Quotes & Sayings About Acting On Emotion

Acting makes me feel vulnerable. Especially depending on the type of emotion I'm portraying in a scene. — Mpho Koaho

The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need. — Kate Capshaw

You missed the point completely! You're acting ... " The word stuck in my throat.
He didn't hesitate to say it. "Jealous?" When I nodded, he continued. "Now you're missing the point. It isn't jealousy. It's fear."
"Fear?" Not the emotion I expected.
"Yes. Fear. I'm afraid you'll be hurt or killed. I'm afraid I won't be able to protect you. I'm afraid I'll lose you to another man. — Maria V. Snyder

I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across. — Jesse Eisenberg

According to Berkeley sociologist Arlie Hochschild, if you're feeling an intense emotion like anxiety or anger, there are two ways to manage it: surface acting or deep acting. Surface acting involves putting on a mask--modifying your speech, gestures, and expressions to present yourself as unfazed...In deep acting, known as method acting in the theater world, you actually become the character you wish to portray. Deep acting involves changing your inner feelings, not just your outer expressions of them...Deep acting turns out to be a more sustainable strategy for managing emotions than surface acting. Research shows that surface acting burns us out: Faking emotions that we don't really feel is both stressful and exhausting. If we want to express a set of emotions, we need to actually experience them. — Adam Grant

You've got to trust your instincts, your judgment and trust the storytelling that came before and the quality of the acting with the emotion. — Jean-Marc Vallee

Especially since I stared studying acting, I feel like I'm always super-aware of my emotions and my feelings and what's going on with me at every moment. — Mariah Carey

Golf is like acting in that both require concentration and relaxation at the same time. In acting, you can't push emotion. You have to let it rise from you naturally. Same thing in golf. You have to have a plan and a focus; but then you need to just let it happen and enjoy the smooth movement of the swing. — Jane Seymour

I regard singing pretty much like acting. Each song is like playing a different role. I get very involved with my material. I feel a responsibility for the emotion it brings out in the listener. — Peggy Lee

Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle. — Keanu Reeves

I said, "I don't think I can give you that kind of emotion." And he [Hitchcock] sat there and said, "Ingrid, fake it!" Well, that was the best advice I've had in my whole life, because in all the years to come there were many directors who gave me what I thought were quite impossible instructions and many difficult things to do, and just when I was on the verge of starting to argue with them, I heard his voice coming to me through the air saying, "Ingrid, fake it!" It saved a lot of unpleasant situations and waste of time. — Ingrid Bergman

When you use single character viewpoint, you tell the main character's story - and only his or her story. Every single thing in the plot - whether it's an event, problem, emotion, or consequence - should be revealed through that main character's eyes. Your main character needs to be on center stage throughout the entire story, acting and reacting to what is happening in the plot. To do that effectively, reveal only your main character's emotions and thoughts. Tell your reader only what your main character is feeling, not the feelings of other characters. — Tracey E. Dils

Watch the actors who are on a very high frequency, very alert to everything and very much in touch with their feelings -- simple. Acting should be economical and simple. It's not complicated. So many actors make it complicated, fill it with screaming, yelling, crying, a lot of emotion but no real inner action, no real focus. Actors who have good technique are pursuing a very simple objective. They know what they're listening for, they know what they're looking for. They know what the obstacles are that stand in the way and what they're doing to get what they want. They allow themselves to respond right off their partner, spontaneously.

Acting is not difficult. It's simply a matter of defining the action. — Michael Beckett

Whatever the emotion is, I have learned over the years to give it space, which is also why I love acting. — Daphne Zuniga

Drama is easier to do because you just have to have the emotion and not get caught acting, but comedy is much harder. — Patrick Dempsey

I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do. — John C. Reilly

Was she acting entirely consciously? No: women are always sincere, even in the midst of their most shocking duplicities, because it is always some natural emotion which dominates them. Perhaps, having given this young man such a hold on her, by having openly demonstrated her affection for him, Delphine was merely responding to a sense of personal dignity, which led her either to revoke any concessions she might have made or, at least, to enjoy suspending them. Even at the very moment when passion seizes her, it is perfectly natural for a Parisian woman to delay her final fall, as a way of testing the heart of the man into whose hands she is about to deliver herself and her future! — Honore De Balzac

I've never agreed with the conventional wisdom that 'actors are great liars.' If more people understood the acting process, the goals of good actors, the conventional wisdom would be 'actors are terrible liars,' because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What's called for, what actors are hired for, is to bring reality to the arbitrary. — Rob Lowe

... as a convention, you get up and walk to the window to make the audience believe that you're looking out. It's for the audience, not for you! And what it means to you is something emotional [...] If you went to the Actors Studio you'd spend six months seeing the snow before you could say, 'Look at the snow.' This takes a terrible burden away from the actor, who thinks he's got to see the woods and the snow. 'Give me my gun! I see a rabbit! Give me my gun!' "

Meisner sounds thrilled at the possibility of a hunt.

"That happens when you're still sitting there reading. Then when they put in the scenery you move to the window. Isn't that simple? How simple it is to solve the problem of seeing things when you know that it's all in you emotionally, and that walking to the window is only a convention. — Sanford Meisner