A Film In Quotes & Sayings

Especially for people who are unknown, it's easier to get a TV show because you don't have to put a certain amount of people in movie theaters for a box office weekend. It's really difficult to get a great lead role in some big film, if nobody knows you. — Eve Hewson

That's the miracle of telling a story in film: You can express something inside someone's mind. — Matthew Weiner

I keep every script from every film that I ever made because it's like a workbook of that time in my life. — Marguerite Moreau

Dolor
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate gray standard faces. — Theodore Roethke

The Singapore Media Festival brings together the most important Film and TV events in Singapore under one umbrella. With media convergence, I foresee that the SMF will encompass even more content formats in future, and will keep Singapore on the cutting-edge of media development. I am confident the SMF will be a signature media event for Singapore and the world for many years to come. — Calvin Cheng

Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing. — Jane Birkin

Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy. — Neil Jordan

Every writer has to make an emotional journey from artist sitting in attic to being part of a business. The writer of a film is like Tinkerbell. You are only there because people believe in you. The moment they dont, because youre a pain the arse, youve lost. — Julian Fellowes

I have been very fortunate, working a lot in TV, and have been able to dip into the film world a little bit here and there. — Jamie-Lynn Sigler

All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film. — Jack Nance

When accepting the American Film Institute Life Achievement award: I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville. — Alfred Hitchcock

What's important with writing is that it comes from a place you absolutely love. I'm writing for film and TV. In America, they call people like me 'multi-hyphenators.' — Cush Jumbo

Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world. — Charlie Hunnam

I got an image in my head that never got out. We see a great many things and can remember a great many things, but that is different. We get very few of the true images in our heads of the kind I am talking about, the kind that become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer among the unanswered letters. — Robert Penn Warren

I think if you look at the themes that are presented in the film, some are inherently social, and I think that any film which deals with the family is dealing with the smallest social unit in our society - and in a sense it is a question of scope. — Atom Egoyan

I'm really keen to go back and do some theatre, but I can't afford to at the moment because we're getting married in September. And then I'm hoping to direct a film at the end of this year, and that means a year of your life without pay. — Richard Roxburgh

After directing awhile, you get an instinct about it, but you have to be able to trust your own feelings. Invariably, two-thirds of the way through a film, you say, "Jeezus, is this a pile of crap! What did I ever see in it in the first place?" You have to shut off your brain and forge ahead, because by that time you're getting so brainwashed. Once I commit myself to a film I commit myself to that ending, whatever the motivations and conclusions are. — Clint Eastwood

A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context! What's more, Terry himself never managed to explain it to me clearly. — Sean Penn

I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it. — Jane Campion

Generally, an indie film in the U.K. is put together much like in the states. We got a tax credit. You sell the domestic rights, which can be quite low, but it's enough to push you over the line. And you get a tax credit on top of that, and then you cobble it together with private equity or gap financing and things like that. — Noel Clarke

It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: 'Am I doing it right?' — Stanley Donen

The world that you see is like a motion picture. We are engrossed in a film and we have forgotten that we're sitting in a movie theatre. — Frederick Lenz

The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery. — Ray Winstone

Weirdly enough, I live in London - was born there and have lived there all my life - but I hadn't made a film in London for a long time. I hadn't found the right subject. I liked going away, to some far flung place. — Asif Kapadia

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific. — Nick Mancuso

As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics. — Brian K. Vaughan

From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it. — Doug Liman

Prior to the early 20th century, for the totality of humankind's existence if they saw something moving, it meant it was there. If they saw a tiger walking, that meant they were near a live tiger. This was entrenched in our subconscious and our unconscious.Then that drastically changed with film and television. — Chuck Klosterman

Eager watch was
kept for the first appearance of the legendary creature in the village, and it may be said that as far as
appearances went Basil Blake was all that could be asked for. Little by little, however, the real facts
leaked out. Basil Blake was not a film star, not even a film actor. He was a very junior person, rejoicing
in the position of about fifteenth in the list of those responsible for set decorations at Lenville Studios,
headquarters of British New Era Films. The village maidens lost interest and the ruling class of censorious
spinsters took exception to Basil Blake's way of life. — Agatha Christie

When I pick a role, one of the things that I aspire to is that somebody's parent will come up to me after the film has come out and say, "My daughter idealizes that character. You're her hero." That's what I aim for. We're in the business of making heroes. — Evangeline Lilly

To have a director that loves his actors is something that you can see in the film and in the fruits of that labor. You can see that translated in the film. When you watch such movie, you can see a director who loves his actors, and it shines through the movie, in my eyes. — Vin Diesel

I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't. — Walter Murch

These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable. — Godfrey Reggio

The urge to impose a single classification on SF ignores the generic hybridity of many novels: incorporation of the Gothic in The Island of Dr Moreau, of Shakespeare's The Tempest in Forbidden Planet, and so on. The rise of film coincides with the emergence of science fiction. The relation between SF fiction and film has included an ongoing fascination with spectacle and extraordinary special effects like those pioneered in Georges Melies's A Trip to the Moon (1902) and The Impossible Voyage (1904). — David Seed

I don't know if I'm the most religious guy, but I think I'm a spiritual man, and these are the things I think about a lot. In terms of the film, I think 'The Grey' is very much a non-denominational kind of film. I don't think it's something that relies on a particular religious bent to tell the story. — Joe Carnahan

When industry people see something different they don't know what to do with it, so filmmakers who make films about women, they kind of fall through the cracks. If a woman filmmaker makes film about war, they say "Okay, this is a war film, it has ninety percent men in it, we know what to do with it." But then it still gets attacked for not doing it properly. But even though it bothers me I don't want to dwell on the sex and gender thing. — Signe Baumane

I always felt there was a kind of humanistic impulse in my thinking about film as well as a real interest in its formal and aesthetic properties - just this idea that it can bring you into a very intimate encounter with people. — Lenny Abrahamson

Most aspiring screenwriters simply don't spend enough time choosing their concept. It's by far the most common mistake I see in spec scripts. The writer has lost the race right from the gate. Months - sometimes years - are lost trying to elevate a film idea that by its nature probably had no hope of ever becoming a movie. — Terry Rossio

In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance. — Misty Upham

But the slice-of-life novel is really not so much a world apart as an interlude - like the conference or the film set, the holiday hotel or the voyage by sea or air. You enter it, you live there for a while, you leave again. Perhaps it will alter you; usually it will not. I suspect that the book which takes you into a world apart must also _trouble_ you, at least a little. And the troubling stays with you, like the grit in the oyster, and afterwards you are changed. — Susan Cooper

Reading is a heady thing. You can be into the action of someone's thoughts and take a whole trip down someone's ruminations while seconds tick by in the world that they're in, but you can't really do that in film. — Alan Tudyk

Some actors wear their roles like clothing," he said. "No matter what part they're playing, you can always easily see who it is beneath the costume."
"It's how drag queens do women, darling," volunteered the elegant Miss X.
[ ... ]
"The really amazing actors strip themselves down to nothing-they make themselves a blank slate, and you can never guess what they're going to look like or act like in their next film because they completely transform themselves."
"It's how transsexuals do women, darling," opined Doris Fish with an arched eyebrow in my direction. — Kate Bornstein

It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at. — Mark Rydell

I have a dirty mouth sometimes, and I'm very liberal, and that doesn't always go down well in the film industry - especially when you've got to appeal to mums and daughters. — Amanda Seyfried

I think the one that's going to be the hardest to make into a film is the one that's probably going to be made into a film, which is 'The Art of Racing in the Rain.' I mean, it's narrated by a dog. How do you do that? But hopefully we'll get to see. — Garth Stein

It was beguiling to live in a country, Scotland, that didn't look enough like itself to be a location for its own movies ... I remember consulting a film book and discovering that Arthur Freed decided to shoot Brigadoon in Hollywood because nowhere in Scotland looked Scottish enough. — Andrew O'Hagan

I guess I could be pretty pissed off about what happened to me, but it's hard to stay mad when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much; my heart fills up like a balloon that's about to burst. And then I remember to relax, and stop trying to hold onto it. And then it flows through me like rain, and I can't feel anything but gratitude - for every single moment of my stupid, little life. You have no idea what I'm talking about, I'm sure; but don't worry ... .you will someday. — Alan Ball

I met Milos in 1967. I was working on a student film. And there is Milos Forman. So that's how I met Milos. — Vincent Schiavelli

As a director, you're a bit of a dictator. But I feel that you're a better director if you're open to other people's ideas. It means that it's tougher: you have to be in a choosing process; you have to put the ego aside. As long as everybody's aiming in the same direction ... I'm open to my main partners in the film crew. — Denis Villeneuve

I didn't need clothes. I was allowed the opportunity to act out moments you don't get the opportunity to experience in your own life, let alone as a character in a film. I didn't feel naked. — Marguerite Moreau

Feeling inspired, I grabbed one of Jay's cookbooks from the kitchen shelf and flicked through until I found a recipe for something I recognised. Lasagna. That was just pasta, and pasta was easy, right? Trying not to be put off by the list of ingredients longer than my small intestine, I scanned the instructions. Chop onions ... I could do that. Brown mince ... trickier but manageable. Probably. Make a roux in the usual way ... I sighed, shut the book with a snap and went off to make dinner in my usual way: pierce film; bung in microwave; wait for bell. — J.L. Merrow

Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness. — Ingmar Bergman

I feel like I'm a trendsetter. I try to always stay on the edge of everything I do, whether it be music, fashion, film. I just like to stay abreast of what's going on. What's going on in the street and what's going on in the hood I put in my music and I feel like a lot of people follow that. — Gucci Mane

Photographs are very interesting, and you can look into them a million times and still find a new meaning in them, something in the past that was caught in the film itself ... — Rebecca McNutt

I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality. — Freida Pinto

I don't really see the point in making a film unless you can think of a good reason to do it. — Ben Barnes

I want to play a variety of different characters in different genres of film. — Victoria Justice

I first decided to become an actor at school. A teacher gave us a play to do and that had a major impact. At first, I wanted to work in the theatre, but there was something about the ambience of film, especially American films, that always attracted me. — Jean Reno

Always, with any movie that I do, I have a book of ideas that I've heard, or seen, or whatever, and I always try to incorporate it in the film. — Adrian Lyne

I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way. — William Monahan

At the end of the process we called a market research company to find out whom the film was for or what was the target audience. We didn't have a lot of money to release the film, so in order for it to play in cinemas, which are dominated by films with much larger marketing budgets, we had to discover whom the film was for. — Alex Abreu

One of the differences between HBO and other television is that they demand the same coverage that you would have in a feature film. We need to have all the shots in order to make it as rich and as stunning as it looks. We can't cut any corners. — Mark Addy

You can have a great character in a really bad script, and the film will never be seen. It's just too much work to commit to a film and not have it released. — Devin Ratray

I used to do a lot of casual photography - back in the olden times when one used film - but it had fallen by the wayside over the years. — Kara Swisher

Oh, yes, that never happened to me in my life before. It was a risky film, and I warned the producer. — Alain Resnais

One of the first decisions I made, as the director of "Hide and Seek," was that our film would be silent and use underscoring of original music that I was planning on composing. The decision was mostly predicated on knowing how time consuming the editing of dialogue can be and given the various locations we shot in, I didn't want to worry about having to mix room tones in such a short amount of time. — Garth Kravits

Acting for me, is a passion, but it's also a job, and I've always approached it as such. I have a certain manual-laborist view of acting. There's no shame in taking a film because you need some money. — James Spader

The French have got to understand that a film is so expensive that it can no longer afford to be regional or even national in scope. — Jean-Jacques Annaud

I guess we're all lucky to be in this profession where you can be someone else for two or three months on a film shoot. I find it restful. Vachement agreable. — Jean Dujardin

There's such a sense of theatre in getting glammed up; it's like putting on a play or short film. — Felicity Jones

Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever. — Kevin Smith

Falling in love: how does it work? Over the years we gather the odd clue, but nothing adds up. We'd like to think we have a picture of our future partner projected in our mind, all their qualities recorded as if on film, and we just search the planet for that person until we find them, sitting in Casablanca waiting to be recognised. But in reality our love lives are blown around by career and coincidence, not to mention lack of nerve on given occasions, and we never have respectable reasons for anything until we have to make them up afterwards for the benefit of our curious friends. — Michel Faber

My grandfather ran off the V-2 rocket film a dozen times and then hoped that someday our cities would open up more and let the green and the land and the wilderness in more, to remind people that we're allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, someday it will come in and get us for we will have forgotten how terrible and real it can be. You see? — Ray Bradbury

You do the work and you want people to see it; but, um while I'm doing the work, the result doesn't matter at all to me. Ultimately, I don't, I don't care whether the film is - you know - some big giant box-office bonanza and I don't care if its a complete flop. To me, when a film gets made and it's actually finished it's a success. They're all a success in their own way. — Johnny Depp

I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film. — Ishiro Honda

I was just disciplined. I knew I had to get back into shape after six weeks for the film Goal II, but I cheated in the end - I wore a corset. I loved my pregnancy, I blossomed. I felt goddess-like and very secure. I found it comforting to have a little thing growing inside me, and very calming. — Anna Friel

Films in the start you can't really say who will be the killer, who won't be, most times what you say is wrong (Of course if you have watched the film before that and now saying that you haven't it's a great lie, but I don't lie I just have the gift to predict!), the middle is messy because comes stuff which you won't ever thought, sometimes the quite people are the killers. The people which are suspected or investigated aren't the true killers they are the victims or in more cases just a wrong choice!
The end is something which says a lot of for one film, if the killer wins it's show a new place in the films, if there is happy end it's something which is often. — Deyth Banger

I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. — David Foster Wallace

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. — Marisha Pessl

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema. — Wim Wenders

A great many film stars perched on unstable ravine edges in the canyon systems of Los Angeles will, like the cemeteries there, eventually slide down to join their unfortunate fellows in the canyon floors, with mud, cars, and embalmed or living film stars in one glorious muddy mass. We should not lend our talents to creating such spectacular catastrophes ... — Bill Mollison

I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA. — Jason Reitman

The film 'Documented,' a project of the nonprofit and nonpartisan Define American campaign, is about my families: the family I was blessed to be born into, and the family of friends, mentors and allies that I found when I moved to the United States at 12, a Filipino kid trying to make sense of my new home in America. — Jose Antonio Vargas

My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state. — Randolph Scott

Here is a children's film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap. — Roger Ebert

I think what's fun of making a Transformers movie is that it gets to be all of the above. I think, thematically, this movie is ... because of the third movie, you can ask questions in this movie you couldn't ask in the previous films. Like I was referring to the fact that they were abandoned by humans in the previous film; their attitude is different, so we've been able to tackle different themes. — Lorenzo Di Bonaventura

I'm so touched that complete strangers will send me a script asking me to be in their film. That still amazes me - and sometimes for a lot of money too. — Liam Neeson

In a film score, the last thing you want to do is take people out of the movie. The music is secondary. In opera, the music is the main event. — Stewart Copeland

Film is not like a book; it's not a writer's baby at all. So many people have put in their talent, by that time that you feel grateful for what they've done, you don't feel possessive about it in any way. — Ruth Prawer Jhabvala

I'm very much interested in music specifically and wanted to make a film about it, but not in an atmosphere of censorship. — Bahman Ghobadi

It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect ... You know, I'm in. — Brad Pitt

I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see. — Omar Dorsey

TV and popular film and most kinds of 'low' art
which just means art whose primary aim is to make money
is lucrative precisely because it recognizes that audiences prefer 100 percent pleasure to the reality that tends to be 49 percent pleasure and 51 percent pain. Whereas 'serious' art, which is not primarily about getting money out of you, is more apt to make you uncomfortable, or to force you to work hard to access its pleasures, the same way that in real life true pleasure is usually a by-product of hard work and discomfort. — David Foster Wallace

Unlike an envied and admirable few, I separate my friends and almost never dare mingle one group with another. When I do, it is usually a social disaster, like mixing drinks. I love good beer and I love good wine, but you cannot drink both on the same evening without suffering. I love the friends with whom I play or once daily played snooker and tooted quantities of high-grade pulverized Andean flake; I love the friends with whom I dine at preposterously expensive restaurants; I love the friends with whom I'm film-making or mincing on the stage. I love and value them all equally and don't think of them as stratified or in tiers, one group in some way higher or more important than the rest, but the thought of introducing them to each other makes me shiver and shudder with cringing embarrassment. — Stephen Fry

Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other. — David Dobkin

Making a film, it uses a certain ... 'pretend-muscle,' I don't know what you want to call it. It exhausts something in me, I find. It has to be really something to get me interested. — Jeff Bridges

If you are the kind of guy who draws in 100 million people to see his film, you've got every right to be paid accordingly, but I qualify as a character actor. I don't put a bum on a seat. — Peter Mullan

We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film. — Thomas Lennon

I love escaping into film, because everyday life I find quite troublesome. So any excuse to go into a cinema and say goodbye to the world for a couple of hours, or in a book or whatever, is great. — Alison Goldfrapp