Action Verbs For Quotes & Sayings

Love is a verb. We have to let our love call us to action. — Lierre Keith

Because of the conflicts and challenges we face in today's world, I wish to suggest a single choice - a choice of peace and protection and a choice that is appropriate for all. That choice is faith. Be aware that faith is not a free gift given without thought, desire, or effort. It does not come as the dew falls from heaven. The Savior said, "Come unto me" (Matthew 11:28) and "Knock, and it shall be [given] you" (Matthew 7:7). These are action verbs - come, knock. They are choices. So I say, choose faith. — Richard C. Edgley

Creoles tend to express variations in time by having a string of helping verbs rather than by having complicated word formation rules. In other words, they are more like English in this respect than like a language such as Italian:
English: I thought she might have been sleeping.
Italian: Pensavo che dormisse.
The idea of potential (in the English "might"), completed or whole action (in the English "have"), and stretched-out activity (in the English "been") that go with "sleeping" are all expressed in the ending on the Italian verb dormisse. (Dorm is the root for "sleep"; isse is the ending that carries all the meaning about the time frame.) — Donna Jo Napoli

Picture books are the distillation of an idea, and you have to use just the right words. I love that, and I try to use a lot of action verbs. — Denise Fleming

The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out ... Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions. — E.L. Doctorow

His sentences didn't seem to have any verbs, which was par for a politician. All nouns, no action. — Jennifer Crusie

Messrs. Strunk and White don't speculate as to why so many writers are attracted to passive verbs, but I'm willing to; I think timid writers like them for the same reason timid lovers like passive partners. The passive voice is safe. There is no troublesome action to contend with; the subject just has to close its eyes and think of England, to paraphrase Queen Victoria. I think unsure writers also feel the passive voice somehow lends their work authority, perhaps even a quality of majesty. If you find instruction manuals and lawyers' torts majestic, I guess it does. — Stephen King

Love is a verb and verbs show action — Mr. T