1960s Art Quotes & Sayings

Though Diogenes lived in a tub, there might be, for aught I know, as much pride under his rags, as in the fine-spun garments of the divine Plato. — Jonathan Swift

The art of phlebotomy originated with bloodletting in 1400 B.C., and the modern clinical lab emerged in the 1960s - and it has not fundamentally evolved since then. You go in, sit down, they put a tourniquet on your arm, stick you with a needle, take these tubes and tubes of blood. — Elizabeth Holmes

I have smoked marijuana, but I no longer do. I went to art school in the 1960s so you can imagine what was going on. Yet my friends were the ones who said, "No, no, no, David, don't take those drugs." I was pretty lucky. — David Lynch

The number of theatres that regularly played art films (defined as foreign language films and English language films produced abroad without American financing) increased from around one hundred in 1950 to close to 700 by the 1960s. Foreign film distribution in the United States was originally handled by dozens of small independent outfits, but when Brigitte Bardot's And God Created...Woman broke box-office records in 1956, Hollywood took over. In search of foreign pictures with commercial ingredients, the majors absorbed the most talented foreign film-makers with offers of total financing and promises of distribution in the lucrative US market. — Tino Balio

I found so much fun in the light shows and the multimedia shows of the hippies. That was when I was a student in the 1960s, and I was in New York, so I learned how to deal with writing, recording sound of other people, performance art - because that was a new territory, and I liked everything that was new and provocative. That interested me more than becoming anything specific. — Charlemagne Palestine

You cannot step a foot into the literature about the 1960s without being told how 'creative', 'idealistic', and 'loving' it was, especially in comparison to the 1950s. I fact, the counterculture of the Sixties represented the triumph of what the art critic Harold Rosenberg famously called the 'herd of the independent minds'. Its so-called creativity consisted in continually recirculating a small number of radical cliches; its idealism was little more than irresponsible utopianism; and its crusading for 'love' was largely a blind for hedonistic self-indulgence. — Roger Kimball

A heart of stone doesn't know any better. — Toba Beta

When you love yourself and are confident in your life walk, that love will radiate and reflect to the masses. — Alexandra Elle

As a young kid I was in love with breakdancing. I practiced the uprock style, which is a battle style of dance that looks like fighting. It comes from the gangs in New York in the 1960s and '70s. It's beautiful, almost like a martial art, and it can be funny, too, because you make fun of each other. — Jose Parla

TV was entertainment of the last resort. There was nothing on during the day in the summer other than game shows and soap operas. Besides, a TV-watching child was considered available for chores: take out the trash, clean your room, pick up that mess, fold those towels, mow the lawn ... the list was endless. We all became adept at chore-avoidance. Staying out of sight was a reliable strategy. Drawing or painting was another: to my mother, making art trumped making beds. A third choir-avoidance technique was to read. A kid with his or her nose in a book is a kid who is not fighting, yelling, throwing, breaking things, bleeding, whining, or otherwise creating a Mom-size headache. Reading a book was almost like being invisible - a good thing for all concerned. — Pete Hautman

There is a glory in a great mistake. — Nathalia Crane

And then the work bears a strong sense of leave-taking for me personally. It ends the work I began in the 1960s (paintings from black-and-white photographs), with a compressed summation that precludes any possible continuation. And so it is a leave-taking from thoughts and feelings of my own on a very basic level. Not that this is a deliberate act, of course; it is a quasi-automatic sequence of disintegration and reformation which I can perceive, as always, only in retrospect. — Gerhard Richter

The 1960s was a heroic age in the history of the art of communication - the audacious movers and shakers of those times bear no resemblance to the cast of characters in 'Mad Men.' — George Lois

Since 1960s pop art the art world has been happy for artists to use the lowbrow to add zest and authenticity to their works. But middlebrow has resonances of the suburban bourgeousie who might see art as aspirational by association. — Grayson Perry

Since people are going to be living longer and getting older, they'll just have to learn how to be babies longer. — Andy Warhol

Context is everything. Dress me up and see. I'm a carnival barker, an auctioneer, a downtown performance artist, a speaker in tongues, a senator drunk on filibuster. I've got Tourette's. My mouth won't quit, though mostly I whisper or subvocalize like I'm reading aloud, my Adam's apple bobbing, jaw muscle beating like a miniature heart under my cheek, the noise suppressed, the words escaping silently, mere ghosts of themselves, husks of empty breath and tone. — Jonathan Lethem

The thing that defines a species is that all members have the same addressing system for their DNA. — Richard Dawkins

We all want expanded consciousness and bliss. It's a natural, human desire. And a lot of people look for it in drugs. But the problem is that the body, the physiology, takes a hard hit on drugs. Drugs injure the nervous system, so they just make it harder to get those experiences on your own.
I have smoked marijuana, but I no longer do. I went to art school in the 1960s, so you an imagine what was going on. Yet my friends were the ones who said, "No, no, no, David, don't you take those drugs." I was pretty lucky.
Besides, far more profound experiences are available naturally. When your consciousness stars expanding, those experiences are there. All those things can be seen. It's just a matter of expanding that ball of consciousness. And the ball of consciousness can expand to be infinite and unbounded. It's totality. You can have totality. So all those experiences are there for you, without the side effects of drugs. — David Lynch

I was created in love. For that reason nothing can express my beauty nor liberate me except love alone. — Mechthild Of Magdeburg

The Beats were tremendously significant, but chiefly in the way that they provided a preview in the 1950s of the cultural, intellectual, and moral disasters that would fully flower in the late 1960s. The ideas of the Beats, their sensibility, contained in ovo all the characteristics we think of as defining the cultural revolution of the Sixties and Seventies. The adolescent longing for liberation from conventional manners and intellectual standards; the polymorphous sexuality; the narcissism; the destructive absorption in drugs; the undercurrent of criminality; the irrationalism; the naive political radicalism and reflexive anti-Americanism; the adulation of pop music as a kind of spiritual weapon; the Romantic elevation of art as an alternative to rather than as an illumination of normal reality; the pseudo-spirituality, especially the spurious infatuation with Eastern religions: in all this and more the Beats provided a vivid glimpse of what was to come. — Roger Kimball

There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick. — Bridget Carpenter

One thing I learned a long time ago as a prosecutor is that it's tough to get people to obey a law if there is not penalty for breaking it. — Roy Barnes

NOT MY DAUGHTER, YOU BITCH!" Mrs. Weasley threw off her cloak as she ran, freeing her arms. — J.K. Rowling

You're the nicest boy ever,", I told him, feeling undeserving and terrible. "You didn't have to get me anything. I like thinking about you thinking about me when I'm not around. — Maggie Stiefvater

In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that. — Brian Eno