A Song With No End Quotes & Sayings
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When we play 'Angel of Death', it's actually a 2 and half minutes sing 'til our party starts. That song is pretty much been played traditionally in the end. — Kerry King

I never try to be religious. I never try to be any type of religious cat. Spiritual, yes, but religion, when you get into that you get into a category where you lock yourself in and people look at you a certain way and then they become that way. Nah, I'm still an MC, I'm an MC first. People try to figure out my origin, at the end of the day it's just clever songs. — Killah Priest

Through the clouds of smoke I seemed to see all old Asia before me, and the adventures of past years behind me. A carnival of old camp-scenes danced before my mind's eye, expiring like shooting-stars in the night - merry songs which came to an end among other mountains and the dying sound of strings and flutes. And I was surprised that I had not had enough of these things and that I was not tired of the light of camp-fires. — Sven Hedin

Ah, the dear earth! The beautiful earth! She wants all that we have--the touch of our hands, the song of our hearts.
She wants to draw out from us all that is within, hidden even from ourselves.
This is her sorrow, that she finds out some things only to know that she has not found all. She loses before she attains.
Ah, the dear earth! We shall never deceive you.
(They sing.)
I shall crown you with my garland, before I take leave.
You ever spoke to me in all my joys and sorrows.
And now, at the end of the day, my own heart will break in speech.
Words came to me, but not the tune, and the song that I never sang to you remains hidden behind my tears. — Rabindranath Tagore

Sunrays, leaning on our southern hills and lighting
Wild cloud-mountains that drag the hills along,
Oft ends the day of your shifting brilliant laughter
Chill as a dull face frowning on a song.
Ay, but shows the South-west a ripple-feathered bosom
Blown to silver while the clouds are shaken and ascend
Scaling the mid-heavens as they stream, there comes a sunset
Rich, deep like love in beauty without end. — George Meredith

You're like the lyrics to my favorite song. You stick with me all day long. And when I reach the end I wanna hear it again. — TobyMac

Music is so much fun because each song is like a film in itself. You get to go from beginning to end and interact and exchange energy with a live audience. — Shawnee Smith

In hip hop, it's a lot more about lacing a hot track. I start it, I help mix it, I help write it, I help produce it, I cut the person's vocals. I'm involved from the beginning to the end of a song. I'm not just giving someone a beat, you know? — Benny Blanco

But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now. — Billy Bragg

My friend Lou Reed came to the end of his song. So very sad.But hey, Lou, you'll always take a walk on the wild side. Always a perfect day. — Salman Rushdie

But in the end, there will still be a morning like this one, full of new light, and a distant voice will be heard, like a memory of before we became people. And the tones of a song will well up, the gentle lull of the first mother. This song, yes indeed, will be ours, the memory of a deep root that they were unable to wrench out of us. This voice will give us the strength for a new beginning, and upon hearing it, the corpses will find peace in their graves and the survivors will embrace life with the simple joy of young lovers. All this will happen if we are able to rid ourselves of this time that has made animals out of us. Let us strive to die like the people we no longer are. — Mia Couto

When Whitman wrote, "I sing the body electric"
I know what he
meant
I know what he
wanted:
to be completely alive every moment
in spite of the inevitable.
we can't cheat death but we can make it
work so hard
that when it does take
us
it will have known a victory just as
perfect as
ours — Charles Bukowski

Their song reminds me of a child's neighborhood rallying cry - ee-ock-ee - with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, "tweet". I know of no other bird that stoops to literal tweeting. — Annie Dillard

Seasons may change winter to spring, but I love you until the end of time
Come what may, come what may, I will love you until my dying day
Suddenly the world seems such a perfect place
Suddenly it moves with such a perfect grace
Suddenly my life doesn't seem such a waste, it all revolves around you.
And there's no mountain too high no river too wide
Sing out this song and I'll be there by your side
Storm clouds may gather and stars may collide
But I love you until the end of time — Ewan McGregor

I make a living from storytelling - if you're a public person and you sing songs about getting married to get a visa, and you are actually doing that, you're gonna end up in trouble. — Jens Lekman

Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last. — Dave Grohl

I recorded 'The End of All Things' right before I married my now wife. We had no vows publicly, so I wrote her this song and told her, 'This is how I see our relationship.' — Brendon Urie

I don't have to play the song all the way to the very end - I use it while it's good and while it's cool and while it's exciting, and then I get out. — Quentin Tarantino

When I start to write a song, I have the words and I have the melody, and then it's just a matter of making it to the end. I think if I have something that I could identify as a talent, it would be that I can finish a song. I kind of know intuitively where the melody should go. — Lou Barlow

I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase - nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it.
I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace note, I was not worthless. Nor was I alone. — R. J. Anderson

Not so on Man; him through their malice fall'n,
Father of Mercy and Grace, thou didst not doom
So strictly, but much more to pity incline:
No sooner did thy dear and only Son
Perceive thee purpos'd not to doom frail Man
So strictly, but much more to pity inclin'd,
He to appease thy wrath, and end the strife
Of mercy and Justice in thy face discern'd,
Regardless of the Bliss wherein hee sat
Second to thee, offer'd himself to die
For man's offence. O unexampl'd love,
Love nowhere to be found less than Divine!
Hail Son of God, Saviour of Men, thy Name
Shall be the copious matter of my Song
Henceforth, and never shall my Harp thy praise
Forget, nor from thy Father's praise disjoin. — John Milton

The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time - and then you want out of that movie. — Rufus Wainwright

Her hands on the harmonium were delicate, square-tipped, her bitten-down nails paying homage to the seriousness of the task; her brows were knitted together in the service of the song, and in the end it was only to the music that she was bound. In singing she was, in only briefly, a supplicant, as though in the presence of a divinity that even she, devout non-believer, had to somehow acknowledge — Tahmima Anam

When I performed the songs in front of an audience at the end of each project and I knew the storytellers were in the crowd listening, that was hard. — Jens Lekman

What happened, man? Gerry and Ginsberg are cold, and dead, in the ground. Kesey's stoned, and out of town. We've come to the end of the brotherhood song. The children brandish knives upon each other's throats, and their loaded 45's sit snug in lunch boxes nestled safely between Oreo cookies and a ham sandwich. Where are you now, oh ancient hipsters? Raggedy Beats beat down and broken wheel raggedy wheelchairs down ghostly geriatric wards. Where are you now, oh day-glow dreamers? Have you gotten off the bus and into your Mercedes? Did you get that second mortgage, and bear your fattened little babies? Where is that girl with flowers in her hair? Where is the man with revolution in his veins? We ask ourselves "where did we go wrong?" But there is no we. There is you, and then there is I. You do what you need to survive, And I do what I must to stay alive. We stand here Bleeding, slicing each other's wrists With the icy ridges of hardened jagged hearts, Cassandra's — Bearl Brooks

When we were doing interviews for our bio, I described hearing that song for the first time to be like Sara was standing on my chest. I just felt really sad, and that was having heard all the other songs in order leading up to that one. I know that when Sara was writing these songs it was during the end of her relationship and it was someone she'd been friends with for almost ten years and been with for four years. It was just the psyche of it, when you've known someone for half your life, literally, and then have to leave them, and not necessarily because you want to but just because it's the right thing to do, and it's just not healthy and you're not good anymore, there's no growth and you have to have growth. And when I hear that song, the idea of that all happening just makes me sick to my stomach a little bit. But it's in an enjoyable way. — Tegan Quin

As I stood in contemplation of the garden of the wonders of space," Milosz writes, "I had the feeling that I was looking into the ultimate depths, the most secret regions of my own being; and I smiled, because it had never occurred to me that I could be so pure, so great, so fair! My heart burst into singing with the song of grace of the universe. All these constellations are yours, they exist in you; outside your love they have no reality! How terrible the world seems to those who do not know themselves! When you felt so alone and abandoned in the presence of the sea, imagine what solitude the waters must have felt in the night, or the night's own solitude in a universe without end!" And the poet continues this love duet between dreamer and world, making man and the world into two wedded creatures that are paradoxically united in the dialogue of their solitude. — Gaston Bachelard

Dream Song 90: Op. posth. no. 13
In the night-reaches dreamed he of better graces,
of liberations, and beloved faces,
such as now ere dawn he sings.
It would not be easy, accustomed to these things,
to give up the old world, but he could try;
let it all rest, have a good cry.
Let Randall rest, whom your self-torturing
cannot restore one instant's good to, rest:
he's left us now.
The panic died and in the panic's dying
so did my old friend. I am headed west
also, also, somehow.
In the chambers of the end we'll meet again
I will say Randall, he'll say Pussycat
and all will be as before
whenas we sought, among the beloved faces,
eminence and were dissatisfied with that
and needed more. — John Berryman

A loud song with a thumping beat rang from Jay's pocket. He gave me a goofy grin and began to bop his head back and forth to the rhythm. Oh, no-not the crazy booty dance.
"Please don't," I begged.
Jay broke into his funky ringtone dance, shoulders bouncing and hips moving from side to side. People around us stepped away, surprised, then began to laugh and cheer him on. I pressed my fingers against my lips to hide an embarrassed smile. Just as the ringtone was about to end, he gave a little bow, straightened up, and answered the call. — Wendy Higgins

Oh, Issyk-Kul, my Issyk-Kul
my unfinished song! Why did I have to remember that day when I came here with Asel and stopped on the same rise, right above the water? Everything was the same. The blue-and-white waves ran up the yellow shore holding hands. The sun was setting behind the mountains, and at the far end of the lake the water was tinged with pink. The swans wheeled over the water with excited, exultant cries. They soared up and dropped down on outspread wings that seemed to hum. They whipped up the water and started wide, foaming circles. Everything was the same, only there was no Asel with me. Where are you, my slender poplar in a red kerchief, where are you now? — Chingiz Aitmatov

Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn't say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure. — Tobias Wade

There's a lot of griping and groaning about wanting to play half-baked new songs live, but you don't want it to just end up on YouTube with like 74 thumbs down: "This is the worst!" — Travis Morrison

Don't Cry Daddy is a pretty sad song. He got to the end of it and it was just real quiet and Elvis says, I'm gonna cut that someday for my daddy. And, by God, he did. He lived up to his word. — Mac Davis

Love me, Kat.
The words repeated in his brain like a song he was unable to find the end of.
I've loved ye since I dipped your braid in that wax. Dinna fret about making a child. Let me be enough for ye. Ye're enough for me. — Mia Marlowe

You can punch a wall or write a song. Just as painful either way, but you have something to show for it at the end of the day with a song. — Trent Reznor

When I wrote this song I felt pretty unoriginal because everybody writes love songs, and everybody feels like their love is the most important and when their love ends and they get their heart broken, that nobody understands. And ... that's ridiculous, but so am I. — Tegan Quin

Before we leave the gravesite, Mary sings Mother's favorite gospel hymn ...
Mary's lovely voice rises and lingers in the air, and by the end of the song most of us are crying. I am too, though I still don't know what those stars are meant to represent. My mistake, I suppose, is in thinking they should mean something. — Christina Baker Kline

Living is a conversation with no end, a dance with no steps, a song with no words, a reason too big for any mind. — Mark Nepo

At the end of the day, all people want to do is hear a great singer sing a great song. They don't care about what vocal changes it went through. You can't screw up a great song and a great singer. — Vince Gill

Louis Armstrong's 'What a Wonderful World' is my ultimate karaoke song. It is a wonderful world. People forget we only have a certain amount of time, and it can all end at any moment. Armstrong and Frank Sinatra's 'My Way' are the ultimate one-two punch. — Dhani Jones

Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come. — George R R Martin

February
Boris Pasternak
It's February. Get ink. Weep.
Write the heart out about it, sing
Another song of February
While raucous slush burns black with spring.
Six grivnas* for a buggy ride
Past booming bells, on screaming gears,
Out to a place where drizzles fall
Louder than any ink or tears
Where like a flock of charcoal pears,
A thousand blackbirds, ripped awry
From trees to puddles, knock dry grief
Into the deep end of the eye.
A thaw patch blackens underfoot.
The wind is gutted with a scream.
True verses are the most haphazard,
Rhyming the heart out on a theme.
*Grivna: a unit of currency. — Boris Pasternak

Nothing's louder than the
end of a song that's always been there. — Terry Pratchett

Night was falling. Birds were singing. Birds were, it occurred to me to say, enacting a frantic celebration of day's end. They were manifesting as the earth's bright-colored nerve endings, the sun's descent urging them into activity, filling them individually with life nectar, the life nectar then being passed into the world, out of each beak, in the form of that bird's distinctive song, which was, in turn, an accident of beak shape, throat shape, breast configuration, brain chemistry: some birds blessed in voice, others cursed; some squeaking, others rapturous. — George Saunders

There is a string attached to Maia Sharp's voice. And when she sings, you find that the other
end is attached to your gut. Her voice is lush and sensual and the emotions she articulates
resonate with the small feelings we have that sometimes are hard to face..there is an edge to
her songs, but also a softness ... she is lyrical and conversational at the same time. Her CD was
the only one in my machine for a month. Her work inspires me to dig deeper. — Kathy Mattea

When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity. — Michael Patrick Walker

All of our saddest songs have somewhere in them at least a glimmer of resolve - Street Spirit has no resolve. It is the dark tunnel without the light at the end. — Thom Yorke

In the depth a light will grow,
A silver shine no shadows know,
Like wings unfolding in the sky,
That circle 'round a gleaming eye,
Turning darkness all away,
Even depths will know their day,
For every shadow has its end,
In light!
Life will return again! — Robert Fanney

Life, he realize, was much like a song. In the beginning there is mystery, in the end there is confirmation, but it's in the middle where all the emotion resides to make the whole thing worthwhile. — Nicholas Sparks

I don't care if I tell that story and John Roderick gets up afterward and yells, 'I hope you enjoyed the white privilege, mortality comedy of John Hodgman!' That's me! I'm going to play a sad Handsome Family song at the end and I guarantee you everyone is going to love it because, sometimes, you need a grown man or woman to tell you what you like. — John Hodgman

The universe sings a deep, eternal song, sound in waves, in deep sighs, in whispers, in swirling chords and rising, falling tones. The music of the worlds, weaving in a pattern that is both chaos and order, both beauty and terror, without beginning, without end. — Jessica Khoury

I think everything should have an end, an end of the brutal stuff happening home. ENd for the song, end of the film, end of the evil... This how it must go and it will go, if you think that evil has gone it's still here. If you believe in god, that's means that you believe this evil. — Deyth Banger