A Frame House Quotes & Sayings

The old frame house down near the waterfront had never held so many people since the day it was put up. It must have been a pleasant place fifty years before: trees overhanging the limpid water, cows grazing in the meadows on both sides of the river, little frame houses like this one dotting the banks here and there.
It wasn't a pleasant place any more: garbage scows, coal yards, the river a greasy gray soup. Dead-end blocks of decrepit tenements on one side of it, lumberyards and ice-plants and tall stacks on the other.
The house was set far back from the street, hemmed in by the blank walls that rose around it.
("I Wouldn't Be In Your Shoes") — Cornell Woolrich

Wood, if you stop to think of it, has been man's best friend in the world. It held him in his cradle, went to war as the gunstock in his hand, was the frame of the bed he came to rejoicing, the log upon his hearth when he was cold, and will make him his last long home. It was the murmuring bough above his childhood play, and the roof over the first house he called his own. It is the page he is reading at this moment; it is the forest where he seeks sanctuary from a stony world. — Donald Culross Peattie

The memory of that scene for me is like a frame of film forever frozen at that moment: the red carpet, the green lawn, the white house, the leaden sky. The new president and his first lady. — Richard M. Nixon

When ye look at me I am an idle, idle man; when I look at myself I am a busy, busy man. Since upon the plain of uncreated infinity I am building, building the tower of ecstasy, I have no time for building houses. Since upon the steppe of the void of truth I am breaking, breaking the savage fetter of suffering, I have no time for ploughing family land. Since at the bourn of unity ineffable I am subduing, subduing the demon-foe of self, I have no time for subduing angry foe-men. Since in the palace of mind which transcends duality I am waiting, waiting for spiritual experience as my bride, I have no time for setting up house. Since in the circle of the Buddhas of my body I am fostering, fostering the child of wisdom, I have no time for fostering snivelling children. Since in the frame of the body, the seat of all delight, I am saving, saving precious instruction and reflection, I have no time for saving wordly wealth. — Milarepa

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

There was an extravagant winter storm outside. The tinfoil sky flashed beyond the window, rattling in the frame, and once or twice a white fork like a vein. Through the opposite window, which looked out onto the other side of the house, the light was pale, picking out where the wall was still broken from the last big storm, with the scorched telegraph pole and the burnt tree. — Olivia Sudjic

Kota!" I said, stepping away from my sisters and Lucy.
"You can sleep on the couch or in the garage or in the tree house for all I care; but if you don't check your attitude, I'll send you back to your apartment right now! Have some gratitude for the security you've been offered. Need I remind you that tomorrow we're burying our father? Either stop the bickering or go home." I turned on my heel and headed down the hall. Without checking, I knew Lucy was right behind me, suitcase in hand.
I opened the door to my room, waiting for her to come in with me. Once her skirts swished past the frame, I slammed it shut, heaving a sigh. "Was that too much?" I asked.
"It was perfect!" she replied with delight.
"You might as well be the princess already, miss. You're ready for it. — Kiera Cass

Even the simplest of cottages often picked up the decorative elements of the more formal styles as is evident in this Italianate cottage. Almost square, the one-story frame cottage at 543 Coombs duplicates the symmetry of the larger Italianates. Note also its low-pitched roof and projecting eaves supported by elaborate pierced and scrolled brackets. The molded window hoods supported by brackets top tall, narrow sash windows. The front porch could grace a much larger house with its molded cornice, columns, brackets, pierced arches, and turned balusters. In 1908, auctioneer J.T. Gamble lived — Anthony Raymond Kilgallin

The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame. — Brander Matthews

And yet Xiao Li always spoke of her mother as if her image were mounted in a red-and-gold picture frame resting on a shrine in the corner of a tidy house, to be venerated and pleased at all times, like a deceased ancestor ever-present and scrutinizing her progeny. — Victor Robert Lee

Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns ... — Janet Frame

The title of the poem is: Heimweh (Homesick). The pervasive feeling expressed is of utter desolation, of wrenching pain felt by a person, who longs for every stone, bench, house - everything that was home. She felt that this poem put into words her own extreme longing for what used to be home. Then the letter continues: Nettchen, how long will this go on? How do you bear it? I have been here less than three months and I imagine that I will surely go out of my mind. Especially, in these unspeakably bright and white nights that overflow with longing. Sing sometimes, late at night, when you are alone: Poljushka4. Perhaps you will understand my frame of mind. — Pearl Fichman

Through portico of my elegant house you stalk
With your wild furies, disturbing garlands of fruit
And the fabulous lutes and peacocks, rending the net
Of all decorum which holds the whirlwind back.
Now, rich order of walls is fallen; rooks croak
Above the appalling ruin; in bleak light
Of your stormy eye, magic takes flight
Like a daunted witch,
quitting castle when real days break.


Fractured pillars frame prospects of rock;
While you stand heroic in coat and tie, I sit
Composed in Grecian tunic and psyche-knot,
Rooted to your black look, the play turned tragic:
Which such blight wrought on our bankrupt estate,
What ceremony of words can patch the havoc?



"Conversation Among the Ruins — Sylvia Plath

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.

I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.) — Margaret Atwood

That evening we sat in the courtyard of the hotel once more, watching the sun sink below the western isles. I told Alexi what had happened that day. I fancied I could glimpse the grey stone wall of Lismore House on its island hilltop, the red light of the setting sun glinting from the windows, and from there the wasted frame of Jonathan Blake gazing out across the sea, on nothing, his boy waiting for him to die. But it was my fantasy, simply the image on my mind, like the image burned on to your eyes when you have stared too long at the sun, the passing footprint of a creature long gone. — P.B. North

Two hours ago I took a break from writing this to take a walk before the sun went down. I had an urge to play Willie Nelson's "Crazy" on the Red Hot Country CD before going out, but didn't. When I turned the bend on 49th Terrace, my usual walk, Crazy sung by Patsy Cline was pouring, I mean POURING, out the windows of a house. I leaned back against a fence across the street and watched the house lift off. An operatic, cinematic moment, everything locked into a single frame that gets you high. Like You I'm Trapped. — Chris Kraus

So I went up north to a land of palm trees and mangroves like malignant growths in the mud-filled throats of the bays, and orange trees with their leaves accepting darkly and seriously, in their own house as it were, the unwarranted globular outbursts of winter flame; and the sky faultless and remote. — Janet Frame

There were moments when something rose within him, not a thought nor a feeling, but a wave of some physical violence, and then he wanted to stop, to lean back, to feel the reality of his person heightened by the frame of steel that rose dimly about the bright, outstanding existence of his body as its center. He did not stop. He went on calmly. But his hands betrayed what he wanted to hide. His hands reached out, ran slowly down the beams and joints. The workers in the house had noticed it. They said: That guy's in love with the thing. He can't keep his hands off. — Ayn Rand

I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone. — Michael Stipe

Our house was a collection of silences, each room a mute, empty frame, each of us three oscillating bodies (Mom, Dad, me) moving around in our own curved functions, from space to space, not making any noise, just waiting, waiting to wait, trying, for some reason, not to disrupt the field of silence, not to perturb the delicate equilibrium of the system. We wandered from room to room, just missing one another, on paths neither chosen by us nor random, but determined by our own particular characteristics, our own properties, unable to deviate, to break from our orbital loops, unable to do something as simple as walking into the next room where our beloved, our father, our mother, our child, our wife, our husband, was sitting, silent, waiting but not realizing it, waiting for someone to say something, anything, wanting to do it, yearning to do it, physically unable to bring ourselves to change our velocities. — Charles Yu

In his original design the solicitor's clerk seemed to have forgotten the need for a staircase to link both the floors, and what he had provided had the appearance of an afterthought. Doorways had been punched in the eastern wall and a rough wooden staircase - heavy planks on an uneven frame with one warped unpainted banister, the whole covered with a sloping roof of corrugated iron - hung precariously at the back of the house, in striking contrast with the white-pointed brickwork of the front, the white woodwork and the frosted glass of doors and windows.
For this house Mr.Biswas had paid five thousand five hundred dollars. — V.S. Naipaul

I was afraid of other people's houses. After school sometimes a friend might talk me into going to his house or apartment to do our homework together. It was a shock, the way people lived, other people, those who weren't me. I didn't know how to respond, the clinging intimacy of it, kitchen slop, pan handles jutting from the sink. Did I want to be curious, amused, indifferent, superior? Just walking past a bathroom, a woman's stocking draped over the towel rack, pill bottles on the windowsill, some open, some capsized, a child's slipper in the bathtub. It made me want to run and hide, partly from my own fastidiousness. The bedrooms with unmade beds, somebody's socks on the floor, the old woman in nightclothes, barefoot, an entire life gathered up in a chair by the bed, hunched frame and muttering face. Who are these people, minute to minute and year after year? It made me want to go home and stay there. — Don DeLillo

A day doesn't go by when I don't look at them, she said. I can't have them up on the kitchen refrigerator or in a frame in the bedroom
I just can't do it, I just can't run into them casually when I'm supposed to be doing something else
but I also can't last a day without seeing them. Visiting with them when I am alone in the house. — Chris Bohjalian

Nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to find, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare. — Janet Frame

I stared in awe at the Lincoln Memorial. If Honest Abe had come to life and somehow managed to lift his bony twenty-three-foot, four-inch frame from his throne, what would he say? What would he do? Would he break-dance? Would he pitch pennies against the curbside? Would he read the paper and see that the Union he saved was now a dysfunctional plutocracy, that the people he freed were now slaves to rhythm, rap, and predatory lending, and that today his skill set would be better suited to the basketball court than the White House? — Paul Beatty

I believe that white frame house is worthy of more than a nod of nostalgia, because the values President Clinton learned there and in Hope formed the core of his political philosophy. — Mack McLarty

Surreal realized Daemon's madness was confined to emotions, to people, to that single tragedy he couldn't face. It was as if Titian had never died, as if Surreal hadn't spent three years whoring in back alleys before Daemon found her again and arranged for a proper education in a Red Moon house. He thought she was still a child, and he continued to fret about Titian's absence. But when she mentioned a book she was reading, he made a dry observation about her eclectic taste and proceeded to tell her about other books that might be of interest. It was the same with music, with art. They posed no threat to him, had no time frame, weren't part of the nightmare of Jaenelle bleeding on that Dark Altar. — Anne Bishop

Shouldering your loneliness like a gun that you will not learn to aim, you stumble into this movie house then you climb, you climb into the frame. — Leonard Cohen

On a frosty winter afternoon, I rode in sight of Thornfield Hall. On a stile in Hay Lane I saw a quiet little figure sitting by itself. I had no presentiment of what it would be to me; no inward warning that the arbitress of my life
my genius for good or evil
waited there in humble guise.
When once I had pressed the frail shoulder, something new
a fresh sap and sense
stole into my frame. It was well I had learnt that this elf must return to me
that it belonged to my house down below- -or I could not have felt it pass away from under my hand, and seen it vanish behind the dim hedge, without singular regret. I heard you come home that night, Jane, though probably you were not aware that I thought of you or watched for you. — Charlotte Bronte

The day, a compunctious Sunday after a week of blizzards, had been part jewel, part mud. In the midst of my usual afternoon stroll through the small hilly town attached to the girls' college where I taught French literature, I had stopped to watch a family of brilliant icicles drip-dripping from the eaves of a frame house. So clear-cut were their pointed shadows on the white boards behind them that I was sure the shadows of the falling drops should be visible too. But they were not. ("The Vane Sisters") — Vladimir Nabokov

Tell your papa I'll call upon him soon. Mr. Jefferson is still very much needed here in Paris, where his revolution remains undone. In my study, I have a copy of his Declaration of Independence in half a frame. The other half of the frame is empty. One day, with his help, it will house a Declaration of French Rights and they'll stand side by side, like proud brothers. Like France and America. Like your father and me." Ordinarily, — Stephanie Dray