All Time Film Quotes & Sayings

When you see natural disasters caught on film you realize how well they had been imagined by Hollywood for such a long time. It's all good fun. You never know who's gonna survive and who doesn't. — Jared Harris

Through all permutations and youthful poetry, I came to believe that the film actor was the great "literateur" of his time. — Jack Nicholson

I think in that context, when a generation of kids is that ignorant of their recent history, it does a good job of showing what the Pistols were standing for. It's current and it's in the air, partly because I think nothing contemporary is as extreme or as strongly stated as what The Sex Pistols were able to do in their time, in the '70s. I think the reason to [make the film] is that their ideas are still alive: the defense of the right to be an individual, and questioning everything you read, and questioning all the information that's bombarded increasingly at you. — Julien Temple

But then male directors also have a hard time getting their movies made ... not as hard as women but it's a tough time for any movie this size. And that particular movie [The Hurt Locker] was so specific. It couldn't hurt, of course, and I'm really glad for her, but I don't know how much it will change things, if at all. The film industry is still so sexist. — Nicole Holofcener

Lola Montes is, in my unhumble opinion, the greatest film of all time, and I am willing to stake my critical reputation, such as it is, on this one proposition above all others. — Andrew Sarris

Following 25 children for the TV series 'Child of Our Time' has been extraordinary. The BBC's original plan was to commemorate the new millennium. What better way than to film a number of expectant mums from across the U.K.? Coming from widely different backgrounds, all were due to give birth on January 1, 2000. — Robert Winston

So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them. — Fay Wray

Every time an actress is celebrated for her great work, I cheer. For the more brilliant their performance, the more the audience demands stories about women ... And as we all know: a great year for women in film, is just a great year for film. — Jessica Chastain

She walks into my life legs first, a long drink of water in the desert of my thirties. Her shoes are red; her eyes are green. She's an Italian flag in occupied territory, and I fall for her like Paris. She mixes my metaphors like a martini and serves up my heart tartare. They all do. Every time. They have to. It's that kind of story. — Catherynne M Valente

You really just have to love the process. I can't tell you the amount of film sets I've been on where people are talking about Oscars in the middle of the production. It happens all the time. — Olivia Wilde

When a film's heroine innocently coughs, you know that two scenes later, at most, she'll be in an oxygen tent; when a man bumps into a woman at the train station, you know that man will become the woman's lover and/or murderer. In everyday life, where we cough often and are always bumping into people, our daily actions rarely reverberate so lucidly. Once we love or hate someone, we can think back and remember that first casual encounter. But what of all the chance meetings that nothing ever comes of? While our bodies move ever forward on the time line, our minds continuously trace backward, seeking shape and meaning as deftly as any arrow seeking its mark. — Lucy Grealy

Exactly, I repeated myself. I believe we do it all the time. We always take up certain elements again. How can it be avoided? An actor's voice always has the same timbre and, consequently, he repeats himself. It is the same for a singer, a painter ... There are always certain things that come back, for they are part of one's personality, of one's style. If these things didn't come into play, a personality would be so complex that it would become impossible to identify it.
It is not my intention to repeat myself, but in my work there should certainly be references to what I have done in the past. Say what you will, but The Trial is the best film I ever made ... I have never been so happy as when I made this film.
(talking about directing, The Trial (1962) - from Orson Welles: Interviews (book)) — Orson Welles

In a funny way, acting, to me, is all make-believe, even if the film has unicorns in it or is a normal movie that can be set in real-life time. I'm still imagining that I'm a different character, so it's all, in a funny way, like fantasy. — Elle Fanning

Peter Kubelka is the perfectionist of the film medium; and, as I honor that quality above all others at this time finding such a lack of it now elsewhere, I would simply like to say: Peter Kubelka is the world's greatest filmmaker - which is to say, simply: see his films! ... by all means/above all else ... etcetera. — Stan Brakhage

I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time. — Carey Mulligan

I've always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they've got the same DNA as music and film and TV and fashion and all of these things. — Kieron Gillen

But I would say maybe just from an actress's perspective, probably 'Woman Under the Influence' is the best movie of all time. The style of filmmaking and the performances ... you don't feel like you're watching a film. — Olivia Thirlby

Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply. — Andrew O'Hagan

Weirdly enough, I live in London - was born there and have lived there all my life - but I hadn't made a film in London for a long time. I hadn't found the right subject. I liked going away, to some far flung place. — Asif Kapadia

One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology. — Keanu Reeves

I can't frankly see much difference in the film industry at all. The only difference might be that they don't take as much time as they used to. For example, they'll do in one day what we used to take a week to do. — Glenn Ford

So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation. — Barbara Broccoli

Buried is the strangest film I've ever done. I'll be the only person in the movie. So, I'm still trying to figure that out. I have a short but impactful amount of time to figure that out and that's all I'm doing when I get home. I won't bury myself, of course ... that would be a sad end! And then the plan is to do Deadpool after that. — Ryan Reynolds

I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all). — Don Cheadle

One of the top challenges is the fact that you are dealing with survivors. Every time you deal with a documentary film subject it is fraught with obvious minefields but when you are dealing with a population that is severely traumatized and trying to recover from that trauma there is an extra level of vigilance and care and attention that has to be implemented all the time at every level. — Amy Ziering

How can you work in film and still see the overt racism that exists in film and not just be furious all the time? — Joaquin Phoenix

I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak. — Emraan Hashmi

A lot of film directors are quite scared of actors. They are a bit of a nightmare sometimes, but I like them. It looks like cunning, but you try to get extra things from them all the time, by stealth, by making them feel confident, so they trust you and you can push a bit. — Danny Boyle

The content dictates the style all the time. That's the way it is. If the content of the film is highly jagged, neurotic, fast-paced, it just called for that kind of shooting, editing and performance. — Woody Allen

I've heard that Alfred Hitchcock said that by the time he was ready to shoot a film, he didn't even want to do it any more because he'd already had all of the fun of working it out. It's the same thing with these Frank comics. — Jim Woodring

I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies. — Edward Zwick

One time Allie and I skipped school and went to see this foreign film called Los Diablos, where these villagers found a glowing blue ball and peeled pieces off of it to see what was inside. Only the ball was really radioactive, and they all died from the poison. I think that's what happens when you look too deep inside for the truth. The poison comes out, and you die, even though you have beautiful glowing pieces of blue truth in your fingers. — Michael Thomas Ford

[Daemon's] arms tightened, drew her closer as his hand stroked up and down her back, just for the simple pleasure of it. She sighed. The tension in her muscles eased a bit, and she rested against him more fully.
He wasn't thinking of seduction when his hands began to wander over her - or when her hands hesitantly stroked him.
He wasn't thinking of seduction when his body delighted in how different the silky skin of her neck felt under his mouth compared to the robe beneath his hands.
He wasn't thinking of sex when he opened his robe and then hers so that only that film of spidersilk separated skin from skin. Or when even the spidersilk no longer separated them.
He wasn't thinking of sex when his mouth settled over hers and he sent them both sliding into dark, hot desire. And by the time he found himself in bed, listening to her purr with pleasure while he moved inside her, he wasn't able to think at all. — Anne Bishop

Now it turns out that a few broadsheet film critics in Britain do indeed belong to a category of people who would have resisted Hitler when he came to power. So the great shame is, clearly film critics should have been running Austria at the time, because Hitler would have represented no problem to them at all. [The Guardian's] Peter Bradshaw would have known exactly what to do, and he would not have been remotely fallible to any Nazi who threatened his life. No, he would have died in heroic acts of individual resistance. So it's a privilege to live among people who enjoy such moral certainty. — David Hare

Vertigo is probably my favourite Hitchcock film and probably one of my favourite films of all time. It's a film that I'm obsessed with. I saw it on its first release in vista vision, projected in vista-vision, at the Capitol Theatre in New York. That moment when the nun comes up in the end ... it's just an extraordinary shot. — Martin Scorsese

I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again. — Woody Allen

There's nothing like theater. It's really amazing. But it does take up all of your time. I would like to get into more film, just because I find it super fascinating. — Cristin Milioti

I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time ... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen. — Robert Evans

I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be. — Daniel Clowes

I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress. — Len Wiseman

It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage. — Philip Kaufman

'To Kill a Mockingbird' represents Hollywood at its very finest, when a popular film could truly contain a message. It has one of the most moving scores of all time. — Mark Mothersbaugh

Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity. — Don DeLillo

I was very friendly with Jimi Hendrix because my boyfriend at the time, Tommy Weber, was making a film about him, so I would go to all of his shows. — Charlotte Rampling

The process of composing the film score for each movie is completely different. They all have their own personality and their own completely different life, but there's never been a formula. Each time, it's a new thing. — Trevor Rabin

In film, a lot of the time you're not as engaged, it is all being given to you, and you're accepting it as it comes in, but in comics, as a reader, you are going to have to work, your imagination needs to do an awful lot. — Neil Gaiman

His heart slammed against his ribs, and joy flooded him, followed almost instantly by distress. Even from fifteen yards away he could see that she wore no makeup, and lines of fatigue were etched on her face. Her hair was restrained with a clip at the nape of her neck, and for the first time since he'd known her, she looked almost plain. Where was the Daisy who loved to primp and fuzz with her perfumes and powder? The Daisy who took such joy in dabbing herself with apricot scented lotion and raspberry red lipstick? Where was the daisy who used up all the hot water taking her showers and left a sticky film of hair spray on the bathroom door? Dry mouthed, he drank in the sight of her, and something broke apart inside him. This was Daisy as he'd made her. This was Daisy with her love light extinguished. — Susan Elizabeth Phillips

Going to a movie is a two-hour experience; at $7.50 for a ticket, you are valuing your time at far less than the minimum wage. If you don't understand the film, don't leave. If you understand it all too well and hate it, get out of your seat and walk up the aisle. You will feel empowered. — Gene Siskel

The Lion King? It's just a kid's film.

Just a kid's film?!? Yeah, just a kid's film with an IMDB rating of 8.5, 2 Academy Awards and 2 Golden Globes, that's been adapted into THE most successful West-end musical of all time, generating a gross profit of 8 million pounds and counting. "But maybe it's just a kid's film because it doesn't deal with any mature films" said fucking nobody ever. The Lion King is the greatest anthropomorphic assault upon the theme of mortality that Western culture has ever produced. It is so complex that your tiny, shriveled, and scrotum of a brain wouldn't dare to fathom it. So no, it is not just a kid's film, it is Shakespear with fur! — Jack Whitehall

The street lamps and illuminated signs were all extinguished, and on impulse everybody looked into the sky. The frogs and crickets fell quiet to the count of five before they began to sing again. The smaller stars were spread across the darkness in a fine white powder, and the brighter ones pierced the air like nail points. In Andrew Brady's yearbook she wrote: The thing I will always remember about you is the time we were watching the film strip in Miss Applebome's class, and the lights were out, and you sat behind me scratching my back with your fingers. — Kevin Brockmeier

We are all affected by the time we are born into, and of course that feeds into your work. Society is based on storytelling - religious myths, opera, film - and 1968 was always seen as a time of rupture and fragmentation. I have always been interested in those words. — Doug Aitken

a myth that the church has very successfully used to its advantage. Many people were under the same impression that there are tons of Scientologists in the film and television business and that we all help each other out. The real truth is that while the church would like you to believe it wields a tremendous amount of influence in Hollywood, that is simply not the case. Throughout my career I knew of one minor casting director who was a Scientologist, but other than that, no real movers and shakers. As a matter of fact, I think identifying myself publicly as a Scientologist probably hurt my career more than it helped it as far as perception was concerned. And while some of the courses the church offered provided me with better communication skills to help land roles, the time, money, and effort I invested certainly didn't outweigh the benefit for me. — Leah Remini

TV has gotten perhaps better than your average film script, but at the same time, it's fun to give it all you've got for a few months and produce a story. — Michiel Huisman

Gray mattresses with red and blue stripes in something that looks like a hallway or an overly long waiting room. In any case, his memory is frozen in immediate past like a faceless man in a dentist's chair. There are houses and streets that run down to the sea, dirty windows and shadows on staircase landings. We hear someone say "a long time ago it was noon," the light bounces off the center of immediate past, something that's neither a screen nor attempts to offer images. Memory slowly dictates soundless sentences. We imagine that all of this has been done to avoid confusion, a layer of white paint covers the film on the floor. Fleeing together long ago became living together and thus the integrity of the gesture was lost; the shine of immediate past. — Roberto Bolano

I think a lot of the time these days people are so concerned about having the right camera and the right film and the right lenses and all the special effects that go along with it, even the computer, that they're missing the key element. — Herb Ritts

Snow Cake is a lovely film. Really proud of that. We shot it in 21 days. I thought Sigourney was amazing in it. And very, very accurate. I think there was some element that thought she had pushed it too far. But not at all when you do the amount of homework she had done and spent the amount of time she did with adult autistics. She was right on the money. And I think Marc Evans is a terrific director. He's a sweet, open, honest man and a really good director of actors. — Alan Rickman

If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them. — Dario Argento

I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original. You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving. — Alexander Payne

I really want to do a western film. It's one of my favorite movie genres of all time. — Denis Leary

I figured I'd probably write 50 scripts in my life. Out of those 50, I figured maybe five would be produced, and that maybe one or two would be successful. So I always kind of expected I'd write at least one successful film in my life. [ ... ] The way it all came together was kind of like Murphy's law in reverse - I don't expect that kind of experience again any time soon. — Michael Arndt

I would often sit in the corner of the room wearing Dad's massive headphones, carefully replaying the records time after time. It was something I did frequently throughout my childhood with music, comedy and film, inspiring my own creative imagination, the headphones rendering the experience intensely personal, as though it were all happening inside my own head. — Simon Pegg

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you? — Jim Jarmusch

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that. — Atom Egoyan

Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe. — James McAvoy

I think the only time I doubted myself was my senior year in high school. I was not offered a Division I scholarship. I remember a scout from Ohio State coming in and looking at my film. He was all excited to meet me. Then he met me and I was 5'10 and he said that I was not a Division I quarterback. — Doug Flutie

We all know perfectly well that the man who lives out his life as a consumer," he writes in "The Coming Crisis in Psychiatry," "a sexual partner, an 'other-directed' executive; who avoids boredom and anxiety by consuming tons of newsprint, miles of film, years of TV time; that such a man has somehow betrayed his destiny as a human being. — Scott Stossel

That's scary, all the time to be afraid Wreck 2015 (Film, you should check it out). — Deyth Banger

In a way, we tried to make 'The Salvation' a contemporary film with contemporary emotions. At the same time, in the script, you get a feel that all the small talk is not a part of our universe. It's more precise talk. — Mads Mikkelsen

Film is not like a book; it's not a writer's baby at all. So many people have put in their talent, by that time that you feel grateful for what they've done, you don't feel possessive about it in any way. — Ruth Prawer Jhabvala

He was taking Kevin's cherry! The words made him harder and made him feel privileged, masterful, married. He thought how many men would pay unlimited amounts to have this inaugurating experience with this boy. He didn't want to feel like a middle-aged paedophile, he didn't even want to think all this would make a good porn film. He wanted every thrust, every second, to be laden with tenderness, a salute from him to Kevin, a deep recognition. He wanted Kevin to like what was being done to him, to push back for another joyous millimetre of penetration. He didn't want him to label it Guy's First Fuck or Kevin's First Time. He didn't want the idea and the label to crowd out the sensation or to sharpen it; he wanted it to be pure sex, undramatised. — Edmund White

When you shoot a film, it takes six months, and it's very important keep the morale of the crew up top, all the time, and keep them on their toes, and keep them enthusiastic. — John Glen

My all-time favorite is Brad Pitt in 'Interview with the Vampire.' He's so sexy. I'm a fan of anything he does, but in that film he's a vampire who doesn't want to feed. There's something super sexy about someone who has to feed to survive but doesn't want to do it. — Kayla Ewell

It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time. — Anjelica Huston

The film 'Black Orpheus' is one of my favorite films of all time, which is set in Carnival in Brazil. — Win Butler

On 11 September 2012 crowds of friendly locals in Kabul, Afghanistan, were chanting the usual 'Death to America' slogans. At the same time American flags were torched from London to Sydney. And in Benghazi, Libya, a group of 'spontaneous protesters' arrived at the US consulate with rocket-propelled grenades and savagely murdered the US ambassador. In Washington, members of the Obama administration were, as we have already seen, showing that they weren't taking any of this personally. It wasn't about them and it certainly wasn't about their ambassador, who had in fact been murdered by terrorists in a pre-planned attack. The administration was still claiming all this was caused by an excerpt from an amateur film which had been up on YouTube for weeks. — Douglas Murray

I think my dream would be to move into film, purely because there's a definite beginning, middle and end to a project. I struggle a bit with such a big series that's going all the time. — Jessica Raine

I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen. — Olesya Rulin

Robert Altman's 'Nashville' is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining. — Douglas Wood

I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film. — Ishiro Honda

All I know is that my life is filled with little pockets of silence. When I put a record on the turntable, for example, there's a little interval-between the time the needle touches down on the record and the time the music actually starts-during which my heart refuses to beat. All I know is that between the rings of the telephone, between the touch of a button and the sound of the radio coming on, between the dimming of the lights at the cinema and the start of the film, between the lightning and the thunder, between the shout and the echo, between the lifting of a baton and the opening bars of a symphony, between the dropping of a stone and the plunk that comes back from the bottom of a well, between the ringing of the doorbell and the barking of the dogs I sometimes catch myself, involuntarily, listening for the sound of my mother's voice, still waiting for the tape to begin. — Robert Hellenga

My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen. — Eddie Redmayne

Ah, 'Pather Panchali' was the most inspiring film that I wrote music for, and it was so spontaneously done. I saw the film, composed on the spot, along with myself and only four other musicians, and everything was done within 4-1/2 hours, I think an all-time record anywhere. — Ravi Shankar

Yes, I'm old," Henry said, and folded his arms. "Old enough to have made cemeteries of men younger than you. Killed in wars. Killed in peace. Knifed and shot my way most of my life. Killed Indians and white men with my hands or the guns I took from them."
Another step, his arms unfolded.
"I get paid to bring in escaped men that have done worse."
One more foot.
"And there is nothing in you that don't stand thin against me, and you know it. And this ain't the forst time I've had guns against me and you know that too."
He looked at them all, weighed them all.
"And I'm done talking. — Robert Lautner

It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level. — Guy Maddin

Making films is too big an undertaking to be doing it on a whim, so you're waiting all the time, until you finally meet the person who gets it. — Crispian Mills

Live Freaky! Die Freaky! will be, without a shadow of a doubt, the single greatest film of all time about Charles Manson being the savior to all humanity in the year 3069. — John Roecker

What to keep of all these reels of film, what to throw away? If we could only take 1 memory on our journey, what would we choose? At the expense of what or whom? And most importantly, how to choose among all these shadows, all these spectres, all these titans? Who are we, when all is said and done? Are we the people we once were or the people we wish we had been? Are we the pain we caused others or the pain we suffered at the hands of others? The encounters we missed or those fortuitous meetings that changed the course of our destiny? Our time behind the scenes that saved us form our vanity or the moment in the limelight that warmed us? We are all of these things, we are the whole life that we have lived, its highs and lows, its fortunes and its hardships, we are the sum of the ghosts that haunt us ... we are a host of characters in one, so convincing in every role we played that it is impossible for us to tell who we really were, who we have become, who we will be. — Yasmina Khadra

The men were all scumbags, but the whole point of the film is to show the development of that. Each guy is going in there to have a good time. By and large, these men are career men, family men, and you just see the deterioration of them. — Taylor Dane

There's going to be no more digital enhancements or digital additions to anything based on any film I direct. I'm not going to do any corrections digitally to even wires that show ... If 1941 comes on Blu-ray I'm not going to go back and take the wires out because the Blu-ray will bring the wires out that are guiding the airplane down Hollywood Blvd. At this point right now I think letting movies exist in the era, with all the flaws and all of the flourishes, is a wonderful way to mark time and mark history. — Steven Spielberg

You do a film for a short time period - you put it all out there and move on. — Jessica Szohr

Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead. When independent-thinking people (and here I do not include the corporate media) begin to rally under flags, when writers, painters, musicians, film makers suspend their judgment and blindly yoke their art to the service of the "Nation," it's time for all of us to sit up and worry. — Arundhati Roy

I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart and soul. — Conrad Veidt

But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it's "part screwball comedy".
I can't tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure - and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN's Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you're reading CITY OF JASMINE, give some thought to who you'd like to see playing Evie and Gabriel - I'd love to hear who you'd cast in your own production. — Deanna Raybourn

Any time you die in a film, it's not real, so it's all kind of fun. — Richard Jenkins

I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process. — Aaron Rose

I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film. — Haskell Wexler

'Black Mirror,' I read that, and I had another offer for a movie at the same time that was a bigger movie, an actual film as opposed to TV, but I said, 'No, it has to be Black Mirror.' And it hadn't been sold to Netflix, hadn't gone abroad at that point - but it's just good work - that's all there is to it. — Domhnall Gleeson

People in LA seem to have no concept of the time outside of their city. I've been trained for thirty years in the film industry of having whether its agents, lawyers, actors, or whoever calling up all night. — Matthew Vaughn

We are living at a time where there are so many films available to watch through so many formats all the time. It's hard for any film to stand out in that din. — Megan Griffiths

Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that. — Melissa Rosenberg