Quotes & Sayings About A Mother Leaving Her Child

One of the villagers had left his home to try his luck abroad. After twenty five years, having made a fortune, he returned to his country with his wife and child. Meanwhile his mother and sister had been running a small hotel in the village where he was born. He decided to give them a surprise and, leaving his wife and child in another inn, he went to stay at his mother's place, booking a room under an assumed name. His mother and sister completely failed to recognize him. At dinner that evening he showed them a large sum of money he had on him, and in the course of the night they slaughtered him with a hammer. After taking the money they flung the body into the river. Next morning his wife came and, without thinking, betrayed the guest's identity. His mother hanged herself. His sister threw herself into a well. — Albert Camus

The thing Lady didn't get, or the thing she'd forgotten, was that being a child was painful too. She was so wrapped up in losing Seth, the treacheries of him growing up, that she couldn't remember what it felt like to be on the other side. The burden of that. Sure, Seth had left her womb and never returned, but he was the one who had to do the leaving. — Edan Lepucki

Leave your mark on the world by leaving behind a child who grows up to love and serve the Lord. — Elizabeth George

I will not be spoken to in that tone," she said to her mother.
Enid's mouth gaped open. For only a moment, however, until she began to protest.
"You've gotten snippy since your marriage, haven't you? I'll not take that behavior from you, child. Your sister would never have disrespected me in such a fashion."
"Enough!" Ellice held up her hand, her gaze never once leaving her mother.
"When have you ever respected me, Mother? I'm only a poor substitute for Eudora." She took a deep breath. "I'm not Eudora," she said. "I'm not your beloved daughter who died. I'm the one who lived. I'm tired of hearing about what my sister did or would have done. I suspect that Eudora would have silenced you long before now."
She grabbed her skirts and walked around her mother, heading for the kitchen. At the door, she stopped and turned.
"Must I die before you begin to value me as well? — Karen Ranney

A mother's body against a child's body makes a place. It says you are here. Without this body against your body there is no place. I envy people who miss their mother. Or miss a place or know something called home. The absence of a body against my body created a gap, a hole, a hunger. This hunger determined my life ... The absence of a body against my body made attachment abstract. Made my own body dislocated and unable to rest or settle. A body pressed against your body is the beginning of nest. I grew up not in a home but in a kind of free fall of anger and violence that led to a life of constant movement, of leaving and falling. It is why at one point I couldn't stop drinking and fucking. Why I needed people to touch me all the time. It had less to do with sex than location. When you press against me, or put yourself inside me. When you hold me down or lift me up, when you lie on top of me and I can feel your weight, I exist. I am here. — Eve Ensler

As a child there's a horror in discovering the limitations of the ones you love. The time you find that your mother cannot keep you safe, that your tutor makes a mistake, that the wrong path must be taken because the grown-ups lack the strength to take the right one ... each of those moments is the theft of your childhood, each of them a blow that kills some part of the child you were, leaving another part of the man exposed, a new creature, tougher but tempered with bitterness and disappointment. — Mark Lawrence

All my life I have been trained by that siren. Before I could walk I knew the siren meant death. It meant somehow the fences had been breached and the Unconsecrated were shuffling among us. It meant grab weapons, move to the platforms and pull up the ladders - even if it necessitated leaving the living behind.
Growing up, my mother used to tell me about how in the beginning, when her own great-great-great-grandmother was a child, that siren would wail almost constantly as the village was bombarded with the Unconsecrated. But then the fences has been fortified, the Guardians had formed and time had passed with the Unconsecrated dwindling to the point that I couldn't remember a time in the past few years when that siren had wailed and it had not been a drill. I know that in my life there have been breaches but I also know that I am very good at blocking out the memories that serve me no purpose. I can fear the Unconsecrated well enough without them. — Carrie Ryan

Mariam kept her eyes to the ground, on her shadow, on her executioner's shadow trailing her.
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could she Leila again, wished to hear the clangour of her laugh, ...

Mariam wished for so much in those final moments.
Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who has loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last.
This was a legitimate end to a life of illegitimate beginnings."
--A Thousand Splendid Suns — Khaled Hosseini

A long time ago, when I was just a child my mother was forcing me to learn the piano, I said to myself that I would only be able to play it well when I was in love. Last night, for the first time in my life, I felt the notes leaving my fingers as if I had no control over what I was doing.
A force was guiding me, constructing melodies and chords that I never even knew I could play. I gave myself to the piano because I had just given myself to this man, without him even touching a hair o' my head. I was not myself yesterday, not when I gave myself over to sex or when I played the piano. And yet I think I was myself. — Paulo Coelho

My baby is five. She falls asleep in my arms ... Her breath is warm on my face, all that is alive and warm and breathing inside of her now, falling upon me, and I can't capture it, hold it, this, her life now, me in this moment. She is leaving me, she's growing up and moving away from me, and she stirs and I sweep back the crop of the golden ringlets. Stay, Little One, stay. Love's a deep wound and what is a mother without a child and why can't I hold on to now forever and her here and me here and why does time snatch away a heart I don't think mine can beat without? Why do we all have to grow old? Why do we have to keep saying good-bye? — Ann Voskamp

Miriam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Miriam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings. — Khaled Hosseini

One morning as I was leaving, the director said I didn't have to leave the set anymore. What happened? Why did they change their ways of treating me? I came to the realization that it was because I had a mother. My mother spoke highly of me, and to me. But more important, whether they met her or simply heard about her, she was there with me. She had my back, supported me. This is the role of the mother, and in that visit I really saw clearly, and for the first time, why a mother is really important. Not just because she feeds and also loves and cuddles and even mollycoddles a child, but because in an interesting and maybe an eerie and unworldly way, she stands in the gap. She stands between the unknown and the known. In Stockholm, my mother shed her protective love down around me and without knowing why people sensed that I had value. — Maya Angelou

I realized early that despite her gregarious and inherently buoyant disposition, a certain sadness resided in my mother. Even I, her only child, whom she loved more than anything in the world, could do little to soothe the sorrow that has taken root with the separation from her parents, her two sisters and her brother. The contrast in the life my mother experienced before and after leaving Tibet was so extreme, it must have been impossible for her to make sense of her life and to escape the inexhaustible longing for the past. Caring for me on her own inside crowded rooms of tenement buildings in towns and cities, she must have felt she had dreamt her past or that she was dreaming her present existence. The places and residences we lived in were never quite home to her and led her to cling, more tenaciously, to the past. My mother had guarded her past sorrows from me because she knew me well enough to sense I would carry her grief as my own. — Tsering Wangmo Dhompa

As soon as that majestic force,
which had already pierced me once
before I had outgrown my childhood, struck my eyes,
I turned to my left with the confidence
a child has running to his mamma
when he is afraid or in distress
to say to Virgil: 'Not a single drop of blood
remains in me that does not tremble
I know the signs of the ancient flame.'
But Virgil had departed, leaving us bereft:
Virgil, sweetest of fathers,
Virgil, to whom I gave myself for my salvation.
And not all our ancient mother lost
could save my cheeks, washed in the dew,
from being stained again with tears. — Dante Alighieri