A Frame Houses Quotes & Sayings

The old frame house down near the waterfront had never held so many people since the day it was put up. It must have been a pleasant place fifty years before: trees overhanging the limpid water, cows grazing in the meadows on both sides of the river, little frame houses like this one dotting the banks here and there.
It wasn't a pleasant place any more: garbage scows, coal yards, the river a greasy gray soup. Dead-end blocks of decrepit tenements on one side of it, lumberyards and ice-plants and tall stacks on the other.
The house was set far back from the street, hemmed in by the blank walls that rose around it.
("I Wouldn't Be In Your Shoes") — Cornell Woolrich

When ye look at me I am an idle, idle man; when I look at myself I am a busy, busy man. Since upon the plain of uncreated infinity I am building, building the tower of ecstasy, I have no time for building houses. Since upon the steppe of the void of truth I am breaking, breaking the savage fetter of suffering, I have no time for ploughing family land. Since at the bourn of unity ineffable I am subduing, subduing the demon-foe of self, I have no time for subduing angry foe-men. Since in the palace of mind which transcends duality I am waiting, waiting for spiritual experience as my bride, I have no time for setting up house. Since in the circle of the Buddhas of my body I am fostering, fostering the child of wisdom, I have no time for fostering snivelling children. Since in the frame of the body, the seat of all delight, I am saving, saving precious instruction and reflection, I have no time for saving wordly wealth. — Milarepa

People are ignorant of what any street clock knows. Why? Because the crack that cleaves existence also swallows their existence-reflecting consciousnesses. Thrown back into existence, the poor souls don't suspect that a moment ago they didn't exist - and only isolated things and persons, swallowed by the crack never to return to this world, arouse a certain fear and foreboding. — Sigizmund Krzhizhanovsky

The ambition of every good cook must be to make something very good with the fewest possible ingredients. — Urbain Dubois

Over the past decade, American youth are spending much more time watching TV, listening to music, using a computer and playing video games
a total of 7 1/2 hours every day in front of a screen. The only thing they are spending less time on is reading! — Thomas L. Friedman

Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms. — David Byrne

I could not imagine that the future I was walking toward could compare in any way to the past that I was leaving behind. — Nelson Mandela

Houses are really bodies. We connect ourselves with walls, roofs, & objects just as we hang on to our livers, skeletons, flesh & bloodstream. I am no beauty, no mirror is necessary to assure me of this absolute fact. Nevertheless I have a death grip on this haggard frame as if it were the limpid body of Venus herself. — Leonora Carrington

When the storms do come; you can only allow them to slow you down, but don't let them stop you, there will be delays, detours, and disappointments but you have to keep pushing through it. — Bernard Kelvin Clive

I was afraid of other people's houses. After school sometimes a friend might talk me into going to his house or apartment to do our homework together. It was a shock, the way people lived, other people, those who weren't me. I didn't know how to respond, the clinging intimacy of it, kitchen slop, pan handles jutting from the sink. Did I want to be curious, amused, indifferent, superior? Just walking past a bathroom, a woman's stocking draped over the towel rack, pill bottles on the windowsill, some open, some capsized, a child's slipper in the bathtub. It made me want to run and hide, partly from my own fastidiousness. The bedrooms with unmade beds, somebody's socks on the floor, the old woman in nightclothes, barefoot, an entire life gathered up in a chair by the bed, hunched frame and muttering face. Who are these people, minute to minute and year after year? It made me want to go home and stay there. — Don DeLillo

I lie down on many a station platform; I stand before many a soup kitchen; I squat on many a bench;
then at last the landscape becomes disturbing, mysterious, and familiar. It glides past the western windows with its villages, their thatched roofs like caps, pulled over the white-washed, half-timbered houses, its corn-fields, gleaming like mother-of-pearl in the slanting light, its orchards, its barns and old lime trees.
The names of the stations begin to take on meaning and my heart trembles. The train stamps and stamps onward. I stand at the window and hold on to the frame. These names mark the boundaries of my youth. — Erich Maria Remarque

I'm not afraid of being dead, that's to say there's nothing to be afraid of. I won't know I'm dead, would be my strong conviction. And if I find that I'm alive in any way at all, that'll be a pleasant surprise. I quite like surprises. — Christopher Hitchens

Each of us has heaven and hell in him... — Oscar Wilde

People should look up to me. Young kids. I am a good role model. I'll show them how men should really be. And kids can take note from that. I am a good role model. Lots of kids look up to me. — Tyson Fury

Never, never, never let yourself feel that anybody ought to do anything for you. Once you become a duty you also become a nuisance. — Marjorie Hillis

It's important that we share our experiences with other people. Your story will heal you and your story will heal somebody else. When you tell your story, you free yourself and give other people permission to acknowledge their own story — Iyanla Vanzant

Most of the houses were of logs - all of them, indeed, except three or four; these latter were frame ones. There were none of brick, and none of stone. There was a log church, with a puncheon floor and slab benches. A puncheon floor is made of logs whose upper surfaces have been chipped flat with the adze. The cracks between the logs were not filled; there was no carpet; consequently, if you dropped anything smaller than a peach, it was likely to go through. The church was perched upon short sections of logs, which elevated it two or three feet from the ground. Hogs slept under there, and whenever the dogs got after them during services, the minister had to wait till the disturbance was over. In winter there was always a refreshing breeze up through the puncheon floor; in summer there were fleas enough for all. — Mark Twain

The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names — Ernest Hemingway,

I don't see what my arse has to do with enchantings! — Miguel De Cervantes Saavedra

On both sides of the highway I could see the rows of little frame houses, all alike, as if there were only one architect in the city and he had a magnificent obsession. — Ross Macdonald

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus. — Stephen Shore