A Classic Book Quotes & Sayings

Ri, here's a question for you," Stella started. She opened it up to everyone else, as well. "When do your kids stop being pets and start being people?"
The room went silent, except for Gloria trying to stifle her giggles.
Stella looked around and felt pleased that she'd gotten the desired reaction.
"What are you talking about? How could you call children pets?" Shannon demanded before Bernadette had the chance to.
"No, this is an honest question." Stella insisted. "You have them, you name them. They're helpless, and you teach, or train, them. Feed them, water them, whatever. And as they grow up, you just hope that they grow up well and don't spend their time clawing your nice sofa or humping your leg."
Stella, "Sugar and Spies: Spy Sisters Book 1 — Rebekah Martin

A classic is like a cow: it gives fresh milk every morning. A classic is a book that rewards endlessly repeated reading. A classic is like the morning, like nature herself: ever young, ever renewing. No, not even like nature, for she, like us, is doomed to die. Only God is ever young, and only the Book he inspired never grows old. — Peter Kreeft

The instant you say All Quiet On The Western Front people remember that great 20th century classic book on war, a book about a school boy turned into a soldier overnight. — Ann Widdecombe

Perhaps a book becomes a classic in proportion to how broadly its characters can be scavenged, how many readers find within it something they experience as desirable or even intimately necessary. — Janna Malamud Smith

...because there's a secret order. The books, you can't place them random. The other day I put Cervantes next to Tolstoj.
And I thought, if close to Anna Karenina we have Don Quixote, sure the latter will do his best to save her. — Ettore Scola

There's this long tradition of ... even 'Where The Wild Things Are,' which many people consider the best kids' picture book of all time. It was considered revolutionary, and some libraries wouldn't carry it. But it's a classic because it taps into empowerment for kids, kids facing dangers and winning. — Henry Selick

What draws me in is that a trip is a leap in the dark. It's like a metaphor for life. You set off from home, and in the classic travel book, you go to an unknown place. You discover a different world, and you discover yourself. — Paul Theroux

Over the centuries, this interpretation and reinterpretation creates a long chain connecting a writer to all future readers- who frequently read each other as well as the original. Virginia Woolf had a beautiful vision of generations interlinked in this way: of how "minds are threaded together- how any live mind is of the very same stuff as Plato's & Euripides ... It is this common mind that binds the whole world together; & all the world is mind." This capacity for living on through readers' inner worlds over long periods of history is what makes a book like the 'Essays' a true classic. As it is reborn differently in each mind, it also brings those minds together. — Sarah Bakewell

We have an agreement," she explained. "I watch nothing to do with a hobbit, Vulcan, or comic book hero, and in return, Dexter's not forced to sit through a foreign romance, a BBC production, or one my classic films. — Kristin Billerbeck

A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion. — F Scott Fitzgerald

Editors can be stupid at times. They just ignore that author's intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don't make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author's mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, 'Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?'. Monet would be ripping his hair out. — E.A. Bucchianeri

The Princess Bride
S. Morgenstern's
Classic Tale of True Love
and High Adventure
You had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it. — William Goldman

OVER THE last half millennium, one book has established itself as the classic work on Hatha Yoga - the book you are holding in your hands. An Indian yogi named Svatmarama wrote the Hatha Yoga Pradipika in the fifteenth century C.E. Next to nothing is known about him, although his name may provide a clue. It means "one who delights in one's Atman," indicating the achievement of a state of bliss. Drawing on his own experience and older works now lost, he wrote this book for the student of Yoga. He wrote this book for you. — Yogi Swatmarama

I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures. — Ang Lee

Murphy caught that arm and continued the motion, using her own body as a fulcrum in a classic hip throw - except that Binder was facing in the opposite direction than usual for that technique.
You could hear his arm come out of its socket fifty feet away.
And then he hit the gravel face-first.
Binder got extra points for brains in my book, after that: he lay still and didn't put up a struggle as Murphy dragged his wrists behind his back and cuffed him.
I traded a glance with Mouse and said, wisely, 'Hard-core. — Jim Butcher

The work of the philosophical policeman," replied the man in blue, "is at once bolder and more subtle than that of the ordinary detective. The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists. The ordinary detective discovers from a ledger or a diary that a crime has been committed. We discover from a book of sonnets that a crime will be committed. We have to trace the origin of those dreadful thoughts that drive men on at last to intellectual fanaticism and intellectual crime. We were only just in time to prevent the assassination at Hartlepool, and that was entirely due to the fact that our Mr. Wilks (a smart young fellow) thoroughly understood a triolet. — G.K. Chesterton

A new acquaintance is like a new book. I prefer it, even if bad, to a classic. — Benjamin Disraeli

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

I first got really interested in Noh in about 1977. There was an independent bookstore in Bloomington, Indiana where I was going to high school. It was a really nice place. There was a New Directions paperback. It was the Pound/Fenollosa book, 'The Classic Noh Theatre of Japan.' — William T. Vollmann

What are we after when we open one of those books? What is it that makes a classic a classic? ... in old-fashioned terms, the answer is that it wll elevate your spirit. And that's why I can't take much stock in the idea of going through a list of books or 'covering' a fixed number of selections, or anyway striving for the blessed state of having read this, or the other. Having read a book means nothing. Reading a book may be the most tremendous experience of your life; having read it is an item in your memory, part of your receding past ... Why we have that odd faith in the magic of having read a book, I don't know. We don't apply the same principle elsewhere: We don't believe in having heard Mendelssohn's violin concerto ...
I say, don't read the classics
try to discover your own classics; every life has its own. — Rudolf Flesch

I just signed to do my next book with Ecco Press, a new primer or encyclopedia. This will be my take on what classic Italian cooking is. — Mario Batali

'Classic' - a book which people praise and don't read. — Mark Twain

'First Light' has gotten a reputation as a kind of cult classic about science. I never really intended it to be read as a science book, but books, like children, have a way of choosing their own friends. — Richard Preston

A "classic" is a book that everybody praises but nobody has read — Mark Twain

Every new book we read in our brief and busy lives means that a classic is left unread. — B.R. Myers

I think if you look at any facet of nature in enough detail, you find it fascinating. How could you not? The universe is so full of marvels. Here's an example
rain, the shape of rain. I was minding my own business, working on my book, looking out the window, and it was raining and I was noticing that the raindrops were falling in that classic round-looking way, and I thought, 'I wonder if raindrops really are round?' So I started researching it a little, and I discovered that raindrops change shape 300 times a second. — Diane Ackerman

When you re-read a classic you do not see in the book more than you did before. You see more in you than there was before. — Clifton Fadiman

I lived through a classic publishing story. My editor was fired a month before the book came out. The editor who took it over already had a full plate. It was never advertised. We didn't get reviewed in any major outlets. — Anita Diament

I can remember when believing in conspiracies wasn't cool. Now, in the
second decade of the twenty-first century, more people are starting to
sense that things may not be as they appear to be. The truth in Lord Acton's
classic axiom that "Power corrupts, and absolute power corrupts absolutely"
becomes more self-evident every day. Politicians from the only two parties
we have to choose from break promises, are unresponsive to the will of the
people, and opt for war, austerity measures, and state control over and over
again. Gary Allen, author of the book None Dare Call It Conspiracy, defined
things perfectly when he wrote, "It must be remembered that the first job of
any conspiracy, whether it be in politics, crime or within a business office, is
to convince everyone else that no conspiracy exists. — Donald Jeffries

I sold my chastity for a book. If I had only resisted him, would I be here now? "I want you to read to me," he murmured as he turned to the first page. I stared at the Cyrillic script. "I can't. I don't know how." Simple conversational Russian was one thing, but the complex language of Jane Austen was another. "You will learn," he informed me. "I will help you." A small furrow appeared between his brows as he turned his eyes to the text. "It is generally accepted that a rich man should need a wife," he read, butchering the classic first line. I — Julia Sykes

A book doesn't have to be a literary classic, of course, to change us forever. — Pico Iyer

In his anti-Darwinian book ... (and eponymously named The Neck of the Giraffe ), Francis Hitching tells the story ... "The need to survive by reaching ever higher for food is, like so many Darwinian explanations of its kind, little more than a post hoc speculation." Hitching is quite correct, but he rebuts a fairy story that Darwin was far too smart to tell - even though the tale later entered our high school texts as a "classic case" nonetheless. — Stephen Jay Gould

A classic book is a book which generations of men, driven by various reasons, read with that same initial fervor and that same mysterious loyalty. — Jorge Luis Borges

A cult classic ... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations. — Jim Jarmusch

I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka." — Matthew Specktor

A student will find that his mental constitution is more affected by one book thoroughly mastered than by twenty books which he has merely skimmed, lapping at them, as the classic proverb puts it; "As the dogs drink of Nilus." Little learning and much pride come of hasty reading. — Charles Haddon Spurgeon

The political scientist Francis Fukuyama, who wrote a classic book in 1996 on why the most successful states and societies exhibit high levels of trust - Trust: The Social Virtues and the Creation of Prosperity - noted that "social capital is a capability that arises from the prevalence of trust in a society or in certain parts of it. — Thomas L. Friedman

It is similar to one brother asking another, "Why did you grow up to be a drunk?" The answer is "Because Dad was a drunk." The second brother then asks, "Why didn't you grow up to be a drunk?" The answer is "Because Dad was a drunk." Some more complete answers are found in Robert Ressler's classic book Whoever Fights Monsters. He speaks of the tremendous importance of the early puberty period for boys. Before then, the anger of these boys might have been submerged and without focus, perhaps turned inward in the form of depression, perhaps (as in most cases) just denied, to emerge later. But during puberty, this anger collides with another powerful force, one of the most powerful in nature: sexuality. Even at this point, say Ressler and others, these potential hosts of monsters can be turned around through the (often unintentional) intervention of people who show kindness, support, or even just interest. I can say from experience that it doesn't take much. — Gavin De Becker

There is an unbridgeable chasm between the book that traditions had declared a classic and the book (the same book) that we have made ours through instinct, emotion and understanding: suffered through it, rejoiced in it, translated it into our experience and (notwithstanding the layers of readings with which a book come into our hands) essentially become its first discoverers, an experience as astonishing and unexpected. — Alberto Manguel

Art is bad when 'you see the intent and get put off.' (Goethe) In Tolstoy one is unaware of the intent, and sees only the thing itself.
from the book, On Retranslating A Russian Classic Anna Karenina by Leo Tolstoy — Joel Carmichael

I feel there's nothing like a good classic book, except possibly its movie version. — George Kohlman

A classic is a book which with each rereading offers as much of a sense of discovery as the first reading. — Italo Calvino

A classic is the term given to any book which comes to represent the whole universe, a book on a par with ancient talismans. — Italo Calvino

I've always been fascinated by books. When I was young, my grandfather used to hand out a book - which would be anything from a biography to a classic - to me every week and ask me to write a piece on what I thought about it. On the other hand, my mother used to love reading thrillers and bestsellers. — Ashwin Sanghi

They peer in and at the same moment both angle back their heads, as if they have taken a position a little too close to a panoramic screen. They are tall and big-boned and look like men playing women's parts in a play by Oscar Wilde. 'Nan, Verge's sisters are here,' my mother says loudly. But Nan already knows, and furiously pokers the fire to try and smoke them back out. Nan here is The Aged P only with more mischievousness than Mr Wemmick's in Great Expectations, the only book of which my father kept two copies (Books 180 and 400, Penguin Classic & Everyman Classics editions, London), both of which I have read twice, deciding each time that Great Expectations is the Greatest. If you don't agree, stop here, go back and read it again. I'll wait. Or be dead. — Niall Williams

A classic is a book that has never finished saying what it has to say. — Italo Calvino

I read everything. I've always got a book on the go and I'm really nerdy about it, I get through books and don't remember anything about them afterwards. But I read all sorts, from classic to contemporary. — Rebecca Hall

The author says one character's definition of a classic is any book he'd heard of before he was thirty. — Sinclair Lewis

Exhaustively researched and beautifully written, Cronkite is a classic. Douglas Brinkley has written his best book yet. This is a fascinating story that will be read for years to come. — Debby Applegate

Even then, retailers learned early that shoppers prefer their shopping suggestions not be too truthful. One of the great unwritten chapters of retail intelligence programming featured a "personal shopper" program that all-too-accurately modeled the shoppers' desires and outputted purchase ideas based on what shoppers really wanted as opposed to what they wanted known that they wanted. This resulted in one overcompensatingly masculine test user receiving suggestions for an anal plug and a tribute art book for classic homoerotic artist Tom of Finland, while a female test user in the throes of a nasty divorce received suggestions for a small handgun, a portable bandsaw, and several gallons of an industrial solvent used to reduce organic matter to an easily drainable slurry. — John Scalzi

What makes a book great, a so-called classic, it its quality of always being modern, of its author, though he be long dead, continuing to speak to each new generation. — Lawrence Clark Powell

This is the explanation I used to have on the site before my page got turned into an author's page.

Don't get butt hurt if I give you a 2 or 3 star rating. That means your book was good. I give very few 4 star ratings cause that means your book is gonna be a reread for me. I don't reread a lot of books. I think I gave less than a handful of 5 stars. 5 stars means that I think the book is a GREAT GREAT. Like a classic that will still be read in a 100 years, at least if I were alive it would be.

As you can see I don't buy into the hoopla that everybody is great. It's not true. Most are average. Some suck. Some are great. If you want a visual go google bell curve.

Life has winners and losers. Not everyone deserves a gold star. Suck it up. — D.R. Slaten

Fawn M. Brodie, whose classic life of Smith earned her excommunication from the Mormon Church, saw the Book of Mormon as 'one of the earliest examples of frontier fiction, the first long Yankee narrative that owes nothing to English literary fashions'.105 There was quite a genre of 'lost race' novels at the time. A century on, J. R. R. Tolkien's Lord of the Rings saga formed an English Catholic parallel, conscious or unconscious, to Smith's work. — Diarmaid MacCulloch

Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography. — Cornel West

I don't spend much on clothes. I buy old books. I tell myself I ought to save - it's the classic Northern work ethic. I like good holidays, though. I'm a big fan of cruises. I love unpacking once and having the scenery change every day. — Alan Titchmarsh

One of the great unwritten chapters of retail intelligence programming featured a "personal shopper" program that all-too-accurately modeled the shoppers' desires and outputted purchase ideas based on what shoppers really wanted as opposed to what they wanted known that they wanted. This resulted in one overcompensatingly masculine test user receiving suggestions for an anal plug and a tribute art book for classic homoerotic artist Tom of Finland, while a female test user in the throes of a nasty divorce received suggestions for a small handgun, a portable bandsaw, and several gallons of an industrial solvent used to reduce organic matter to an easily drainable slurry. After history's first recorded instance of a focus group riot, the personal shopper program was extensively rewritten. — John Scalzi

This is a book that respects kids and their ideas. And in that regard, it places Chasing Vermeer in the tradition of classic favorites fondly recalled from our own childhoods. — Elizabeth Taylor

Icon Books has a fine series called "Revolutions in Science." These works are succinct, highly readable, and authoritative. The series includes John Henry's Moving Heaven and Earth: Copernicus and the Solar System (Duxford, Cambridge: Icon Books, 2001). Henry's book can be read in an afternoon, and, while not as detailed as Kuhn's classic, it tells the story with verve and lucidity. — Howard Margolis

Doesn't he look just like a ring wraith?" she said thoughtfully.
"Are you kidding?" replied Cathy, "I most certainly won't be carol singing at your door this Christmas if you've got one of those ugly things hanging on it!"
"No, from Lord of the Rings," said Sue impatiently.
"I'm sorry," snorted Cathy, "I don't watch pornographic material."
"Have you never read a book?!" Sue snapped. "It's about a small man who travels through dangerous lands to drop a ring into a volcano, it's a classic."
"Does sound like a small man," she replied, "can't even face his marriage problems full on. — Paul Baxter

Once you read a classic, you will start loving even the smell of the books. — Aman Jassal

This writing thing, it ain't like that hip hop shit, City. For li'l niggas like you," he told me, "this writing thing is like a gotdamn porta potty. It's one li'l nigga at a time, shitting in the toilet, funking up the little space he get. And you shit a regular shit or a classic shit. Either way," he said. "City, you gotta shit classic, then get your black ass on off the pot." He actually grabbed my hand. "You probably think I'm hyping you just for the money. It ain't just about the money. It's really not. It's about doing whatever it takes for you to have your voice heard. So I don't know what you're writing in that book you always carrying around, but it better be classic because you ain't gonna get no two times to get it right, you hear me? — Kiese Laymon

Do you know who Samuel Langhorne Clemens is, Antonio?" Bessie asked.
"No, chood I?" he said.
"He is best known as Mark Twain, the author of The Adventures of Tom Sawyer," she said.
"I have herd of the story, but I hav not red the booc," he said.
"Well, you should read it," she said. "It is excellent reading. An American classic. Mark Twain worked in Schoharie for a while," she said.
"Is that so?" he said.
"Yes, he worked as a brakeman on the Schoharie railroad station on Depot Street the winter of 1879, three years after he wrote his famous book," Bessie said.
"Why would he do that, a famos author?" Antonio asked.
"A self-published author, I should add. — Yasmin Tirado-Chiodini

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! — Terri Windling

John Bunyan, author of the classic book the Pilgrim's Progress, said "You have not lived today until you have done something for someone who cannot pay you back." Make a decision that you will live to give. Be on the lookout each day for somebody you can bless. Don't' live for yourself; learn to give yourself away, and your life will make a difference. — Joel Osteen

I'm not really sure what makes a book a 'classic' to begin with, but I think it has to be at least fifty years old and some person or animal has to die at the end. — Jeff Kinney

Definition of a classic: a book everyone is assumed to have read and often thinks they have. — Alan Bennett

Thank you for sending me a copy of your book. I'll waste no time reading it. — Moses Hadas

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel ... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book. — Alan Bradley

A classic is a book that survives the circumstances that made it possible yet alone keeps those circumstances alive. — Alfred Kazin

Written in ink, in German, in a small, hopelessly sincere handwriting, were the words, "Dear God, life is hell." Nothing led up to or away from it. Alone on the page, and in the sickly stillness of the room, the words appeared to have the statue of an uncontestable, even classic indictment. X stared at the page for several minutes, trying, against heavy odds, not to be taken in. Then, with far more zeal than he had done anything in weeks, he picked up a pencil stub and wrote down under the inscription, in English, "Fathers and teachers, I ponder, 'What is hell?' I maintain that it is the suffering of being unable to love." He started to write Dostoevski's name under the inscription, but saw - with fright that ran through his whole body - that what he had written was almost entirely illegible. He shut the book. — J.D. Salinger

What I'm always afraid of is going off-book,I always get upset when the director leaves the classic comic that was so very popular. I argued, and I won't say with who about what, but when we go way away from the original source material ... that material is popular for a reason and I like to stick with it. — Lauren Shuler Donner

I have a screened in porch, and it's nice to curl up with a book outside when it's raining, especially an old battered classic like 'Pride & Prejudice & Zombies.' — Amanda Hocking

It's absurd to think of 'Pride and Prejudice,' this classic, beloved book, beset with a zombie uprising. The goal is to make you suspend your disbelief enough to allow you to get lost in the story and believe what you're reading for a while. — Seth Grahame-Smith

Many a young wizard has tried to read a grimoire that is too strong for him, and people who've heard the screams have found only his pointy shoes with the classic wisp of smoke coming out of them and a book which is, perhaps, just a little fatter. — Terry Pratchett

Authors whose books were selected as ASEs were rewarded with a loyal readership of millions of men. Word spread quickly about the titles that were perennial favorites, even reaching the home front. F. Scott Fitzgerald's The Great Gatsby, which was written in 1925, was considered a failure during Fitzgerald's lifetime. But when this book was printed as an ASE in October 1945, it won the hearts of an army of men. Their praise reverberated back home, and The Great Gatsby was rescued from obscurity and has since become an American literary classic. — Molly Guptill Manning

This book is unique. I know of no other which so artfully tackles two of the greatest mysteries of modern science, quantum mechanics, and consciousness. It has long been suspected that these mysteries are somehow related: the authors' treatment of this thorny and controversial issue is honest, wide-ranging, and immensely readable. The book contains some of the clearest expositions I have ever seen of the strange and paradoxical nature of the quantum world. Quantum Enigma is a pleasure to read, and I am sure it is destined to become a classic. — George Greenstein

We live at a time that is notable for the polemical nature of discussions about identity, consciousness, rationality, agency, memory, and feeling. 'New atheists' and reductive materialists conduct gladiatorial debates against defenders of faith and enemies of reductionism. Lots of heat is produced, but, alas, little light is shed. How marvelous it is, then, to see this fine new book by Lenn E. Goodman and Gregory Caramenico. Here is a learned, illuminating, and decidedly non-polemical treatment of the classic questions of soul, mind, and brain-an exemplary work of scholarship. — Robert P. George

I think I read Susan Brownmiller's classic book called "Femininity" when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless. — Emma Donoghue

I hope for so much from every book I read. And time and again, I find myself disappointed. I look across my bookshelves and see hundreds of titles which in my memory seem merely mediocre or second-rate. Only occasionally does a novel appear for which I feel a lasting passion, a book that I think could in time become a classic. — John Boyne

A classic is a book that doesn't have to be written again. — W.E.B. Du Bois

By the nature of cinema and how it literalizes what we envision, movies can have difficulty replicating that connection we make with a classic book. — Steve Erickson

The world is a book and those who do not travel read only one page. — Augustine Of Hippo

When English author Anna Sewell wrote Black Beauty, in the late nineteenth century, she said that her aim was to "induce kindness, sympathy, and an understanding treatment of horses." Though now considered a children's classic, the book was originally intended for an adult audience. Narrated from the horse's point of view, the novel describes Black Beauty's life, from his earliest memory, of "a large pleasant meadow with a pond of clear water in it" to his wretched existence pulling a heavy load for a cruel peddler. The sentimental and emotionally wrenching book was wildly popular, quickly becoming a bestseller first in England and then in the United States, where it became a favorite of the progressive movement. Sewell's book was the first to popularize interest in the plight of the horse and to generate widespread concern about the beast of burden's treatment. — Elizabeth Letts

("A classic is a book that remains in print" - Mark Van Doren) — Thomas Merton

You had to admire a guy who called his own new book a classic before it was published and anyone else had a chance to read it. — William Goldman