Act 2 Scene 3 Quotes & Sayings
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Top Act 2 Scene 3 Quotes

[Beneatha Younger:] ... He said everybody ought to learn how to sit down and hate each other with good Chrisitan fellowship.
[excerpt from Act II, Scene 3] — Lorraine Hansberry

And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand.
Why dost thou lash that whore? Strip thine own back.
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tattered clothes great vices do appear;
Robes and furred gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks.
Arm it in rags, a pigmy's straw does pierce it.
None does offend - none, I say, none. I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes,
And like a scurvy politician seem
To see the things thou dost not. — William Shakespeare

At least Lester had the decency to weep at his act of perfidy. Reader, do you know what 'perfidy' means? I have a feeling you do, based on the scene that unfolded here. But you should look up the word in your dictionary, just to be sure. — Kate DiCamillo

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

Feste. Are you ready, sir?
Orsino. Ay; prithee, sing.
[Music] 945
SONG.
Feste. Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid. 950
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet 955
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where 960
Sad true lover never find my grave,
To weep there!
Orsino. There's for thy pains.
Feste. No pains, sir: I take pleasure in singing, sir.
Orsino. I'll pay thy pleasure then. 965
Feste. Truly, sir, and pleasure will be paid, one time or another.
From Twelfth Night, Act II, Scene 4. — William Shakespeare

I am one of those guys who could do the most emotional scene and crack a joke instantly. I'm lucky. I'm just like an idiot savant. I have one enormously enjoyable, pleasurable - for me - talent, which is being able to act. — James Woods

My soul, sit thou a patient looker-on;
Judge not the play before the play is done:
Her plot has many changes; every day
Speaks a new scene; the last act crowns the play. — Francis Quarles

Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades. — Sarah Rees Brennan

A good leg will fall, a straight back will stoop, a black beard will turn white, a curled pate will grow bald, a fair face will wither, a full eye will wax hollow. But a good heart ... is the sun and moon ... for it shines bright and never changes, but keeps its course truly.
Henry V, Act V, Scene 2 — William Shakespeare

Generations of British writers would look up to Roget as a kindred soul who could offer both emotional as well as intellectual sustenance. In the stage directions to Peter Pan, J.M. Barrie includes an homage to Roget: The night nursery of the Darling family, which is the scene of our opening Act, is at the top of a rather depressed street in Bloomsbury. We might have a right to place it where we will, and the reason Bloomsbury is chosen is that Mr. Roget once lived there. So did we in the days when his Thesaurus was our only companion in London; and we whom he has helped to wend our way through life have always wanted to pay him a little compliment. For Barrie, Roget's masterpiece was synonymous with virtue itself. To describe the one saving grace of the play's villain, Captain Hook, Barrie adds, "The man is not wholly evil--he has a Thesaurus in his cabin. — Joshua Kendall

But if the cause be not good, the king himself hath a heavy reckoning to make, when all those legs and arms and heads, chopped off in battle, shall join together at the latter day and cry all 'We died at such a place;' some swearing, some crying for a surgeon, some upon their wives left poor behind them, some upon the debts they owe, some upon their children rawly left. I am afeard there are few die well that die in a battle; for how can they charitably dispose of anything, when blood is their argument? Now, if these men do not die well, it will be a black matter for the king that led them to it; whom to disobey were against all proportion of subjection.
[Henry V, Act IV Scene I] — William Shakespeare

As I work, I see my writing - each scene, each chapter, each section, each book - in three-act structures and classic myths, and I analyze them through the handy filter of the detective story. — Nick Harkaway

Sir, he hath not fed of the dainties that are bred in a book; He hath not eat paper, as it were; he hath not drunk ink; his intellect is not replenished; he is only an animal, only sensible in the duller parts ... (Act IV, Scene II) — William Shakespeare

And I'll be sworn 'tis true. Travelers ne'er did lie,
Though fools at home condemn 'em.
---Antonio
(Act III, scene 3, lines 26-27.) — William Shakespeare

Hounds and hearthstones, girl, haven't you ever heard a story about Koschei? He's only got the one. Act one, Scene one: pretty girl. Act one, Scene two: pretty girl gone! — Catherynne M Valente

In the act of watching the television news, audiences cross the globe, one moment viewing a scene in a wide aerial shot, the next moment seeing an emotional close up of a victim's face. By extending the physical senses to impossible dimensions, media provide audiences a near metaphysical adventure. — James Houran

For God's sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison'd by their wives: some sleeping kill'd;
All murder'd: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear'd and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!
Act 3, Scene 2 — William Shakespeare

And 'tis a kind of good deed to say well:
And yet words are no deeds.
King Henry VIII. Act 3, Scene 2 — William Shakespeare

The fool doth think he is wise, yet it is the wise man that knows himself to be the fool As You Like It, Act 5, Scene 1 — Stephen Fry

I direct in the same way that I act, which is thinking about what the scene needs. — Liev Schreiber

Deep malice makes too deep incision. Forget, forgive, conclude and be agreed.
Richard 11, Act 1, Scene 1 — William Shakespeare

But when there were certain moments or scenes that required a very specific nuance or performance, I myself would act out the scene or the sequence and that would inspire the actors. Of course, I can't really express emotions on camera, but I was very active in showing a certain action or a blocking for an actor. I would also participate in certain stunts myself and because of that, I would get bruises or cuts on my knees and elbows. — Kim Jee-woon

Believe then, if you please, that I can do strange things. [Act 5, Scene 2] — William Shakespeare

Death is just the last scene of the last act. — Joyce Carol Oates

Watching a really good movie excites me, because it makes we want to get up off the couch and go shoot something and act in a scene. — Michael B. Jordan

You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about. — Gale Harold

Assure thee, if I do vow a friendship, I'll perform it to the last article.
Othello, Act III, Scene iii — William Shakespeare

I think he would not wish himself anywhere but where he is." - Henry V, Act IV, scene i — William Shakespeare

Every scene you will ever act begins in the middle, and it is up to you, the actor, to provide what comes before. — Michael Shurtleff

Once a person has taken their life, in the inner realms, the suicide will repeat automatically the feelings of despair and fear which preceded his self murder, and go through the act and the death struggle time after time with ghastly persistence ... They remain conscious - often entangled in the final scene of the earth life for a very long time, unaware that they have lost the physical body. — Annie Besant

[Act 5, Scene 4, ROSALIND] If I were a woman I would kiss as many of you as had beards that pleased me, complexions that liked me and breaths that I defied not: and, I am sure, as many as have good beards or good faces or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell. — William Shakespeare

Like hungry guests, a sitting audience looks / Plays are like suppers; poets are the cooks / The founder's you; the table is this place / The carvers we; the prologue is the grace / Each act a course, each scene, a different dish. — George Farquhar

My greatest fear is feeling like a professional novelist. Somebody who creates characters, who sits down and has pieces of paper taped to the wall - what's going to happen in this scene, or this act. What I like is for it to be a much more scary, sloppy reflection of who I am. — Jonathan Safran Foer