A Blade So Black Quotes & Sayings

The Son of Darkness, a lone brow raised, slowly turned to regard the High King. 'What else, Kallor,' he said in a low, calm voice, 'keeps my blade from your black heart ... if not sentiment? — Steven Erikson

ALPHA: sleek black-and-brown female with a white fang-shaped mark below her ear (also known as Blade) BETA: huge black-and-tan male (also known as Mace) DAGGER - brown-and-tan male with a stubby face PISTOL - black-and-tan female BRUTE - black-and-tan male RIPPER - black-and-tan female REVOLVER - black-and-tan male AXE - large black-and-brown male SCYTHE - large black-and-tan female BLUDGEON - massive black-and-tan male MUSKET - black-and-brown male CANNON - brown-and-tan female LANCE - black-and-tan male ARROW - young black-and-tan male OMEGA: smaller black-and-brown male (also known as Bullet) PUPS: FANG - brown-and-tan male LONE — Erin Hunter

The thing I can't figure out," Axel turned to gaze directly at the gorgeous Elf. "Is how we got drawn into this mess? A week ago we were just boys, bumbling about in our last year of study, and now we're in the midst of events that will change the course of Alba's future! How did that happen?" He tossed his hands in the air and shook his head. "These are our parents' battles. This is our parents' world. They're supposed to hand over something valuable and precious, not suck us into a scarred and shattered wreck!"

Carolyn struggled to maintain her composure. She bit her bottom lip until it quivered in pain. "I don't know how it happened," she whispered, shaking her head, feeling guilty and tortured and evil and awful. "It's not fair though."

"Well, we're in the game now," said Axel, as he stared down at the deadly black blade. "And heaven help all those who stand in our way. — Aaron D'Este

Then the coxswain called out, 'Ready all!' Joe turned and faced the rear of the boat, slid his seat forward, sank the white blade of his oar into the oil-black water, tensed his muscles, and waited for the command that would propel him forward into the glimmering darkness. — Daniel James Brown

Wow," Puck mused, standing beside me. "The River of Dreams." ... Moons, comets and constellations rippled on the surface, and other, stranger things floated upon the misty black waters. Petals and book pages, butterfly wings and silver medals. The hilt of a sword stuck out of the water at an odd angle, the silver blade tangled with ribbons and spiderwebs. A coffin bobbed to the surface, covered in dead lilies, before sinking into the depths once more. The debris of human imaginations, floating through the dark waters of dream and nightmare. — Julie Kagawa

Give the wilding an axe, why not?" He pointed out Mormont's weapon, a short-hafted battle-axe with gold scrollwork inlaid on the black steel blade. "He'll give it back, I vow. Buried in the Old Bear's skull, like as not. why not give him all our axes, and our swords as well? I mislike the way the clank and rattle as we ride. We'd travel faster without them, straight to hell's door. Does it rain in hell, I wonder? Perhaps Craster would like a nice hat instead."
Jon smiled. "He wants an axe. And wine as well."
"See, the Old Bear's clever. If we get the wildling well and truly drunk, perhaps he'll only cut off an ear when he tries to slay us with that axe. I have two ears but only one head. — George R R Martin

She strode across the McGraney boundary without a backward glance, legs cutting twin swatches in the green-black grass. Dawn sunlight simmered on the tip of each blade, and Holly's passage set a surging ripple of light flashing across the meadow.
Extraordinary, thought Artemis. What have I lost? — Eoin Colfer

The hurdler hit the sidewalk midstride and accelerated, dressed all in black, boots pounding the street. He carried a machete whose wet blade glimmered under the glancing beam of his headlamp, running hard, breathing hard, — Blake Crouch

Duncan's best friend, a lean, full-blooded Arapaho answering to the name Benjamin Lonetree, knelt in the dirt above the bloody body of Woody McCune, the Circle D's foreman and Fiona's covert lover. Benjamin was naked except for stained moccasins and a ragged loincloth which just about covered his privates. His long hair fell in black braids along sienna painted cheeks. He gripped Woody's shirt in one hand and a Bowie knife in the other. He looked up at Fiona and, grinning an evil grin, ran the blade across Woody's throat. The foreman fell to earth in a dusty cloud, his eyes surprised and terrified. Benjamin held his bright wet knife to the sky and howled an Arapaho war cry. — A.L. Haskett

The final match-up of the round was by far the most satisfying for Rezkin. It was against the mace wielding Sandman who had murdered the young stave-master. The beast had already attempted to end the life of another competitor that morning. Dark Tidings did not even give the man a chance to put on a show. As soon as the announcer finished speaking, he drew the black blade, strode forward with purpose and disarmed the man, literally. After losing both appendages, the brute fell to his knees in shock. While the healers were running to treat the man before he bled out, Dark Tidings stood over the Sandman and said, 'Bracken Freedon of the Isle of Sand. You have been judged and found guilty. Bring nigh to thee, King's Dark Tidings.' The black blade came down in one fell swoop and took the man's head clean from his body. Green lighting crackled within the black swords length... — Kel Kade

Kate?"
I have a superior reaction time. That was why although I shot out of my chair, jumped onto my desk, and attempted to stab the intruder into my office in the throat, I stopped the blade two inches before it touched Andrea's neck. Because she was my best friend, and sticking knives into your best friend's windpipe was generally considered to be a social faux pas.
Andrea stared at the black blade of the throwing dagger. "That was great," she said. "What will you do for a dollar? — Ilona Andrews

The Anne Rice books are a lot about infection. I read "Interview With the Vampire" a million times when I was in seventh and eighth grade. Also, [writing Gavriel's backstory] definitely came from those books: I sat down and reread them all and thought a lot about ... the way in which vampirism is pushing away from humanity in interesting ways, and creating something new from humanity. I imprinted on those books pretty hard.
Tanith Lee's "Sabella or the Blood Stone" was a big inspiration. I absolutely loved her books; when I was a kid, I wrote many bad Tanith Lee pastiches. Susie McKee Charnas' "The Vampire Tapestry." Poppy Z. Brite's "Lost Souls." Nancy Collins' "Sunglasses After Dark," which sounds like the most '80s title ever. It's about a vampire named Sonja Blue, and she goes around killing vampires. She's the only vampire who's half-alive. It's a really fun, blood-filled romp. It's very "Blade" before "Blade"
with a lady. — Holly Black

Drizzt revealed a small pouch hanging on a fine silver chain around his neck. "A few baubles," he explained. "I need no riches and doubt that I would be able to carry much out of here, anyway! A few baubles will suffice." He sifted through the portion of the pile he had just freed from the ice, uncovering a gem-encrusted sword pommel, its black adamantite hilt masterfully sculpted into the likeness of the toothed maw of a hunting cat. The lure of the intricate workmanship pulled at Drizzt, and with trembling fingers he slid the rest of the weapon out from under the gold. A scimitar. Its curving blade was of silver, and diamond-edged. Drizzt raised it before him, marveling at its lightness and perfect balance. "A few baubles ... and this," he corrected. — R.A. Salvatore

Ireland in shades of black and green under the gibbous moon. Ireland under the canopy of grey cloud, under the crow's wing and the helicopter blade. A night ride over the Lagan valley and the bandit country of South Armagh. The music in my head was Mahler's Ninth Symphony, which opens with a hesitant syncopated motif evocative of Mahler's irregular heartbeat. — Adrian McKinty

Some people hurt themselves with a blade and others do it with poisonous thoughts — Dee Juusan

Magic," he said. Black magic. Strong magic. Dead magic. "Bad magic." Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn't hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila's smile was as sharp as its metal edge. "Sit down before you fall down, magic boy." Lila — V.E Schwab

He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it. — Cormac McCarthy

The slate black sky. The middle step
of the back porch. And long ago

my mother's necklace, the beads
rolling north and south. Broken

the rose stem, water into drops, glass
knob on the bedroom door. Last summer's

pot of parsley and mint, white roots
shooting like streamers through the cracks.

Years ago the cat's tail, the bird bath,
the car hood's rusted latch. Broken

little finger on my right hand at birth--
I was pulled out too fast. What hasn't

been rent, divided, split? Broken the days into nights, the night sky

into stars, the stars into patterns
I make up as I trace them

with a broken-off blade
of grass. Possible, unthinkable,

the cricket's tiny back as I lie
on the lawn in the dark, my hart

a blue cup fallen from someone's hands. — Dorianne Laux

The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all. — George R R Martin

...I'm momentarily transfixed, torn between curiosity and fear. I can pull it up the gently sloping mud bank, but then what? Already thought is lagging behind events, as the blotchy brown mass slides up wet mud toward me, its amorphous margins flowing into the craters left by retreating feet. In the center of the yard-wide disc is a raised turret where two eyes open and close, flashing black. And it's bellowing. A loud rhythmic sound that is at first inexplicable until I realize that those blinking eyes are its spiracles, now sucking in air instead of water, which it is pumping out via gill slits on its underside. And all the while it brandishes that blade, stabbing the air like a scorpion... — Jeremy Wade

But they're bluffing. I defy even the bravest adult to spend the night in a place like Furnace in the pitch black without thinking that every noise is something right behind you with dagger teeth and eyes of silver and blood on its breath; that every whisper of air that runs over your skin is the rush of a descending blade; that every flicker of movement is a tendril of darkness wrapping itself around your throat and coiling in the pit of your belly, where it feasts on your soul. — Alexander Gordon Smith

And I went from sleeper to sleeper, examining their faces as I had so many years ago in the tunnel, always looking for His Cognizance and always hoping - although I knew how absurd it was - that I would find Silk, that Silk had left Hyacinth and would be going with us after all, that Silk had rejoined us when I was inattentive, talking to Scleroderma and Shrike, and lagging behind the slowest walkers to talk to His Cognizance, whom I sought without finding on that nightmare night under the cloud-capped trees that outreach all our towers, so that at last I called out softly "Silk? Silk?" as I walked among the sleepers until Oreb grasped my hand with fingers that were in fact feathers, repeating, "Here Silk. Good Silk," and I took my own advice and found the numbing fruit, cut one in two with the gold-chased black blade of the sword that I had imagined for myself and pressed a half against the sting on my arm, weeping. * — Gene Wolfe

Now," he said, snapping the black blade open, "we have destroyed the teeth, crushed the face, and obliterated the fingerprints. And we have not been caught. We can therefore proceed with the first stage of carcass disposal. Fluid drainage."
Amanda placed her hands together so quickly that they almost clapped. "Ooh," she said. — Warren Ellis

I have always loved simplicity. With you, everything's black and white, Richie had said, like an accusation; but the truth is that almost every murder case is, if not simple, capable of simplicity, and that this is not only necessary but breathtaking, that if there are miracles then this is one. In these rooms, the world's vast hissing tangle of shadows burns away, all its treacherous grays are honed to the stark purity of a bare blade, two-edged: cause and effect, good and evil. To me, these rooms are beautiful. I go into them the way a boxer goes into the ring: intent, invincible, home. — Tana French

'Blade' was amazing; I can't imagine the character without Wesley Snipes. He just made a long, black leather trench coat look so cool. — Kat Graham

Blood fountained in an arterial spray that wet her face, turned the cherry blossoms black, but she was already shoving the blade into his heart and twisting it into so much pulp ... 'Will she be able to make him rise from this?' she asked Raphael, her voice without inflection, without mercy. Slater didn't deserve her emotions, didn't deserve anything but the cold hand of a long-delayed justice. — Nalini Singh

I don't think I have written a poem when I was completely sober. But I have written a few good ones or a few bad ones under the hammer of a black hangover when I didn't know whether another drink or a blade would be the best thing. — Charles Bukowski

His gaze was heat across her cheeks, her lips. It was touch. His eyes were hypnotic, his brows black and velvet. He was copper and shadow, honey and menace, the severity of knife-blade cheekbones and a widow's peak like the point of a dagger. — Laini Taylor

Jon was armored in black ice, but his blade burned red in his fist. As the dead men reached the top of the Wall he sent them down to die again. — George R R Martin

I call myself Mandarb." He could not stop the guffaw that burst out of him. Those tilted eyes regarded him with heat. "I will teach you something, farmboy." Her voice remained level. Barely. "In the Old Tongue, Mandarb means 'blade.' It is a name worthy of a Hunter of the Horn!"
He managed to get his laughter under control, and hardly wheezed at all as he pointed to the rope pen between the masts. "You see that black stallion? His name is Mandarb."
The heat went out of her eyes, and spots of color bloomed on her cheeks. "Oh. — Robert Jordan

The Angel blade burns you, just as God's name chokes you," said Valentine, his cool voice sharp as crystal. "They say that those who die upon its point will achieve the gates of heaven. In which case, revenant, I am doing you a favor." He lowered the blade so that the tip touched Simon's throat. Valentine's eyes were the color of black water and there was nothing in them: no anger, no compassion, not even any hate. They were empty as a hollowed-out grave. "Any last words?"
Simon knew what he was supposed to say. Sh'ma Yisrael, adonai elohanu, adonai echod. Hear, oh Israel, the Lord our God, the Lord is One. He tried to speak the words, but a searing pain burned his throat.
"Clary," he whispered instead. — Cassandra Clare

We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green. — Geoff Dyer

The Dornishman's wife was as fair as the sun, and her kisses were warmer than spring. But the Dornishman's blade was made of black steel, and its kiss was a terrible thing. — George R R Martin

This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye. — Ted Hughes