Action Novel Quotes & Sayings

But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote. — Neal Stephenson

Somehow your heart still knows me. — T.K. Naliaka

A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on. — Deborah Moggach

The planet has a fever. If your baby has a fever, you go to the doctor. If the doctor says you need to intervene here, you don't say 'I read a science fiction novel that says it's not a problem.' You take action. — Al Gore

All this simply shows us that communalism and terrorism are nothing but opposite sides of the same coin. They keep feeding on each other in a vicious cycle, resulting in a society full of violence, hatred, sorrow and intolerance. Every communal act is used as a justification for mindless acts of terrorism . Similarly , each act of terrorism is used as a justification for such horrible atrocities like genocide and ethnic cleansing. And, it is always the innocent who get killed. This is the sad truth. — Vivek Pereira

A cardinal principle of good fiction [is]: the theme and the plot of a novel must be integrated - as thoroughly integrated as mind and body or thought and action in a rational view of man. — Ayn Rand

The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution. — Irving Stone

Groups give us power when we are enthusiastic, speak up, make bold assertions, and express an interest in others. Our capacity to influence rises when we practice kindness, express appreciation, cooperate, and dignify what others say and do. We are more likely to make a difference in the world when we are focused, articulate clear purposes and courses of action, and keep others on task. We rise in power when we provide calm and remind people of broader perspectives during times of stress, tell stories that calm during times of tension, and practice kind speech. Our opportunity for influence increases when we are open and ask great questions, listen to others with receptive minds, and offer playful ideas and novel perspectives. The — Dacher Keltner

She leaned forward and opened her eyes wide. "Allow me to offer you some free advice - trade your gems away and keep your opinions to yourself. — Stephen Whitfield

Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city's underneath go to, anyhow? I grab a headlamp and head in. It's long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That's what we're after, isn't it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel's length, and see what meaning can be made of what remains? — Ander Monson

I don't care what Einstein said about God not playing dice; If he exists, he's addicted to craps. — Henry Mosquera

The action of the child inventing a new game with his playmates; Einstein formulating a theory of relativity; the housewife devising a new sauce for the meat, a young author writing his first novel; all of these are in terms of definition, Creative, and there is no attempt to set them in some order of more or less Creative. — Carl Rogers

As Narrative (Novel, Passion), love is a story which is accomplished, in the sacred sense of the word: it is a program which must be completed. For me, on the contrary, this story has already taken place; for what is event is exclusively the delight of which I have been the object and whose aftereffects I repeat (and fail to achieve). Enamoration is a drama, if we restore to this word the archaic meaning Nietzsche gives it: "Ancient drama envisioned great declamatory scenes, which excluded action (action took place before or behind the stage)." Amorous seduction (a pure hypnotic moment) takes place before discourse and behind the proscenium of consciousness: the amorous "event" is of a hieratic order: it is my own local legend, my little sacred history that I declaim to myself, and this declamation of a fait accompli (frozen, embalmed, removed from any praxis) is the lover's discourse. — Roland Barthes

'Of Mice and Men,' Steinbeck's fifth novel, adheres to a simple dramatic structure, which observes the classic Aristotelian unities of time, place and action. — Jay Parini

In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero. — Chow Yun-Fat

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? — P.G. Wodehouse

When I am writing a novel, the setting, the characters, the action is clear in mind when I start -- so I believe. But it is only when these imaginings are written down, passing it seems almost physically from my brain down the arm to my moving hand that they begin to live and move and have their being and assume a different kind of truth. — P.D. James

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel. — Dean Koontz

what I had tried to do was take the little novel, about one person, where there is not much external action, it is all internal, and extend it into an epic format, do you understand what I mean? He — Karl Ove Knausgard

A detective novel should contain no long descriptive passages, no literary dallying with side-issues, no subtly worked-out character analyses, no 'atmospheric' preoccupations. Such matters have no vital place in a record of crime and deduction. They hold up the action and introduce issues irrelevant to the main purpose, which is to state a problem, analyze it, and bring it to a successful conclusion. To be sure, there must be a sufficient descriptiveness and character delineation to give the novel verisimilitude. — S. S. Van Dine

Joaquin Jackson's frank and colorful account of his long career as a modern-day Texas Ranger thrills like an action novel, yet the stories are true, sometimes funny, sometimes tragic, but always gripping. I could hardly put the book down ... The writing is superb. — Elmer Kelton

It is curious for one who studies the action and reaction of national literature on each other, to see the humor of Swift and Sterne and Fielding, after filtering through Richter, reappear in Carlyle with a tinge of Germanism that makes it novel, alien, or even displeasing, as the case may be, to the English mind. — James Russell Lowell

I saved letters from my boss. There are things in there that are directly transcribed. I was so glad I did that. Sometimes when I was writing the book I wondered if some little writer hobbit part of my brain was back there puppeteering that action. But it really never, on any conscious level, occurred to me that I would write about it. I will say, I thought probably some day there would be an ancillary character in some novel - not in the one I was currently writing - that would be a dominatrix or something. — Melissa Febos

I might've found a way to cure them." Crystal said in a jumble of words.
"Cure them? Permanently?"
"Yes sir."
He thought about this a moment before speaking, "You've got two weeks, can you do it by then?"
"That's plenty of time sir, thank you. — Julia Barkey

When I'm writing I don't want anyone else in the room - including myself. — Jonathan Franzen

How the Hell is it we go to pick up Jenna Jameson and end up with the fucking chick from those Kill Bill movies? — Todd Morr

If you write a good action sequence well in a novel, you're already writing it for film, because the only way to do it well is to use some of the same tricks. They're rhetorical, not visual, but it's the same move. — Justin Cronin

Even if your novel occurs in an unfamiliar setting in which all the customs and surroundings will seem strange to your reader, it's still better to start with action. The reason for this is simple. If the reader wanted an explanation of milieu, he would read nonfiction. He doesn't want information. He wants a story. — Nancy Kress

Men will continue to suffer from their own connivance, until they recognise and act upon the truth within themselves. — Georgina Zuvela

The "Lucifer Effect" describes the point in time when an ordinary, normal person first crosses the boundary between good and evil to engage in an evil action. It represents a transformation of human character that is significant in its consequences. Such transformations are more likely to occur in novel settings, in "total situations," where social situational forces are sufficiently powerful to overwhelm, or set aside temporally, personal attributes of morality, compassion, or sense of justice and fair play. — Philip Zimbardo

In a lot of cases, writers discover that the novel needs to begin later in the action than they'd first thought. — Will Hobbs

A magical blending of mystery, romance, and deep and dangerous secrets. Kelly Parra's Invisible Touch is an action-packed coming-of-age novel, sure to keep readers turning pages and begging for a sequel. — Laurie Faria Stolarz

Out in the field, any connection with home just makes you weaker. It reminds you that you were once civilized, soft; and that can get you killed faster than a bullet through the head. — Henry Mosquera

I think all artists struggle to represent the geometry
of life in their own way, just like writers deal with
archetypes. There are only so many stories that you can
tell, but an infinite number of storytellers. — Henry Mosquera

'The Levanter' features some of the strongest action scenes to be found in Ambler - who can, in some of his fiction, stay in one place for a whole novel. — Alan Furst

It was my TBR-my TO Be Read stack. The usual subjects were there. Chick lit. Action. A Pulitzer Prize winner. A romance novel about a pirate and a damsel in a low-cut blouse (What? Even vampire enjoys a little bodice ripping now and again.) — Chloe Neill

The Running Man is a sci-fi action story based on a novel by Stephen King, built around a nightmare vision of America in 2017 - thirty years from when we were shooting. The economy is in a depression, and the United States has become a fascist state where the government uses TV and giant screens in the neighborhoods to distract people from the fact that nobody has a job. — Arnold Schwarzenegger

Some truths are hard to swallow, so we share it within tales that most people will accept without being frightened by the truth hidden within. — Larry Itejere

This is the difference between an ordinary scribe and a literary writer. The highest level of literary creation is when the characters in a novel possess life in the mind of the writer. The writer is unable to control them, and might not even be able to predict the next action they will take. We can only follow them in wonder to observe and record the minute details of their lives like a voyeur. — Liu Cixin

What, in fact, is a novel but a universe in which action is endowed with form, where final words are
pronounced, where people possess one another completely,
and where life assumes the aspect of destiny? 3 The world of the novel is only a rectification of the world
we live in, in pursuance of man's deepest wishes. For the world is undoubtedly the same one we know.
The suffering, the illusion, the love are the same. The heroes speak our language, have our weaknesses
and our strength. Their universe is neither more beautiful nor more enlightening than ours. But they, at
least, pursue their destinies to the bitter end and there are no more fascinating heroes than those who
indulge their passions to the fullest, Kirilov and Stavrogin, Mme Graslin, Julien Sorel, or the Prince de
Cleves. It is here that we can no longer keep pace with them, for they complete things that we can never
consummate — Albert Camus

I've always said women are vicious creatures - Detective Zach Grimes — Lauren Bradshaw

Our lives are a novel being written. We are its author. Every action we encounter and every person we meet has a role and a place in our ultimate story. It is in our control to decide the level of how, who and what impacts us and how large a role we decide to assign each. — Mark W. Boyer

Stories are my art and my solace. They could also be my weapons. Stories give more than facts. Stories touch the conscience and stimulate action. That is my motive and my goal, to put research and study and feeling into that cauldron called the novel. — Sonia Levitin

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place. — Israel Horovitz

Maybe I would have become an actor. I was a very outgoing kid, but being in the hospital - being outside of social action for so long - turned me into an observer. Actually, right after I got out of the hospital, I did start writing a novel, but the book was so transparently about me that I stopped. — Brent Runyon

Inside the envelope with the letter was a little Princess Leia action figure USB flash drive. (they make these?) For me to store my novel on, since he was right-I never back up my computer's hard drive.
The sight of it-it's Princess Leia in her Hoth outfit, my favorite of her costumes (how had he remembered?) brought tears to my eyes. — Meg Cabot

I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character. — F. Paul Wilson

A swirl of dust and dirt picked up from the shadows that fell over everything in this grungy corner of the world. The dancing movement was hypnotizing. The sand and grit had rested long enough to have drifted into obscurity. But fate had different plans, and this gust of wind had lifted them and turned their obscure and unknown existence into a chaotic tempest of action that could not be ignored. — Lexie Syrah

My vengeance was of a different kind. It bore no offense and no ill towards injustice. It had no emotion. Blood and Death. That's all it was." - Celeste- ALL LIGHT WILL FALL — Almney King

Short of a small range of physical acts-a fight, murder, lovemaking-dialogue is the most vigorous and visible inter-action of which characters in a novel are capable. Speech is what characters do to each other. — Elizabeth Bowen

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Characters make their own plot. The dimensions of the characters determine the action of the novel. — Harper Lee

Roughly, the action of a character should be unpredictable before it has been shown, inevitable when it has been shown. In the first half of a novel, the unpredictability should be the more striking. In the second half, the inevitability should be the more striking. — Elizabeth Bowen

THE ABULON DANCE is an intricate and fast-paced novel of political intrigue and clashing alien cultures. The characterizations are rich, detailed, and subtle, the action engrossing. I finished it in a single sitting. — Robin Wayne Bailey

The pity in Matt's eyes was almost too much to bear but she found herself unable to turn away. She had only seen that look once and that was when he almost lost Nichole. The sparkle in his eye burned out as if it was nothing more than a dying ember leaving his brown eyes dark and cold. Like Scott's. — Julia Barkey

You want to suggest something new, but at the same time, resolve the drama of the action in the novel. — Michael Ondaatje

There's someone here."
"I know." She said, "Where's Scott?"
"I'm not sure," He said, "I thought you were going to wait outside with Nichole and Matt."
"We decided to come in."
"You mean they're in here too?"
"Yes."
"Okay ... " He said calmly, "You stay here."
She nodded as he turned to go.
"Oh, and Carrie."
"Yes?"
"Could you actually listen to me this time?" He asked with a faint smile on his face. — Julia Barkey

Life is God's novel. Let him write it. — Isaac Bashevis Singer

Regress towards progress - Dr Wannamaker — Lauren Bradshaw

Action is the pulse of any good story, but the character is the heart. If the action has no consequence to the character, the story loses heart. — Linda W. Yezak

A sensible person does not read a novel as a task. He reads it as a diversion. He is prepared to interest himself in the characters and is concerned to see how they act in given circumstances, and what happens to them; he sympathizes with their troubles and is gladdened by their joys; he puts himself in their place and, to an extent, lives their lives. Their view of life, their attitude to the great subjects of human speculation, whether stated in words or shown in action, call forth in him a reaction of surprise, of pleasure or of indignation. But he knows instinctively where his interest lies and he follows it as surely as a hound follows the scent of a fox. Sometimes, through the author's failure, he loses the scent. Then he flounders about till he finds it again. He skips. — W. Somerset Maugham

And so we continued to live in fear, hoping that we would not get caught. Fear had become our constant companion at this dreadful Lashkar-e-Taiba camp. — Vivek Pereira

Some things are just like riding a bicycle; you jump on, pedal, and hope you don't fall. — Henry Mosquera

The novel is a hybrid genre and a large part of its charm arises from the alluvial nature of its materials. There is nothing that doesn't suit a novelist in action, when he's in the course of writing his novel. — Enrique Vila-Matas

Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen. — Nancy Kress