Adagietto Quotes & Sayings

Forgiveness is its own reward. — Rickson Gracie

For over 30 years, the IRA showed that the British government could not rule Ireland on its own terms. — Gerry Adams

Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire. — Philip Kitcher

That I'd day after day after day greedily take what looks like it's good from Your hand
a child gloating over sweet candy ... but that I'd thrash wild to escape when what You give from Your hand feels bad
like gravel in the mouth. Oh Father, forgive ... should I accept good from you, and not trouble? — Ann Voskamp

No man's really any good till he knows how bad he is, or might be ... — Gilbert K. Chesterton

The world of dew
is the world of dew.
And yet, and yet
— Kobayashi Issa

No occupation is considered superior since everyone is doing his best where he is. — Sunday Adelaja

As the young husband and wife lay in each other's arms, each contemplating past, present, and future, Clint recognized the music as the adagietto from Gustav Mahler's fifth symphony. It was one of the most famous movements in the entire symphonic repertoire, but it was also one of the most debated. Mahler ostensibly composed the adagietto as a love song to his wife, Alma, but when played at the much slower tempo preferred by many conductors, the music instead evokes a feeling of profound melancholy. After almost eighty years, musicologists and aficionados still couldn't agree whether the music was supposed to be happy or sad, whether it was an expression of intense love and devotion or of unmitigated despair. Clint was struck by the irony that this music would be playing at this moment in his life, and his mouth curled into an ambivalent smile. Was he happy? Was he sad? Would he ever again be certain? — William T. Prince

Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice. — Philip Kitcher

Women will always put persons above ideas ... and so they'll always be defeated. Persons die, and ideas rule the world. — Storm Jameson