Alonda Holt Quotes & Sayings

You abandon most readily those works that have no destination other than your own wishes; there is no editor or producer standing there waiting for them ... I've told every young writer I know to do the job all the way through even if they think it's no good. Then they'll have the precedent of having finished work. — William, Saroyan

To follow Jesus today is to follow a madman according to the ideals of present day civilization. We have the idea that our civilization is God-ordained, whereas it has been built up by ourselves. We have made a thousand and one necessities until our system of civilized life is as cast iron, and then we apologize to the Lord for not following Him. — Oswald Chambers

I've two huge German shepherds who are my boys. They're called Biscuit and Buster, and I love them to bits. — Martin Compston

If I have not love, I am Nothing. — O.R. Melling

The poor young man must work for his bread; he eats; when he has eaten, he has nothing left but reverie. He enters God's theater free; he sees the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams some more, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the countless enjoyments nature offers, gives, and gives lavishly to open souls and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred leaves his heart as all light enters his mind. And is he unhappy? No. The poverty of a young man is never miserable. — Victor Hugo

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

You become a superpower by being strong but also by being wise and by being farsighted. But no state is strong or wise enough to create a world order alone. — Henry A. Kissinger

Not-writing is a good deal worse than writing. — Flannery O'Connor

This monument is going to be built as a symbol. — Bill Russell

Chris is a little ashamed of having once fallen for him: it makes him sad how everything changes, how ruthless the heart can be. — Paul Russell

Everything involves a risk. No risk, no reward. — John Gokongwei