Adjaye David Quotes & Sayings

For me, architecture is a social act, — David Adjaye

Buildings are deeply emotive structures which form our psyche. People think they're just things they maneuver through, but the makeup of a person is influenced by the nature of spaces. — David Adjaye

You left her. When she needed you, you ran. And you're still running. Don't you think it's time you stop running and fight for her? — Rick Yancey

They [soldiers WWII] were so young, so very young. A whole generation of young men died, leaving a whole generation of young women to weep. — Jennifer Worth

What I resist is techniques. I find techniques very problematic. So when critics talk about my work in those terms, I find that they miss the condition. I am comfortable with the notion of pattern and ornament as a system of organization, [but] for me it acts as a textile. So it's not about pattern, but the notion of architecture through the lens of textile, rather than architecture through the lens of brick and mortar. — David Adjaye

In some conditions, the architecture of textile is more relevant than in other conditions or the opacity of the material form. Pattern in the world of scarce materiality and a hybridity becomes a way of creating a new authenticity. Sometimes there is a certain kind of nobility of a group of materials literally of the earth, which had a certain nobility of presence, but is very different from the materials we have now. — David Adjaye

spaces that at first may appear to reflect a simple condition are much more complex when the actions of individuals and groups are factored in. These unique patterns of movement through space can and should guide the architecture we build to serve them. For space only becomes truly public when people recognize it and utilize it as such. Great public space cannot be built as much as curated; it is architecture's responsibility to craft space in response to specific needs and unique practices. . . . it is not the space itself that is meaningful; it is the way space facilitates diversity, interaction, and new negotiations that makes it meaningful [David Adjaye, "Djemaa El-Fnaa, Marrakech: Engaging with Complexity and Diversity"]. — Catie Marron

In a way, I feel I have enough tools and knowledge now that when I build it has a very specific agency that's very conscious. It's no longer speculative; it's really constructed. I'm very interested in how that consciousness, about how I am producing, is working within different conditions. It's like growing up. — David Adjaye

When the children were ready to go to bed, Katie did something very unusual. It was unusual because she was not a demonstrative woman. She held the children close to her and kissed them goodnight.
"From now on" she said ,"I am your mother and your father. — Betty Smith

I've been meaning to write about the Rolling Stones, but I am the furthest thing from a hipster rock journalist. — Diablo Cody

I went to Walter Reed hospital a couple of times to visit wounded soldiers, kids with no legs and one arm. You start to question some things. — Jeff Daniels

The thing about architecture is that it's an art [you] simply learn more by doing more. It's one of those things that is really not an art about thinking, but doing. So in a way, what it has done is greatly intensify the way that I build. — David Adjaye

Buildings for me represent opportunities of agency, transformation, and storytelling. They are not just artifacts. There is this big tradition of buildings-as-artifacts - constructed artifacts - but for me they are these incredible sites of negotiation. — David Adjaye

I'm totally into architecture for all strata of society. High design should not just be for rich people. — David Adjaye

The houses [my first project in London] were reactions to the condition of the city and my frustrations with the norms that were being played out. In a way they were slightly subconscious but reactions to that condition and a way to posit new possibilities within certain pervasive norms. — David Adjaye

Africa is an extraordinary opportunity at the moment — David Adjaye

The first 10 years, I was just building just to understand what I was doing and I didn't trust my intuition to just produce. Then, in the last five years, I have really been reflecting on what I am producing and what it is doing. — David Adjaye

In a way, going to Africa allowed me to see possibilities that sometimes seem impossible in certain conditions. It also allowed me to see opportunities for material strategies. I hate it when people think I went and got something [from Africa] and brought it here. It's more about how it affects the way in which I work and affects [my] creativity. — David Adjaye

If you just live in New York and you only know New York, you know a certain kind of condition of formality and informality. By being able to go to another context and to be able to use that as a counter foil to the context you know, you are about to see a wider range. — David Adjaye

Context is so important, not to mimic but to become part of the place. I wanted a building that acknowledges its surroundings. — David Adjaye

The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different. — David Adjaye