1980 Film Quotes & Sayings

British diplomats who worked in Iran during the 1980 hostage crisis are deeply upset by Ben Affleck's Oscar-winning film 'Argo,' which suggests they refused shelter to the group who managed to get out of the U.S. embassy. — Simon Hoggart

When there was a summer of bad bush fires, all that was left of the house was the brick recess that had held the stove and open fire. Lush rains followed, and with the earth nourished by the ashes, a pine near the front, surviving the holocaust, gave birth to a grove of deep green trees, turning the old tumbledown house into an oasis, causing the travelers to exclaim at the beauty and watch with excitement for the village coming up, perhaps as a peaceful and pretty as the trees. — Olga Masters

It seems to me the American people never really forgave the Democrats for being right about Vietnam. — Paul Begala

Trouble in the air is very rare. It is hitting the ground that causes it. — Amelia Earhart

When you see the films of certain young directors, you get the impression that film history begins for them around 1980. — Jacques Rivette

In tracking what people have to say about schooling, I notice that most of the conversation is about means, rarely about ends ... It is as if we are a nation of technicians, consumed by our expertise in how something should be done, afraid or incapable of thinking about why. — Neil Postman

When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped. — Crispin Glover

Early in the summer of 1980, shortly after his son turned three, A. and the boy spent a week together in the country, in a house owned by friends who were off on vacation. A. noticed that Superman was playing in a local theater and decided to take the boy, on the off-chance that he would be able to sit through it. For the first half of the film, the boy was calm, working his way through a bin of popcorn, whispering his questions as A. had instructed him to do, and taking the business of exploding planets, rocket ships, and outer space without much fuss. But then something happened. Superman began to fly, and all at once the boy lost his composure. His mouth dropped open, he stood up in his seat, spilled his popcorn, pointed at the screen, and began to shout: Look! Look! He's flying! — Paul Auster

Here comes old Rosie she's looking mighty fine, here comes hot Nancy she's steppin' right on time. There go the street lights bringing on the night, here come the men faces hidden from the light. — Bob Seger