A Dillard Quotes & Sayings

Are you living just a little and calling that life? — Annie Dillard

You are a Seminole alligator wrestler. Half naked, with your two bare hands, you hold and fight a sentence's head while its tail tries to knock you over. — Annie Dillard

The higher Christian churches--where, if anywhere, I belong--come at God with an unwarranted air of professionalism, with authority and pomp, as though they knew what they were doing, as though people in themselves were an appropriate set of creatures to have dealings with God. I often think of the set pieces of liturgy as certain words which people have successfully addressed to God without their getting killed. In the high churches they saunter through the liturgy like Mohawks along a strand of scaffolding who have long since forgotten their danger. If God were to blast such a service to bits, the congregation would be, I believe, genuinely shocked. But in the low churches you expect in any minute. This is the beginning of wisdom. — Annie Dillard

You empty yourself and wait, listening. After a time you hear it: There is nothing there ... You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: This hum is the silence. — Annie Dillard

The universe is illusion merely, not one speck of it real, and we are not only its victims, falling always into or smashed by a planet slung by the sun-but also its captives, bound by the mineral-made ropes of our senses. — Annie Dillard

The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days. — Annie Dillard

It was less like seeing than like being for the first time seen, knocked breathless by a powerful glance. — Annie Dillard

Goethe's Faust risks all if he should cry to the moment, the 'augenblick', "Verweile doch!" "Last forever!" Who hasn't prayed that prayer? But the 'augenblick' isn't going to 'verweile'. You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. — Annie Dillard

It is a weakening and discoloring idea that rustic people knew God personally once upon a time but that it is too late for us. There never was a more holy age than ours, and never a less. There is no whit less enlightnment under the tree by your street than there was under the Buddha's bo tree. — Annie Dillard

There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable. — Annie Dillard

Time is the continuous loop, the snakeskin with scales endlessly overlapping without beginning or end, or time is an ascending spiral if you will, like a child's toy Slinky. — Annie Dillard

I don't know what it is about fecundity that so appalls. I suppose it is the teeming evidence that birth and growth, which we value, are ubiquitous and blind, that life itself is so astonshingly cheap, that nature is as careless as it is bountiful, and that with extravagence goes a crushing waste that will one day include our own cheap lives, Henle's loops and all. Every glistening egg is a memento mori. — Annie Dillard

So the Midwest nourishes us [ ... ] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [ ... ]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us. — Annie Dillard

It should surprise no one that the life of the writer
such as it is
is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world. This explains why so many books describe the author's childhood. A writer's childhood may well have been the occasion of his only firsthand experience. — Annie Dillard

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life - the nation, the city, the neighborhood, the house where the family lives - as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers. — Annie Dillard

Just think: in all the clean, beautiful reaches of the solar system, our planet alone is a blot; our planet alone has death. — Annie Dillard

The remarkable thing about the world of insects, however, is precisely that there is no veil cast over these horrors. These are mysteries performed in broad daylight before our very eyes; we can see every detail, and yet they are still mysteries. If, as Heraclitus suggests, god, like an oracle, neither "declares nor hides, but sets forth by signs," then clearly I had better be scrying the signs. The earth devotes an overwhelming proportion of its energy to these buzzings and leaps in the grass. Theirs is the biggest wedge of the pie: Why? I ought to keep a giant water bug in an aquarium on my dresser, so I can think about it. — Annie Dillard

I had been my whole life a bell, and never knew it until at that moment I was lifted and struck. — Annie Dillard

There is no shortage of good days. It is good lives that are hard to come by. A life of good days lived in the senses is not enough. The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less; time is ample and its passage sweet. Who would call a day spent reading a good day? But a life spent reading
that is a good life. — Annie Dillard

When I was six or seven years old, growing up in Pittsburgh, I used to take a precious penny of my own and hide it for someone else to find. I was greatly excited at the thought of the first lucky passerby who would receive a gift in this way, regardless of merit, a free gift from the universe ... I've been thinking about seeing. There are lots of things to see, unwrapped gifts and free surprises. The world is fairly studded and strewn with pennies cast broadside from a generous hand. — Annie Dillard

A man who struggles long to pray and study Torah will be able to discover the sparks of divine light in all of creation, in each solitary bush and grain and woman and man. And when he cleaves strenuously to God for many years, he will be able to release the sparks to unwrap and lift these particular shreds of holiness, and return them to God. This is the human task: to direct and channel the spark's return. This task is tikkun, restoration.
Yours is a holy work on earth right now, they say, whatever that work is if you tie your love and desire to God. You do not deny or flee the world, but redeem it, all of it - just as it is. — Annie Dillard

She is nine, beloved, as open-faced as the sky and as self-contained. I have watched her grow. As recently as three or four years ago, she had a young child's perfectly shallow receptiveness; she fitted into the world of time, it fitted into her, as thoughtlessly as sky fits its edges, or a river its banks. But as she has grown, her smile has widened with a touch of fear and her glance has taken on depth. Now she is aware of some of the losses you incur by being here
the extortionary rent you have to pay as long as you stay. — Annie Dillard

A few of the principles by which I live: A good gag is worth any amount of time, money and effort; never draw to fill an inside straight; always keep score in games, never in love; never say 'Muskrat Ramble'; always keep them guessing; never listen to the same conversation twice; and (this is the hard part) listen to no one. — Annie Dillard

In Highland New Guinea, now Popua New Guinea, a British district officer named James Taylor contacted a mountain village, above three thousand feet, whose tribe had never seen any trace of the outside world. It was the 1930s. He described the courage of one villager. One day, on the airstrip hacked from the mountains near his village, this man cut vines and lashed himself to the fuselage of Taylor's airplane shortly before it took off. He explained calmly to his loved ones that, no matter what happened to him, he had to see where it came from. — Annie Dillard

What is important is the moment of opening a life and feeling it touch
with an electric hiss and cry
this speckled mineral sphere, our present world. — Annie Dillard

I think that the dying pray at the last not please but thank you, as a guest thanks his host at the door. Falling from airplanes the people are crying thank you, thank you, all down the air; and the cold carriages draw up for them on the rocks. — Annie Dillard

Their song reminds me of a child's neighborhood rallying cry - ee-ock-ee - with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, "tweet". I know of no other bird that stoops to literal tweeting. — Annie Dillard

That something is everywhere and always amiss is part of the very stuff of creation. It is as though each clay form had baked into it, a blue streak of nonbeing, a shaded emptiness like a bubble that not only shapes its very structure but that also causes it to list and ultimately explode. We could have planned things more mercifully, perhaps, but our plan would never get off the drawing board until we agreed to the very comprising terms that are the only ones that being offers. — Annie Dillard

It is dire poverty indeed when a man is so malnourished and fatigued that he won't stoop to pick up a penny. But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days. It is that simple. What you see is what you get. — Annie Dillard

Hasidism has a tradition that one of man's purposes is to assist God in the work of redemption by "hallowing" the things of creation. By a tremendous heave of his spirit, the devout man frees the divine sparks trapped in the mute things of time; he uplifts the forms and moments of creation, bearing them aloft into that rare air and hallowing fire in which all clays must shatter and burst. Keeping the subsoil world under trees in mind, in intelligence, is the least I can do. — Annie Dillard

It was a clear, picturesque day, a February day without could, without emotion or spirit, like a beautiful women with an empty face. — Annie Dillard

The mating rites of mantises are well known: a chemical produced in the head of the male insect says in effect, 'No, I don't go near her, you fool, she'll eat you alive.' At the same time a chemical in his abdomen says, 'Yes, by all means, now and forever yes. — Annie Dillard

The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. — Annie Dillard

What is a house but a bigger skin, and a neighborhood map but the world's skin ever expanding? — Annie Dillard

Buddhism notes that it is always a mistake to think your soul can go it alone. — Annie Dillard

A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. — Ann Dillard

Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. — Annie Dillard

I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world's surface and exit through it. — Annie Dillard

Is this what it's like, I thought then, and think now: a little blood here, a chomp there, and still we live, trampling the grass? Must everything whole be nibbled? Here was a new light on the intricate texture of things in the world, the actual plot of the present moment in time after the fall: the ways we living are nibbled and nibbling- not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land. — Annie Dillard

What can we make of the inexpressible joy of children? It is a kind of gratitude, I think - the gratitude of the ten-year-old who wakes to her own energy and the brisk challenge of the world. You thought you knew the place and all its routines, but you see you hadn't known. Whole stacks at the library held books devoted to things you knew nothing about. The boundary of knowledge receded, as you poked about in books, like Lake Erie's rim as you climbed its cliffs. And each area of knowledge disclosed another, and another. Knowledge wasn't a body, or a tree, but instead air, or space, or being - whatever pervaded, whatever never ended and fitted into the smallest cracks and the widest space between stars. — Annie Dillard

The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of a stunt pilot's turning barrel rolls, or an inchworm's blind rearing from a stem in search of a route. At its worst, it feels like alligator wrestling, at the level of the sentence. — Annie Dillard

If we were to judge nature by its common sense or likelihood, we wouldn't believe the world existed. In nature, improbabilities are the one stock in trade. The whole creation is one lunatic fringe ... No claims of any and all revelations could be so far-fetched as a single giraffe. — Annie Dillard

Every day is a god, each day is a god, and holiness holds forth in time. — Annie Dillard

Why do we people in churches seem like cheerful, brainless tourists on a packaged tour of the Absolute? — Annie Dillard

Whenever an encounter between a writer of good will and a regular person of good will happens to touch on the subject of writing, each person discovers, dismayed, that good will is of no earthly use. The conversation cannot proceed. — Annie Dillard

Landscape consists in the multiple, overlapping intricacies and forms that exist in a given space at a moment in time. — Annie Dillard

In her book The Writing Life (1989), Annie Dillard tells the story of a fellow writer who was asked by a student, "Do you think I could be a writer?" "'Well,' the writer said, 'do you like sentences?'" The student is surprised by the question, but Dillard knows exactly what was meant. He was being told, she explains, that "if he likes sentences he could begin," and she remembers a similar conversation with a painter friend. "I asked him how he came to be a painter. He said, 'I like the smell of paint.'" The point, made implicitly (Dillard does not belabour it), is that you don't begin with a grand conception, either of the great American novel or masterpiece that will hang in the Louvre. You begin with a feel for the nitty-gritty material of the medium, paint in one case, sentences in the other. — Stanley Fish

The point of the dragonfly's terrible lip, the giant water bug, birdsong, or the beautiful dazzle and flash of sunlighted minnows,is not that it all fits together like clockwork
for it doesn'tbut that it all flows so freely wild, like the creek, that it all surges in such a free, finged tangle. Freedom is the world's water and weather, the world's nourishment freely given, its soil and sap: and the creator loves pizzazz. — Annie Dillard

For writing a first draft requires from the writer a peculiar internal state which ordinary life does not induce.
... how to set yourself spinning? — Annie Dillard

We have not yet encountered any god who is as merciful as a man who flicks a beetle over on its feet. — Annie Dillard

The mind itself is an art object ... The mind is a blue guitar on which we improvise the song of the world. — Annie Dillard

You have to take pains in a memoir not to hang on the reader's arm, like a drunk, and say, 'And then I did this and it was so interesting. — Annie Dillard

Having chosen this foolishness, I was a free being. How could the world ever stop me, how could I betray myself, if I was not afraid? — Annie Dillard

In the great meteor shower of August, the Perseid, I wail all day for the shooting stars I miss. They're out there showering down, committing hari-kiri in a flame of fatal attraction, and hissing perhaps into the ocean. But at dawn what looks like a blue dome clamps down over me like a lid on a pot. The stars and planets could smash and I'd never know. Only a piece of ashen moon occasionally climbs up or down the inside of the dome, and our local star without surcease explodes on our heads. We have really only that one light, one source for all power, and yet we must turn away from it by universal decree. Nobody here on the planet seems aware of that strange, powerful taboo, that we all walk about carefully averting our faces, this way and that, lest our eyes be blasted forever. — Annie Dillard

To crank myself up I stood on a jack and ran myself up. I tightened myself like a bolt. I inserted myself in a vise-clamp and wound the handle till the pressure built. I drank coffee in titrated doses. It was a tricky business, requiring the finely tuned judgment of a skilled anesthesiologist. There was a tiny range within which coffee was effective, short of which it was useless, and beyond which, fatal. — Annie Dillard

Life by its mere appalling length is a feat of endurance for which you haven't the strength. — Annie Dillard

What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek. — Annie Dillard

Nothing moves a woman so deeply as the boyhood of the man she loves. — Annie Dillard

The range of rhythms in prose is larger and grander than it is in poetry, and it can handle discursive ideas and plain information as well as character and story. It can do everything. I felt as though I had switched from a single reed instrument to a full orchestra. — Annie Dillard

The secret of seeing is, then the pearl of great price. If I thought he could teach me to find it and keep it forever I would stagger barefoot across a hundred deserts after any lunatic at all. But although the pearl may be found, it may not be sought. The literature of illumination reveals this above all: although it comes to those who wait for it, it is always, even to the most practiced and adept, a gift and a total surprise. I return from one walk knowing where the killdeer nests in the field by the creek and the hour the laurel blooms. I return form the same walk a day later scarcely knowing my own name. Litanies hum in my ears; my tongue flaps in my mouth. Ailinon, alleluia! — Annie Dillard

Once, a great handful of a girl out west told him - I never did love you. [ ... ]How mean of her to salve her spit curled conscience by trying to take away their past! In the kitchen he had started to use those very words on Lou - they sprang readily to mind, as wounding words do - but he stopped himself. — Annie Dillard

They dissolved when I tried to inspect them, or dimmed, or slid dizzyingly away, like a ship's stern yawing down the dark lee slope of a wave. — Annie Dillard

Possibly everyone now dead considered his own death as a freak accident, a mistake. Some bad luck caused it. Every enterprising man jack of them, and every sunlit vigorous woman and child, too, who had seemed so alive and pleased, was cold as a meat hook, and new chattering people trampled their bones unregarding, and rubbed their hands together and got to work improving their prospects till their own feet slipped and they went under themselves ... Every place was a tilting edge. — Annie Dillard

The sense impressions of one-celled animals are not edited for the brain: 'This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is (21). — Annie Dillard

If you're going to publish a book, you probably are going to make a fool of yourself. — Annie Dillard

It makes more sense to write one big book - a novel or nonfiction narrative - than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn. — Annie Dillard

The mountains are great stone bells; they clang together like nuns. Who shushed the stars? There are a thousand million galaxies easily seen in the Palomar reflector; collisions between and among them do, of course, occur. But these collisions are very long and silent slides. Billions of stars sift amont each other untouched, too distant even to be moved, heedless as always, hushed. The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. But God knows I have tried. — Annie Dillard

About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star. — Annie Dillard

Oh, it's mysterious lamplit evenings, here in the galaxy, one after the other. It's one of those nights when I wander from window to window, looking for a sign. But I can't see. Terror and a beauty insoluble are a ribband of blue woven into the fringes of garments of things both great and small. No culture explains, no bivouac offers real haven or rest. But it could be that we are not seeing something. Galileo thought that comets were an optical illusion. This is fertile ground: since we are certain that they're not, we can look at what scientists are saying with fresh hope. What if there are really gleaming castellated cities hung upside-down over the desert sand? What limpid lakes and cool date palms have our caravans passed untried? Until, one by one, by the blindest of leaps, we light on the road to these places, we must stumble in darkness and hunger. — Annie Dillard

Our life seems cursed to be a wiggle merely, and a wandering without end. — Annie Dillard

When I was quite young I fondly imagined that all foreign languages were codes for English. I thought that "hat," say, was the real and actual name of the thing, but that people in other countries, who obstinately persisted in speaking the code of their forefathers, might use the word "ibu," say, to designate not merely the concept hat, but the English word "hat." I knew only one foreign word, "oui," and since it had three letters as did the word for which it was a code, it seemed, touchingly enough, to confirm my theory. — Annie Dillard

The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock - more than a maple - universe. — Annie Dillard

It is difficult to undo our own damage, and to recall to our presence that which we have asked to leave. It is hard to desecrate a grove and change your mind. The very holy mountains are keeping mum. We doused the burning bush and cannot rekindle it; we are lighting matches in vain under every green tree. — Annie Dillard

Noticing and remembering everything would trap bright scenes to light and fill the blank and darkening past which was already piling up behind me. The growing size of that blank and ever-darkening past frightened me; it loomed beside me like a hole in the air and battened on scraps of my life I failed to claim. If one day I forgot to notice my life, and be damned grateful for it, the blank cave would suck me up entire. — Annie Dillard

I am no scientist. I explore the neighborhood. An infant who has just learned to hold up his head has a frank and forthright way of gazing about him in bewilderment. He hasn't the faintest clue where he is, and he aims to find out. In a couple of years, what he will have learned instead is how to fake it: he'll have the cocksure air of a squatter who has come to feel he owns the place. Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape, to discover at least where it is that we have been so startlingly set down, if we can't learn why. — Annie Dillard

I watch the running sheets of light raised on the creek surface. The sight has the appeal of the purely passive, like the racing of light under clouds on a field, the beautiful dream at the moment of being dreamed. The breeze is the merest puff, but you yourself sail headlong and breathless under the gale force of the spirit. — Annie Dillard

Every year the aspiring photographer brought a stack of his best prints to an old, honored photographer, seeking his judgment. Every year the old man studied the prints and painstakingly ordered them into two piles, bad and good. Every year the old man moved a certain landscape print into the bad stack. At length he turned to the young man: "You submit this same landscape every year, and every year I put it on the bad stack. Why do you like it so much?" The young photographer said, "Because I had to climb a mountain to get it." A — Annie Dillard

I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball. — Annie Dillard

Unless all ages and races of men have been deluded by the same mass hypnotist (who?), there seems to be such a thing as beauty, a grace wholly gratuitous. — Annie Dillard

The novel is a game or joke shared between author and reader. — Annie Dillard

It is the beginning of a work that the writer throws away. — Annie Dillard

Seeing the open pits in the open air, among farms, is the wonder, and seeing the bodies twist free from the soil. The sight of a cleaned clay soldier upright in a museum case is unremarkable, and this is all that future generations will see. No one will display those men crushed beyond repair; no one will display their loose parts; no one will display them crawling from the walls. Future generations will miss the crucial sight of ourselves as rammed earth. — Annie Dillard

All the green in the planted world consists of these whole, rounded chloroplasts wending their ways in water. If you analyze a molecule of chlorophyll itself, what you get is one hundred thirty-six atoms of hydrogen, carbon, oxygen, and nitrogen arranged in an exact and complex relationship around a central ring. At the ring's center is a single atom of magnesium. Now: If you remove the atom of magnesium and in its exact place put an atom of iron, you get a molecule of hemoglobin. The iron atom combines with all the other atoms to make red blood, the streaming red dots in the goldfish's tail. — Annie Dillard

When you open a book," the sentimental library posters said, "anything can happen." This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone's way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one. — Annie Dillard

Three days a week she helped at the Manor Nursing Home, where people proved their keenness by reciting received analyses of current events. All the Manor residents watched television day and night, informed to the eyeballs like everyone else and rushed for time, toward what end no one asked. Their cupidity and self-love were no worse than anyone else's, but their many experiences' having taught them so little irked Lou. One hated tourists, another southerners; another despised immigrants. Even dying, they still held themselves in highest regard. Lou would have to watch herself. For this way of thinking began to look like human nature
as if each person of two or three billion would spend his last vital drop to sustain his self-importance. — Annie Dillard

As a thinker I keep discovering that beauty itself is as much a fact, and a mystery ... I consider nature's facts
its beautiful and grotesque forms and events
in terms of the import to thought and their impetus to the spirit. In nature I find grace tangled in a rapture with violence; I find an intricate landscape whose forms are fringed in death; I find mystery, newness, and a kind of exuberant, spendthrift energy. — Annie Dillard

I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife claw a rent in the top, peep, and, if I must, fall. — Annie Dillard

The universe that suckled us is a monster that does not care if we live or die
it does not care if it itself grinds to a halt. It is a beast running on chance and death, careening from nowhere to nowhere. It is fixed and blind, a robot programmed to kill. We are free and seeing; we can only try to outwit it at every turn to save our lives. — Annie Dillard

The adult members of society adverted to the Bible unreasonably often. What arcana! Why did they spread this scandalous document before our eyes? If they had read it, I thought, they would have hid it. They didn't recognize the vivid danger that we would, through repeated exposure, catch a case of its wild opposition to their world. — Annie Dillard

How can people think that artists seek a name? There is no such thing as an artist - only the world, lit or unlit, as the world allows. — Annie Dillard

Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed. — Annie Dillard

If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, "Nobody's," In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat. — Annie Dillard

Who would call a day spent reading a good day? But a life spent reading
that is a good life. A day that closely resembles every other day of the past ten or twenty years does not suggest itself as a good one. But who would not call Pasteur's life a good one, or Thomas Mann's? — Annie Dillard

It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale. — Annie Dillard

It's a little silly to finally learn how to write at this age. But I long ago realized I was secretly sincere. — Annie Dillard

The creator is not puritan. A creature need not work for a living; creatures may simply steal and suck and be blessed for all that with a share - an enormous share - of the sunlight and air. — Annie Dillard

Innocence is a better world. — Annie Dillard

A great physicist taught at the Massachusetts Institute of Technology. He published many important books and papers. Often he had an idea in the middle of the night. He rose from his bed, took a shower, washed his hair, and shaved. He dressed completely, in a clean shirt, in polished shoes, a jacket and tie. Then he sat at his desk and wrote down his idea. A friend of mine asked him why he put himself through all that rigmarole. 'Why,' he said, surprised at the question, 'in honor of physics! — Annie Dillard

Doing something does not require discipline. It creates its own discipline - with a little help from caffeine. — Annie Dillard

By dipping us children in the Bible so often, they hoped, I think, to give our lives a serious tint, and to provide us with quaintly magnificent snatches of prayer to produce as charms while, say, being mugged for our cash or jewels. — Annie Dillard