Quotes & Sayings About A World Without Art

It has been said that the world of Proust was a world without a god. If that is true, it is not because God is
never spoken of, but because the ambition of this world is to be absolute perfection and to give to eternity
the aspect of man. Time Regained, at least in its aspirations, is eternity without God. Proust's work, in this
regard, appears to be one of the most ambitious and most significant of man's enterprises against his
mortal condition. He has demonstrated that the art of the novel can reconstruct creation itself, in the form
that it is imposed on us and in the form in which we reject it. In one of its aspects, at least, this art consists
in choosing the creature in preference to his creator. But still more profoundly, it is allied
to the beauty of the world or of its inhabitants against the powers of death and oblivion. It is in this way
that his rebellion is creative — Albert Camus

I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing - until my older brother's friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It's no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement. — Chet Zar

But this laughter is the reason why the Tuscans invented science and the clear Tuscan drawing in their cool paintings; laughter means distance. Conversely: where laughter is absent, madness begins. Every time I've had a chance to observe an outbreak of psychosis or a first-rate clinical anxiety neurosis the signal has been given in the absence of humor - the moment one takes the world with complete seriousness one is potentially insane. The whole art of learning to live means holding fast to laughter; without laughter the world is a torture chamber, a dark place where dark things will happen to us, a horror show filled with bloody deeds of violence. — Jens Bjorneboe

If a work of art is to be truly immortal, it must pass quite beyond the limits of the human world, without any sign of common sense and logic. In this way the work will draw nearer to dream and to the mind of a child. — Giorgio De Chirico

She felt she had been created by the demands of others, by their insatiable appetite for something beyond ordinary life. They craved a world without death and they had spotted her, in their hunger, like wolves alert to any poor sheep that might stray from the fold and stand gazing ignorantly up at the stars. — Valerie Martin

Kahn once said, The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it. — Robert Hughes

Whatever the source of emotion that drives me to create, I want to give it a form which has some connection with the visible world, even if it is only to wage war on that world ... I want my paintings to be able to defend themselves to resist the invader, just as though there were razor blades on all surfaces so no one could touch them without cutting his hands. — Pablo Picasso

Grave this on your memory, lad: A world is supported by four things ... " she held up four big-knuckled fingers. " ... the learning of the wise, the justice of the great, the prayers of the righteous and the valor of the brave. But all of these things are as nothing ... " She closed her fingers into a fist. " ... without a ruler who knows the art of ruling. Make that the science of your tradition! — Frank Herbert

Outside the world of politics, one person in the world of the arts I would mention as an influence is Nick Cave, another person who has been around since the late 1970s. He has developed and changed remarkably, whilst remaining true to his vision. He has been a great help to me as well, without his knowing it. — Nick Cave

The misery that oppresses you lies not in your profession but in yourself! What man in the world would not find his situation intolerable if he chooses a craft, an art, indeed any form of life, without experiencing an inner calling? Whoever is born with a talent, or to a talent, must surely find in that the most pleasing of occupations! Everything on this earth has its difficult sides! Only some inner drive - pleasure, love - can help us overcome obstacles, prepare a path, and lift us out of the narrow circle in which others tread out their anguished, miserable existences! — Johann Wolfgang Von Goethe

Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image) — Paul Isaacs

When you shatter the chains of this world and forge the next, remember that art is as vital as food to a kingdom. Without it, a kingdom is nothing, and will be forgotten by time. I have amassed enough money in my miserable life to not need any more - so you will understand me clearly when I say that wherever you set your throne, no matter how long it takes, I will come to you, and I will bring music and dancing. — Sarah J. Maas

Creation is not a moment of inspiration but a lifetime of endurance. The drawers of the world are full of things begun. Unfinished sketches, pieces of invention, incomplete product ideas, notebooks with half-formulated hypotheses, abandoned patents, partial manuscripts. Creating is more monotony than adventure. It is early mornings and late nights: long hours doing work that will likely fail or be deleted or erased - a process without progress that must be repeated daily for years. Beginning is hard, but continuing is harder. Those who seek a glamorous life should not pursue art, science, innovation, invention, or anything else that needs new. Creation is a long journey where most turns are wrong and most ends are dead. The most important thing creators do is work. The most important thing they don't do is quit. The — Kevin Ashton

To husband is to use with care, to keep, to save, to make last, to conserve. Old usage tells us that there is a husbandry also of the land, of the soil, of the domestic plants and animals - obviously because of the importance of these things to the household. And there have been times, one of which is now, when some people have tried to practice a proper human husbandry of the nondomestic creatures in recognition of the dependence of our households and domestic life upon the wild world. Husbandry is the name of all practices that sustain life by connecting us conservingly to our places and our world; it is the art of keeping tied all the strands in the living network that sustains us.
And so it appears that most and perhaps all of industrial agriculture's manifest failures are the result of an attempt to make the land produce without husbandry. — Wendell Berry

A world without poetry and art would be too much like one without birds or flowers: bearable but a lot less enjoyable. — Aberjhani

And he would have also to endure his book like a form of fatigue, to accept it like a discipline, build it up like a church, follow it like a medical regime, vanquish it like an obstacle, win it like a friendship, cosset it like a little child, create it like a new world without neglecting those mysteries whose explanation is to be found probably only in worlds other than our own and the presentiment of which is the thing that moves us most deeply in life and in art. — Marcel Proust

If you want to be an artist, go to every art gallery, if you want to be in movies, see movies! You have to participate in whichever world you're trying to enter! You have to know what's going on. You can be the best artist in the world but if you don't know one thing about which gallery to go to, you're never going to get it shown in the right place. Learn a little bit about the business of whichever art you're trying to get into. Without it, you will be lost. — John Waters

The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art "too literally," and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world - a cultural and academic world - which is dominated by male power and, often unconscious, patriarchal attitudes. In Utopia - that is to say, in a world in which the power structure was such that both men and women equally could be represented clothed or unclothed in a variety of poses and positions without any subconscious implications of dominance or submission - in a world of total and, so to speak, unconscious equality, the female nude would not be problematic. In our world, it is. — Linda Nochlin

What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there. — Rebecca Solnit

I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere. — John Carney

For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is. — James Agee

Stay hungry. It worked for Michelangelo, it worked for Picasso, and it works for a hundred thousand artists who do it not for love (although that might play a part) but in order to put food on the table. If you want to translate the world, you need to use your appetites. Does this surprise you? It shouldn't. There's no creation without talent, I give you that, but talent is cheap. Talent goes begging. Hunger is the piston of art. — Stephen King

Trauma and pain are the foundations of art. I believe that. When tragedy strikes, however, a muralist or a watercolorist has the opportunity to be a human being in the moment and an artist afterward. Faced with the death of a loved one, a sculptor or portraitist can first grieve, suffer, and heal--then create. Most artists go through life this way. They can react normally to the trials and tribulations of the human experience. They can pass through the world with compassion and comradeship. They can make their art later. Outside, elsewhere, beyond. But photography is immediate. It does not offer the luxury of time. Faced with blood, death, or transformation, a photographer has no choice but to reach for the camera. An artist first, a human being afterward. Photography is a neutral record of all events, a chronicle of things both sublime and terrible. By necessity, this work is made without emotion, without connection, without love. — Abby Geni

There's always someone kicking guns. We wanted ["Badlands"] to be a world without guns and bullets, where martial arts was the form of fighting and defense and attack. Martial arts is king in this world. That was the first thing. We didn't want it to be a period piece either. We felt those are overdone and stuffy. That was what lead us to explore that area of science fiction and future, a world we can create and control. — Miles Millar

The mob not only grabs hold of art without being entitled to do so, but it also enters the artist. It takes up residence inside the artist and smashes a few holes in the wall, windows to the outer world: The mob wants to be seen. — Elfriede Jelinek

Great art is the expression of a solution of the conflict between the demands of the world without and that within. — Edith Hamilton

I heard one preach a sermon on these words in the song, Song iv. 1, Behold, thou art fair, my love, behold, thou art fair. But at that time he made these two words, my love, his chief and subject matter: from which, after he had a little opened the text, he observed these several conclusions: 1. That the church, and so every saved soul, is Christ's love, when loveless. 2. Christ's love without a cause. 3. Christ's love, when hated of the world. 4. Christ's love, when under temptation and under destruction. 5. Christ's love, from first to last. 90. But I got nothing by what he said at present; only when he came to the application of the fourth particular, this was the word he said; If it be so, that the saved soul is Christ's love, when under temptation and desertion; then poor tempted soul, when thou art assaulted, and afflicted with temptations, and the hidings of God's face, yet think on these two words, 'My love,' still. — John Bunyan

What is an obsession? It is a form of programming that has gotten completely out of hand. Religious fanatics are a prime example, as are those people who become enveloped in a political concept. Most of man's progress has come about as a result of obsessions. The Wright brothers were not just tinkerers with an idea; their idea swallowed them up. Most leaders are obsessed with power or possessed by egos so large their only concern is their place in history. I have known writers obsessed with a single subject. Like Bobby Fischer and chess, anything and everything outside their subject seems meaningless. Any art form - music, painting, dance - is done best by those who are completely possessed by it. Such possession often borders on madness. This world would be a sorry place without such madmen. — John A. Keel

The danger for the writer who is spurred by the religious view of the world is that he will consider this to be two operations instead of one. He will try to enshrine the mystery without the fact, and there will follow a further set of separations which are inimical to art. Judgement will be separated from vision, nature from grace, and reason from imagination.
They are separations which we see in our society and which exist in our writing. They are separations which faith tends to heal if we realize that faith is a 'walking in darkness' and not a theological solution to mystery. The poet is traditionally a blind man, but the Christian poet, and storyteller as well, is like the blind man whom Christ touched... — Flannery O'Connor

The exercise of magical power is the exercise of natural powers, but superior to the ordinary functions of Nature. A miracle is not a violation of the laws of Nature, except for ignorant people. Magic is but a science, a profound knowledge of the Occult forces in Nature, and of the laws governing the visible or the invisible world. Spiritualism in the hands of an adept becomes Magic, for he is learned in the art of blending together the laws of the Universe, without breaking any of them and thereby violating Nature. — H. P. Blavatsky

The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort. — Adolf Loos

The curious fact is that biology tells us nothing about desire. And, when you think about it, culture -- novels, movies, opera, and quite a lot of painting -- is about desire, how we manage desire, how we suffer from it, and how it brings us joy when we get things right. A story without desire -- and that means without the insistence of desire -- will be empty, dry, and more or less aimless. That is one reason we read novels, to see how people fall into awkward moral situations and then try to extricate themselves. This is why there is so much anguish in the world: frustrated desire is every bit as miserable as poverty, because desire is no respecter of one's position in life: everyone goes through it. — Peter Watson

Ii do not walk with alienation everywhere I go in the world. I have been to small taverns in rural Ohio, big city bars, San Francisco bath houses, and in all these have felt welcome and happy. But walking through that sunglassed throng, I felt like a Martian. I didn't hate the feeling - indeed, being a black woman in the academy, it wasn't new to me - but it was interesting. I kept wondering: where is the performance? When will the performance start? Is this the performance - me walking through this space without sunglasses with all these Nordic quasi-hipster white people in multi-colored, motorcycle cop sunglasses? — Gabrielle Civil

It is now many years that men have resorted to the forest for fuel and the materials of the arts: the New Englander and the New Hollander, the Parisian and the Celt, the farmer and Robin Hood, Goody Blake and Harry Gill; in most parts of the world, the prince and the peasant, the scholar and the savage, equally require still a few sticks from the forest to warm them and cook their food. Neither could I do without them. — Henry David Thoreau

Writing has nothing to do with pretty manners, and less to do with sportsmanship or restraint [...]
Every writer begins as a subversive, if in nothing more than the antisocial means by which he earns his keep. Finally, every fantasist who cannibalizes himself knows that misfortune is his friend, that grief feeds and sharpens his fancy, that hatred is as sufficient a spur to creation as love (and a world more common) and that without an instinct for lunacy he will come to nothing. — Geoffrey Wolff

The most important thing in art is The Frame. For painting: literally; for other arts: figuratively
because, without this humble appliance, you can't know where The Art stops and The Real World begins. You have to put a 'box' around it because otherwise, what is that shit on the wall? — Frank Zappa

Each one, in my impassioned interior conversations, granted me some aspect of my most dearly held, most fiercely hidden heart's desires. Life, art, motherhood. Love and the great seductive promise that I wasn't nothing. That I could be seen for my unvarnished self, and that this hidden self, this precious girl without a mask, unseen for decades, could, that indeed she must, leave a trace upon the world. — Claire Messud

This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God. — Aleksandr Solzhenitsyn

Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways. — Rudolf Arnheim

I tried hard to imagine my poems or any poems as machines that could make things happen, changing the government, or the economy or even their language, the body or its sensorium, but I could not imagine this, could not even imagine imagining it. And yet when I imagined the total victory of those other things over poetry, when I imagined, with a sinking feeling, a world without even the terrible excuses for poems that kept faith with the virtual possibilities of the medium, without the sort of absurd ritual I'd participated in that evening then I intuited an inestimable loss, a loss not of artworks but of art, and therefore infinite, the total triumph of the actual, and I realized that, in such a world, I would swallow a bottle of white pills. — Ben Lerner

In everyone's life, there is great need for an anam cara, a soul friend. In this love, you are understood as you are without mask or pretension. The superficial and functional lies and half-truths of social acquaintance fall away, you can be as you really are. Love allows understanding to dawn, and understanding is precious. Where you are understood, you are at home. Understanding nourishes belonging. When you really feel understood, you feel free to release yourself into the trust and shelter of the other person's soul. This recognition is described in a beautiful line from Pablo Neruda: "You are like nobody since I love you." This art of love discloses the special and sacred identity of the other person. Love is the only light that can truly read the secret signature of the other person's individuality and soul. Love alone is literate in the world of origin; it an decipher identity and destiny. — John O'Donohue

In order to be a world-class expert in anything, be it audiology, drama, music, art, gymnastics, whatever, one needs to have a minimum of 10,000 hours of practice. Unfortunately, it doesn't mean that if you put in 10,000 hours that you will become an expert, but there aren't any cases where someone has achieved world-class mastery without it! So the time spent at the activity is indeed the most important and influential factor. — Daniel Levitin

In brief: consciousness is a phenomenon in the zone of evolution. This world lights up to itself only where or only inasmuch as it develops, procreates new forms. Places of stagnancy slip from consciousness; they may only appear in their interplay with places of evolution.
If this is granted it follows that consciousness and discord with one's own self are inseparably linked up, even that they must, as it were, be proportional to each other. This sounds a paradox, but the wisest of all times and peoples have testified to confirm it. Men and women for whom this world was lit in an unusually light of awareness, and who by life and word have, more than others, formed and transformed that work of art which we call humanity, testify by speech and writing or even by their lives that more than others have they been torn by the pangs of inner discord. Let this be a consolation to him who also suffers from it. Without it nothing enduring has ever been begotten. — Erwin Schrodinger

On no account would I do a picture which I should be unwilling to show to all the world - or at least all the artistic world. If I did not believe I could take pictures of all children without any lower motive than a pure love of Art, I would not ask it: and if I thought there was any fear of its lessening their beautiful simplicity of character, I would not ask it. I print all such pictures myself, and of course would not let any one see them without your permission. I fear you will reply that the one insuperable objection is "Mrs. Grundy"
that people will be sure to hear that such pictures have been done, and that they will talk. As to their hearing of it, I say "of course. All the world are welcome to hear of it, and I would not an any account suggest to the children to mention it - which would at once introduce an objectionable element" - but as to people talking about it, I will only quote the grand old monkish legend: They say: Quhat do they say? Lat them say! — Lewis Carroll

I have never looked upon ease and happiness as ends in themselves
this critical basis I call the ideal of a pigsty. The ideals that have lighted my way, and time after time have given me new courage to face life cheerfully, have been Kindness, Beauty, and Truth. Without the sense of kinship with men of like mind, without the occupation with the objective world, the eternally unattainable in the field of art and scientific endeavors, life would have seemed empty to me. The trite objects of human efforts
possessions, outward success, luxury
have always seemed to me contemptible. — Albert Einstein

The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter]. — Arthur Miller

The heart of our karate is real fighting.There can be no proof without real fighting. Without proof there is no trust. Without trust there is no respect. This is a definition in the world of martial arts. — Mas Oyama

A man that steps aside from the world and has leisure to observe it without interest and design, thinks all mankind as mad as they think him. — E. F. L. Wood, 1st Earl Of Halifax

Pardis Sabeti thought small by focusing patiently for years on a narrow niche (the genetics of diseases in Africa), but then acting big once she acquired enough capital to identify a mission (using computational genetics to help understand and fight ancient diseases). Sarah and Jane, by contrast, reversed this order. They started by thinking big, looking for a world-changing mission, but without capital they could only match this big thinking with small, ineffectual acts. The art of mission, we can conclude, asks us to suppress the most grandiose of our work instincts and instead adopt the patience - the style of patience observed with Pardis Sabeti - required to get this ordering correct. — Cal Newport

There have been men indeed splendidly wicked, whose endowments threw a brightness on their crimes, and whom scarce any villany made perfectly detestable, because they never could be wholly divested of their excellencies; but such have been in all ages the great corrupters of the world, and their resemblance ought no more to be preserved, than the art of murdering without pain. — Samuel Johnson

To forestall misunderstandings: there is value in creating and enjoying art. To many people, drawing, painting, sculpting, singing, and playing a musical instrument are vital forms of self-expression, and their lives would be poorer without them. People produce art in all cultures and in all kinds of situations, even when they cannot satisfy their basic physical needs. Other people enjoy seeing art. In a world in which everyone had enough to eat, basic health care, adequate sanitation, and a place at school for each of their children, there would be no problem about donating to museums and other institutions that offer an opportunity to see original works of art to all who wish to see them, and (more important, in my view) the opportunity to create art to those who lack opportunities to express themselves in this way. Sadly, we don't live in that world, at least not yet. — Peter Singer

Even for women without children, trading hours that produce income for hours that produce "only" art seems like a foolish decision. What a loss for the world, though, to have women's voices silenced because art is our last priority. — Holly Robinson

Like football and art, like anything that anyone in the world has ever wanted, love was a dream. And just like a dream, there were no assurances behind it. It didn't grow on its own. It didn't blossom without food to feed it. It was the greatest in its subtleties. It was the strongest in its selflessness. And it could be forever with someone who wasn't afraid to never give up on the possibilities it presents. — Mariana Zapata

There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick. — Bridget Carpenter

The modern world has far too little understanding of the art of keeping young. Its notion of progress has been to pile one thing on top of another, without caring if each thing was crushed in turn. People forgot that the human soul can enjoy a thing most when there is time to think about it and be thankful for it. And by crowding things together they lost the sense of surprise; and surprise is the secret of joy. — Gilbert K. Chesterton

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes

Because this week I've started in on a hundred reproductions of Rembrandt van Rijn, a hundred portraits of the old artist with the mushroom face, the face of a man pushed to the brink of eternity by art and drink, the door handle starting to turn, the final door pushed open from without by an unknown hand, and I'm beginning to have his puff-paste face, that peeling, piss-soaked wall of a face, I'm beginning to smile his half-moronic smile, to look at the world from the other side of human causes and events, and all my bales these days are framed with that portrait of Rembrandt van Rijn as an old man while I keep filling my drum with wastepaper and open books. — Bohumil Hrabal

How could the prisoner break his chains? I pictured a world, a righteous world, with no sin, no bonds, no social obligations; a world throbbing with creativity, innovation, and thought, nothing else; a world of dedicated solitude, without father, mother, wife, or child; a world where a man could travel lightly, immersed in art alone. — Naguib Mahfouz

A world is supported by four things: the learning of wise, the justice of great, the prayers of the righteous and the valor of the brave. But all of these are as nothing without a ruler who knows the art of ruling. — Frank Herbert

When an artist submerges a crucifix in a jar of his own urine, or smears elephant dung on an image of the Virgin Mary, do these works belong in art museums?21 Can the artist simply tell religious Christians, "If you don't want to see it, don't go to the museum"? Or does the mere existence of such works make the world dirtier, more profane, and more degraded? If you can't see anything wrong here, try reversing the politics. Imagine that a conservative artist had created these works using images of Martin Luther King Jr. and Nelson Mandela instead of Jesus and Mary. Imagine that his intent was to mock the quasi-deification by the left of so many black leaders. Could such works be displayed in museums in New York or Paris without triggering angry demonstrations? Might some on the left feel that the museum itself had been polluted by racism, even after the paintings were removed? — Jonathan Haidt

I have occupied this idle, empty winter with writing a story. It has been written to please myself, without thought of my own vanity or modesty, without regard for other people's feelings, without considering whether I shock or hurt the living, without scrupling to speak of the dead.

The world, I know, is changing. I am not indifferent to the revolution that has caught us in its mighty skirts, to the enormity of the flood that is threatening to submerge us. But what could I do? In the welter of the surrounding storm, I have taken refuge for a moment on this little raft, constructed with the salvage of my memory. I have tried to steer it into that calm haven of art in which I still believe. I have tried to avoid some of the rocks and sandbanks that guard its entrance.

[from the introduction] — Dorothy Bussy

My first thought, as a child, was that the artist brings something into the world that didn't exist before, and that he does it without destroying something else. A kind of refutation of the conservation of matter. That still seems to me its central magic, its core of joy. — John Updike

Religion, philosophy, art - those three pillars on which the world has rested - were invented by man in order symbolically to encapsulate the idea of infinity, setting against it a symbol of its possible attainment (which in real terms is of-course impossible). Humanity has found nothing else on such an enormous scale. Admittedly man found it by instinct, without understanding why he needed God (easier that way!) or philosophy (explains everything, even the meaning of life!) or art (immortality). — Andrei Tarkovsky

What I have lately said of painting is equally true with respect to poetry. It is only necessary for us to know what is really excellent, and venture to give it expression; and that is saying much in few words. To-day I have had a scene, which, if literally related, would, make the most beautiful idyl in the world. But why should I talk of poetry and scenes and idyls? Can we never take pleasure in nature without having recourse to art? — Johann Wolfgang Von Goethe

Art is the activity that exalts and denies simultaneously. "No artist tolerates reality," says Nietzsche. That
is true, but no artist can get along without reality. Artistic creation is a demand for unity and a rejection of
the world. But it rejects the world on account of what it lacks and in the name of what it sometimes is.
Rebellion can be observed here in its pure state and in its original complexities. Thus art should give us a
final perspective on the content of rebellion. — Albert Camus

No artifact is a work of art if it does not help to humanize us. Without art ... our world would have remained a jungle. — Bernard Berenson

There is beauty in every incident of life; the true and the false, the wise and the foolish, are all one in the eye that beholds all without passion or prejudice: and the secret appears to lie not in the retirement from the world, but in keeping a part of oneself Vestal, sacred, intact, aloof from that self which makes contact with the external universe. In other words, in a separation of that which is and perceives from that which acts and suffers. And the art of doing this is really the art of being an artist. As a rule, it is a birthright; it may perhaps be attained by prayer and fasting; most surely, it can never be bought. — Aleister Crowley

He wrote me a note to say we would create art together and we would make it, with or without the rest of the world. — Patti Smith

Forget your ideas about art. Make a shopping list of everything you like about what you've done. Include qualities that you've seen in your life, in the world, and possibly in art that you like. Take this list and make a work that satisfies all of the things on your list without caring if it looks like art. — Joseph Kosuth

I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology. There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures. There's no reason to abide by them. I don't have any vested interest in it. — Raymond Pettibon

Without rich people who want it done now, who would animate the free world? In theory, you want everyone to live peacefully according to their needs, along the banks of a river. In fact, you worry that you'd die of boredom there. In fact, you get a buzz from someone like Carole Potter, who keeps prize chickens and could teach a graduate course in landscaping; who maintains a staff of four (more in the summers, during High Guest Season); a handsome, slightly ridiculous husband; a beautiful daughter at Harvard and an incorrigible son doing something or other on Bondi Beach; Carole who is charming and self-deprecating and capable, if pushed, of a hostile indifference crueler than any form of rage; who reads novels and goes to movies and theater and yes, yes, bless her, buys art, serious art, about which she actually fucking knows a thing or two. — Michael Cunningham

Anytime in my life when I see an accumulation of items, a title of ownership in my name, I feel my insides swell. What am I going to do with all of this? Where am I going to put it? So I get rid of it. And I feel calm again. I am a library patron, a renter without an option to buy, a Salvation Arm donator, a spring cleaner of the highest order.
Why then, why in the world, do I work here, surrounded by all of this? It's easy enough. This is art, and it is not mine. I am only looking after it while the real owners are away. Most of all, I suppose, although I may not want things, I don't mind touching them for a while. — Kevin Wilson

Howard Altmann has found a way to make language transform itself. If the elusive moment between I and Thou could speak, it might be one of his quietly amazing lines-'you ask the silence to invert itself / like a gymnast in the dark ... ' Without a trace of rhetoric, In This House reminds us of the power of poetry: to show us how to live in a world in which we are strangers. It's a thrill to come close to such an original and deeply realized art. — Dennis Nurkse

Without that discovery of the "moving photo," the world today would not be what it is: the new technology has become, primo, the principal agent of stupidity (incomparably more powerful than the bad literature of old: advertisements, television series); and secundo, the agent of worldwide indiscretion (cameras secretly filming political adversaries in compromising situations, immortalizing the pain of a half-naked woman laid out on a stretcher after a street bombing). It is true that film as art does also exist, but its significance is far more limited than that of film as technology, and its history is certainly shorter than that of any other art. — Milan Kundera

Everyone wants to understand art. Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of a painting people have to understand. If only they would realize above all that an artist works of necessity, that he himself is only a trifling bit of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world, though we can't explain them. People who try to explain pictures are usually barking up the wrong tree. — Pablo Picasso

We need to be virtually bludgeoned into detachment from our daily lives, our habits and mental laziness, which conceal from us the strangeness of the world. Without a fresh virginity of mind, without a new and healthy awareness of existential reality, there can be no theatre and no art either; the real must be in a way dislocated, before it can be re-integrated. — Eugene Ionesco

Without this faculty of man and beast alike to recognize identities across the variations of difference, to make allowance for changed conditions, and to preserve the framework of a stable world, art could not exist. When we open our eyes under water we recognize objects, shapes, and colors although through an unfamiliar medium. When we first see pictures we see them in an unfamiliar medium. This is more than a mere pun. The two capacities are interrelated. Every time we meet with an unfamiliar type of transposition, there is a brief moment of shock and a period of adjustment-but it is an adjustment for which the mechanism exists in us. — E.H. Gombrich

Many cherish art as a special haven within an over-schematized world, where ambiguities can thrive. If an artwork's message is self-evident, maybe it's just an illustration, a decorative non-entity, a well-executed craft object, hardly counting as 'significant' art at all. It's not just that without an explanation the viewer is lost; without some written framework to steady it, the art itself risks losing its way, never gaining traction in the contemporary art system. From this perspective, both viewer and artwork alike are as if handicapped without the art-world's special assistance. — Gilda Williams

Like Keats he may wander through the old-world forests of Latmos, or stand like Morris on the galley's deck with the Viking when king and galley have long since passed away. But the drama is the meeting-place of art and life; it deals, as Mazzini said, not merely with man, but with social man, with man in his relation to God and to Humanity. It is the product of a period of great national united energy; it is impossible without a noble public, and belongs to such ages as the age of Elizabeth in London and of Pericles at Athens; it is part of such lofty moral and spiritual ardour as came to Greek after the defeat of the Persian fleet, and to Englishman after the wreck of the Armada of Spain. — Oscar Wilde

This was never about the money ... Don't you understand? A world without good art is a far more dangerous place than one you don't get paid for making it in. — Dimitri Zaik

I can't imagine a life without thinking, doing art. I don't feel any need to be a world traveler or an adventurer. I'm very happy doing what I'm doing. I think somehow I know that I should have a larger vision of art, but I can't think of what that would be. — John Baldessari

There is a very simple statement to be made about all these stories: they do not really come off intellectually as problems, and they do not come off artistically as fiction. They are too contrived, and too little aware of what goes on in the world. They try to be honest, but honesty is an art. The poor writer is dishonest without knowing it, and the fairly good one can be dishonest because he doesn't know what to be honest about. He thinks a complicated murder scheme which baffled the lazy reader, who won't be bothered itemizing the details, will also baffle the police, whose business is with details. — Raymond Chandler

That which interests most people leaves me without any interest at all. This includes a list of things such as: social dancing, riding roller coasters, going to zoos, picnics, movies, planetariums, watching tv, baseball games; going to funerals, weddings, parties, basketball games, auto races, poetry readings, museums, rallies, demonstrations, protests, children's plays, adult plays ... I am not interested in beaches, swimming, skiing, Christmas, New Year's, the 4th of July, rock music, world history, space exploration, pet dogs, soccer, cathedrals and great works of Art. How can a man who is interested in almost nothing write about anything? Well, I do. I write and I write about what's left over: a stray dog walking down the street, a wife murdering her husband, the thoughts and feelings of a rapist as he bites into a hamburger sandwich; life in the factory, life in the streets and rooms of the poor and mutilated and the insane, crap like that, I write a lot of crap like that — Charles Bukowski