my life, collaborating with him. He, himself, is an Academy Award winning screenwriter. He is a storyteller first and foremost, so we speak the same language. We approach things always from the story. — Melissa Rosenberg

To a very great extent human history has been the story of the unequal accumulation of harvested wealth, shifting from one centre of power to another, while always expanding the four great inequalities. This is history. Nowhere, as far as I know, has there ever been a civilization or moment when the wealth of the harvests, created by all, has been equitably distributed. Power has been exerted wherever it can be, and each successful coercion has done its part to add to the general inequality, which has risen in direct proportion to the wealth gathered; for wealth and power are much the same. The possessors of the wealth in effect buy the armed power they need to enforce the growing inequality. And so the cycle continues. — Kim Stanley Robinson

I'm a liar, but an honest one. People reproach me for not always telling the same story in the same way. But this happens because I've invented the whole tale from the start and it seems boring to me and unkind to other people to repeat myself. — Federico Fellini

Kaz had wriggled out of his coat and managed to yank off his shirt, leaning on the sink in the bathroom.
"For Saints' sake, let us help you," said Nina.
Kaz gripped the end of a bandage in his teeth and tore off a piece. "I don't need your help. Keep working with Colm."
"What is wrong with him?" Nina grumbled as they went back to the sitting room to drill Colm on his cover story.
"Same thing that's always wrong with him," said Jesper. "He's Kaz Brekker. — Leigh Bardugo

Unfortunately I am afraid, as always, of going on. For to go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I'll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time. — Samuel Beckett

It's always a dangerous thing for a writer to resurrect a character. It threatens to undermine the consequences in a story, and minimizes the risks characters take. At the same time, I knew Kelsier's story - in specific - was not yet finished. Readers sensed this. There was more to be told. — Brandon Sanderson

While the cast of characters stays the same, I always try to add in new information so readers get to know the people they care about better with each story. — Jane Cleland

The reward you get from a story is always less than you thought it would be, and the work is harder than you imagined. The point of a story is never about the ending, remember. It's about your character getting molded in the hard work of the middle. At some point the shore behind you stops getting smaller, and you paddle and wonder why the same strokes that used to move you now only rock the boat. You got the wife, but you don't know if you like her anymore and you've only been married for five years. You want to wake up and walk into the living room in your underwear and watch football and let your daughters play with the dog because the far shore doesn't get closer no matter how hard you paddle.

The shore you left is just as distant, and there is no going back; there is only the decision to paddle in place or stop, slide out of the hatch, and sink into the sea. Maybe there's another story at the bottom of the sea. Maybe you don't have to be in this story anymore. — Donald Miller

Because the actor always moves among and in relation to other acting beings, he is never merely a "doer" but always and at the same time a sufferer. To do and to suffer are like opposite sides of the same coin, and the story that an act starts is composed of its consequent deeds and sufferings. These consequences are boundless, because action, though it may proceed from nowhere, so to speak, acts into a medium where every reaction becomes a chain reaction and where every process is the cause of new processes — Hannah Arendt

It's true,' Elena said, 'that my own need for provocation is something other people seem to find very difficult to understand. Yet to me it has always made perfect sense. But I do admit that it has brought nearly all of my relationships to an end, because it is inevitable that that end is also - as you say, by the same logic - something I will feel driven to provoke. If the relationship is going to end, in other words, I want to know it and confront it as soon as possible. Sometimes,' she said, 'this process is so quick that the relationship is over almost as soon as it has begun. Very often I have felt that my relationships have had no story, and the reason is because I have jumped ahead of myself, the way I used to turn the pages of a book to find out what happens in the final chapter. I want to know everything straight away. I want to know the content without living through the time span. — Rachel Cusk

For in the multitude of middle-aged men who go about their vocations in a daily course determined for them much in the same way as the tie of their cravats, there is always a good number who once meant to shape their own deeds and alter the world a little. The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardour in generous unpaid toil cooled as imperceptibly as the ardour of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly. — George Eliot

-On sharing the love story of the Persian prince Khushraw and the niece of the queen of Armenia Shirin (who were looking for each other but in opposite directions): Both lovers then departed, looking for each other in opposite directions, a theme universal in its pathos, because we all spend our brief lives doing just that, even if we physically share our beds with the same person every night for years. Always we carry an image in our head of a better person, of an ideal person, which blurs our chances of finding happiness. — Fatema Mernissi

I will never be at ease while watching the sunset, knowing our stories will never end with the same words. All sunsets have their own story, it is just that ours will always fall incomplete. — Robert M. Drake

A book can only end one of two ways: truthfully or artfully. If it ends artfully, then it never feels quite right. It feels forced, manipulated. If it ends truthfully, then the story ends badly, in death. It's the reason most theories and religions and economic systems break down before you get too far into them
and the reason Buddhism and the Beach Boys make sense to teenagers, because they're too young to know what life really is: a frantic struggle that always ends the same way. The only thing that varies is the beginning and the middle. Life itself always ends badly. — Jess Walter

I always say about that movie [ Brokeback mountain], which I think maybe over time is more understood, is that this is about two people desperately looking for love. To be loved. And who were probably capable of it. And they just found it with someone of the same sex.that does not dismiss the fact that it is about, really, primarily, the first kind of very profound gay love story. Hopefully it can create an equality of an idea: that is, it's possible that you can find love anywhere. — Jake Gyllenhaal

It's still the same old story,
A fight for love and glory,
A case of do or die!
The world will always welcome lovers
As time goes by. — Herman Hupfeld

I would spend my life on the road logging hundreds of thousands of miles and my story was always the same. . . man comes to town, detonates; man leaves town and drives off into the evening; fade to black. Just the way I like it. — Bruce Springsteen

Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world. — Cornelia Funke

I don't know when I died. It always seemed to me I died old, about ninety years old, and what years, and that my body bore it out, from head to foot. But this evening, alone in my icy bed, I have the feeling I'll be older than the day, the night, when the sky with all its lights fell upon me, the same I had so often gazed on since my first stumblings on the distant earth. For I'm too frightened this evening to listen to myself rot, waiting for the great red lapses of the heart, the tear sings at the caecal walls, and for the slow killings to finish in my skull, the assaults on unshakable pillars, the fornications with corpses. So I'll tell myself a story, I'll try and tell myself another story, to try and calm myself, and it's there I feel I'll be old, old, even older than the day I fell, calling for help, and it came. Or is it possible that in this story I have come back to life, after my death? No, it's not like me to come back to life, after my death. — Samuel Beckett

Demond's family history wasn't so different from my own, did that mean we were living the same story over and over again, down through the generations? That the young and Black had always been dying, until all that was left were children and the few old, as in war? — Jesmyn Ward

The last thing DeMille added to his $13 million film before he delivered the final negative to Paramount was his introduction that ran before the opening credits, filmed with him standing behind a microphone in front of a blue-and-white curtain (the colors of the Israeli flag). His intention was to emphasize the "importance" of what the audience was about to see and how authentic the film really was, and to make the spiritual connection to the Holocaust. DeMille says, in part: "The theme of this picture is whether man ought to be ruled by God's law, or whether they are to be ruled by the whims of a dictator like Rameses. Are men the property of the state or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of the divinely inspired story, created three thousand years ago . . ." The introduction was almost always cut after the film's initial run. That — Marc Eliot

Once, she closed the book abruptly and said with annoyance, "That's enough." "Why?" "Because I've had it, it's always the same story: inside something small there's something even smaller that wants to leap out, and outside something large there's always someting larger that wants to keep it a prisoner. — Elena Ferrante

God is an ironist. He folds the story up in unexpected ways, tying things together that we could never have imagined. He is the ironist of time, of history, of story. He, in possession of ultimate right-handed power, determined to set it all aside, and overcame evil by taking on an invincible vulnerability, inviting us to learn how to do the same. He is not just strong, but also wise in the authority of humility. And He is love, which means He overflows in sacrificial ways. But His sacrifices are not throwaways, but always come back to Him thirty, sixty, and a hundredfold. Love is fruitful, and in imitation of Him we begin to learn that the more we give, the more we have. — Douglas Wilson

Is it always the same story, then? Somebody loves and somebody doesn't, or loves less, or loves someone else. Or someone is a good soul and someone a villain. And there are just these episodes, anecdotes, places, pauses, hailings of cabs, overcomings of obstacles, or instances of being overcome by them, illnesses, accidents, recoveries, wars, desires, welcomings, rebuffs, baskings (rare, not so long), pinings (more frequent, perhaps, and longer), actions, failures to act, hesitations, proliferations, endings of the line, until there is death. Well, no. I have a wonderful, fond memory, about love and trust and books. — Renata Adler

Arsenal will always have a place in my heart and that is the same for so many other people too. There's a strong sense of 'family' at the Club and it is why those people that leave so often find their way back, to be around that feeling and I believe that even when you go a bit of you never leaves Arsenal anyway, that is how it has been for me. I'm just so glad that I've been able to be part of the story of the football club. — Thierry Henry

My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice. — Eudora Welty

No matter how many books you've written, whenever you sit down to write a new book, you always feel the same challenge - how do you shape this story into a book that people are going to love. — Cassandra Clare

Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional. — Mia Wasikowska

I've always been a huge fan of theatre and performance. The idea of just the human voice and just this night. Live music is the same. They're doing it for you right now. It's an amazing thing. And if you perform a story properly, it can be a transporting, too. — T.C. Boyle

Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader. — David Gerrold

Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it. — Akiva Goldsman

I'm going back to bed," Grandma said when Mooner and Dougie left. "This doesn't look too interesting. I liked it better the other night when you were on the floor with the bounty hunter."
Morelli gave me the same kind of look Desi always gave Lucy when she'd just done something incredibly stupid.
"It's a long story," I said.
"I bet. — Janet Evanovich

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing. — Elena Anaya

I don't know what makes a good feature story. I've always assumed that if it was a story that interested or amused me, that it would have the same impact on other people. — Charles Kuralt

I definitely feel like, as a singer, I've been able to transition into acting because I always saw them in the same vein. It's all about connecting and telling a story. — Naturi Naughton

Mami had no choice but to tell Carlito and me the real story that same night.

In a way, I always knew something like that had happened. It was the only way to explain why my older brother got such special treatment his whole life - everyone scared to demand that he go to school, that he study, that he have better manners, that he stop pushing me around.

El Pobrecito is what everyone called him, and I always wondered why.

I was two years younger and nobody, and I mean nadie, paid me any mind, which is why, when our mother told me the story of our father trying to kill his son like we were people out of the Bible, part of me wished our papi had thrown me off that bridge instead. — Patricia Engel

I wrote the story, but you will bring to it your own experience of life, and some other reader will do the same, and it will become a different story with each reader. I believe that even the time in your life when you read the book will determine how you receive it. Our lives are changing constantly, and therefore not even our own story is always what we think it is. — Elizabeth Strout

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman

That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms. — Khaled Hosseini

The thing I love about acting is that you can bring something very personal into the open and at the same time remain hidden because you're always playing a character in a story that someone else has imagined. You're always protected. — Ben Whishaw

Hegel claimed that the 'world spirit' is developing toward an ever-expanding knowledge of itself. It's the same with rivers
they become broader and broader as they get nearer to the sea. According to Hegel, history is the story of the 'world spirit' gradually coming to consciousness of itself. Although the world has always existed, human culture and human development have made the world spirit increasingly conscious of its intrinsic value. — Jostein Gaarder

It's always the same story: It's not 'violence' until somebody hits you back. Till then, you don't notice your guys hitting the other tribe. That's just normal background noise. It takes blood, buckets of it, to get a person's attention. And not just anybody's blood--it's gotta be your own, or that of a close relative. Otherwise it's just spots on the sidewalk. — Gary Brecher

When Israelis were indirectly involved in the massacre of Palestinians at the Sabra and Shatila refugee camps in Beirut in 1982, the story was front-page news for weeks. When Lebanese Shiites were directly involved in killing Palestinians in the very same camps from 1985 to 1988, it was almost always back-page news - if it was reported at all. This — Thomas L. Friedman

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

The teacher always used me as an example to the class of good English and good storytelling because we all had to write the same stories. But she used to make me go out front - which I hated - and read my story to the class and I would get huge applause. Not because of who I was but because they truly enjoyed the stories I wrote. — Michael Jackson

One of the questions I have been asked many times since this story broke is this: Now that the facts are out there, what can we do? My answer, depressing and cynical as it may be, is always the same. Not much. Not now. And certainly not until the American public and its Congressional representatives regain control of the CIA and shred the curtain of secrecy that keeps us from discovering these crimes of state until its too late.
Perhaps when the government officials who presided over these outrages are safely in their crypts, and their apologists and cheerleaders are buried woth them, future historians can finally call these men to account for the miseries they caused. Even if that's all that ever happens, it will be fitting and just, because the favorable judgment of history is ultimately what they craved. — Gary Webb

I believe in the complexity of the human story and that there's no way you can tell that story in one way and say, This is it. Always there will be someone who can tell it differently depending on where they are standing; the same person telling the story will tell it differently. I think of that masquerade in Igbo festivals that dances in the public arena. The Igbo people say, If you want to see it well, you must not stand in one place. The masquerade is moving through this big arena. Dancing. If you're rooted to a spot, you miss a lot of the grace. So you keep moving, and this is the way I think the world's stories should be told - from many different perspectives. — Chinua Achebe

In my heart of hearts I knew I was wrong. The World Cup was about to begin in the United States. The planet was interested in nothing else. And in any case, whatever happened in Rwanda, it would always be the same old story of blacks beating up on each other. Even Africans would say, during half-time of every match, "They're embarrassing us, they should stop killing each other like that." Then they'll go on to something else. [9-10] — Boubacar Boris Diop

A story is alive, as you and I are. It is rounded by muscle and sinew. Rushed with blood. Layered with skin, both rough and smooth. At its core lies soft marrow of hard, white bone. A story beats with the heart of every person who has ever strained ears to listen. On the breath of the storyteller, it soars. Until its images and deeds become so real you can see them in the air, shimmering like oases on the horizon line. A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same. — Cameron Dokey

I have no doubt that they lived pretty much the same sort of life in the Homeric age, for men have always thought more of eating than of fighting; then, as now, their minds ran chiefly on the "hot bread and sweet cakes;" and the fur and lumber trade is an old story to Asia and Europe. — Henry David Thoreau

I always have a feeling you should move the playing field and the minute you know what you're doing, you're wrong. Therefore, I wanted us not to try to follow Spamalot immediately, but to do something different. This is perfect because it uses all the same skills, like story telling and lyric writing and music writing, but it's presenting it in a different form. And of course it gives me and John a nice chance to perform and show off which is also fun. — Eric Idle

Charity didn't mean to waste the entire afternoon. But her favorite daytime drama was on the telly. It was always the same, she thought, stretching out on the bed to watch. The sex got her interested first, and then the story. Before long she was totally hooked, and deep into the intricate plots and the glamorous goings-on. And afterwards, she just felt drained.
She was sound asleep by the time Lady Margaret came home. — Elizabeth Jane Howard

That spring Larry Ellison saw Amelio at a party and introduced him to the technology journalist Gina Smith, who asked how Apple was doing. "You know, Gina, Apple is like a ship," Amelio answered. "That ship is loaded with treasure, but there's a hole in the ship. And my job is to get everyone to row in the same direction." Smith looked perplexed and asked, "Yeah, but what about the hole?" From then on, Ellison and Jobs joked about the parable of the ship. "When Larry relayed this story to me, we were in this sushi place, and I literally fell off my chair laughing," Jobs recalled. "He was just such a buffoon, and he took himself so seriously. He insisted that everyone call him Dr. Amelio. That's always a warning sign. — Walter Isaacson

Sometimes I do feel like I write the same story again and again. And for me, I am always looking for a place with a kind of redemption. — Jill McCorkle

I'm one of the undeserving poor: that's what I am. Think of what that means to a man. It means that he's up agen middle class morality all the time. If there's anything going, and I put in for a bit of it, it's always the same story: "You're undeserving; so you can't have it." Buy my needs is as great as the most deserving widow's that ever got money out of six different charities in one week for the death of the same husband. I don't need less than a deserving man: I need more. I don't eat less hearty than him; and I drink a lot more. I want a bit of amusement, cause I'm a thinking man. I want cheerfulness and a song and a band when I feel low. Well, they charge me just the same for everything as they charge the deserving. What is middle class morality? Just an excuse for never giving me anything. — George Bernard Shaw

God, if they'd only break out and rebel properly for once!' he said to Ellis before starting. 'But it'll be a bloody washout as usual. Always the same story with these rebellions - peter out almost before they've begun. Would you believe it, I've never fired my gun at a fellow yet, not even a dacoit. Eleven years of it, not counting the War, and never killed a man. Depressing.' 'Oh, — George Orwell

I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. — P.G. Wodehouse

How I'm portrayed in films has more to do with the filmmaking and what they need in the story than anything else. I'm the same person I've always been, I just get used in different ways according to the filmmakers' needs - which is fine with me; it makes for great films. — Alex Honnold

The night she'd been captured, she'd also snapped, and come SO CLOSE to killing the person she most wanted to destroy before someone knocked her out and she awoke in a rotting dungeon. She smiled bitterly as she opened her eyes. It was always the same story, the same loss. — Sarah J. Maas

The essence of practice is always the same: instead of falling prey to a chain reaction of revenge or self-hatred, we gradually learn to catch the emotional reaction and drop the story lines. — Pema Chodron

Whenever people are excited about 'My Girl', I always think if I met the kids from 'The Neverending Story.' I would probably be the same way. — Anna Chlumsky

I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility. — Gail Levin

Around 1980, I'd been writing short stories, all to no success; so I wrote a fan letter to Stephen King and asked "How long should it take an aspiring writer to either get published or know when to give up?" Lo and behold, King wrote back to me in long hand with blue flair pen on 14-inch paper, purveying a very nice, helpful note; in it he said my letter proved a "command of the language," that I should never give up, and that it would take years to succeed, not months. "That's cold comfort but it's the truth." This was the ultimate encouragement for a young writer to be who didn't know shit about the market. I took Mr. King's advice and actually sold my first novel little more than a year later. I'll always be copiously grateful for this advice, and it's the same advice I give aspiring writers now (along with the story of King's reply!). — Edward Lee

We should absolutely be concerned with ethical questions - to exactly the same degree as everyone else. It's never my intention to sneak any kind of sermon into a story - I've got no business preaching, and besides, that kind of thing plays poorly in fiction, always has. — Roy Kesey

Long fiction is wonderful and you can lose yourself in it as a reader and as a writer, but short stories don't allow the same kind of immersion. Often the best stories hold you back and make you witness them. This may be one of the reasons some people reject the form. That and the fact that they are harder work to read. A story will not let you get comfortable and settle in. It is like a stool that is so small that you must always be aware of sitting. — Isobelle Carmody

The Triumph Of Achilles

In the story of Patroclus
no one survives, not even Achilles
who was nearly a god.
Patroclus resembled him; they wore
the same armor.

Always in these friendships
one serves the other, one is less than the other:
the hierarchy
is always apparent, though the legends
cannot be trusted--
their source is the survivor,
the one who has been abandoned.

What were the Greek ships on fire
compared to this loss?

In his tent, Achilles
grieved with his whole being
and the gods saw
he was a man already dead, a victim
of the part that loved,
the part that was mortal. — Louise Gluck

Lying in bed, half-covered by the blankets, I would drowsily ask why he had come to my door that night long ago. It had become a ritual for us, as it does for all lovers: where, when, why? remember ... I understand even old people rehearse their private religion of how they first loved, most guarded of secrets. And he would answer, sleep blurring his words, "Because I had to." The question and the answer were always the same. Why? Because I had to. — Margaret George