A Tale For The Time Being Quotes & Sayings

This act is an ancient tale new told;
And, in the last repeating, troublesome,
Being urged at a time unseasonable. — William Shakespeare

The Long and the Short and the Tall made a great impression on me because it was a very ugly tale about the reality of soldiering at a time when we were being gung-ho about the whole thing of war. — Timothy West

A belligerent samurai, an old Japanese tale goes, once challenged a Zen master to explain the concept of heaven and hell. The monk replied with scorn, "You're nothing but a lout - I can't waste my time with the likes of you!"
His very honor attacked, the samurai flew into a rage and, pulling his sword from its scabbard, yelled "I could kill you for your impertinence."
"That," the monk calmly replied, "is hell."
Startled at seeing the truth in what the master pointed out about the fury that had him in its grip, the samurai calmed down, sheathed his sword, and bowed, thanking the monk for the insight.
"And that,"said the monk "is heaven."
The sudden awakening of the samurai to his own agitated state illustrates the crucial difference between being caught up in a feeling and becoming aware that you are being swept away by it. Socrates's injunction "Know thyself" speaks to the keystone of emotional intelligence: awareness of one's own feelings as they occur. — Daniel Goleman

I like idling when I ought not to be idling; not when it is the only thing I have to do. Thatis my pig-headed nature. The time when I like best to stand with my back to the fire, calculating how much I owe, is when my desk is heaped highest with letters that must be answered by the next post. When I like to dawdle longest over my dinner is when I have a heavy evening's work before me. And if, for some urgent reason, I ought to be up particularly early in the morning, it is then, more than at any other time, that I love to lie an extra half-hour in bed.
Ah! how delicious it is to turn over and go to sleep again: "just for
five minutes." Is there any human being, I wonder, besides the hero of
a Sunday-school "tale for boys," who ever gets up willingly? — Jerome K. Jerome

Ever since the days when such formidable mediocrities as Galsworthy, Dreiser, Tagore, Maxim Gorky, Romain Rolland and Thomas Mann were being accepted as geniuses, I have been perplexed and amused by fabricated notions about so-called "great books." That, for instance, Mann's asinine "Death in Venice," or Pasternak's melodramatic, vilely written "Dr. Zhivago," or Faulkner's corn-cobby chronicles can be considered "masterpieces" or at least what journalists term "great books," is to me the sort of absurd delusion as when a hypnotized person makes love to a chair. My greatest masterpieces of twentieth century prose are, in this order: Joyce's "Ulysses"; Kafka's "Transformation"; Bely's "St. Petersburg," and the first half of Proust's fairy tale, "In Search of Lost Time. — Vladimir Nabokov

Pick any time of the day or night and somewhere, everywhere, stories are being told. They overlap and flow across one another, the pull away again just as waves do upon a shore. It is this knack that stories have of rubbing up against one another that makes the world an interesting place, a place of greater possibility than it would be if we told our tales alone.
This is impossible, of course. Make no mistake, everyone's stories touches someone else's. And every brush of one life tale upon another, be it ever so gentle, creates something new: a pathway that wasn't there before. The possibility to create a new tale. — Cameron Dokey

Resentment and anger are not good for the soul. They are foul things. — Marvin J. Ashton

Ruth was a novelist, and novelists, Oliver asserted, should have cats and books. — Ruth Ozeki

Zac dangled his legs off the edge of the building, hanging onto every word I said as though I were some old time bard telling an epic war tale. I tried to be as detailed as possible, and I knew that I was doing a good job when he'd lean back and shut his eyes. He'd breathe slowly and watch the pictures that I painted for him with my words. He'd smile, not a cunning toothy one, but a sincere smile that comes only from being truly happy. I'd sit across from him and just watch his reactions. We could be up there for hours. I would see the sunset across his face and be as captivated with his skin's changing colours as he was with my everyday stories. That's when I learned to dislike winters. — Ashley Newell

We need to close every church in the land for one Sunday and cease listening to a man so we can hear the groan of the Spirit which we in our lush pews have forgotten. — Leonard Ravenhill

You know also that the beginning is the most important part of any work, especially in the case of a young and tender thing; for that is the time at which the character is being formed and the desired impression is more readily taken. Quite true. And shall we just carelessly allow children to hear any casual tales which may be devised by casual persons, and to receive into their minds ideas for the most part the very opposite of those which we should wish them to have when they are grown up? We cannot. Then the first thing will be to establish a censorship of the writers of fiction, and let the censors receive any tale of fiction which is good, and reject the bad; and we will desire mothers and nurses to tell their children the authorised ones only. — Plato

He was free to enjoy the breathless glee that overwhelmed him: the speed, the clear cold air, the total silence, the feeling of balance and excitement and peace. — Lois Lowry

He dumped its contents out on the tablecloth: a gold ring, a gold nugget, and a gold signet seal. Francisco pointed to each. I told you that this was the secret of happiness. The three objects belonged to a rich collector. When he was asleep they argued all the time. The gold ring declared it was better than the other two because miners had risked their lives to find it. The gold signet said it was better than the other two because it had sealed the messages of a king. They argued day and night, until the ring said. 'Lets ask God', He will decide which of us is the best. The other two agreed, and so they approached the Almighty. Each made its claim for being superior. God listened carefully, and when they were done, he said, ' I cant settle your dispute, I'm sorry. The gold signet seal grew angry 'What do you mean, you cant settle it? You're God.' That's the problem said God. I don't see a ring, a nugget and a seal. All I see is gold. — Deepak Chopra

The right kind of listener makes a difference. When someone takes the time to hear us out, something singular happens. By being interested and showing it, the listener becomes part of the tale. — Wendy Lustbader

She had chosen Dante because she found the rhyme scheme pleasingly jaunty, but she realized too late that the Inferno's tale of sinners being cruelly punished in the afterlife was much too bloody and disturbing to be suitable for young minds. Penelope could tell this by the way the children hung on her every word and demanded "More, more!" each time she reached the end of a canto and tried to stop. — Maryrose Wood

As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of. — Iain Banks

Does God ask us to do what is beneath us? This question will never trouble us again if we consider the Lord of heaven taking a towel and washing feet. — Elisabeth Elliot

[You for] the fragrant-blossomed Muses' lovely gifts
[be zealous,] girls, [and the] clear melodious lyre:
[but my once tender] body old age now
[has seized;] my hair's turned [white] instead of dark;
my heart's grown heavy, my knees will not support me,
that once on a time were fleet for the dance as fawns.
This state I oft bemoan; but what's to do?
Not to grow old, being human, there's no way.
Tithonus once, the tale was, rose-armed Dawn,
love-smitten, carried off to the world's end,
handsome and young then, yet in time grey age
o'ertook him, husband of immortal wife. — Sappho

She'd been betwitched. She'd pricked her finger and had fallen into a deep, comalike sleep. — Ruth Ozeki

And so, perhaps, the truth winds somewhere between the road to Glastonbury, Isle of the Priests, and the road to Avalon, lost forever in the mists of the Summer Sea. — Marion Zimmer Bradley

Occasionally the poster pictures a pair of cyclists; and then one grasps the fact how much superior for purposes of flirtation is the modern bicycle to the old-fashioned parlour or the played-out garden gate. He and she mount their bicycles, being careful, of course, that such are of the right make. After that they have nothing to think about but the old sweet tale. Down shady lanes, through busy towns on market days, merrily roll the wheels of the "Bermondsey Company's Bottom Bracket Britain's Best," or of the "Camberwell Company's Jointless Eureka." They need no pedalling; they require no guiding. Give them their heads, and tell them what time you want to get home, and that is all they ask. While Edwin leans from his saddle to whisper the dear old nothings in Angelina's ear, while Angelina's face, to hide its blushes, is turned towards the horizon at the back, the magic bicycles pursue their even course. — Jerome K. Jerome

But the love I have for all of you doesn't stop the hurt I feel inside. — Francisco X Stork

Dignity is often a veil between us and the real truth of things. — Edwin Percy Whipple

The Hawk hired fifty harpers and jesters and taught them new songs. Songs about the puny fairy fool who had been chased away from Dalkeith-Upon-the-Sea by the legendary
Hawk. And being such a legend in his own time, his tales were ceded great truth and staying power. The players
were delighted with the epic grandeur of such a wild tale. When they had rehearsed to perfection the ditties and
refrains portraying the defeat of the fool, the Hawk sent them into the counties of Scotland and England. Grimm
accompanied the group of players traveling to Edinburgh to help spread the tale himself, while Hawk spent late hours by the candle scribbling, crossing out and perfecting his command for when the fool came. Sometimes, in the wee hours of the morning, he would reach for his set of sharp awls and blades and begin carving toy soldiers and dolls, one by one. — Karen Marie Moning

I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad. — Patrick Rothfuss

When a gentleman spends quite some time telling me in detail about his father's courtship of his mother, I have to assume there is some moral for me in the tale. Since in this case that courtship consisted primarily of his father insisting repeatedly they were to marry and his mother refusing him almost as often, I take the moral to be that there is very little point in refusing, since it would only lead to the question being repeated until I agreed to it out of sheer exhaustion. — Abigail Reynolds

It doesn't take long to become aware of the presence of the CIA in Laos. — Noam Chomsky

Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin. — James Caskey

In his fiery eyes of scorn and triumph, you then saw Ahab in all his fatal pride. — Herman Melville

Truth is like the moon in the sky. Words are like a finger. A finger can point to the moon's location, but it is not the moon. To see the moon, you must look past the finger. To look for the truth in books, the Sixth Patriarch was saying, is like mistaking the finger for the moon. The moon and the finger are not the same thing.
"Not same," old Jiko would have said. "Not different, either. — Ruth Ozeki

The discovery of the horror tale at an early age was fortuitous for me. This sort of tale serves, in many ways, the very same purpose as fairy tales did in our childhood. It operates as a theater of the mind in which internal conflicts are played out. In these tales we can parade the most reprehensible aspects of our being: cannibalism, incest, parricide. It allows us to discuss our anxieties and even to contemplate the experience of death in absolute safety.
And again, like a fairy tale, horror can serve as a liberating or repressive social tool, and it is always an accurate reflection of the social climate of its time and the place where it gets birthed. — Guillermo Del Toro

It was the ultimate cautionary tale, the moral being Don't fall, as if they were made of glass. In a sense they were
their fragility was irrefutable, medically proven
and yet Emily detested the inevitable rundown of accidents and tragedies, the more fortunate clucking their tongues and counting their blessings, all the while knowing it was just a matter of time. She didn't need to be reminded that she was a single misstep from disaster, especially here, without Henry, surrounded by the survivors of an earlier life. — Stewart O'Nan

The reindeer are immortal. They are, in fact, the eight demiurges of reindeer-kind, and this accounts for their flying. Their names might sound whimsical, but they are the closest the human tongue can come to approximating the true names of the caribou lords. Rudolph, far from being the adorable, earnest fellow of the tale, is in fact Ruyd-al-Olafforid, the All-Destroying Flame of the Yukon. His mother was Kali and his father was an ice floe. His nose appears red because his body is full of coals, and his eyes flare with a terrible conflagration of the soul. The tips of his antlers are like candles in the snowy wind. He is not vengeful, but he is the light in the dark of winter, consuming and giving life at the same time. Your carrots only make the lord of flame stronger. — Catherynne M Valente