A Hand To Hold Quotes & Sayings
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The sun is perfect and you woke this morning. You have enough language in your mouth to be understood. You have a name, and someone wants to call it. Five fingers on your hand and someone wants to hold it. If we just start there, every beautiful thing that has and will ever exist is possible. If we start there, everything, for a moment, is right in the world. — Warsan Shire

I was with her when she died," Ned reminded the king. "She wanted to come home, to rest beside Brandon and Father." He could hear her still at times. Promise me, she had cried, in a room that smelled of blood and roses. Promise me, Ned. The fever had taken her strength and her voice had been faint as a whisper, but when he gave her his word, the fear had gone out of his sister's eyes. Ned remembered the way she smiled then, how tightly her fingers had clutched his as she gave up her hold on life, the rose petals spilling from her palm, dead and black. After that he remembered nothing. They had found him still holding her body, silent with grief. The little crannogman, Howland Reed, had taken her hand from his. — George R R Martin

Grab hold of the headboard with your one hand, for stability," I tell her. She does but her pussy is still about an inch too high. I think she's afraid she's going to break my face or something, but if anything is breaking off it's my dick because it is so goddamned hard right now a stiff wind could shatter it. "Lower baby. Sit on me." "Won't I suffocate you?" she worries but lowers until that juicy pussy is resting right on top of my mouth. "Oh, baby, if only. — Jessica Clare

I wish to try my hand at a novel," he said. "Just scribbling, I assure you, but it strikes me as such a noble art, requiring none of the monetary resources of opera or drama, nor the erudition of poetry. Perchance a publisher could be found. I'd be satisfied by the printing of even a score of copies, if only to hold the bound work in my hands. It gives a unique satisfaction, I assume, the writing of a novel. — Kyle Muntz

So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. — Alice Sebold

That hand slipped under my dress, running along the side of my leg and up to my hip. I burned where he touched me, and everything within me became focused on that hand. It was moving far too slowly, and I grabbed it, ready to urge it on. Adrian chuckled and caught hold of my wrist, pulling my hand away and pinning it down against the covers. "Never thought I'd be the one slowing you down." I opened my eyes and met his. "I'm a quick study. — Richelle Mead

Put out my eyes, and I can see you still;
slam my ears to, and I can hear you yet;
and without any feet can go to you;
and tongueless, I can conjure you at will.
Break off my arms, I shall take hold of you
and grasp you with my heart as with a hand;
arrest my heart, my brain will beat as true;
and if you set this brain of mine afire,
upon my blood I then will carry you. — Rainer Maria Rilke

[ ... ] endless action and reaction. Those beautifully rounded pebbles which you gather on the sand and which you hold in your hand and marvel at their exceeding smoothness, were chiseled into their varies and graceful forms by the ceaseless action of countless waves. Nature is herself a great worker and never tolerates, without certain rebuke, any contradiction to her wise example. Inaction is followed by stagnation. Stagnation is followed by pestilence and pestilence is followed by death. — Frederick Douglass

Everybody says "" I Love You "" Is the best
sentence in whole world ...
But ...
I believe that ...
""I Love you too""
is the Best ...
Because Many Gets To hear the first one But
only few gets to hear the second one.
Awesome Words By A LOVER ... !!!
"My One Hand Is Enough To
Fight Against The World
If You Hold The Other One
When A Couple Fights Too
Much
But
Never Ended Up With Breaking
Up,
Then They Are Really In
Love..!! — Abdul'Rauf Hashmi

I took her hand in mine, not the way I used to hold hers as a child, but with our fingers woven together. And we strode through the archway of emperors and into the open
hand in hand, my mother and I. — Justina Chen

She learned to catch a moment in her hand before it flew away and hold it tightly while she had the chance. — Beth Moore

And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand.
Why dost thou lash that whore? Strip thine own back.
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tattered clothes great vices do appear;
Robes and furred gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks.
Arm it in rags, a pigmy's straw does pierce it.
None does offend - none, I say, none. I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes,
And like a scurvy politician seem
To see the things thou dost not. — William Shakespeare

Outside the station of Santa Maria Novella Isabella has to stand aside while a line of prisoners are marched into the terminus by armed Fascist guards. They pass within touching distance of her, carrying bags and bundles. There are old people and some children too. They all seem swamped by their clothes, disembodied by them somehow. Then she catches the eye of Ezra, a young Jewish man who once worked in the arts material shop where she buys most of her pigments and brushes. He is almost at the back of the line. The veins are high and urgent on his hand. His trousers are held up with a dirty piece of string. His cobalt blue eyes hold hers for the barest beat of a moment but some essence of his being conveys itself to her and her blood quickens in sympathy for him. She has the feeling of looking into the eyes of a ghost. — Glenn Haybittle

They were the ones who'd hold your hand in a storm, fall to their knees with you when the rest of the world let you down - they were everything that made you a whole person. — Melody Anne

He was done talking. Aiden came off the wall so fast the water reacted in a frenzy of bubbling. He - we - were in a frenzy. His arms crushed me to him, his mouth demanding, saying those three little words over and over again without speaking them. Aiden lifted me up, one hand burying deep in my hair, the other pressing into my lower back, fitting us together. He turned and my back was against the edge and he was everywhere all at once, stealing my breath, my heart, my soul. There was no coming up for air, no control or limits. There was no tottering on the edge. We both fell headfirst. In his arms, in the way the water bubbled and moved with our bodies, I may've lost track of time, but I gained a little part of me. I gained a part of him that U would hold close for the rest of my days, no matter how long or short that turned out to be. — Jennifer L. Armentrout

He shifts on his knees and leans into me until I am lying on my back. He's supporting himself above me on his one elbow and wraps his other hand around my head, pulling me in for a slow kiss. I hold his face in my hands as his lips dance across mine. When he pulls back, he takes his time staring at me, and I get lost in his clear-blue eyes for a moment before he says, "You're not gonna lose me, babe. I love you too much to let you go." - Ryan Campbell — E.K. Blair

The Moroi then noticed Adrian's companions and jumped up. He caught hold of Lissa's hand, leaned over, and kissed it. "Princess Dragomir. It's an honor to meet you at last. Seeing you from a distance was beautiful. Up close? Divine."
"This," said Adrain grandly, "is Blake Lazar."
"It's nice to meet you." she said.
Blake smiled radiantly. "May I call you Vasilisa?"
"You can call me Lissa."
"You can also," added Christian,"let go of her hand now."
Blake looked over at Christian, taking a few more moments to release Lissa's hand-seeming very proud about those extra seconds. "I've seen you too. Ozera. Crispin, right?"
"Christian," corrected Lissa. — Richelle Mead

I do not see how it is possible for a man to die worth fifty million of dollars, or ten million of dollars, in a city full of want, when he meets almost every day the withered hand of beggary and the white lips of famine. How a man can withstand all that, and hold in the clutch of his greed twenty or thirty million of dollars, is past my comprehension. I do not see how he can do it. I should not think he could do it any more than he could keep a pile of lumber on the beach, where hundreds and thousands of men were drowning in the sea. — Robert G. Ingersoll

A boy from Brooklyn used to cruise on summer nights.
As soon as he'd hit sixty he'd hold his hand out the window,
cupping it around the wind. He'd been assured
this is exactly how a woman's breast feels when you put
your hand around it and apply a little pressure. Now he knew,
and he loved it. Night after night, again and again, until
the weather grew cold and he had to roll the window up.
For many years afterwards he was perpetually attempting
to soar. One winter's night, holding his wife's breast
in his hand, he closed his eyes and wanted to weep.
He loved her, but it was the wind he imagined now.
As he grew older, he loved the word etcetera and refused
to abbreviate it. He loved sweet white butter. He often
pretended to be playing the organ. On one of his last mornings,
he noticed the shape of his face molded in the pillow.
He shook it out, but the next morning it reappeared. — Mary Ruefle

When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art. — Marc Chagall

This isn't a crush, it's obsession.You are never not in my thoughts. Your scent carries across a room and paralyzes me with longing. I don't want to hold your hand. Part of me wants to set you on fire and hold you while the flame consumes us both, to eat your heart so I know that only I possess it entirely. — Gwen Hayes

Don't say it is too hard or you can't find the words and please don't tell me there isn't enough time in the day. Writers start each day with a pen in their hand and do not make excuses. To be a writer is to do what is too hard, to find the words when others could not and make time no matter what. The proof is in the book you hold, the words you read and the stories that live on forever. — C.K. Webb

Lost love is still love, Eddie. It just takes a different form, that's all. You can't hold their hand... You can't tousle their hair... But when those senses weaken another one comes to life... Memory... Memory becomes your partner. You hold it... you dance with it... Life has to end, Eddie... Love doesn't. — Mitch Albom

If you think it means I'm asking you to move in with me, you'd be right." Her expression turned more serious. "If you also think it means that I wake up every morning wondering what I did to deserve having you back in my life, well, you'd be right about that, too."
Jack just sat there for a moment, just ... stunned. No one had ever said anything like that to him.
"Come here," he said huskily. He grabbed her chair and pulled it toward his. He kissed her, softly at first, then his hand moved to her back and pushed her close as his emotions got the better of him. He pulled back to hold her gaze. "I love you, Cameron. You know that, right?"
She kissed him back, whispering the words in his ear. "I love you, too. — Julie James

Remember
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more, day by day,
You tell me of our future that you planned:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad. — Christina Rossetti

All he wanted from the girl was for her to hold his hand again if possible. He wanted her to squeeze his hand again someplace where the two of them could be alone. And he wanted her to tell him something - anything - about herself, to whisper some secret about what it meant to be Aomame, what it meant to be a ten-year-old girl. He would try hard to understand it, and that would be the beginning of something, though even now, Tengo still had no idea what that "something" might be. — Haruki Murakami

Livia stopped to hold her small tiara on with her bouquet hand, and she finally looked at him. As always, her blazing beauty ignited him as she approached.
Me. She sees me.
She was only a few steps from the bottom when she smiled at him. Blake mouthed the number back to her.
"You're here," she whispered.
"Always," he said loud enough for everyone to hear. — Debra Anastasia

There's a lot of things you need to get across this universe. Warp drive ... wormhole refractors ... You know the thing you need most of all? You need a hand to hold. — The Doctor

I seem to wish to have some importance
In the play of time. If not,
Then sad was my mother's pain, my breath, my bones,
My web of nerves, my wondering brain,
to be shaped and quickened with such anticipation
Only to feed the swamp of space.
What is deep, as love is deep, I'll have
Deeply. What is good, as love is good,
I'll have well. Then if time and space
Have any purpose, I shall belong to it.
If not, if all is a pretty fiction
To distract the cherubim and seraphim
Who so continually do cry, the least
I can do is to fill the curled shell of the world
With human deep-sea sound, and hold it to
The ear of God, until he has appetite
To taste our salt sorrow on his lips.
And so you see it might be better to die.
Though, on the other hand, I admit it might
Be immensely foolish. — Christopher Fry

No, I don't party; no, I don't dress in black leather and chains; that's not my style. That's how I was raised. I worry about getting good grades and I go to church and I watch sci-fi movies and I generally follow the rules. Most people would call me a geek or a nerd. You've called me that many times. But that isn't everything that defines me. I mean, look at me, sitting here in a rainstorm under a tree that's probably going to kill us when the lightning hits it, holding the hand of a pretty cool girl who really is the opposite of me, a girl that I happen to be in love with. A girl I couldn't have imagined would want to be with me. But here she is, letting me hold her hand, trying to tell me why she isn't good enough for me. That's crazy. — Cindy C. Bennett

The bed dipped under his weight. He paused with one foot before shaking his head and mumbling, "I'm not going to be able to sleep. I'm going to be so damn scared that I'll hurt you."
It didn't matter. None of it mattered. When he shifted to his side and then reached for my hand, I closed my eyes. I could sleep now. Everything would work out. Our hands where tucked between us on the bed. I clung to his, while he seemed scared to hold mine back. That didn't matter either. I just needed to be held, a mere touch from him. — Tijan

I remembered how, as a boy, I would stew over all the things Mama wouldn't do, things other mothers did. Hold my hand when we walked. Sit me up on her lap, read bedtime stories, kiss my face good night. Those things were true enough. But, all those years, I'd been blind to a greater truth, which lay unacknowledged and unappreciated, buried deep beneath my grievances. It was this: that my mother would never leave me. — Khaled Hosseini

I've gradually fooled myself into becoming a real painter ... I really just like to sit in my air-conditioned Rome painting studio surrounded by Medieval and Renaissance architecture and to hold a tube of Alizarin Madder Lake in my artist's hand and marvel at the shiny goop inside. — Mark Kostabi

This is a book, and a book is a world, and words are the seeds in which meanings are curled. Pages of oceans and margins of land are civilizations you hold in the palm of your hand. But look at your world and your life seems to shrink to cities of paper and seas made of ink. Do you know who you are, or have you been misled? Are you the reader, or are you the read? — Traci Chee

In her dreams the Hawk would be waiting for her by the sea's edge; her kilt-clad, magnificent Scottish laird. He would smile and his eyes would crinkle, then turn dark with
smoldering passion.
She would take his hand and lay it gently on her swelling abdomen, and his face would blaze with happiness and
pride. Then he would take her gently, there on the cliff's edge, in tempo with the pounding of the ocean. He would
make fierce and possessive love to her and she would hold on to him as tightly as she could. But before dawn, he would melt right through her fingers. And she would wake up, her cheeks wet with tears and her hands clutching nothing but a bit of quilt or pillow. — Karen Marie Moning

And I'm left with this girl, this Siren of Mixed Signals, this Norah. She's a fuck-good kisser, but clearly has some massive consistency issues. I ask her how the fuck she knows Tris, because that is leaving me completely confused, and at first she's looking at me like I'm this guy she didn't just start kissing out of nowhere, but then she's got her hand on my arm in a way that makes me really notice I have an arm, and then she's making to run away, and at the same time looking at me like I'm some cancer child. Then I take hold of her arm and she resists without really resisting. Finally she pulls away, only to touch my face in this way that reminds me exactly of her kiss.Then she calls me you poor schmuck. — David Levithan

She scanned the room, and her grin broadened when she saw Christian. She then sought me out. Her smile for him had been affectionate; mine was a bit humorous. I smiled back, wondering what she would say to me if she could.
"What's so funny?" asked Dimitri, looking down at me with amusement.
"I'm just thinking about what Lissa would say if we still had the bond."
In a very bad breach of protocol, he caught hold of my hand and pulled me toward him. "And?" he asked, wrapping me in an embrace.
"I think she'd ask,'What have we gotten ourselves into?'"
"What's the answer?" His warmth was all around me, as was his love, and again, I felt completeness. I had that missing piece of my world back. The soul that complemented mine. My match. My equal. Not only that, I had my life back-my own life. I would protect Lissa, I would serve, but I was finally my own person.
"I don't know," I said, leaning against his chest. "But I think it's going to be good. — Richelle Mead

It's easier to see the places where things end. Endings are clear, endings are dramatic, endings are obvious events. A pair of panties, not yours, found, a slap of a hand across a face, a ring returned. Something that was, and isn't now.
Beginnings are hidden in the shadows of time, are gradual, are two half-glances in a dark bar. Tiny things that no one even notices, but that hold everything. — Kat Howard

That's how the world works, doesn't it?"
"That's how it can work. You're such a snob,Brian."
He looked up,flabbergasted. "What?"
"You're such a snob,and the worst kind of snob-the kind who thinks he's broad-minded. Now that I know that,you don't bother me at all."
The stable phone rang,delighting her. Whoever was on the other end not only had perfect timing but they had her gratitude.It gave her great pleasure to see the absolute shock on Brian's face as she walked to the phone.
"Royal Meadows Riding Academy. Would you hold one moment,please." With a friendly smile,she laid a hand over the receiver. "Really,I can finish up here.I'm keeping you from your work."
"I'm not a snob," he finally managed to say.
"Of course you wouldn't see it that way. Can we discuss this another time? I need to take this call."
Irked,he shoved the scoop back in the grain. "I'm not the one wearing bloody diamonds in my ears," he muttered as he stalked out. — Nora Roberts

Someone curating songs for you through your computer or being able to hold 10,000 songs on your watch - that convenience is pretty incredible, but so is the emotional impact of holding a Beatles record in your hand and listening to Let It Be. — Dave Grohl

He squatted down before her, taking her chin in his hand and lifting her face upward. "You need to eat. You're pale." "I'm perfectly fine," she said curtly. He was surprised by her tone, unpleasantly so. The woman was not as meek as she should have been, given the circumstances. He had saved her, hadn't he? To his mind, that demanded a bit of gratitude. "You don't look sound," he retorted. "I've had a few shocks today. I won't hold you up, if that's what you're worried about. — Lynn Kurland

It is such a gloriously beautiful May morning, I put my hand to the window and hold it against the glass; I want to see what my hand looks like before it becomes another kind of hand. I press my face to the window, and I think to myself, There will never be another day like this day. This day will end. — Kate Mulgrew

If you want to write a novel, be relentlessly relentless. Get ready for re-writes and rejections. But when you finally hold that book in your hand, well...get ready to rejoice! — Brigitte Quinn

Why won't you hold me?" I ask, drawing back a little.
He laughs a little, holds out his hands as if in explanation. They are covered in dirt and paint and blood.
I pull his hand to mine, put my palm against his. I can feel the grit of sand, the slick of paint, and the cuts and scrapes that speak of his own journey.
"It will all come clean," I tell him. — Ally Condie

Muhammad brought down from heaven and put into the Koran not religious doctrines only, but political maxims, criminal and civil laws, and scientific theories. The Gospels on the other hand, deal only with the general relations between man and God and between man and man. Beyond that, they teach nothing and do not oblige people to believe anything. That alone, among a thousand reasons, is enough to show that Islam will not be able to hold its power long in ages of enlightenment and democracy, while Christianity is destined to reign in such ages, as in all others. — Alexis De Tocqueville

You nightmare, gasped and jerk up all at once where I bolt too, hand flown to rest on his kidneys. Confused bedclothes, the sulphurous dark. Worse for you, the same war, another battle so undoing that in daylight you won't admit it, nothing, nothing, avert and work. His purple-circled eyes could have been anywhere. She sets a pan, quietly, of biscuits. Bring me morning's water bucket, then turn wordless out. Finished enough, now I will out too, Mr. Whitman in scandalous hand with a leaf to hold my place. Rivering. Greening. It all stops, water too silty and feet booted, she crooks in a moss-tree and is lost, forgets even to ask for moccasins. I have wrapped fear into linen and hoped it into lavender, saved for funerary. At noon he looks; returns, admits. Across the tablecloth can ask Where did you come from. — JSA Lowe

At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don't. I want to hold your hand although we don't always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I'll have to let it go one day. — Cheryl Julia Lee

Kenji turns to look at me. He manages a goofy smile. "Aw, you trust me?"
"As long as I have a clear shot." I tighten my hold on the gun in my hand.
His grin is crooked. "I don't know why, but I kind of like it when you threaten me."
"That's because you're an idiot."
"Nah." he shakes his head. "You've got a sexy voice. Makes everything sound naughty."
Adam stands up so suddenly he nearly knocks over the coffee table. — Tahereh Mafi

You wouldn't think the touch of someone's hand could blow your mind. It's nothing, right? People don't right songs and poems about holding hands - they write them about kisses and sex and eternal love. I mean, when you're a little kid you hold hands with your parents to cross the street. Who's going to write an ode to that?
We were alone in the dark, even though the enormous theater was filled with probably a thousand people. We were a tiny island in a sea of other people who didn't matter, who had no meaning, who were so stupid, so oblivious, so stuck in their own boring lives that they didn't even notice the huge, momentous, life-shattering event that was taking place right there in row L, between seats 102 and 104.
Derek Edwards was holding my hand. — Claire LaZebnik

Every physical fact, every expression of nature, every feature of the earth, the work of any and all of those agents which make the face of the world what it is, and as we see it, is interesting and instructive. Until we get hold of a group of physical facts, we do not know what practical bearings they may have, though right-minded men know that they contain many precious jewels, which science, or the expert hand of philosophy will not fail top bring out, polished, and bright, and beautifully adapted to man's purposes. — Matthew Fontaine Maury

Oh, My God..." Even as he saw the face and heard that voice say "Crow..." he was throwing himself backward out of the shaft. Then the top of the elevator car blew out and the air was filler with shrapnel, everybody hit the deck, and crow grabbed his crossbow, yelling, "Get back! It's him, the vampire!" But it was too late. The vampire rose with the grip of a single beautiful hand, almost levitating toward them, his power and eyes and smile and terrible beauty so alien but so familiar, so pale but so solid, so horrible but so magnetic. And he came closer and closer. "Get back," ordered crow, and the Team started to obey. "Too late," the vampire said, halting them with the voice. "You've let me get too close." Crow raised his crossbow all the way then saied: "Hold it there." The thing laughed and said, "Are you joking?" "Stop!" said Crow. And the vampire smiled and showed his big teeth and said: "Stop me... — John Steakley

A dark hand had let go its lifelong hold upon her heart. But she did not feel joy, as she had in the mountains. She put her head down in her arms and cried, and her cheeks were salt and wet. She cried for the waste of her years in bondage to a useless evil. She wept in pain, because she was free. — Ursula K. Le Guin

Dance me slowly along a moonlit path,
Soaked with light from moon and stars above,
Hold my hand and whistle a tune,
Dance me slowly to the edge of Love.
Waltz here with me on forest grass,
Soft ballet pirouettes round sun dappled trees,
Hold my hand and hum a tune,
Catch my freshly blown kiss off the breeze. — Michelle Geaney

Watching the children, he noticed two things especially. A girl of about five, and her sister, who was no more than three, wanted to drink from the pebbled concrete fountain at the playground's edge, but it was too high for either of them, so the five-year-old ... jumped up and, resting her stomach on the edge and grasping the sides, began to drink. But she was neither strong enough nor oblivious enough of the pain to hand on, and she began to slip off backward. At this, the three-year-old ... advanced to her sister and, also grasping the edge of the fountain, placed her forehead against her sister's behind, straining to hold her in place, eyes closed, body trembling, curls spilling from her cap. Her sister drank for a long time, held in position by an act as fine as Harry had ever seen on the battlefields of Europe. Pg 32 — Mark Helprin

The object of the intellect is to light and lead the will on its path, and therefore, the greater the force, impetus and passion, which spurs on the will from within, the more complete and luminous must be the intellect which is attached to it, that the vehement strife of the will, the glow of passion, and the intensity of the emotions, may not lead man astray, or urge him on to ill considered, false or ruinous action; this will, inevitably, be the result, if the will is very violent and the intellect very weak. On the other hand, a phlegmatic character, a weak and languid will, can get on and hold its own with a small amount of intellect; what is naturally moderate needs only moderate support. — Arthur Schopenhauer

By then she's lost in the land of sleep and he is too, and when they go there they never go together, and she is afraid that it is also a preview of death, a place where there may be dreams but never love, never home, never a hand to hold yours when squadrons of birds flock across the burnt-orange sun at the close of the day. — Stephen King

Eventually, after listening to a good deal of grumbling and muttering, Jessica felt the bed dip. A calloused hand reached for hers. "It is late?" she asked. "Late enough." "Hold me?" How gentle were those powerful arms as they gathered her close. Jessica pressed her face against Richard's neck and sighed at the pleasure of the warmth. His hint of a beard was rough against her forehead but she didn't mind that either. She put her hands on the hard wall of his chest and let the heat of his body seep into hers. Richard's hand trembled as he brushed her hair back from her face and she knew it was because he was trying to be gentle. She snuggled closer to him and felt herself drifting off to sleep. — Lynn Kurland

His dark eyes were hot.
"Drink the coffee," he growled.
Coffee. Right. She had to hold the cup with both hands, otherwise she'd spill the hot coffee all over herself and all over this beautiful bed. She tipped her head back against the headboard and sipped.
God, it was delicious. Sharp, yet with a smooth smoky taste. Some outrageously expensive blend, no doubt. She took another sip. Perfect.
His hand continued stroking her breast, movements lazy. "Good?" he asked.
"Wonderful."
"Give me a taste," he said suddenly, stretching over to cover her mouth with is. Oh lord, she could simply sink into his kisses. This one was long, languid, the strokes of his hand on her breast echoed by his tongue in her mouth. He lifted his head for a second, then moved in more closely, tongue deeper in her mouth. He lifted his head again and smiled down at her. "It is delicious. — Lisa Marie Rice

What is this thing of intangible substance that wreaks consequential havoc on our lives? What is this sensitive thread that runs through heart and mind, and when given the slightest tremor grasps hold of all sanity, dragging the afflicted down to insufferable depths or flinging him weightless to euphoric heights? What is this magic we would deem imagination, fantasy, or pretend if not for the evidence of power manifest by human consequences? Effortlessly controlling us, it affects the infected in an instant. It takes but one word, one thought, one act to become immersed.
To stop it is hopeless.
To stifle it, demanding.
To think to master it is both improbable and pretentious.
What is this invisible hand that blinds our eyes and reigns hearts with a string? It is nature's drug and poison we call emotion. — Richelle E. Goodrich

One of the most marvelous things I experienced was that you hold another one's hand in your hand, you feel the pulse, then it becomes slower and slower, then that's it. It's something enormous. Then you still hold that hand, then the nurse comes in, bringing with her the number for the corpse. The nurse wheels her out once more and says: "Come back later." Then you are immediately confronted with life again. You calmly get up and put things in order; in the meantime the nurse comes back and attaches the number to the corpse, you empty the bedside cabinet, the nurse says: "Don't forget the yogurt, you have to take it too." Outside you hear the crows -- it's like a theatrical play.
Then the bad conscience comes. A dead person leaves you with an immense guilt. — Thomas Bernhard

The girl didn't notice that her boyfriend's head had transformed into a big microphone. So when she whispered her secrets into his ear, her words echoed trough the city. In her embarrassment, she ran out of the house to hide somewhere. And what she saw scared her: couples with microphone heads walked the streets hand in hand. What a sad new world this was, where everybody had to learn how to hold back from saying things.
Sounds of slammed doors echoued through the city. Apart from this, there was only silence. — Zoltan Komor

Now, in every city into which I venture, uniforms rush upon me, dust dandruff from my collar, press a brochure into my hand, recite the latest weather report, pray for my soul, throw walk-shields over nearby puddles, wipe off my windshield, hold an umbrella over my head on sunny or rainy days, or shine an ultra-infra flashlight before me on cloudy ones, pick lint from my belly-button, scrub my back, shave my neck, zip up my fly, shine my shoes and smile - all before I can protest - right hand held at waist-level. What a goddamn happy place the universe would be if everyone wore uniforms that glinted and crinkled. Then we'd all have to smile at each other. — Roger Zelazny

I open the orangutan's door and set a pan of fruits, vegetables, and nuts on the floor. As I close it, her long arm reaches through the bars. She points at an orange in another pan.
'That? You want that?'
She continues to point, blinking at me with close-set eyes. Her features are concave, her face a wide platter fringed with red hair. She's the most outrageous and beautiful thing I've ever seen.
'Here,' I say, handing her the orange. 'You can have it.'
She takes it and sets it on the floor. Then she reaches out again. After several seconds of serious misgivings, I hold out my hand. She wraps her long fingers around it, then lets go. She sits on her haunches and peels her orange.
I stare in amazement. She was thanking me. — Sara Gruen

The first time I actually heard any of the Beatles' music it was in a car. I think it was the, the B side of their first record. I think it was "I Want to ... I Want to Hold Your Hand". And it, it really sounded different to me. And it sounded a bit like trouble, like this is something new 'cause I very rarely paid any attention to what anyone else was doing. — Jeff Barry

One day Mom came to my hospital room and sat down on the edge of the bed, facing me. I could already see tears forming in the corners of her eye. She said she had something to tell me. Whatever she was about to say was hard for her to get out. Her voice was noticeably shaky and her chin quivered as she spoke.
"Noah, I've got to leave and get back to work. And besides, I am helping you too much. You need to be doing more on your own." She couldn't hold it back at all and by the time she finished the second sentence the tears were streaming down her rosy cheeks.
After a few deep breaths, she continued, "But your dad is here, and you know Dad, he's not that helpful." We both laughed at that as she leaned forward on the bed and grabbed my hand. I told her that I understood and that yes, it was probably best because Dad would help but not too much. — Noah Galloway

turn to say as much to Tomas when his lips find mine in a gentle kiss. My heartbeat quickens. I can't see his face in the darkness, but I know Tomas is giving me the chance to pull away. But I don't. I lean in and feel Tomas's mouth smile against mine before the kiss deepens. I snake a hand around his neck and hold tight as a thrilling shiver travels through me. Despite our tenuous situation, nothing has ever felt this perfect. — Joelle Charbonneau

You're a good Irishman, right?" When Butch nodded, V said, "Irish, Irish ... let me think. Yeah ... " Vishous's eyes sobered, and in a voice that cracked, he said, "May the road rise to meet you. May the wind always be at your back. May the sun shine warm upon your face and the rains fall soft upon your fields. And ... my dearest friend ... until we meet again may the Lord hold you in the palm of His hand. — J.R. Ward

You have games on there?" he asks.
"Yeah," I answer for her. "She's become a checkers fanatic. Shelley, show him how it works."
While Shelley slowly taps the screen with her knuckles, Alex watches, seemingly fascinated.
When the checkers screen comes up, Shelley nudges Alex's hand.
"You go first," he says.
She shakes her head.
"She wants you to go first," I tell him.
"Cool." He taps the screen.
I watch, getting all mushy inside, as this tough guy plays quietly with my big sister.
"Do you mind if I make a snack for her?" I say, desperate to leave the room.
"Nah, go ahead," he says, his concentration on the game.
"You don't have to let her win," I say before leaving. "She can hold her own in checkers."
"Uh, thanks for the vote of confidence, but I am tryin' to win," Alex says. He has a genuine grin on his face, without trying to act cocky or cool. — Simone Elkeles

Would you like to hold my sword?" He asked the question with a gleam in his eyes.
Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley."
Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?"
She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree."
Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger. — Kimberly Kinrade

You always say the right thing
I don't remember you saying wrong
You make me laugh
All the time
Always there for me you've never been gone
You make me feel like I belong
When I'm with you there's never
Anyone else
Hold me close when I'm feeling down
When I wake up you're still around
When I am cold
You warm me up
You always smile when I'm frowning
Hold my hand when I'm crying
Somehow you
cheer me up
I'm so lucky to have
A friend like you
But somehow
I want more
I'm afraid to lose you
But I can't stand to
Not tell you
I need you,
Just a little more
Perfect guy
Perfect friend
Why can't you be mine?
I just want
To be a little more than friends
Perfect guy
Perfect friend
Why can't you just
Be mine? — Alysha Speer

When a tragedy occurs, do not say that your thoughts are with the victims. People do not need thoughts, they need blankets, they need food, they need water, they need shelter. They need a shoulder to cry on and a hand to hold. All the cumulative thoughts from every sentient being that has ever existed is worth less than a single glass of water given to a thirsty person. - Holy Scrolls of Soeck, Eighteenth Binding, Fourteenth Stanza — Aaron Lee Yeager

If love were the only thing, I
would follow you - in rags, if need be - to the world's end; for you hold
my heart in the hollow of your hand! But is love the only thing?
I know people write and talk as if it were. Perhaps, for some, Fate lets
it be. Ah, if I were one of them! But if love had been the only thing, you
would have let the King die in his cell.
Honour binds a woman too, Rudolf. My honour lies in being true to
my country and my House. I don't know why God has let me love you;
but I know that I must stay. — Anthony Hope

I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
"Patroclus," he said. He was always better with words than I. — Madeline Miller

In hindsight, though, I might have overdone it by adding that flour, which means before I depart for Abigail's cottage I need to tidy up this room." "If you're moving out, I'm moving with you," Thaddeus said, slipping up beside Millie and taking hold of her hand. Elizabeth was the next to move. She reached out and put her arm around Millie's middle, leaning in to rest her head against Millie's side. "I'm coming too," she said as she snuggled closer right as Millie smiled and placed a quick kiss on top of Elizabeth's paste-covered head. Everett's heart immediately took to the unusual act of lurching, no doubt due to the sight of Millie's understated affection. Ladies of society always made a big production out of kissing their children when company was present, but Millie . . . Her kiss had been the real thing, a show of regard for a child who'd caused her no small amount of trouble. Expecting — Jen Turano

Rhys gave no warning as he gripped my arm, snarling softly, and tore off my glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. " I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no."
"I didn't say anything."
He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. " I heard it loud and clear. — Sarah J. Maas

When she had the strength, she began to fold the tiny clothes and blankets and cloth diapers and put them into plain brown boxes. She didn't stop working, but the sobs came and distorted her face, bleared her eyes, made her nose run. She didn't hear Jack come to the door. When she looked up he was watching her silently, and then he turned away, uncomfortable, embarrassed by her unharnessed grief. He didn't put his hand on her shoulder. Didn't hold her. Didn't say a word. Even these many years later, she was unable to forgive him that. — Eowyn Ivey

Who shows a child, just as they are? Who sets it
in its constellation, and gives the measure
of distance into its hand? Who makes a child's death
out of grey bread, that hardens, - or leaves it
inside its round mouth like the core
of a shining apple? Killers are
easy to grasp. But this: death,
the whole of death, before life,
to hold it so softly, and not live in anger,
cannot be expressed. — Rainer Maria Rilke

Guys willing to hold your dick are a dime a dozen; save your hearts for the one who wants to hold your hand. — Diane Adams

Arriving at the store, she walked up and down the aisles handling any object her fancy favored. What a wonderful feeling to pick something up, hold it for a moment, feel its contour, run her hand over its surface and then replace it carefully. Her nickel gave her this privilege. If a floor-walker asked whether she intended buying anything, she could say, yes, buy it and show him a thing or two. Money was a wonderful thing, she decided. — Betty Smith

I was caged by him like a bird with clipped wings. I could flutter but I couldn't escape though I'm not certain I'd want to even if I could. — Paloma Beck

For when we read, don't we summon the past into the present? Hold out our hand and invite an author to sit with us for a time? — Ari Berk

THE DIFFERENCE BETWEEN ME AND YOU
When I hold a rose,
I see the soft, velvety petals
and smile, because
tucked between
those precious petals
is a special gift -
the one of a fragrance,
pure and sweet.
When you hold a rose,
you see the thorns
along the stem,
and you frown
because those thorns
can bring you pain
and cause you to bleed.
I see the gift.
You see the tragedy.
More and more
I fear that one of these days
someone will hand me a rose
and all I will see
are thorns.
Talk about tragedy. — Lisa Schroeder

So Bodee is a friend, I say firmly, a best friend. My honesty with the girl surprises me. But Bodee is right where I love him, in the room down the hall up the stairs from mine. Dinner instead of a dinner date. A hand to hold instead of lips to kiss. He's my fort, my sanctuary. And I won't do anything to jeopardize this. — Courtney C. Stevens

The arrow is the intention. It is what unites the strength of the bow with the centre of the target. The intention must be crystal-clear, straight and balanced. Once the arrow has gone, it will not come back, so it is better to interrupt a shot, because the movements that led up to it were not sufficiently precise and correct, than to act carelessly, simply because the bow was fully drawn and the target was waiting. But never hold back from firing the arrow if all that paralyses you is fear of making a mistake. If you have made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time. If you never take a risk, you will never know what changes you need to make. Each arrow leaves a memory in your heart, and it is the sum of those memories that will make you shoot better and better. — Paulo Coelho

Fear is a greater evil than evil itself. O you of little faith: what is it you fear? Do not be afraid. You are walking on water, amid wind and wave, but you are with Jesus. What is there to fear? If fear takes hold of you, cry out strongly, "O Lord, save me!" He will hold out a hand to you. Hold on tight, and go forward with joy. — Francis De Sales

Why would you family think about it?"
"Oh, my mother's the only one that counts, and she likes you very much from what she's seen of you."
"So you had me inspected?"
"No-dash ti all, I seem to be saying all the wrong things today. I was absolutely stunned that first day in court, and I rushed off to my mater, who's an absolute dear, and the kind of person who really understands things, and I said, 'Look here! here's the absolutely one and only woman, and she's being put through a simply ghastly awful business and for God's sake come and hold my hand!' You simply don't know how foul it was. — Dorothy L. Sayers

Rose reached out and touched his fingers. He immediately covered her hand in a firm grasp. His warm fingers entwined with hers and made her heart beat erratically. The snake had nearly scared her to death, but his touch and his presence overwhelmed her with comfort and safety. The darkness gave her a feeling of intimacy with him. They could hold each other's hand and no one could see. She liked it - so very much. — Melanie Dickerson

I wish I had a brush that could paint the whole sky and turn every morning into night. I wish I could always sleep next to you in the never ending night and hold your hand, watching the reflection of all the stars in your eyes, while you smile and watch them in the sky with wonder. — Akshay Vasu

Harper: In your experience of the world. How do people change?
Mormon Mother: Well it has something to do with God so it's not very nice.
God splits the skin with a jagged thumbnail from throat to belly and then plunges a huge filthy hand in, he grabs hold of your bloody tubes and they slip to evade his grasp but he squeezes hard, he insists, he pulls and pulls till all your innards are yanked out and the pain! We can't even talk about that. And then he stuffs them back, dirty, tangled and torn. It's up to you to do the stitching.
Harper: And then up you get. And walk around.
Mormon Mother: Just mangled guts pretending.
Harper: That's how people change. — Tony Kushner

More than anything else a dying person needs to have someone with them. This used to be recognised in hospitals, and when I trained, no one every died alone. However busy the wards, or however short the staff, a nurse was always assigned to sit with a dying person to hold their hand, stroke their forehead, or whisper a few words. Peace and quietness, even reverence for the dying, were expected and assured.
I disagree wholly with the notion that there is no point in staying with an unconscious patient because he or she does not know you are there. I am perfectly certain, though years of experience and observation, that unconsciousness, as we define it, is not a state of knowing. Rather, it is a state of knowing and understanding on a different level that is beyond our immediate experience. — Jennifer Worth

How I wish I'd had time to find him positively mind-numbing. When you love someone so much that you've stuck around through all the interesting things that have happened to them and have nothing left to say, when you know the course of their day before they even tell you, when you lie next to them and hold their hand even though they haven't said one interesting thing in days, that's a love I want. — Taylor Jenkins Reid

The whole thing about writing a play is that it's all about controlling the flow of information traveling from the stage to the audience. It's a stream of information, but you've got your hand on the tap, and you control in which order the audience receives it and with what emphasis, and how you hold it all together. — Tom Stoppard

Giving him a grateful nod, Graydon turned away.
A heavy hand fell on his shoulder, causing him to stop in his tracks. Dragos' grip clenched, almost to the point of pain.
Normally, Dragos was not demonstrative with anyone other than Pia and Liam. Moved, Graydon angled his face away. After a moment, he reached up to grip the other man's hand in return. Only then did Dragos' hold ease and allow him to continue on his way. — Thea Harrison

We teach them to take their patriotism at second-hand; to shout with the largest crowd without examining into the right or wrong of the matter
exactly as boys under monarchies are taught and have always been taught. We teach them to regard as traitors, and hold in aversion and contempt, such as do not shout with the crowd, and so here in our democracy we are cheering a thing which of all things is most foreign to it and out of place
the delivery of our political conscience into somebody else's keeping. This is patriotism on the Russian plan. — Mark Twain

Take just one well-known event: The Beatles' 1964 appearance on The Ed Sullivan Show. This has been depicted with astonishing regularity as a pivotal cultural moment; in fact an entire movie -- I Wanna Hold Your Hand -- was built around it. And that Sullivan episode was indeed a major event in popular culture. But did you know that in 1961, 26 million people watched a CBS live broadcast of the first performance of a new symphony by classical composer Aaron Copland? Moreover, with all the attention that sixties rock groups receive, it may come as a surprise to learn that My Fair Lady was Columbia Records' biggest-selling album before the 1970s, beating out those of sixties icons Bob Dylan, Janis Joplin and The Byrds. — Jonathan Leaf

It hit him in that moment in a way he knew he'd never forget that he could take that hand and she could lead him anywhere. Just tip up her lips, turn those eyes to him and hold out her hand and he'd go straight to hell with her and do it smiling. — Kristen Ashley

I'm Chip Martin," he announced in a deep voice, the voice of a radio deejay. Before I could respond, he added, "I'd shake your hand, but I think you should hold on damn tight to that towel till you can get some clothes on. — John Green

Presently, I sense within me the slightest touch. The harmony of one chord lingers in my mind. It fuses, divides, searches
but for what? I open my eyes, position the fingers of my right hand on the buttons, and play out a series of permutations.
After a time, I am able, as if by will, to locate the first four notes. They drift down from inward skies, softly, as early morning sunlight. They find me; these are the notes I have been seeking.
I hold down the chord key and press the individual notes over and over again. The four notes seem to desire further notes, another chord. I strain to hear the chord that follows. The first four notes lead me to the next five, then to another chord and three more notes.
It is a melody. Not a complete song, but the first phrase of one. I play the three chords and twelve notes, also, over and over again. It is a song, I realize, I know. — Haruki Murakami

In the black hour before dawn, they stopped to let the horses drink and fed them each a handful of oats and a twist or two of hay. "We are not far from the place the wildlings died," said Qhorin. "From there, one man could hold a hundred. The right man." He looked at Squire Dalbridge.
The squire bowed his head. "Leave me as many arrows as you can spare, brothers." He stroked his longbow. "And see my garron has an apple when you're home. He's earned it, poor beastie." He's staying to die, Jon realized.
Qhorin clasped the squire's forearm with a gloved hand. "If the eagle flies down for a look at you..."
"...he'll sprout some new feathers. — George R R Martin