About Criticism Quotes & Sayings
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Now that I think about it, it seems to me that's what Idiocy is: the ability to be enthusiastic all the time about anything you like, so that a drawing on the wall does not have to be diminished by the memory of the frescoes of Giotto in Padua. — Julio Cortazar

Echoing the criticism made of his father's habilis skulls, he added that Lucy's skull was so incomplete that most of it was 'imagination made of plaster of Paris', thus making it impossible to draw any firm conclusion about what species she belonged to. — Richard Leakey

Or consider the fact that after people buy a new car, they often love to read advertisements that speak enthusiastically about the same car that they have just obtained. Those advertisements tend to be comforting because they confirm the wisdom of the decision to purchase that particular car. If you are a member of a particular political party or have strong convictions, you might want support, reinforcement, and ammunition, not criticism. — Cass R. Sunstein

Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media? — Robert McChesney

That, in brief, is the problem - criticism as the first step in a discussion stops the discussion and is therefore, generally the last step as well. It is an entirely different matter if I hear the other person first, understand what she is trying to do, then talk with her about better ways to do it. — R. Brian Stanfield

The absence of models, in literature as in life, to say nothing of painting, is an occupational hazard for the artist, simply because models in art, in behavior, in growth of spirit and intellect
even if rejected
enrich and enlarge one's view of existence. Deadlier still, to the artist who lacks models, is the curse of ridicule, the bringing to bear on an artist's best work, especially his or her most original, most strikingly deviant, only a fund of ignorance and the presumption that as an artist's critic one's judgement is free of the restrictions imposed by prejudice, and is well informed, indeed, about all the art in the world that really matters. — Alice Walker

Criticism is an act of love. We can never learn those people we love, but we can learn about them in such ways as to perceive more clearly that unfathomable, mysterious core that is the source of their beauty. — Richard L. McGuire

Critical voices have to care about history. We have to care about the way in which things get controlled in the past because that's when the damage gets done and if we don't keep that historical memory, we will allow them to do it again next time. — Martin Baker

The truth is: Everyone will judge you. But this depends upon your intellectual capacity whether you are able to distinguish constructive criticism between an insult coming from other people's opinions about you. — Anonymous

Here all fear of one another, all timidity about praying freely in one's own words in the presence of others may be put aside where in all simplicity and soberness the common, brotherly prayer is lifted to God by one of the brethren. But likewise all comment and criticism must cease whenever words of prayer howsoever halting are offered in the name of Jesus Christ. It is in fact the most normal thing in the common Christian life to pray together. — Dietrich Bonhoeffer

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws. — David Cecil

However inadequate our ideas of causal efficacy may be, we are less wide of the mark when we say that our ideas and feelings have it, than the Automatists are when they say they haven't it. As in the night all cats are gray, so in the darkness of metaphysical criticism all causes are obscure. But one has no right to pull the pall over the psychic half of the subject only ... whilst in the same breath one dogmatizes about material causation as if Hume, Kant, and Lotze had never been born. — William James

Why does a little girl lose her emotional equilibrium in a moment of parental discipline, or a megastar musician forget who she is because of one criticism? Or why, when a text message or the subject line of an e-mail says, "We need to talk" (or for us pastors, "About your sermon") are we struck with a sudden feeling of doom? Why do we spend hours in the gym or in front of the mirror or online meticulously editing our social media profiles? Why is the perfect "selfie" such a large part of how we present ourselves to the world? Why do we live in constant disequilibrium about what our real or imagined critics might say about us? — Scott Sauls

There is a fine line between humility and humiliation, and when Augustine's critics, both loyal and disloyal, fault him for morbid self-criticism, they generally mean to imply that he has crossed the line. You can have a relationship with another person only if you know something of humility; otherwise your ego gets in the way. If, however, you are humiliated instead of humbled, there is no 'you' to enter into a relationship. Massilians and Pelagians had differing understandings of when humility before God became too much of a good thing, but they had common cause in not liking Augustine's scruples about the human will to relate to God. If everything about the soul's relationship to God is God's doing, including the very desire to be in relation, where exactly does the soul surface in its redemption? The Word seems to have become a monologue. — James Wetzel

I discovered very quickly that criticism is a form of optimism, and that when you are silent about the shortcomings of your society, you're very pessimistic about that society. And it's only when you speak truthfully about it that you show your faith in that society. — Carlos Fuentes

Shakespeare is getting flyblown; a paternal government might well forbid writing about him, as they put his monument at Stratford beyond the reach of scribbling fingers. With all this buzz of criticism about, one may hazard one's conjectures privately, make one's notes in the margin; but, knowing that someone has said it before, or said it better, the zest is gone. Illness, it its kingly sublimity, sweeps all that aside and leaves nothing but Shakespeare and oneself. — Virginia Woolf

Asking a working writer what he thinks about critics is like asking a lamp-post what it feels about dogs.
[Time Magazine, October 31, 1977] — John Osborne

Unfortunately most criticism is by poseurs. They use their comments about someone else's work as a platform on which to strike poses. What they're really saying is: "Look at me! Look at me!" — Frank Herbert

The movie's only serious criticism is reserved for Baker's television network, which doesn't think Americans care about Afghanistan - kind of hypocritical given this film's lack of substance. — David Edelstein

Students may feel the criticism is harsh, but I think it's possible they haven't had criticism before. It's my job to point out when something is badly done, or when there's no point of view. To build a brand you have to have something about you. If not personality, then some thought process. I'm 40, and they're young, so they're meant to be informing me. They should be bringing me a book or something that I haven't seen, not like some obscure chant book by Dominican monks, but an image of the way they see the world. — Louise Wilson

Everybody brings their thing to their criticism. I bring this wealth of opinions and feeling and knowledge about race and gender and sexuality. I feel like I have it, I may as well express it, and if it's applicable to what I'm writing about and I'm not forcing it, I should try to use it, because it's interesting. It speaks to more than some people. — Wesley Morris

according to a brief perusal of women writer's comments online over the past few days, men are: overly confident, predatory, helpless, psychopaths, terrified of women, fascists, the reason why the world is in this mess, literally so stupid, and the problem here. Of course what these women really mean is that they themselves are not overly confident, not predatory, not helpless, and on down the line. It's just easier to say that men are these things, than that you are not these things. People would rightly become suspicious if you suddenly started going on about how amazing you were. They'd start looking for proof you weren't. But by attributing these negative behaviors and traits to your "opposite" group, it's an easy, criticism-proof way of saying, "I would never behave like this, I would never be like this." And — Jessa Crispin

Most of the makers of the twentieth-century mind, figures such as Freud, Heisenberg, Picasso, Joyce, and Eliot, have in common an about-face on the subject-object question and the mindmatter question; they all reject the dualism that arbitrarily and irreversibly splits the world into pieces. This rejection of dualism and the corresponding reach for monism are of the essence in understanding the revolutionary nature of twentieth-century science and art. — Jewel Spears Brooker

Propose theories which can be criticized. Think about possible decisive falsifying experiments-crucial experiments. But do not give up your theories too easily-not, at any rate, before you have critically examined your criticism. — Karl Popper

We all have our weak moments when we believe the worst things we think about ourselves. — Marty Rubin

Islamophobia,' the thought-crime that seeks to suppress legitimate criticism of Islam and demonise those who would tell the truth about Islamist aggression. — Melanie Phillips

Life was transparent, literature opaque. Life was open, literature a closed system. Life was composed of things, literature of words. Life was what it appeared to be: if you were afraid your plane would crash it was about death, if you were trying to get a girl into bed it was about sex. Literature was never about what it appeared to be about, though in the case of the novel cosiderable ingenuity and perception were needed to crack the code of realistic illusion, which was why he had been professionally attracted to the genre (even the dumbest critic understood that Hamlet wasn't about how the guy wanted to kill his uncle, or the Ancient Mariner about cruelty to animals, but it was surprising how many people thought Jane Austen's novels were about finding Mr Right). — David Lodge

To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works. — Ai Weiwei

I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad. — A.R. Rahman

When I was admitted to the University of Leiden, I expected to be presented with a single narrative of events and their significance and one explanation for why everything had happened as it did. Instead, the professors began every course with a central question; spent a lot of time on definitions and their importance; then presented key thinkers and their critics over time. My job as a student was to grasp the central question; to learn about the thinkers, their theories of power, political elites, mass psychology and sociology, and public policy; the methods by which they got to their conclusions; their critics and their methods of criticism. The point of all these exercises was to learn to improve on old ways of doing things through critical thinking. — Ayaan Hirsi Ali

I have tonight begun reading a stupid, shitty book by Kerouac called Big Sur, and I would give a ball to wake up tomorrow on some empty ridge with a herd of beatniks grazing in the clearing about 200 yards below the house. And then to squat with the big boomer and feel it on my shoulder with the smell of grease and powder and, later, a little blood. — Hunter S. Thompson

Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him. — Greil Marcus

All the criticism is ultimately a blessing in disguise. Because now people know about Malawi [due to the child adoption]. And now people know about the orphans there. And hopefully it's gonna turn around. And a positive is gonna come out of the negative. — Madonna Ciccone

Sure, we have an obstacle, ISIS. They can do great damage. They can do great damage and they scare the living hell out of everybody with good reason. But they are, instead of dealing with nation-states that are arranged against us, we're to deal with non-state actors that can do damage to us. But this is within our control. We are beginning to make genuine progress as to how we isolate them, how we take them out. We're in a situation - I mean, I just could go on. But I am - the only generic criticism I had is we're not talking about the possibilities. — Joe Biden

I don't care how unkind the things people say about me so long as they don't say them to my face. — Ogden Nash

The greater self-confidence an individual possesses, the less inclined he is to put down others. This says a lot about those who constantly belittle. — Richelle E. Goodrich

Since the 1970s, Japanese quality has become a byword, and many a book and article has been penned on the subject of Kaizen, 'improvement,' a form of corporate culture in which employers encourage their workers to submit ideas that will polish and improve efficiency. The writers on Kaizen, however, overlooked one weakness in this approach, which seemed minor at the time but has seriously impacted Japan's technology. Kaizen's emphasis is entirely on positive recommendations; there is no mechanism to deal with negative criticism, no way to disclose faults or mistakes - and this leads to a fundamental problem of information. People keep silent about embarrassing errors, with the result that problems are never solved. — Alex Kerr

Because economists go through a similar training and share a common method of analysis, they act very much like a guild. The models themselves may be the product of analysis, reflection, and observation, but practitioners' views about the real world develop much more heuristically, as a by-product of informal conversations and socialization among themselves. This kind of echo chamber easily produces overconfidence - in the received wisdom or the model of the day. Meanwhile, the guild mentality renders the profession insular and immune to outside criticism. The models may have problems, but only card-carrying members of the profession are allowed to say so. The objections of outsiders are discounted because they do not understand the models. The profession values smarts over judgment, being interesting over being right - so its fads and fashions do not always self-correct. — Dani Rodrik

A philosophical thought is not supposed to be impervious to all criticism; this is the error Whitehead describes of turning philosophy into geometry, and it is useful primarily as a way of gaining short-term triumphs in personal arguments that no one else cares (or even knows) about anyway. A good philosophical thought will always be subject to criticisms (as Heidegger's or Whitehead's best insights all are) but they are of such elegance and depth that they change the terms of debate, and function as a sort of "obligatory passage point" (Latour's term) in the discussions that follow.
Or in other words, the reason Being and Time is still such a classic, with hundreds of thousands or millions of readers almost a century later, is not because Heidegger made "fewer mistakes" than others of his generation. Mistakes need to be cleaned up, but that is not the primary engine of personal or collective intellectual progress. — Graham Harman

A lot of coaching is about results and if you don't get the right results, you're going to get criticism, but if all things are going well then you can enjoy yourself. — Warren Gatland

The perception that vulnerability is weakness is the most widely accepted myth about vulnerability and the most dangerous. When we spend our lives pushing away and protecting ourselves from feeling vulnerable or from being perceived as too emotional, we feel contempt when others are less capable or willing to mask feelings, suck it up, and soldier on. We've come to the point where, rather than respecting and appreciating the courage and daring behind vulnerability, we let our fear and discomfort become judgment and criticism. — Amanda Palmer

I would be a liar if I said I don't care [about my appearance]; yes, I care. I found it very difficult, when I first became well known, to read criticism about how I look, how messy my hair was, and how generally unkempt I look. The nastiest thing ever written was written by a man, and I do remember that. I wasn't looking for it either, it was just simply in the newspaper I was reading. — J.K. Rowling

...by embracing literary theory, we learn about literature, but more important we are also taught tolerance for other people's beliefs. By rejecting or ignoring theory, we are in danger of canonizing ourselves as literary saints who possess divine knowledge and who can, therefore, supply the one and only correct interpretation for a given text. — Charles E. Bressler

To oppose the policies of a government does not mean you are against the country or the people that the government supposedly represents. Such opposition should be called what it really is: democracy, or democratic dissent, or having a critical perspective about what your leaders are doing. Either we have the right to democratic dissent and criticism of these policies or we all lie down and let the leader, the Fuhrer, do what is best, while we follow uncritically, and obey whatever he commands. That's just what the Germans did with Hitler, and look where it got them. — Michael Parenti

War. The ultimate betrayal of tribe isn't acting competitively - that should be encouraged - but predicating your power on the excommunication of others from the group. That is exactly what politicians of both parties try to do when they spew venomous rhetoric about their rivals. That is exactly what media figures do when they go beyond criticism of their fellow citizens and openly revile them. Reviling people you share a combat outpost with is an incredibly stupid thing to do, and public figures who imagine their nation isn't, potentially, one huge combat outpost are deluding themselves. In — Sebastian Junger

Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts. — Virginia Woolf

I have tried to write about politics in an allusive manner that draws upon other interests and to approach literature and criticism without ignoring the political dimension. Even if I have failed in this synthesis, I have found the attempt worth making. — Christopher Hitchens

I am continuously struck by how frequently the various thought processes of the inner critic trigger overwhelming emotional flashbacks. This is because the PTSD-derived inner critic weds shame and self-hate about imperfection to fear of abandonment, and mercilessly drive the psyche with the entwined serpents of perfectionism and endangerment. Recovering individuals must learn to recognize, confront and disidentify from the many inner critic processes that tumble them back in emotional time to the awful feelings of overwhelming fear, self-hate, hopelessness and self-disgust that were part and parcel of their original childhood abandonment. — Pete Walker

It is a melancholy experience for a professional mathematician to find himself writing about mathematics. The function of a mathematician is to do something, to prove new theorems, to add to mathematics, and not to talk about what he or other mathematicians have done. Statesmen despise publicists, painters despise art-critics, and physiologists, physicists, or mathematicians have usually similar feelings: there is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds. — G.H. Hardy

But the great compensation for being fifty in a culture that is not kind to older women is that you care less about criticism and you are less afraid of confrontation. In a world not made for women, criticism and ridicule follow us all the days of our lives. Usually they are indications that we are doing something right. — Erica Jong

If I see myself on a worst-dressed list - and I've been on many of them - I tend to have low self esteem for 24 hours. I just like to feel comfortable, and I like being excited about whatever it is I'm wearing. I hate subjecting myself to that kind of criticism! — Busy Philipps

There is something essentially ridiculous about critics, anyway: what is good is good without our saying so, and beneath all our majesty we know this. — Randall Jarrell

Pedants make a great rout about criticism, as if it were a science of great depth, and required much pains and knowledge
criticism however is only the result of good sense, taste and judgment
three qualities that indeed seldom are found together, and extremely seldom in a pedant, which most critics are. — Horace Walpole

Critics stopped being relevant when they stopped writing to inform and contextualize, and when they started writing to signal who they are, to display their identity by their stance on what they are writing about. Criticism should never be about the critic, but thats what it has become, and that's why no one cares about them anymore. — Tucker Max

Why would a lazy guy become a parent of five? Then again, why would creative people who inherently don't like change and criticism become writers, actors, or comedians? There's something about this process. I joke about it: My kids have made me a better person, and I only need, like, 34 more of them to be a really good guy. — Jim Gaffigan

I used to read the criticism on blogs about other people - mostly female actresses and singers - and even when they are extremely perfect and harmless, people still go after them. So I figure, if I'm going to get negativity regardless, why do I have to worry about what somebody thinks of me? — Kat Graham

Criticism does not make you smarter or better than the one you are criticizing. In fact, the stuff you are critical of in others is the same stuff you don't like about yourself. — Iyanla Vanzant

I like to not care that much about criticism, but I do care about it. — Jack Nicholson

You see an artist, a creative person, can accept criticism or can live with the criticism much more easily than with being ignored. Criticism makes you feel alive. If somebody is bothered enough to speak vituperatively about it, you feel you have touched a nerve and you are at least 'in touch.' You are not happy that he doesn't like it, but you feel you are in contact with life. — Saul Bass

It does not matter whatsoever, what the people around you think you can or cannot do. What really matters is what you think about your capabilities. — Abhijit Naskar

Where people are not present, talking about them is either lie or ridiculous. — Alireza Salehi Nejad

While criticism or fear of punishment may restrain us from doing wrong, it does not make us wish to do right. Disregarding this simple fact is the great error into which parents and educators fall when they rely on these negative means of correction. The only effective discipline is self-discipline, motivated by the inner desire to act meritoriously in order to do well in one's own eyes, according to one's own values, so that one may feel good about oneself may have a good conscience. — Bruno Bettelheim

As you know, I have over the years written critically about the U.N. I have consistently stressed in my writings that American leadership is critical to the success of the U.N., an effective U.N., one that is true to the original intent of its charter's framers. — John Bolton

The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men's genius. — George Steiner

The United States is the wealthiest nation in the history of the world, yet its inhabitants are strikingly unhappy. Accordingly, we present to the rest of mankind, on a planet rife with suffering and tragedy, the spectacle of a clown civilization. Sustained on a clown diet rich in sugar and fat, we have developed a clown physiognomy. We dress like clowns. We move about a landscape filled with cartoon buildings in clownmobiles, absorbed in clownish activities. We fill our idle hours enjoying the canned antics of professional clowns ... Death, when we acknowledge it, is just another pratfall on the boob tube. Bang! You're dead! — James Howard Kunstler

Most critics write critiques which are by the authors they write critiques about. That would not be so bad, but then most authorswrite works which are by the critics who write critiques about them. — Karl Kraus

All I've done is my job, and I intend to continue doing it. And I'm not especially worried about the criticism that comes from the bench. — Baltasar Garzon

Praise and criticism seem to me to operate exactly on the same level. If you get a great review, it's really thrilling for about ten minutes. If you get a bad review, it's really crushing for ten minutes. Either way, you go on. — Ann Patchett

The popular distinction between 'constructive' and 'destructive' criticism is a sentimentality: the mind too weak to perceive in what respects the bad fails is not strong enough to appreciate in what the good succeeds. To be without discrimination is to be unable to praise. The critic who lets you know that he always looks for something to like in works he discusses is not telling you anything about the works or about art; he is saying 'see what a nice person I am. — Brigid Brophy

Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots. — Gilbert K. Chesterton

They came generally from people writing theses on fantasy or on the Dark Is Rising books. They were full of questions I'd never thought about and false assumptions that I didn't want to think about. They would ask me in great detail for, say, the specific local and mythical derivations of my Greenwitch, a leaf-figure thrown over a Cornish cliff as a fertility sacrifice, and I would have to write back and say, "I'm terribly sorry; I made it all up." They told me I echoed Hassidic myth, which I hadn't read, and the Mormon suprastructure, which I'd never even heard of. They saw symbols and buried meanings and allegories everywhere. I'd thought I was making a clear soup, but for them it was a thick mysterious stew.
from "In Defense of the the Artist" in Signposts to Criticism of Children's Literature (1983) — Susan Cooper

Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are. — Kenneth Rexroth

Litmus test: If you can't describe Ricardo 's Law of Comparative Advantage and explain why people find it counterintuitive, you don't know enough about economics to direct any criticism or praise at " capitalism " because you don't know what other people are referring to when they use that word . — Eliezer Yudkowsky

There's a lot of criticism in this job and what we do. It's in front of everybody and for everybody to have their own opinion about what we do. Don't be in this position if you can't handle that criticism. — Holly Holm

Whoever gossips to you will gossip of you"; "It is easier to be critical than correct"- avoid criticism about other officers, and never vent destructive criticism of your service, your unit, or your superiors. — Kenneth W. Estes

Except for a handful, chess players don't have such illusions. The game has a severe analytic quality that makes self-deception difficult. Unlike the undiscovered poet who, despite the harsh criticism of his peers, lives on his fantasies for the day that he will be recognized as the next Dylan Thomas, even a young chess player can usually gauge his talent. When Josh was six, he played several games against a pudgy thirteen-year-old who was the top player on his high school team. He beat Josh every time, but a couple of the games were close, and afterwards the boy seemed gloomy about his performance. He explained that if he didn't make significant improvement during the next year, he would wind up as just another wood-pusher. Despite his celebrity in school, he seemed to know that he didn't have it. While — Fred Waitzkin

In flight from intellectual heaviness, [he] arrives at intelligent weightlessness. Every notion is flipped this way and that; the answer to every question is yes and no; the proliferating examples from all the arts ... overwhelm the observations that they are designed to illustrate; the general impression in one of uncontrollable articulateness. [He] does not think his thoughts; he convenes them. There is not a sign of struggle anywhere. — Leon Wieseltier

Sometimes when you're praised about something, sometimes it's deserved, and sometimes it's not deserved. Same thing with criticism. Sometimes the criticism is deserved, and sometimes it's not deserved. — LaDainian Tomlinson

Turn down the volume of your negative inner voice and create a nurturing inner voice to take it's place. When you make a mistake, forgive yourself, learn from it, and move on instead of obsessing about it. Equally important, don't allow anyone else to dwell on your mistakes or shortcomings or to expect perfection from you. — Beverly Engel

Physics is an organized body of knowledge about nature, and a student of it says that he is learning physics, not nature. Art, like nature, has to be distinguished from the systematic study of it, which is criticism. — Northrop Frye

Others may want to stand upon the 'politics of identity', or in other words the kind of identification with a particular tradition, or group, or national or ethnic identity that invites them to turn their back on outsiders who question the ways of the group. They will shrug off criticism: their values are 'incommensurable' with the values of outsiders. They are to be understood only by brothers and sisters within the circle. People like to retreat to within a thick, comfortable, traditional set of folkways, and not to worry too much about their structure, or their origins, or even the criticisms that they may deserve. Reflection opens the avenue to criticism, and the folkways may not like criticism. In this way, ideologies become closed circles, primed to feel outraged by the questioning mind. — Simon Blackburn

In a bravura demonstration of stonewalling, righteousness, and hurt sincerity, Steve Jobs successfully took to the stage the other day to deny the problem, dismiss the criticism, and spread the blame among other smartphone makers.". "This is a level of modern marketing, corporate spin, and crisis management about which you can only ask with stupefied incredulity and awe: How do they get away with it? Or, more accurately, how does he get away with it?" Wolff attributed it to Jobs's mesmerizing effect as "the last charismatic individual." Other CEOs would be offering abject apologies and swallowing massive recalls, but Jobs didn't have to. "The grim, skeletal appearance, the absolutism, the ecclesiastical bearing, the sense of his relationship with the sacred, really works, and, in this instance, allows him the privilege of magisterially deciding what is meaningful and what is trivial. — Walter Isaacson

Thus we come to the problem of determining what the poem is 'about.' Charles Altieri notes that '[a]n expression of the self can be one that is intended, the self's act, or one that is symptomatic, the act of a self not in control of what it manifests'(24) In 'Yankee Doodle,' and to a lesser extent in '$$$$$$," the interesting aspects of the poem are not 'the intended expression of the self.' The lack of explicitness is not suggestive in any positive sense because we feel that were things to be spelled out, this would weaken, not strengthen, the narrator's case by revealing the unacknowledged irrationality at the root of it. — Russell Harrison

I'm sensitive about the criticism [for not producing new playwrights], yes. But I'm hip to it as well. I read 500 new plays a year, and 99.99 percent of them are not good. I see no reason to do a new play just because it's new. It's like kissing your sister, a virtue, but so what? It seems to me more worthwhile to take a proven playwright and say, Write something for us. — Gregory A. Boyd

When you don't know whom you're trying to please, you cave in to three things: criticism (because you are concerned about what others will think of you), competition (because you worry about whether somebody else is getting ahead of you), and conflict (because you're threatened when anyone disagrees with you). — Rick Warren

The seventh lesson is about alchemy. By any measure, alchemy is magical. You can't turn lead into gold by heating it, beating it, molding it into different shapes, or combining it with any known substance. Those are simply physical changes. Likewise, you will never cause an inner transformation by taking your old self and hammering it with criticism, heating it up with exciting experiences, reshaping how you look physically, or connecting with new people. How, then, does the magic work? It works according to the principles that make up the universe's operating system. When you consciously align with them, you give yourself an opening for transformation. — Deepak Chopra

When the church first began, it was a pacifistic movement known for its outspoken criticism of any form of bloodshed or violence. After Constantine legalized Christianity, 'just war' theory emerged, which meant that Christians could participate in wars if certain criteria were satisfied. By the year 1100, Christians were launching Crusades and telling the faithful that killing Muslims would secure them a spot in heaven! What happened? Somewhere along the way we forgot that Jesus intended the Sermon on the Mount to be an actual, concrete program for living. He wanted us to actually live it, not just admire it as a nice but unrealistic ideal. I mean, what would happen if Christians dedicated themselves to peacemaking with the same discipline and focus that armies do for war? What difference could it make? We have to revisit the early church's teachings about reconciliation, peacemaking, and the Sermon on the Mount and ask ourselves if we're living them out or tiptoeing around them. — Ian Morgan Cron

I think cultural criticism and long-form critique have their place and their purpose. But for a creator, it's so easy for the discussion surrounding a phenomenon to usurp the phenomenon itself. It's worse, of course, with comment sections on websites and blogs, particularly anonymous comments, or the incessant chatter and opinions on social media. Everyone gets to write a headline, and when you or the thing you do is being talked about, you get to feel like a headline - an addicting feeling for sure, but also a pernicious one. The discourse builds its own body, and it's usually a monster. — Carrie Brownstein

In 1931, when Ambedkar met Gandhi for the first time, Gandhi questioned him about his sharp criticism of the Congress (which, it was assumed, was tantamount to criticising the struggle for the Homeland). "Gandhiji, I have no Homeland," was Ambedkar's famous reply. "No Untouchable worth the name will be proud of this land."61 — B.R. Ambedkar

There is a larger lesson here, because the book encompasses not just the lives of prisoners in a Soviet prison camp, but every one of us. Shukhov squeezes everything he can out of a mouthful of soup or a bite of bread ... So frozen that he can't even feel his feet, he trowels cement and lays a cinder block wall with care and patience ... Shukhov takes pride in his work. In fact, even though he is starving, he can barely tear himself away at the end of the long day to go eat. He cares about his work and in that way he remains a man. Isn't this kind of pride and gratitude and ironic detachment valuable for all people? — Eric Bogosian

Do they think I'm on drugs? That I have a life-threatening illness? That I'm anorexic? Emotionally, it doesn't get easier to hear those criticisms - but it gets easier to be resolute about my reaction to it. — Fiona Apple

The left hemisphere seems to feel quite defensive-in a strange way insecure-about the right hemisphere; and, if this is so, verbal criticism of intuitive thinking becomes suspect on the ground of motive. Unfortunately, there is every reason to think that the right hemisphere has comparable misgivings -expressed nonverbally, of course- about the left. — Carl Sagan

One of the functions of literary criticism, or reviewing, generally - and I, most of my reviews actually are not about literature - but one of the functions of that is basically the sort of Consumer Reports function of letting readers know whether this is something they want to read. — Louis Menand

It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. — Chuck Klosterman

One of the most wonderful things about Pride and Prejudice is the variety of voices it embodies. There are so many different forms of dialogue: between several people, between two people, internal dialogue and dialogue through letters. All tensions are created and resolved through dialogue. Austen's ability to create such multivocality, such diverse voices and intonations in relation and in confrontation within a cohesive structure, is one of the best examples of the democratic aspect of the novel. In Austen's novels, there are spaces for oppositions that do not need to eliminate each other in order to exist. There is also space - not just space but a necessity - for self-reflection and self-criticism. Such reflection is the cause of change. We needed no message, no outright call for plurality, to prove our point. All we needed was to reach and appreciate the cacophony of voices to understand its democratic imperative. There was where Austen's danger lay. — Azar Nafisi

This is why, when we have been particularly impressed by a book, we feel the need to talk about it; we do not want to get away from it by talking about it - we simply want to understand more clearly what it is in which we have been entangled. We have undergone an experience, and now we want to know consciously what we have experienced. Perhaps this is the prime usefulness of literary criticism - it helps to make conscious those aspects of the text which would otherwise remain concealed in the subconscious; it satisfies (or helps to satisfy) our desire to talk about what we have read. — Wolfgang Iser

If I like a movie, I'm definitely advocating for it, but it's not "you should see this" or "you shouldn't see this." I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing. — Wesley Morris

When we judge or criticize another person, it says nothing about that person; it merely says something about our own need to be critical. — Winston Churchill

Indeed, an astoundingly small proportion of arguments 'for free speech' and 'against censorship' or 'banning' are, in fact, about free speech, censorship or banning. It is depressing to have to point out, yet again, that there is a distinction between having the legal right to say something & having the moral right not to be held accountable for what you say. Being asked to apologise for saying something unconscionable is not the same as being stripped of the legal right to say it. It's really not very f-cking complicated. Cry "free speech" in such contexts, you are demanding the right to speak any bilge you wish without apology or fear of comeback. You are demanding not legal rights but an end to debate about and criticism of what you say. When did bigotry get so needy? This assertive & idiotic failure to understand that juridical permissibility backed up by the state is not the horizon of politics or morality is absurdly resilient. — China Mieville