60ties Songs Quotes & Sayings

We often behave as though Jesus is only interested in saving and loving a romanticized version of ourselves, or an idealized version of our mess of a world, and so we offer to him a version of our best selves. With our Sunday school shoes on, we sing songs about kings and drummers at his birth, perhaps so we can escape the Herod in ourselves and in the world around us. But we've lost the plot if we use religion as the place where we escape from difficult realities instead of as the place where those difficult realities are given meaning. — Nadia Bolz-Weber

How could people not believe in magic when the whole world is made of it? — A.D. Posey

It wasn't that she believed in voodoo, precisely - but she believed in the people who believed in voodoo - and that was scary enough.

-Coralee Ayers — Caitlin Rush

through the rose glass window in their beautiful new home, you stare at the love you gave away. — AVA.

On Mir, the lights kept going out because it had developed so many electrical problems. — Helen Sharman

But I, who am old, who have done what I must do, who stand in the daylight facing my own death, the end of all possibility, I know that there is only one power that is real and worth the having. And that is the power, not to take, but to accept. — Ursula K. Le Guin

Are you an evolutionist?
I'm an absurdist, ma'am. But let's suppose evolution is true; what about the monkeys today? Why can't we see them evolving? Are they still evolving? — Harrison Wheeler

Many books are longer than they seem. They have indeed no end. The boredom that they cause is truly absolute and infinite. — Novalis

He dreams he's with a very sad kid and they're in a graveyard digging some dead guy's head up and it's really important, like Continental-Emergency important, and Gately's the best digger but he's wicked hungry, like irresistibly hungry, and he's eating with both hands out of huge economy-size bags of corporate snacks so he can't really dig, while it gets later and later and the sad kid is trying to scream at Gately that the important thing was buried in the guy's head and to divert the Continental Emergency to start digging the guy's head up before it's too late, but the kid moves his mouth but nothing comes out and Joelle van D. appears with wings and no underwear and asks if they knew him, the dead guy with the head, and Gately starts talking about knowing him even though deep down he feels panic because he's got no idea who they're talking about, while the sad kid holds something terrible up by the hair and makes the face of somebody shouting in panic: TOO LATE. — David Foster Wallace

The U.S. victory in Gulf War was a stirring victory for the forces of aggression. — Dan Quayle